Stockholm: Svensk Filmindustri, 1968. Vintage black-and-white Swedish photograph from the 1968 film. Notation on the verso with the Spanish title for the film, "LA HORA DEL LOBO," indicating that this still was likely used in the Spanish market upon the film's release.
Shown in the photograph are an ostensibly pregnant Ullmann, cinematographer Nykvist, and Bergman behind the camera.
A film that Bergman found so intensely personal that he experimented with a technique wherein he intercut his discussions with the cast and crew throughout, breaking the fourth wall and creating an emotional distance. The director removed all the inserts except for two prior to the film's release, at the beginning and the end.
8 x 10 inches. Near Fine.