Burbank, CA: Warner Brothers, 1960. Vintage double weight photograph from the set of the 1960 film. Holograph annotations on the verso. Based on the 1958 novel of the same name by Edna Ferber. A story about two rival settlers on Alaska's frontier after World War I. Shot on location in Petersburg, Alaska. 10 x 8 inches. Near Fine...

N.p. N.p., Circa 1964. Draft script for an unproduced 1964 British remake of Robert Siodmak's 1933 German-Austrian film (the remake directed by Siodmak as well), based on the 1913 novella "Brennendes Geheimmnis" by Stephan Zweig, and with Siodmak once again attached to direct. Copy belonging to screenwriter Arbeid, with his name in holograph ink on the title page. The story.....

London: Grand Films, 1968. Complete set of vintage double weight color still photographs from the 1968 film. 8 x 10 inches. Near Fine.

Universal City: Universal Pictures, 1962. FINAL SCREENPLAY draft script for the 1963 film. With director Bud (R.G.) Springsteen's holograph signature on the front wrapper and holograph annotations throughout. A cowboy is held hostage and must get 12,000 dollars in stolen bonds from his partners ex-girlfriend or he will be killed. Shot on location in California. Red titled wrappers, noted as.....

Culver City, CA: Columbia Pictures Corporation, 1969. Vintage photograph of actor Gregory Peck and producer Mike Frankovich on the set of the 1969 film. Mimeo snipe affixed to the verso. Based on Martin Caidin's 1964 novel. After a crew of three astronauts are working in an orbiting space lab, Jim Pruett (Richard Crenna), Clayton Stone (James Franciscus) and Buzz Lloyd.....

Hollywood: Hal Wallis Productions / Paramount Pictures, 1962. Vintage photograph of director John Sturges and actors Laurence Harvey, Gary Merrill and Michael Wilding on the set of the 1962 film. Mimeo snipe affixed to the verso. Based on Ronald Kirkbride's 1959 novel (also a 1960 paperback published by Monarch, an early sleaze publishing house). A Eurasian photographer named Ivan (Harvey).....

Tokyo: Nikkatsu, 1963. Draft script for the 1963 film. Text in Japanese. Based on the novel by Haruhiko Oyabu. A police detective tracking down stolen weapons, stumbles upon an underworld feud and turns the tide of the conflict into a full scale massacre. White titled perfect bound wrappers. Title page present. 37 leaves, with last page of text numbered 36.....

Tokyo: Nikkatsu, 1960. Draft script for the 1960 film. Text in Japanese. Obsessed with the teenage trends of the time including going to the beach, jazz music and progressive attitudes toward sex, this film features a gang of high school students having fun at an amusement park, including one harrassing a young woman. He then returns home to his single.....

Tokyo: Nikkatsu, 1961. Treatment script for the 1961 film. Text in Japanese. A 1920s playwright meets a beautiful woman who might be the ghost of his patron's deceased wife. White titled perfect bound wrappers. Title page present. 39 leaves, with last page of text numbered 38. Mechanical duplication. Pages Very Good plus, wrapper Very Good plus.

Tokyo: Toei Animation, circa 1968. Vintage post-production script for the animated 1968 Japanese film "Horus: Prince of the Sun," also known under the title "The Little Norse Prince." This listing also includes a pamphlet of character designs for the film. A milestone in the history of Japanese animation, heralded as the first animated feature to successfully disrupt the Walt Disney.....

Paris: Jolly Film, 1967. Vintage borderless still photograph from the 1967 film. Monsieur Hulot first came to the attention of the world during his beach vacation in "Monsieur Hulot's Holiday" (1953), then reappeared in a modern French neighborhood in "Mon Oncle" (1958). The third feature finds him in the city, whose complexities unfold, revolve, deconstruct, and reconstruct before his eyes.....

Paris: Le Spectacle du Monde, 1968. Vintage borderless black-and-white double weight press photograph from the set of the film in Rome. Pictured are director Christian Marquand, whose faux-grim countenance is in nice contrast to the attractive innocence of the film's lead actress, Ewa Aulin. With the stamp of French magazine Le Spectacle du Monde twice on the verso. 8 x......

Paris and Rome: Les films Ariane and Filmsonor, 1961. Original French production script and press material for the 1962 film, here under the original French title, "Les Titans." The film was distributed by Cinedis, and this script was likely used by Cinedis during production, with press materials printed on the company's stationery. Housed in manilla folder, noted as "LES TITANS".....

Beverly Hills, CA: Walter Shenson Films / Subafilms / United Artists, 1965. Vintage photograph from the 1965 film "Help!", showing The Beatles in a candid moment between takes, surrounded by members of the British Army while shooting an outdoor performance scene on Salisbury Plain. With the stamp of photographer Robert Cohen and holograph annotations on the verso. 7.25 x 5.....

London: The Rank Organization, 1968. Draft script for the 1968 film. Laid in are two pages of corrections. With annotations in holograph ink and pencil throughout. Copy belonging to crew member James H. Ware. Ware was a major presence in British and American cinema, best known for his work on "Beat the Devil" (1953), "Room at the Top" (1959), "Our.....

Culver City, CA: Columbia Pictures, 1960. Vintage borderless photograph of producer Carl Foreman, director J. Lee Thompson and actor David Niven on the set of the 1961 film. Mimeo snipe and an studio stamp on the verso.Based on Alistair Maclean's 1957 novel of the same name. Set in 1943, allied intelligence assembles a commando unit assigned to infiltrate a Nazi.....

Culver City, CA: Columbia Pictures, 1969. Vintage press photograph of producer Carl Foreman on the set of the 1969 film. Marshal Mackenna (Gregory Peck) is kidnapped by an outlaw, John Colorado (Omar Sharif) who believes he has seen a secret map that leads to a rich vein of gold. Little does Colorado know that he is not the only one.....

Burbank, CA: Warner Brothers / Seven Arts, 1967. Vintage borderless, double weight, oversize press photograph of writer Alice B. Toklas used to promote the 1968 film starring Peter Sellers. With credit stamps for Warner Brothers, as well as Pictorial Press and Gamma press agencies on the verso. Sellers plays a thirtysomething attorney who, dissatisfied with his life and impending marriage.....

Universal City, CA: Universal Pictures, 1966. Vintage borderless production photograph of actress Julie Christie from the set of the 1966 film. Ms. Christie stands just below the film's titular numerals, large and in bold relief. With a Universal mimeo snipe affixed to the verso, a rubber stamped press date of July 5, 1973, some sizing annotations in holograph ink. Based.....

Paris: Les Films du Carrosse, 1969. Collection of eight vintage lobby cards for the French release of the 1969 film noir. A late and important color noir, made at what was arguably the peak of Truffaut's success as a filmmaker, dedicated to one of his elders, Jean Renoir, and shot during the time he was deeply involved with lead actress.....

Paris: Les Films du Carrosse, 1962. Vintage borderless photograph from the 1962 film, showing the film's principal characters Catherine, Jim, and Jules playing dominoes around a table, as seen through the window of their cottage.Based on Henri-Pierre Roche's 1953 novel of the same name, a story of a love triangle set in France throughout the First World War. Shot on.....

France: Les Films Marceau-Cocinor / Mega Film, 1966. Collection of four vintage press photographs from the 1966 film. Each with the stamp of Robert Levy on the verso, and two with the stamp of press agency Parimage. One image shows director Roger Vadim carrying a smiling Jane Fonda, whom he married just prior to the start of filming. A modern.....

Paris: Parc Film, 1966. Vintage borderless photograph of director Agnes Varda and actor Catherine Deneuve on the set of the 1966 film. With a mimeo snipe on the verso. A writer and his pregnant wife, mute from a car accident, move to a remote village while he works on a novel. Fantasy and reality, fact and fiction, begin to blend.....

Paris: Cine Tamaris / Rome Paris Films, 1962. Collection of four vintage black-and-white still photographs from the 1962 French film. Agnes Varda is an important and influential French director, writer, and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche.....

Paris: Parc Film, 1966. Archive of 46 vintage reference stills for the 1966 French film. Each photograph numbered using two different numbering systems in holograph marker and pencil. A single photograph shows director Varda with Catherine Deneuve on the set. A writer and his pregnant wife, mute from a car accident, move to a remote village while he works on.....

Rocca di San Casciano, Italy: Cappelli, 1963. First Edition. Text in Italian.The screenplay and affiliated commentary for the 1963 film, illustrated with film stills and production photographs.Near Fine in a Very Good plus dust jacket. Vintage bookseller's labels to the front and rear pastedown, with faint toning at the crown and heel. Jacket lightly toned to the spine, with light.....

Rome: Titanus, 1963. Vintage borderless photograph of Luchino Visconti and Burt Lancaster on the set of the 1963 film. Coat of Arms with Leopard stamp on the verso. Visconti's classic, spacious homage to the quiet death of the Sicilian aristocracy of the mid-nineteenth century, one of the great films of Italian cinema. Perhaps the apex of Ms. Cardinale's career, and.....

Rome: Titanus, 1963. Collection of three vintage borderless photographs from the 1963 film. With holograph annotations on the verso. Visconti's classic, spacious homage to the quiet death of the Sicilian aristocracy of the mid-nineteenth century, one of the great films of the Italian cinema. Perhaps the apex of Ms. Cardinale's career, and one of a handful of examples of Burt.....

London: Merton Park Studios, 1960. Final Shooting script for the 1960 British film, later rebroadcast as Season 1, episode 1 of the British series, "The Edgar Wallace Mystery Theatre." Based on Wallace's 1918 novel. John Lexman, is a murder-mystery writer, happily married but with financial troubles, leading him to borrow money from less-reputable figures. He is framed for murder of.....

N.p. N.p., 1965. Synopsis for an unproduced film, based on the novel of the same name by Irving Wallace. Included with the synopsis is a two-page typed document on Brenco Pictures Corporation letterhead, dated November 11, 1965, discussing the popularity of Wallace's prior novels, and proposing a budget for the film, along with a small note addressed to casting agent.....

New York: Andy Warhol Film, 1968. Vintage borderless photograph of Joe Dallesandro and Tom Hompertz from the 1968 film.Hilarious and tedious, Andy Warhol and Paul Morrissey's satirical take on Hollywood Westerns features five gay cowboys (including Dallesandro and Hompertz), ranch lady Romana D'Alvarez (Viva) and her stoned nurse (Taylor Mead), handsome drifter Julian (Tom Hompertz) and a drag costume-obsessed transvestite.....

Paris: Migra, 1959-1962. Five issues of "Le Guide de la femme" (roughly, "Woman's Guide"), a mid-century Parisian periodical published with the patronage of French author, journalist, politician, and noted feminist, Louise Weiss. The periodical, not unlike similar publications of today found on wire racks at grocery checkout lines, was produced by and for France's modern Woman, "at the forefront of.....

Los Angeles: Twentieth Century-Fox, 1966. Draft script for the 1967 British spy film. With producer Richard Zanuck's name written on the front wrapper in holograph ink, though not in his hand.Based on an unpublished novel by Larry Forrester. An American skydiver in Spain is enlisted by a Scottish secret agent to recover the detonator for an H-bomb that has fallen.....

N.p. N.p., 1969. Vintage reference photograph from the 1969 film. Written and directed by acclaimed cinematographer Haskell Wexler, "Medium Cool" combines fact and fiction, feature film footage, stock footage and cinema verite documentary techniques. We follow Forster, as John Catselas, a television news cameraman, in the center of the riots at the 1968 Chicago Democratic National Convention.Set in and shot.....

Beverly Hills, CA: United Artists, 1966. Collection of five vintage borderless black-and-white studio still photographs from the set of the 1966 film. All photographs show Billy Wilder giving direction, including scenes in a bedroom, on a football field, in a cemetery, and more. Walter Matthau won an Academy Award for his role in the film. 8 x 10 inches. Near.....

Los Angeles: The Hollywood Reporter, 1962. Twelve original entertainment trade magazines, all from July 1962, focusing on film, radio, and television, with book reviews, job postings, ads for local California restaurants and real estate. Many issues also featured color centerfolds advertising contemporary films, that in effect acted as mini pullout posters. Rear wrappers often portrayed attractive film star portraits. Like.....

N.p. N.p., 1966. Draft script for an unproduced film. Copy belonging to crew member James H. Ware. Ware was a major presence in British and American cinema, best known for his work on "Beat the Devil" (1953), "Room at the Top" (1959), "Our Man in Havana" (1959), "Charade" (1963), and "The Spy Who Came in from the Cold" (1965). Based.....

Culver City, CA: Columbia Pictures, 1967. Vintage oversize, double weight, color still photograph from the 1967 film based on the 1964 play by Murray Schisgal. Although not indicated, shot and struck by the film's still photographer, Bob Willoughby, with an agency stamp on the verso. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in.....

Universal City, CA: Universal Pictures, 1961. Vintage oversize, double weight, borderless still photograph from the 1961 musical film, based on both the 1958 Rodgers and Hammerstein musical, and the 1957 novel by C.Y. Lee. Nominated for five Academy Awards. Shot, struck, and mounted by the film's still photographer, Bob Willoughby, with his ASMP rubber stamp on the verso. Full provenance.....

Universal City, CA: Universal Pictures, 1966. Vintage double weight, borderless still photograph of actress Shirley MacLaine from the 1966 film. Nominated for three Academy Awards. Although not indicated on the photograph, shot, struck, and mounted by the film's still photographer, Bob Willoughby. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles, photographer.....

Los Angeles: Twentieth Century-Fox, 1960. Vintage oversize, double weight, borderless film still from the 1960 musical film depicting Shirley MacLaine involved in a hand of cards with assistant director Joseph E. Rickards while Frank Sinatra and director Walter Lang look on. Based on the 1953 Broadway musical by Abe Burrows with music and lyrics by Cole Porter. Shot, struck, and.....

Los Angeles: Twentieth Century-Fox, 1966. Vintage oversize borderless double weight photograph from the 1966 film. With the stamp of French weekly "Tele Magazine" and holograph annotations on the verso. Based on the 1962 novel by Richard McKenna, about a rebellious sailor aboard the titular US gun boat patrolling China on the brink of civil war. Nominated for eight Academy Awards.....

Beverly Hills, CA: United Artists / Mirisch Corporation, 1961. Vintage photograph from the set of the 1961 film, showing director Robert Wise looking through a viewfinder while his co-director Jermone Robbins looks through a pair of sunglasses. Based on the 1957 Broadway musical with book by Arthur Laurents, music by Leonard Bernstein, and lyrics by Stephen Sondheim. Robbins, who would.....

Burbank, CA: Warner Brothers, 1963. Final script for the 1964 film. Based on Herman Wouk's 1962 novel. Youngblood Hawke (Franciscus) is a Kentucky truck driver who comes to New York City to start a career as a writer. He meets editor Jeanne Green (Pleshette), who falls for him while putting together a book deal. Throughout his first three books, his.....

Culver City, CA: Columbia Pictures, 1965. Vintage borderless photograph of director William Wyler and actor Terence Stamp on the set of the 1965 film. With holograph annotations on the verso. Based on the 1963 novel by John Fowles. Hal Erickson at AllMovie notes: "Fowles' original story was written in the form of a dual diary, one kept by a kidnapper.....

Beverly Hills, CA: Eon Productions / United Artists, 1965. Vintage borderless reference photograph from the 1965 film. The fourth "James Bond" film, based on the 1961 Ian Fleming novel, winner of an Academy Award. 10 x 8 inches. Near Fine.

Rome: Arco Films, circa 1967. Typscript Treatment script for the 1967 film belonging to Anthony Quinn, whose name is in holograph ink on the first page of text. Notation in red ink on the first blank reading "The role is Caterina."Based on the 1923 novel of the same name by Joseph Conrad. Set during the French Revolution, a former pirate.....