N.p. Bernie Abramson, 1967. Vintage silver gelatin reference photograph from the brutal 1967 film, based on Truman Capote's nonfiction book. Stamped twice on the verso, once in red (Columbia Pictures) and once in black (ORIGINAL PRINT / Pictorial Press, Ltd., with contact information). This image shows Dick (Scott Wilson) taking a rifle from the back seat of his car, just.....
Moore Park, Australia: Embassy Pictures, 1965. Final Draft script for the 1965 film. Copy belonging to actor Hank Jones, who played the role of Chuck, with his name on the front wrapper in black ink. With 19 pages of deleted scenes laid in. Loosely based on the 1904 H.G. Wells novel "The Food of the Gods and How It Came.....
London: Warner-Pathe, 1968. Vintage full-color still photograph from the 1968 UK film. A domineering mother attempts to dissuade her sons' fiancees from joining the family. 8 x 10 inches. Near Fine.
New York: Grove Press, 1969. Two vintage reference photographs from the 1969 documentary film. Canadian filmmaker Bill Brodie's directorial debut, an incisive look at the Vietnam War through the eyes of Terry Whitmore, an African American US Marine who sought asylum in Sweden after being wounded in action near Con Thien. Whitmore became one of the few African American veterans.....
N.p. N.p., Circa 1946. Vintage reference photograph from the 1946 film, showing director Billy Wilder and actress Kim Novak. Based on the 1944 play "L'ora della fantasia" ("The Dazzling Hour") by Anna Bonacci. A jealous piano teacher playing host to an infamous nightclub singer sends his beautiful wife away in the hopes of keeping the lecherous singer from seducing her.....
Beverly Hills, CA: United Artists, 1963. Collection of 18 vintage reference photographs from the 1963 film. Based on French playwright Alexandre Breffort's 1956 stage musical, about the torrid romance between a French policeman and a prickly, popular street prostitute. Actor Shirley MacLaine, who traveled with Jack Lemmon to real Paris brothels to research their roles, was nominated for an Academy Award.....
Beverly Hills, CA: United Artists, 1966. Collection of five vintage borderless black-and-white studio still photographs from the set of the 1966 film. All photographs show Billy Wilder giving direction, including scenes in a bedroom, on a football field, in a cemetery, and more. Walter Matthau won an Academy Award for his role in the film. 8 x 10 inches. Near.....
N.p. Lopert Pictures Corporation, 1964. Vintage black-and-white reference photograph from the set of the 1964 film. Director Billy Wilder shown with Kim Novak. Based on the 1945 Italian play "L'ora della fantasia" by Anna Bonacci. A jealous piano teacher playing host to an infamous nightclub singer sends his beautiful wife away in the hopes of keeping the lecherous singer from.....
N.p. N.p., Circa 1965. Vintage borderless reference photograph from the 1965 film, showing actors James Coburn and Dick Shawn crouching in a bush, with director Blake Edwards and a camera to the right, capturing the shot. During the Allied invasion of Sicily, an outfit of US soldiers are assigned to capture the small town of Valerno, but find the townspeople.....
![The Great Race [Grande Corsa] (Original photograph from the 1965 film). Blake Edwards, Arthur A....](/pictures/thumb/150160.jpg?v=1638077667)
N.p. N.p., 1965. Vintage borderless reference photograph from the 1965 film, showing actor Jack Lemmon in costume as Professor Fate, in turn in disguise as Crown Prince Fredrich Hapnick, covered in cake and pie. With the stamp of Globe Photos dated 14 April 1965, two Italian agency stamps, and a stamp noting No. 7053 on the verso. Loosely based on.....
Beverly Hills, CA: United Artists, 1964. Collection of 3 vintage black-and-white reference studio still photographs from the 1964 film. The second of the "Pink Panther" films, based on the 1962 book by Harry Kurnitz, which in turn was adapted from Marcel Achard's play, "L'Idiote." Probably one of five funniest films of the 1960s, and the defining installment in the well-loved.....
N.p. Trans American Films, 1967. Vintage studio still photograph from the 1967 documentary film, showing a nurse applying seaweed to a naked woman's back and legs. Cropping annotations to the verso. A mondo documentary (although many scenes were staged by the filmmakers) presenting unusual torture methods across the world, including ritual sacrifices by Satanists and pagans, Nazi concentration camps, medieval.....
Universal City: Universal Pictures, 1969. Vintage reference photograph of director Bob Fosse showing actress Shirley MacLaine how to execute a leap on the set of the 1969 film. With holograph ink and pencil annotations to the verso. Based on the 1966 musical, which was loosely based in turn on Federico Fellini's 1957 film "Nights of Calabria." A happy-go-lucky taxi dancer dreams.....
Culver City, CA: Columbia Pictures, 1967. Collection of twelve vintage color narrow border studio still photographs from the 1968 film. Bob Rafelson, co-creator and executive producer of the 1967/1968 television series "The Monkees," took the concept in a decidedly different direction for his first film; a sardonic view of The Monkees as a commodified concept, and a vehicle for acidic social.....
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1962. Draft script for the 1963 film. Four street urchins bet weekly on the horse races and decide to steal a dime from the church one week in order to allow Jesus to be a partner in their scheme. They win an exorbitant amount, only to have the winning ticket float away on the breeze.....
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1965. Revised Draft script for the 1966 film. Maggie Scott (Ann-Margret) works as an assistant to Irene Chase (Adams), a fashion purchaser for a large clothing store, and is sent to Paris as a representative for the annual fashion shows of the major European designers. While in Paris, Maggie strikes up a romance with Marc.....
N.p. N.p., Circa 1961. Original black-and-white photograph of French actor Bourvil, pictured having a sparkling water with a jolly balding man, circa 1961. Presumably taken for publicity or by an in-house photographer, on double-weight matte finish paper with deckle edges. Bourvil was starring in René Clair's "Tout l'or du monde" (1961), and would go on to make notable films with.....
![A Ravishing Idiot [Agent 38-24-36] (Collection of three original photographs from the 1964...](/pictures/thumb/149489.jpg?v=1638077388)
Rome: Flora Film, 1964. Collection of three vintage borderless reference photographs from the 1964 film, showing actress Brigitte Bardot having been caught unawares while changing clothes. A clumsy USSR spy is tasked with stealing sensitive information from NATO, which he attempts with the help of his new partner, an unlucky but beautiful young woman. Set and shot on location in London, England.....
Los Angeles: Paramount Pictures, 1967. Collection of five vintage reference photographs from the 1967 film, all featuring actress Brigitte Bardot. Four with printed mimeo snipes affixed to the verso. From the collection of noted British film producer John Palmer. A French woman is tempted to stray from her older English husband when she meets a vibrant younger man. Shot on location.....
N.p. N.p., Circa 1967. Vintage black and white reference photograph from the set of the 1967 film, showing actress Brigitte Bardot in the bath between takes, with director Serge Bourguignon to her right. With cropping annotations in pencil on the verso, along with a provenance stamp. A French woman is tempted to stray from her older English husband when she.....
Culver City, CA: Columbia Pictures, 1965. Collection of 12 vintage color studio still photographs from the 1965 film. After being labeled a coward, Lord Jim seeks redemption through an exceptionally dangerous mission. In its wake, he finds himself faced again with the choice of self preservation or honor. The Technicolor film was based on Joseph Conrad's novel of the same.....
N.p. Lopert Pictures, 1966. Collection of eight vintage studio still photographs from the US release of the 1965 British film. Housed in the original brown paper envelope stamped "It Happened Here 8 Stills Set A." Rare. The first feature film to be directed by documentarian and film scholar Kevin Brownlow. Shot in the style of a docudrama, an alternative history in.....
Burbank, CA: Warner-Pathe, Circa 1969. Collection of three vintage black-and-white studio still photographs from the UK release of the 1969 film. Rubber-stamped on the versos, "Not for Sale / Warner-Pathe Copyright." Based on Jean Giraudoux's 1945 French play, "La Folle de Chaillot." Countess Aurelia (Hepburn) is an idealistic, slightly mad woman with a heart of gold who decides to protest.....
N.p. N.p., 1965. Early Draft script for the 1965 British comedy film. Based on the 1889 novel by Robert Louis Stevenson and Lloyd Osbourne. In 1818, the parents of 20 boys establish a tontine, a fund to go to the last surviving boy. It is now 1882 and only 2 elderly brothers are left, Joseph (Ralph Richardson), protected by his nephews.....
New York: Janus Films, 1964. Collection of five vintage studio still photographs from the 1964 film. "The Troublemaker" was inspired by The Premise, an improv group begun by Theodore J. Flicker in 1960, and starred all but one of the original members of the group (George Segal). New Jersey chicken farmer Jack Armstrong (Tom Aldredge) moves to Greenwich Village to open.....
![The Rise and Fall of Legs Diamond [The Life and Death of Legs Diamond] (Original screenplay for...](/pictures/thumb/148398.jpg?v=1638077012)
N.p. United States Productions, Inc, 1959. Revised Estimating script for the 1960 film belonging to actor Martin Landau, here under the working title "The Life and Death of Legs Diamond." Laid in are five carbon typescript pages of script with Landau's name written in holograph ink to upper right and annotations to dialogue of lead character Legs in holograph pencil.....
![Chicago in the Roaring Twenties [The Bootleggers] (Original screenplay for the 1965 television...](/pictures/thumb/141961.jpg?v=1525704111)
London: British Broadcasting Corporation [BBC], 1967. Final Draft script for the 1967 BBC television special "Chicago in the Roaring Twenties," seen here under the working title "The Bootleggers." Based on British broadcaster and naturalist Kenneth Allsop's 1961 book "The Bootleggers." A BBC special in which the infamous gangster Al Capone's Chicago mafia reign is illustrated in song and dance, directed.....
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1965. Collection of three vintage oversize borderless black-and-white double reference studio still photographs from the 1965 film. Based on the 1963 novel by Lionel White. Featuring Glenn Ford, accompanied in two photos by Rita Hayworth. 8 x 10 inches. Near Fine condition, with rubber stamp, carbon copy description, and holograph notation in blue ink to.....
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1965. Final draft pilot script for the MGM television series which aired on September 6, 1966 on ABC. Laid in, a MGM Work Order and Call Sheet, filled out in holograph ink, dated "WED. 12-8-65" in holograph ink. Bound in is a five page Shooting Schedule dated 11-29-65, struck through on three pages in holograph.....
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1964. Draft script for the 1965 film, with the name of cinematographer "Paul Vogel" followed by what appears to be "81" in holograph pencil on the first revision page, page 55. Laid in is a 17 page shooting schedule, dated 4-22-64, with two brief annotations in holograph pencil, "(arroflex (zoom)" and "camera car." Based on the.....
Los Angeles: Twentieth Century-Fox, 1961. Vintage studio still photograph from the 1961 film, showing actors Teresa Stratas and Robert Ryan. A group of Sioux refugees arrive in Canada seeking shelter from the Indian wars in the US, but encounter trouble when cowboys ride up from Montana in a surprise attack. Burt Kennedy's directorial debut. Shot on location in Cypress Hills, Saskatchewan.....
N.p. N.p., Circa 1966. Collection of six vintage borderless reference photographs from the 1966 Western film, featuring, variously, actors Claudia Cardinale, Woody Strode, Lee Marvin, and director Richard Brooks on the set. Based on the 1964 novel "A Mule for the Marquesa" by Frank O'Rourke, about four men hired by a wealthy Texan to rescue his wife from a Mexican revolutionary.....
![The Devil's Eight [The Devil's 8] (Collection of five original photographs from the 1969 film)....](/pictures/thumb/150629.jpg?v=1637907187)
Los Angeles: American International Pictures [AIP], 1969. Collection of five vintage studio still photographs from the 1969 film. Eight convicted felons band together to stop a moonshine gang. A film that came exploitatively on the heels of "The Dirty Dozen" (1967). Shot on location in San Bernardino, California. 8 x 10 inches. Near Fine.
Cannes, France: N.p., 1964. Original souvenir programs and film credits material showcasing some of the films from the 1964 Cannes Film Festival. It was this festival, the seventeenth one to be held, that the award name was changed from the Palme d'Or to the Grand Prix du Festival International du Film, the name used until 1974 when it returned to.....
Culver City, CA: Columbia Pictures, 1960. Vintage press kit for the 1960 film. Full-color illustrated pocketed folder, containing one oversize matte-finish borderless reference photograph, showing actors Cantinflas and Janet Leigh. A ranch hand goes to California to rescue a white stallion (which he considers to be his family) from the hotshot Hollywood director who has purchased it. The second American.....
New York: Filmmakers Newsletter / Filmmakers' Cinematheque, 1967-1971. Archive of 41 issues of "Filmmakers Newsletter," dating from the first four years of the magazine, including Vol. I, issue 1. Early issues of the magazine are scarce, and putting together a collection of this size piecemeal would be prohibitively difficult. Founded in 1967 by experimental filmmaker Carl Linder as "New York.....
N.p. N.p., Circa 1967. Vintage borderless reference photograph of director Carl Reiner and actors Jose Ferrer and Elaine May on the set of the 1967 film. Reiner's debut as a director, and Elaine May's first feature film. Based on the 1963 play, which was in turn based on the semi-autobiographical novel by director Carl Reiner. Against the wishes of his.....
Universal City: Universal Pictures, 1963. Vintage studio still photograph from the 1963 film, a Doris Day vehicle and the screenwriting debut of Carl Reiner (he also starred). The photo shows an extraordinary prop, a full size billboard advertising a product called "Happy Soap," which plays a part in the film's story. With the stamp of director-editor Barrie Pattison on the.....
Copenhagen: Palladium Films, 1965. Original English language program for the 1964 Danish film. Photo-illustrated with stills from the film. The great Danish director's final film, an adaptation of the 1906 play by Hjalmar Soderberg. 4.75 x 6 inches. Near Fine in in saddle stapled self wrappers. BFI 667. Criterion Collection 127. Rosenbaum 1000.
Paris: Affiches Gaillard / Cineriz, 1961. Original French grande poster for the 1961 Italian-French film. Based on Giovanni Guareschi's infamous Italian character. Don Camillo (Fernandel) heads to rome after a fight with Peppone (Cervi), where he becomes monsignor, but his spirit eventually leads him back home. A local mayor tries to deceive Camillo during the wedding of Peppone's son. The.....
Los Angeles: Twentieth Century-Fox, 1965. Five vintage color studio still photographs from the 1965 film. The film follows the quarrels between Michelangelo and Pope Julius II over the painting of the Sistine Chapel. It was nominated for five Academy Awards, including Best Cinematography and Best Art Direction. Shot on location in Italy. 8 x 10 inches. Fine...
Los Angeles: Twentieth Century-Fox, 1965. Vintage studio still photograph from the 1965 film. The film follows the quarrels between Michelangelo and Pope Julius II over the painting of the Sistine Chapel. It was nominated for five Academy Awards, including Best Cinematography and Best Art Direction. Shot on location in Italy. 8 x 10 inches. Fine.
N.p. N.p., Circa 1960s. Collection of three vintage borderless photographs of Catherine Deneuve and David Bailey dancing at a space-themed party in France, circa 1960s. Accompanying the photographs is a contact sheet featuring the images of the photographs, with holograph pencil annotations on the recto. Photographs 7 x 9.5 inches. Very Good plus. Contact sheet 12 x 9.25 inches. Very Good.....
N.p. N.p., 1963. Draft script for the 1964 British film noir. With a few holograph ink annotations on the front wrapper and throughout, mostly noting deletions. The daughter of a recently deceased psychoanalyst enlists one of her father's former patients, an American newscaster, in helping her discover the cause of his mysterious death. Blue untitled wrappers with a die-cut title window.....
Los Angeles: APJAC Productions, 1964. Treatment script for an unproduced film, with blue revision pages throughout. Bound in with the script are a number of black and white photograph illustrations of World War I aviators and airplanes, as well as a handmade bound-in paper pouch containing 11 color reference photographs of early airplanes, clipped from an issue of Life Magazine. A......
Paris: Lynx, Circa 1965. Vintage borderless photograph of a bikini-clad Charlotte Rampling, off the Promenade de la Croisette, Cannes, France, May 15, 1965. "Lynx Agence Photographique de la Presse" stamp on verso. Rampling, nineteen at the time, was in Cannes to help promote the 1965 Richard Lester directed comedy "The Knack ... and How to Get It." Rampling was also photographed.....
N.p. N.p., Circa 1967. Vintage oversize borderless photograph of actress Charlotte Rampling, barefoot in a mini-dress, posing in a doorframe, circa 1967. With a printed mimeo snipe affixed to the verso, along with the stamps of Parimage press agency, Camera Press Ltd., and photographer Ivan Nagy. 8 x 11.5 inches. Very Good plus.
Paris: Les Films Corona, 1968. Vintage oversize borderless color reference photograph of actress Ewa Aulin from the set of the 1968 film, showing director Christian Marquand with a hand-held camera, getting a close-up shot of Aulin sitting, fully clothed but soaking wet, on the floor of a shower. With a gold foil title label for the film's French release on.....
Burbank, CA: Warner Brothers, 1967. Vintage photograph from the 1967 film. A promotional headshot of Dean Jagger in character as Lt. Col. E.J. Baseman. Sole survivor from his squad at Guadalcanal, Sergeant Jack Connell (Chad Everett) returns home a hero, awarded the Metal of Honor, and trains recruits, only to request a return to active duty on the front lines.....
Paris: Dalmas, Circa 1962. Collection of five vintage oversize borderless reference photographs from the 1962 unfinished French film, two showing actors Dorothy Dandridge, Alain Delon, and Yona Levy, one showing Dandridge and Levy, one showing Dandridge and Delon, and one showing producer Raoul Levy and actor Gregoire Aslan. With a printed mimeo snipe on the verso, along with the stamps.....
![The Second Twin [La Seconde Verite] (Original photograph of Christian-Jaque and Michele Mercier...](/pictures/thumb/150913.jpg?v=1638077907)
N.p. N.p., Circa 1966. Vintage borderless reference photograph, with bottom margin, of director Christian-Jaque and Michele Mercier on the set of the 1966 film. Cropping annotations in holograph pencil, "APIS" stamp, and photographer "Jean Guyaux" stamp, on verso. Based on the 1961 French novel by Jean Laborde. The married renowned lawyer Pierre Montant becomes infatuated and has an affair with the.....
France: N.p., Circa 1960. Vintage portrait photograph of actress Christine Dandrieux. Dandrieux herself is very nearly apocryphal, with almost no biographic information readily obtainable, but her classic blonde coiffure and light eyes are unquestionable qualities often seen in French cinema of the era. This photograph presumably floated between talent agencies before her first and only film credit, "Et la femme.....
Los Angeles: Paramount Pictures, 1965. Collection of eight vintage studio still photographs from the 1965 film. Two with printed mimeo snipes on the verso. Five passengers in a train carriage are joined by a mysterious doctor, who predicts the destinies of each passenger using his Tarot deck. Intended as a successor to "Dead of Night," a wildly successful Ealing Studios.....
London: Hammer Films, 1964. Collection of four vintage borderless reference photographs taken on the set of the 1964 film. One with a printed mimeo snipe specific to the film's German release affixed to the verso, noting the film's German title, "Die brennenden Augen von Schloss Bartimore." A small village in the early twentieth century is terrorized by Megaera the Gorgon, a......
Paris: Cinedis, 1958-1962. Archive of press material and film reviews for the Parisian distributor and press and film agency, Cinedis, representing a four-year span from the company notable for its associations with French New Wave filmmaking. Text in French. Included in the archive are two 2-ring binders, noted on the spine of one as "Bulletin Informations Cinedis," and one with.....
Paris: Cinedis, 1961. Original single-pocket blue folder from French film studio, Cinedis, for the years 1960 to 1961. Distributed to press agencies, film distributors and theaters, this folder is empty but would have contained press release information, like film credits and star biographies, for films credited on the front, here being "Adua et ses compagnes" (Hungry for Love, 1960), "L'amant.....
Paris: Cinedis, 1959. Archive of press material compiled by Cinedis, a French press and film agency, concerning the formation and founding members of the Ministere de la Culture (Ministry of Culture) of France. The Ministry of Culture was created by Charles de Gaulle in 1959 and the first Minister was writer Andre Malraux, whose responsibilities included the democratizing of access.....
![Service de Press "Bonne Annee" [Happy New Year] (Original promotional brochure, circa 1950s)....](/pictures/thumb/143968.jpg?v=1531515299)
Paris: Cinedis, 1950s. Original "Happy New Year" brochure from French film production and distribution company, Cinedis, circa 1955-1960. Illustrated inside with "Service de Press / Bonne Annee / Cinedis," surrounded by red, green and yellow confetti illustration by noted film poster artist, Ferracci. The outside reproduces signatures of French actors and actresses, not all are legible, including Mylene Demongeot, Noel-Noel.....
N.p. N.p., 1962. Vintage reference photograph from the 1962 experimental short film, showing Swedish-American artist Claes Oldenburg and his wife, the artist Pat Muschinski, outside of their home in the countryside. Mimeo label snipe affixed to the verso. From the archive of film historian and author Joel Finler. Director Robert Breer was best known for his abstract, avant-garde films, which combined.....
Paris: Inter France / Societe Nouvelle Pathe-Cinema, 1963. Original French moyenne (medium) poster for the 1963 French-Italian television mini-series. Colorful artwork by J. Mascii. Based on Dumas' 1845 novel about Marie Antoinette (played by Ducaux) following the execution of her husband, King Louis XVI. 23.5 x 31.5 inches, folded twice as issued. Very Good, with short tears and toning.
![Le facteur s'en va-t-en guerre [Convoi pour Dien-Bien-Phu] (Original screenplay and scenario for...](/pictures/thumb/143838.jpg?v=1569976865)
Paris: Les Productions Alcinter and Andre Cotton, Circa 1966. Draft script (carbon typescript) and scenario (offset printing) for the 1966 French film, here under the working title, "Convoi pour Dien-Bien-Phu." Released in the US as "The Postman Goes to War" (1968). Numerical notation in holograph pencil on one page. Also included is the original manila folder used to house the.....
![Landru [Bluebeard] (Promotional flyer for the 1963 French film). Claude Chabrol, Francoise Sagan,...](/pictures/thumb/149232.jpg?v=1637907140)
Paris: Lux Film, Circa 1963. Promotional flyer for the 1963 French film. Text in French. During World War I, a man supplements his income by luring middle-class Parisian women to a countryside villa where he seduces and kills them, burns their bodies, then helps himself to their bank accounts, keeping himself, his wife, his mistress, and his four children in the.....
![Bluebeard [Landru] (Collection of 16 original photographs from the 1963 film). Claude Chabrol,...](/pictures/thumb/148754.jpg?v=1638077089)
New South Wales: Embassy Pictures, 1963. Collection of 16 vintage studio still photographs from the 1963 film. Based on French serial killer Henri Desire Landru. During World War I, Henri Landru (Charles Denner) supplements his income by luring middle-class women through newspaper ads, to a villa outside Paris where he seduces and kills them, burns their bodies, then helps himself to their.....
Paris: Paris Film, 1960. Vintage borderless photograph of director Claude Chabrol goofing about with three of the four bonnes femmes on the set of the 1960 film. With the stamp of photographer Georges Pierre and holograph annotations on the verso. A light, spirited look at the lives of four young women in Paris, perhaps the standout of director Chabrol's early.....
N.p. N.p., Circa 1968. Vintage borderless photograph, with right margin, of Claude Charbrol having his hair cut by his wife Stephane Audran, along with a second, unidentified woman, circa 1968. A giant of French cinema, Chabrol was the first of the core five Cahier du Cinema's film critics turned filmmakers (Eric Rohmer, Jacques Rivette, Jean-Luc Godard, Francois Truffaut, and Claude.....
![A Man And A Woman [Un Homme Et Une Femme] (Collection of four original photographs from the 1966...](/pictures/thumb/144479.jpg?v=1544116775)
Paris: Les Films 13, 1966. Collection of four vintage photographs from the 1966 film. With agency stamps and holograph annotations on the versos. Anne Gauthier (Anouk Aimee) and Jean-Louis Duroc (Jean-Louis Trintignant) meet as they drop their children off at boarding school. She works as a script supervisor and he as a race-car driver. They quickly become friends and as.....
![A Man and a Woman [Un Homme et une Femme] (Original photograph of Claude Lelouch from the set of...](/pictures/thumb/150339.jpg?v=1638077739)
N.p. N.p., Circa 1966. Vintage reference photograph of director Claude Lelouch (who was also the cinematographer), filming from the hood of Jean-Louis Duroc's (Jean-Louis Tintignant) mustang, from the set of the 1966 film. Anne Gauthier (Anouk Aimee) and Jean-Louis Duroc (Trintignant) meet as they drop their children off at boarding school and quickly become friends. As romance develops, they each.....
![Une fille et des fusils [The Decadent Influence] (Original photograph from the 1965 film). Claude...](/pictures/thumb/154508.jpg?v=1641718760)
N.p. N.p., Circa 1965. Vintage reference photograph from the 1965 film, showing the scantily clad posterior of Amidou. From the archive of film historian and author Joel Finler. Five teenagers decide to leave school and study at a "school for criminals." Director Claude Lelouch's first commercial success. 10 x 8 inches. Very Good plus, slightly curled and edgeworn...
France: Mondex Films, 1960. Vintage borderless single weight still photograph from the 1960 French-Italian film. Charming Belmondo and stoic Milo in a candid moment. Cropping annotations on the verso in holograph pencil. One of the great French noirs from the classic period, based on Giovanni's 1958 novel, about his experience in prison and the gangsters he met there. Fugitive gang.....
N.p. N.p., Circa 1966. Collection of eight vintage reference photographs of director Mark Robson and various cast and crew members on the set of the 1966 film, including two bordered and six borderless. Based on Jean Larteguy's 1960 novel "The Centurions." A French Army Colonel leads his platoon in the battles against Viet Minh communists and Algerian guerrilla fighters in.....
N.p. Continental Distributing, 1963. Vntage studio still photograph of Peter Sellers, Lionel Jeffries, and Bernard Cribbins from the 1963 film. A gang of Australian criminals, led by Jack Coombes (Bill Kerr) impersonate policemen, robbing local gangs, leading mob boss Pearly Gates (Peter Sellers) to seek an alliance with police and Scotland Yard. Set in and shot on location in Middlesex, Buckinghamshire.....
Beverly Hills, CA: United Artists, 1965. Vintage black-and-white press photograph from the 1965 French-American film. Editorial annotations and Wide World Photo rubber stamp on the verso, with a Spanish rubber stamp, "paso por fotograbado." Shown are Ursula Andress and Katrin Schaake on-the-set, conferring between scenes while standing on a bed. Woody Allen's film debut, as actor and screenwriter. Michael (O'Toole).....
Beverly Hills, CA: United Artists, 1965. Vintage borderless photograph of Ursula Andress and Peter O'Toole on the set of the 1965 film. With holograph annotations and photo-agency stamp on the verso. Woody Allen's film debut, as actor and screenwriter. Michael (O'Toole) is a womanizer soon to be married to Carole (Schneider), but Liz (Paula Prentiss) and Rita (Andress) get in.....
N.p. N.p., Circa 1967. Vintage borderless publicity photograph from the 1967 film, showing actors Elaine May and Peter Falk. Based on the 1964 Tony Award-winning Broadway play, about three misfit friends who play musical chairs with their romantic relationships Shot on location in New York and Long Beach, California. 8 x 10 inches. Near Fine.
Culver City, CA: Columbia Pictures, 1966. First Estimating script for the 1967 film. Based on the 1965 play by Murray Schisgal. Three friends play a game of musical chairs with their relationships in this quirky comedy based on the hit play by Murray Schisgal. Harry Berlin (Jack Lemmon) is a deeply depressed man who is convinced his life is going.....
Culver City, CA: Columbia Pictures, 1967. Final Draft script for the 1967 film. Based on the 1964 Broadway play by Murray Schisgal, and with a score by jazz saxophone legend Gerry Mulligan. Three friends play a game of musical chairs with their relationships in this quirky comedy based on the hit play by Murray Schisgal. Harry Berlin (Jack Lemmon) is.....
Paris: Various, 1946-1964. Collection of 19 original French programs for French, German, Italian, and Spanish films, with a single US film, here under the original French titles, 1946-1964. All feature color wrappers, some illustrated with color stills from the film, and highlights include "Madame du Barry" (1954, Christian-Jaque), "Madame Butterfly" (1954, Carmine Gallone), "Les Diaboliques" (1955, Henri-Georges Clouzot), US film.....
Universal City: Universal Pictures, 1966. Vintage photograph from the 1966 film. With holograph annotations on the verso. Rooks' first film, a semi-autobiographical account of a man who travels to France to undergo a drug-withdrawal cure. With cameos by a virtual who's-who of counterculture figures of the time, including Allen Ginsberg (as "Messiah"), William S. Burroughs (as "Opium Jones"), Ravi Shankar.....
Los Angeles: The Filmgroup / National Screen Service, 1963. Original one sheet poster for the 1961 US film. A sailor on shore leave in Santa Monica suspects that a local sideshow worker might actually be a mermaid who kills during the cycle of the full moon. A moody, effective low-budget film, featuring Dennis Hopper in his first starring role. Shot.....
N.p. Filmgroup, Circa 1963. Archive of a collection of six film still photographs and two press releases from the 1961 film, Dennis Hopper's first starring role, written and directed by experimental, avant-garde filmmaker—and forerunner of New Queer Cinema—Curtis Harrington. The six photographs feature two double weight borderless photographs, and two with mimeo snipes on the versos. The two press releases.....
Calgary, AB: Transcontinental, 1969. Post-production Combined Continuity script for the 1969 film. A biography of Marquis De Sade, the famous author of "120 Days of Sodom" and great lover of women. In this film, he is in his old age, hiding in his family's castle and avoiding the police. The story of his life is told through flashbacks, dreams, and.....
New York: Leacock-Pennebaker, 1967. Vintage reference photograph from the seminal 1968 concert documentary, showing Janis Joplin performing onstage with Big Brother and the Holding Company at the Monterey Pop Festival in 1967. With the stamp of Leacock-Pennebaker photograph agency on the verso, along with holograph ink annotations identifying photographer Don MacSorley and the date "June 1967". Featured performers at the.....
N.p. N.p., 1959. Shooting script for the 1960 film. Title annotated on the right edge of the front wrapper in holograph pencil and copy number "36" annotated on title page above title in holograph ink. Based on the 1913 novel by D.H. Lawrence, about a young man caught between his domineering, manipulative mother, his repressed former girlfriend, and an independent.....
![Convicts 4 [Reprive] (Collection of 104 original photographs from the 1962 film). Dalton Trumbo,...](/pictures/thumb/146754.jpg?v=1638076729)
N.p. Kaufman-Lubin Productions, 1962. Collection of 104 vintage studio still photographs from the 1962 film including some great in-character photographs and head shots from Ben Gazzara, Sammy Davis Jr., Broderick Crawford, Vincent Price, Roland LaStarza, Timothy Carey, Ray Walston and others, also includes 5 photographs of Gazzara with author John Resko and one head shot of Resko. Mimeo snipes on.....
Hollywood: Paramount Pictures, 1962. Vintage black-and-white studio still photograph from the 1962 film. Mimeo snipe once affixed to the verso (detached but present). Featured is Nita Talbot, who played "Saturday Knight" in the film. Based on Alexander Rose's 1960 novel, "Four Horse Players Are Missing." Steve (Martin) is a horse-race better whose habits get the better of him, so his.....
Los Angeles: Twentieth Century-Fox, 1965. Final Draft script for the 1966 film. Secret agent Derek Flint is a smooth-talking Renaissance man—martial arts master, polyglot, ballet dancer—who works for the international intelligence agency Z.O.W.I.E. When several fellow agents are discovered mysteriously murdered, his agency tasks Flint with finding and stopping the killers, leading him on a groovy wild goose chase across the.....
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1960. Collection of eight vintage studio still photographs from the 1960 film. Five with printed mimeo snipes on the verso. Loosely based on John O'Hara's 1935 novel. A promiscuous New York model falls in love with a married man following an illicit one-night stand. The most successful MGM release of 1960, well-received by most audiences.....
N.p. Afton-Linebrook, 1960. Vintage studio still photograph from the 1960 film. What "Valley of the Dolls" is to drugs, "BUtterfield 8" is to sex. Extremely watchable trash, a big-budget film with lowdown agenda, and the last film in which Elizabeth Taylor, who won an Oscar for her performance, could have been accurately described as young and radiant, bravely taking on.....
Los Angeles: Cinerama International Releasing Organization, 1968. Vintage borderless reference photograph of director Daniel Mann laughing with actors Abbey Lincoln and Joseph Attles on the set of the 1968 film. With a printed mimeo snipe affixed to the verso. In order to prevent their maid from leaving their employment to attend secretarial school, the youngest son of a wealthy white.....
Los Angeles: Twentieth Century-Fox, 1961. Original one-sheet US poster for the 1961 film. Distributor rubber stamp on the verso. Based on Garson Kanin's play, "The Live Wire." Five Army buddies refurbish an old restaurant into a swinging bachelor pad in the Hollywood Hills. One of them has a brother (Vaughan), an aspiring actor, who conspires with a sexy woman (Prowse).....
N.p. N.p., Circa 1969. Vintage borderless double weight satin-finish black and white photograph from the 1969 film, one showing actors Robert Stephens, Geraldine McEwan, and Laurence Olivier, the other showing Olivier alone. With a photographer's stamp on the verso (noted only as "Dominic"), along with a library stamp. From the archive of the PIX Agency, a photo house that acted.....
London: Camera Press, Circa 1969. Vintage borderless reference photograph from the 1969 television serial, showing actors John Westbrook, Roger Mutton, and John Rapley. With a printed mimeo snipe affixed to the verso. From the archive of the PIX Agency, a photo house that acted as an intermediary between emigre photographers (as well as those still living in Europe) and the.....
Los Angeles: H. N. Swanson, 1962. Third Draft script for an unproduced film. With one page Typed Letter Signed to agent Paul Kohner laid in. Police receive a call early on a hot summer morning from someone in an apartment building is trying to commit suicide. They arrive on the scene to find the caller with a gun and shooting.....
Los Angeles: H. N. Swanson, 1962. Third Draft script for an unproduced film. Police receive a call on a scorcher of an early morning that someone in a apartment building will be killing themselves. They arrive on the scene to find the caller with a gun and shooting wildly at anyone who begins to walk up the steps to him.....
N.p. N.p., Circa 1965. Archive of 14 original reference photographs taken on the set of the 1965 film, and two original contact sheets with 24 images of cast and crew members at what appears to be a wrap party. Several photographs with holograph ink annotations to the verso identifying figures in the images. One photograph date-stamped APR 27 1964, inscribed.....
Culver City, CA: Columbia Pictures, 1957. Vintage borderless photograph of David Lean on the set of the 1957 film. Based on Pierre Boulle's 1952 novel "Le Pont de la riviere Kwai," about Allied POWs forced to build a railway over a bridge during WWII. Under the leadership of Colonel Nicholson (Guinness), they are persuaded that the bridge should be constructed.....
N.p. N.p., Circa 1962. Substantial archive of material relating to the 1962 film "Lawrence of Arabia," belonging to production manager John Palmer, including 75 vintage black and white photographs taken by Palmer while on location in Jordan, and six film negative wallets containing over 180 negatives, some corresponding to the photographs, many containing unique images not present in the prints.....
Culver City, CA: Columbia Pictures, 1962. Vintage program for the Royal Premiere of the 1962 film at the Odeon Leicester Square on Monday, December 10. Laid in with the program is a small invitation to a party at the ballroom at Grosvenor House following the film. From the collection of noted British film producer John Palmer, who was production manager.....
Culver City, CA: Columbia Pictures, 1962. Vintage keybook reference photograph of Alec Guinness, Sam Spiegel, Jack Hawkins, and David Lean on the set of the 1962 film. Based on the 1926 autobiography "Seven Pillars of Wisdom" by T.E. Lawrence. An incomparable film. Opening in 1935 with the death of Lawrence (Peter O'Toole) in a motorcycle accident at the age of 46.....
Culver City, CA: Columbia Pictures, 1962. Vintage oversize borderless double weight photograph from the 1962 film, shot on location in the Moroccan desert. Mimeo snipe on the verso. Based on the 1926 autobiography "Seven Pillars of Wisdom" by T.E. Lawrence. An incomparable film. Opening in 1935 with the death of Lawrence (Peter O'Toole) in a motorcycle accident at the age of.....