Beverly Hills, CA: United Artists, 1967. Three vintage borderless black-and-white photographs taken on the set of the 1967 film: (1) director Norman Jewison sitting alone, (2) Jewison directing Rod Stieger, and (3) Jewison directing a key early scene featuring actors Arthur Malet, Sidney Poitier, and Rod Steiger. With holograph ink annotations regarding layout on the verso.
From the collection of film historian and author Joel Finler.
Based on John Ball's 1965 novel. An African American police detective from Philadelphia is recruited to help solve a murder in a small, bigoted Mississippi town. The film dealt skillfully with the topic of race relations in the South during the Civil Rights movement, and included a controversial scene in which a white actor, Larry Gates, slaps Poitier in the face, at which point Poitier slaps him right back. It was said you could determine the racial makeup of a theater by their verbal reaction to the scene: cheers for a predominantly black audience, or whispers for a predominantly white one.
Winner of five Academy Awards including Best Picture, and nominated for two others.
Though set in the fictional town of Sparta, Mississippi, Poitier refused to travel below the Mason-Dixon Line, so the film was shot largely in Illinois.
One photograph 7.5 x 10 inches, one photograph 10 x 8 inches. Near Fine.
National Film Registry. Penzler 101.