N.p. N.p. Vintage borderless photograph of experimental theater director Robert Wilson in Paris on the occasion of the Paris Autumn Festival, October 1974. With typed description and agency stamps on the verso. Robert Wilson founded The Byrd Hoffman School of Byrds, an experimental performance group in 1968. He is well known...
Hollywood: Paramount Pictures / Pennebaker Productions, 1961. Collection of four vintage oversize double weight matte finish photographs from the 1961 film. Based on the 1956 novel "The Authentic Death of Hendry Jones" by Charles Neider. Marlon Brando's only directorial effort, after his production company fired original screenwriter Sam Peckinpah and...
Universal City, CA: Universal Pictures, 1949. Revised First Continuity script for the 1950 film noir, here under the film's working title, "Death on a Side Street." That title has been struck through in pencil, with the film's final title, "One Way Street," written just above it. Copy belonging to studio...
New York: Macmillan, 1970. First Edition. Copy from the Metro-Goldwyn-Mayer [MGM] library, with two of their rubber stamps on the front endpaper at the bottom center, one that reads "FILE COPY," overstamped by another that reads "VAULT COPY," at the top center. Also on the front endpaper is a holograph...
N.p. N.p., Circa 1930. Vintage double weight photograph of Josephine Baker, circa 1930. With photographer Murray Korman's studio logo in white at bottom right corner of the recto. Baker moved to France in 1925, where she quickly gained success as a dancer and actress, starring in several films throughout the...
(read more)about Original photograph of Josephine Baker, circa 1930
Paris: Ajym Films, 1961. Original French moyenne poster (affiche) for the 1961 French film. Winner of the 1962 Sutherland Trophy for best first or second feature by the British Film Institute. Scarce, with only two copies found in Cine-ressources. A labor of love released after numerous financial woes and a....
Universal City, CA: Universal Pictures, 1957. Revised Final script for the 1958 film. Based on the 1947 play "For Love or Money" by F. Hugh Herbert. Presentation copy belonging to producer Ross Hunter, bound in full navy calf with gilt titles and design, with Hunter's name on the front board...
N.p. N.p., Circa 1940s. Draft English language script of Camus' 1944 play. Ribbon copy typescript on onionskin, circa 1940s, largely faithful to the 1947 Stuart Gilbert English translation, "Caligula and Cross Purpose," but with modifications made apparently for a smaller production. The adaptation includes the removal of incidental characters (patricians...
New York: Harper and Brothers, 1961. First Edition. The author's first book. Basis for the classic 1963 film, "Hud," directed by Martin Ritt, and starring Paul Newman, Patricia Neal, and Melvyn Douglas, the latter two in Oscar-winning performances. Easily Near Fine in a Near Fine, price-clipped dust jacket. A strip...
Wengen, Switzerland: Alpine Films, 1965. Vintage oversize double weight photograph of Orson Welles and John Gielgud on location in Spain for the shooting of "Chimes at Midnight" in 1965. Shot and struck by noted photographer Nicolas Tikhomoroff, with his rubber stamp and the stamp of his Parisian agency, V.I.P., on...
(read more)about Orson Welles and John Gielgud on the set of "Chimes at Midnight"
N.p. N.p., 1916. Vintage Swiss one sheet lithograph poster, made to promote the 1916 opening of Speck's Orient-Cinema in Zurich, during the heart of the silent film era. Designed and illustrated by costume and commercial designer Ernst Deutsch-Dryden. The poster's illustration portrays well-dressed clientele watching a Western movie, likely meant...
Italy: Produzioni Europee Associati [PEA], 1975. Vintage oversize borderless black-and-white double weight photograph from the set of the 1975 Italian film. With the stamp of photographer Deobrah Imogen Beer (as Deobrah Beer) on the verso, along with a typescript snipe. Also described in an ink notation on the verso is...
Berlin: Film-Kurier, 1924. Original German programs for duology "Die Nibelungen," one each for "Die Nibelungen: Siegfried" and "Die Nibelungen: Kriemhild's Revenge." Based on the thirteenth century epic poem "Nibelungenlied." Text in German. Film-Kurier was the first German film journal, published daily beginning in 1919. Film-Kurier's classic era lasted until 1933...
(read more)about Die Nibelungen: Siegried and Kriemhild's Revenge
Hollywood: Paramount Pictures, 1935. Vintage photograph of author Dashiell Hammett, star George Raft, and director Frank Tuttle on the set of the 1935 film noir. Snipe, stamps, and annotations on the verso, all indicating that this photo was used a number of times since it was struck in 1935. Based...
New York: Edward J. Clode, 1927. First Edition. In the first state dust jacket, priced $2.00 and with a blurb for this title on the front flap and an advertisement for Richard H. Watkin's "Half a Clue" on the rear flap. From the collection of Otto Penzler. In the early days of...
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1931. Draft script for the 1932 film, based loosely on Edgar Rice Burroughs' novel "Tarzan of the Apes." Two black and white reference photographs for the film also laid in. The first of Weissmuller's twelve Tarzan films, and the first appearance of Cheeta, Tarzan's chimpanzee...
Italy: Nepi Film, 1960. Vintage borderless photograph from the set of the 1961 film. A candid aerial photograph of Mastroianni, Moreau, and two other cast members conversing around a table. With a stamp for Telecine and a few annotations on the verso. The second film in the trilogy that begins...
Los Angeles: Twentieth Century-Fox, 1960. Vintage oversize, double weight, borderless film still from the 1960 musical film depicting Shirley MacLaine involved in a hand of cards with assistant director Joseph E. Rickards while Frank Sinatra and director Walter Lang look on. Based on the 1953 Broadway musical by Abe Burrows...
London: Metro Tartan, Circa 1982. Collection of six vintage studio still photographs from the 1982 film. Aliens seeking heroin land their UFO on top of a New York apartment building, where they witness the antics of bisexual, androgynous fashion model Margaret and her cocaine-addled friends. A bizarre new wave science...
Paris: Franfilmdis / Argui-Film, 1933. Collection of four vintage oversize double weight studio still photographs for the landmark 1933 silent film by Jean Vigo. Each with the stamp of French weekly "Tele Magazine" on verso, two with holograph annotations regarding layout. Although he only made four films before his death...
N.p. N.p., Circa 1937. Treatment script (here called a "Suggested Screen Treatment") for the 1939 film by British playwright and screenwriter Mordaunt Shairp. Annotation in holograph pencil on upper left of front wrapper, partially lost because of chipping. Shairp, during his brief three year run as a screenwriter, worked previously...
New York: J.B. Lippincott, 1973. First printing of this edition, and first American edition in hardcover. INSCRIBED in the year of publication on the front endpaper to Denver Post book editor Clarus Backus: "For Clair and Earlene / Thank you for one of those very good, very rare evenings /...
N.p. N.p., Circa 1965. Vintage borderless press photograph of Fondas Henry, Peter, and Jane outside of the a Whelan's Drugstore in New York City, circa the mid-1960s. With the New York stamp of photographer Don Ornitz, and the stamp of UK press agency Pictorial Press on the verso. 8 x....
(read more)about Original photograph of Henry, Peter, and Jane Fonda in New York City, circa 1965
Worcester, MA: Metacom Press, 1985. First Edition. One of 500 copies (this being No. 196) SIGNED and numbered by Gorey. Prospectus for the edition laid in. A cut-apart style book in illustrated tan wrappers with two side-stapled spines. The book is "read" by independently flipping the captions and illustrations on...
Hollywood: Faces, 1979. Fifth Draft script for the 1980 film, here under the working title "One Summer Night." Name of uncredited editor Jack McSweeney and "#36" in holograph ink on top right of title page. After her neighbors are killed in a mob hit, a woman goes on the run...
New York: Sabinson, 1969. Collection of 6 vintage black-and-white still photographs from the 1969 Broadway play, written by and starring Woody Allen, as well as Allen's first production with a young Diane Keaton. Each photo with a mimeograph snipe on the verso crediting photographer Leo Stern and the Sabinson Agency...
Beverly Hills, CA: United Artists / Caralan Productions, 1961. Draft script for the 1961 British horror film, here under the working title "The Lady is a Snake," with the release title in holograph pencil on the front wrapper. Though made in the UK, the film was a US co-production, and...
N.p. N.p., 1978. Revised Draft script for the 1979 film, here under the working title "The Number." Copy belonging to actor Martin Landau, with his extensive holograph pencil and ink annotations throughout. Realizing that his family faces eviction due to a corrupt real estate deal, a desperate inventor takes a police...
N.p. Alfieri, 1969. Vintage oversize double weight color photograph of Dennis Hopper and Jack Nicholson, at an outdoor press conference held in front of the Carlton Hotel at the Cannes Film Festival, where Hopper was awarded the Cannes First Film Prize. Shot by Marc Alfieri, and signed by him in...
Culver City, CA: Columbia Pictures, 1956. Final Draft script for the 1957 film. Copy belonging to Robert Arthur, who played Freddy Warren, with his name on the front wrapper in holograph ink, and holograph ink annotations, additions, and changes to his scenes throughout. Based on the novel "Hellcats of the...
Culver City, CA: Columbia Pictures, Circa 1947. Vintage press photograph of Rita Hayworth, Orson Welles, and the film's still photographer Robert Coburn on the set of 1947 film noir. Mimeograph snipe on the verso notes that here Welles and Coburn are discussing the Jean Louis clothing designs for the film...
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1940. Revised Draft script for the 1941 film noir. Studio file copy, with rubber-stamps on the front wrapper. Brief annotations in holograph pencil on both sides of the front wrapper. Text ends with scene 392, as called for. Based on Francis de Croisset's 1932 play...
Burbank, CA: Walt Disney Productions, 1975. Draft script for the 1976 film "The Shaggy D.A.," seen here under the working title "Double Trouble." Copy belonging to actor Hank Jones, who played the role of Policeman #2, with his name to the front wrapper in black ink. The sequel to the...
New York: Museum of Modern Art, 1968. Vintage poster for an exhibition of work associated with an unrealized Christo project, intended to wrap the New York Museum of Modern Art. INSCRIBED by the artist on the poster in orange crayon: "For Betsy Jones / Christo 1968." In early 1968 Christo and...
Los Angeles: Twentieth Century-Fox, 1940. Collection of 38 vintage keybook set design photographs from the 1940 film. Based on the Charlie Chan character created by Earl Derr Biggers. The twenty-fourth entry in the famed "Charlie Chan" film series, and the eighth to feature Sydney Toler, wherein the great Honolulu-based detective...
Neuilly-sur-Seine, France: Argos Films, 1963. Archive of 15 vintage borderless photographs from the 1963 film, each photograph showing director Alain Resnais on the set, often accompanied by cast, crew, or camera and lighting set ups. With holograph annotations on the verso of a few photographs. In a small seaside town...
(read more)about Muriel, or the Time of Return [Muriel ou le Temps d'un retour