New York: Duell, Sloan, and Pearce, 1947. Second Edition. INSCRIBED by the author on the front endpaper in 1949 to composer Arthur Berger: "For Arthur Berger / with the gratitude of / Merle Armitage / 1949."
Berger and Armitage were not only contemporaries in the New York arts scene of the 1940s, they had a strong connection in a composer that had just preceded them, Igor Stravinsky. The work of both men—Armitage's work as an impresario and Berger's compositions—strongly reflected his influence, and both wrote essays on him, captured in the noted collection of essays on Stravinsky edited by Edwin Corle and published in 1949, the same year the book offered here was inscribed. Jacket is moderately faded at the spine panel and folds, but has no chips or tears. A survey of dance profusely illustrated with photographs and works of art from diverse cultures and periods throughout. Yellow pictorial endpapers by Picasso. A tremendous association.
Near Fine in a Very Good plus dust jacket.