London: Miracle Films, Circa 1957. Collection of 7 vintage black-and-white double weight still photographs from the 1957 UK release of the 1957 French film. Distributor rubber-stamps on the versos. Based on James Hadley Chase's novel, "Miss Callaghan Comes to Grief" (1941), banned in the UK upon publication due to its graphic sexual passages involving prostitutes and lost women. 8 x......

France: Compagnie Cinematographie de France, 1959. Vintage borderless press photograph from the 1959 film, showing director Robert Bresson on a Paris metro set, going over a script while actor Martin LaSalle and crew look on. With the stamp of French photo agency Dalmas and holograph pencil annotations regarding layout and identifying the image on the verso. Bresson's first wholly original.....

France: Hermes-Films, Circa 1964. Draft script for an unproduced French film based on Maheux-Forcier's 1963 novel of lesbian love, "Amadou." Notations throughout in holograph ink, some noting cut scenes. French language. Opening scene translated: "It's dawn. The light is still undecided. In the fields, the first cries of insects, in the trees, songs of birds that awaken. The water of.....

New South Wales: Embassy Pictures, 1963. Collection of 16 vintage studio still photographs from the 1963 film.Based on French serial killer Henri Desire Landru.During World War I, Henri Landru (Charles Denner) supplements his income by luring middle-class women through newspaper ads, to a villa outside Paris where he seduces and kills them, burns their bodies, then helps himself to their.....

Paris: Paris Film, 1960. Vintage borderless photograph of director Claude Chabrol goofing about with three of the four bonnes femmes on the set of the 1960 film. With the stamp of photographer Georges Pierre and holograph annotations on the verso. A light, spirited look at the lives of four young women in Paris, perhaps the standout of director Chabrol's early.....

N.p. Robert and Raymond Hakim, Circa 1959. Vintage oversize borderless double weight studio still photograph, with bottom margin, of Antonella Lualdi from the 1959 film noir. "20" stamp on verso. Based on 1952 novel "The Key to Nicholas Street" by Stanley Ellin about a wealthy vintner finds it difficult to balance the demands of his wife, his children, his best.....

N.p. Unifrance Film, Circa 1960. Vintage borderless portrait photograph, with bottom margin, of Claude Chabrol, circa 1960, with Chabrol's name and "unifrance film" printed on the lower white margin.A giant of French cinema, Chabrol was the first of the core five Cahier du Cinema's film critics turned filmmakers (Eric Rohmer, Jacques Rivette, Jean-Luc Godard, Francois Truffaut, and Claude Chabrol) to.....

France / Italy: Robert and Raymond Hakim, 1960. Collection of 5 vintage still black-and-white, numbered photographs from the 1960 film, all produced for the US/UK release by Times Film. One of greatest of the French noirs, in which Rene Clement wisely opted for the use of color over the general French practice of black-and-white. Also, easily one of the finest.....

Paris: Les Films 13, 1969. Collection of 38 original keybook contact print photographs from the 1969 French film. Color and black-and-white contact prints of small and medium format transparencies, several printed in Agfa photo paper, most with 36 images per print, amounting to over 1300 images of starring actors Girardot and Kalfon, child actors, and a few of the film.....

N.p. AMLF, Circa 1988. Vintage reference photograph of Jacques Demy and Yves Montand on the set of the 1988 film. Demy's fanciful portrait of the life of singer and actor Yves Montand (playing himself), who returns to Marseille, the city of his childhood, to rehearse a stage musical based on his life, and falls in love the female lead, Marian.....

Paris: FFD, 1969. Original pressbook for the 1969 French film. Nominated for two Academy Awards and the Palme d'Or. The third film (but fourth released) in Rohmer's "Moral Tales" series, and the one that finally elevated him to the international status of his New Wave peers. 9.5 x 13.25. Tri-fold, Very Good plus. Starting to the lower rear fold, and.....

France: Athos Films / Chaumiane / Filmstudio, 1965. Collection of five vintage borderless reference photographs from the 1965 film. Four with holograph pencil annotations on the verso crediting photographer Georges Pierre, one with the stamp of Cinemagence on the verso. Godard transplants fictional detective Lemmy Caution (played by Eddie Constantine, as he was in several French films based on the.....

Paris: Les Films Concordia, 1963. Collection of 3 vintage black and white reference photographs from the French release of the 1963 film. Head shots of Brigitte Bardot and Michel Piccoli, one of each, and one especially striking shot of the two together. Godard's lush Technicolor landmark that transformed Brigitte Bardot from a sex symbol into an art object, while simultaneously.....

Paris: Les Productions Georges de Beauregard, 1960. Vintage reference photograph from the Jean-Luc Godard film, shot in 1960 but not released until 1963 due to a ban in France over torture scenes. Thus it was Godard's second feature film, but fourth to be released. This photograph was taken and struck in 1960, when the film was shot. A shot that.....

Paris: Les Films Imperia / Films Around the World, 1960. Original French pressbook for the 1960 film. A fascinating object, created in a die-cut style we have never seen duplicated, made by Films Around the World, the distributor that picked up the film for international distribution. The only copy we have ever seen. With a middle splash page containing a......

Paris: N.p., Circa 1960. Two vintage photographs of director Jean-Luc Godard, dark sunglasses and cigarette accounted for, reviewing still photographs for his 1960 film, "A bout de souffle." Shot by Philippe R. Doumic. Both photographs with Godard's name stamped in blue on the verso. Both photos 5 x 7 inches. Fine.

N.p. N.p., 1968. Vintage borderless press photograph of Mick Jagger in the studio, from the set of the 1968 French experimental film mixing documentary with surreal imagery and fictitious characters. With a few penciled annotations on the verso indicating placement. An image of Mick Jagger in the studio, from one of the many sequences relating to the band's creation of.....

Paris: Les Films Concordia, 1963. Vintage oversize borderless double weight photograph of Brigitte Bardot and Michel Piccoli on the set of the 1963 film. With the stamp of photographer Aldo Durazzi and a press agency stamp on the verso. Godard's lush Technicolor landmark that transformed Brigitte Bardot from a sex symbol into an art object, while simultaneously furthering his own.....

Paris: Anne-age-Bela, 1975. Vintage French moyenne poster for the 1975 French film. Godard's experimental film examines the intricate social relations of a young French family, while simultaneously analyzing and commenting on the act of film making. The film is unique for presenting two images on the screen simultaneously. 24 x 32 inches, folded. Two holograph pencil annotations to the verso.....

Paris: N.p., 1961. Vintage black-and-white borderless still photograph of Godard and Macha Meril on the set of the 1961 film. With the Paris stamp of photographer Claude Schwartz on the verso. 9 x 6 inches. Near Fine. Criterion Collection 238.

Paris: Parc Film, Circa 1968. Collection of five vintage borderless reference photographs from the 1968 film. French "La Chinoise" stamps on versos.Loosely based on the 1871 novel "Demons" by Fyodor Dostoyevsky.Godard's wry, improvisational take on politics of the late 1960s, follows five disaffected students studying the teachings of Mao Zedong and debating the use of terrorism to achieve revolution. Set.....

France: Athos Films / Chaumiane / Filmstudio, 1965. Vintage borderless reference photograph from the 1965 French film. With the stamp of still photographer Georges Pierre on the verso.Jean-Luc Godard's neo-noir foray into science fiction, following a secret agent in a dystopian future who is assigned to kill the machine intelligence that rules over a fascist state.Shot on location in Paris.....

Paris: Anouchka Films, 1966. Vintage one sheet poster from the US release of the 1966 film. With the film title rubber stamped on the verso as called for: "MASCULINE FEMININE / 66/368.""Masculine Feminine" was Jean-Luc Godard’s first examination of 60s youth and culture, whom he described as, “the children of Marx and Coca-Cola.” Teenager Paul (Jean-Pierre Leaud) works as an.....

Neuilly-sur-Seine, France: Societe Nouvelle de Cinematographie [SNC], 1965. Collection of 16 vintage lobby cards for the French release of the 1965 film. The set is housed in its original titled brown paper envelope from the film's distributor, Societe Nouvelle de Cinematographie (SNC). Based on the 1962 novel "Obession" by Lionel White, about a unhappily married man who goes on a......

Paris: Parc Film, 1967. Collection of five vintage borderless reference photographs from the 1967 French film. All but one with a stamp specific to the film's French release on the verso.A day in the life of suburban housewife Juliette Jeanson (Vlady), who intersperses her daily routine of housework, cleaning, and shopping with appointments as a call girl. One of director.....

N.p. N.p., Circa 1967. Vintage reference photograph of director Jean-Luc Godard on the set of the 1967 film, with actors Jean Yanne, Jean-Pierre Leaud, and Mireille Darc. Mimeo snipe affixed to the verso with celo tape from the Institute of Contemporary Arts Cinema for a July 5, 1968 showing, with annotations of actors names in holograph ink. In one of.....

N.p. N.p., 1968. Two vintage borderless photographs from the set of the 1968 French experimental film mixing documentary with surreal imagery and fictitious characters. With mimeo snipe on one and holograph annotations on the other. From the last scene of the film featuring "Eve Democracy," a graffiti artist played by Anne Wiazemsky who is followed by a film crew on.....

Paris: Anne-age-Bela, 1975. Collection of ten vintage borderless photographs (five black-and-white and five in color) from the 1975 film. Generally considered the peak of the collaborative work on video done by Godard and Mieville, presenting scenes from the everyday interactions of a working class family, with a special focus on children. The film was shot on video, then played back.....

N.p. N.p., Circa 1960s. Vintage borderless press photograph of composer Michel Legrand, circa early 1960s. The photograph, which shows Legrand exiting a gate with a suitcase in hand, is somewhat prescient, as the first half of the 1960s would see him leap to international renown, both as a popular musician and a composer of the film scores for such French.....

Paris: Nouvelles Editions de Films, 1958. French language draft script for the 1958 film. Based on the 1777 erotic novel "Point de Lendemain" by Dominique Vivant, released in the US as "The Lovers." Louis Malle's second film, about a wealthy woman who becomes bored with both her emotionally distant husband and her lover, and abruptly leaves them both to take.....

London: Winkast Film Productions, 1968. Treatment script (noted in script as "Preliminary screenplay") for an unproduced film. Undated, date gathered from The French Film Library BiFi.From the estate of film producer Elliott Kastner, whose best known credits include "The Long Goodbye” (Robert Altman, 1973), "The Missouri Breaks" (Arthur Penn, 1976), and “Heat” (Michael Mann, 1996).Three American workers in the Amazon.....

Montreal: Cooperation Productions, 1964. Vintage Canadian black-and-white lobby card from the 1964 film. In original mailing envelope from "Office National du Film Canada," and "Trouble-fete" in holograph ink on the front. Handsome starring actor Rodrigues is seen in police accouterments, checking his perimeters. Lucien (Hamelin) is a middle-class teenager actively involved in campus politics, inciting protests and fighting to change.....

N.p. N.p., 1960. Vintage oversize borderless double weight reference photograph of actress Edith Scob, from the 1960 French film.A young man returns to his uncle's home, a castle he has not visited for many years, where he attempts to recover experiences and emotions of his childhood. An influential entry (which for many years was considered lost) in the French New.....

Marseille: Les Films Marcel Pagnol, 1935. Vintage double weight reference photographs from the 1935 film, showing director Jean Renoir and actors Charles Blavette and Celia Montalvan on location during filming of the 1935 film. With the stamps of photographer Roger Corbeau and Cinemonde to the verso.Renoir's seventh sound film, and an early example of the director's influence on both the.....

Paris: Ajym Films, 1961. Original French moyenne poster (affiche) for the 1961 French film. Winner of the 1962 Sutherland Trophy for best first or second feature by the British Film Institute. Scarce, with only two copies found in Cine-ressources. A labor of love released after numerous financial woes and a three-year production schedule, "Paris Belongs to Us" did not cause.....

N.p. N.p., Circa 1963. Vintage borderless reference photograph of director Alain Robbe-Grillet on the set of the 1963 film. French "L'Immortelle" and "57- -3" stamp on verso. Directorial debut of novelist and filmmaker Alain Robbe-Grillet, his first film project after writing the screenplay for Alain Resnais' "Last Year at Marienbad" (1961).Robbe-Grillet's eliptical, narrative-defying tale of a withdrawn French man, Jacques.....

Paris: Claude Schwartz, 1965. Vintage silver gelatin photograph of Roman Polanski, Jean-Luc Godard and actress Catherine Deneuve at Cannes in May 1965, taken by French press and still photographer Claude Schwartz. With Schwartz's French press stamp appearing 5 times on the verso. Arguably the tall man in the background is Barbet Schroeder. Polanski's 1965 film, "Repulsion," a film that had.....

Universal City, CA: Universal Pictures, 1966. Vintage borderless photograph from the 1966 film. Shown are the film's two leads Oskar Werner and Julie Christie, in a candid pose just below the film's titular numerals, large and in bold relief. With a Universal mimeo snipe affixed to the verso. Based on the 1953 novel by Ray Bradbury. 8 x 10 inches.....

Paris: Les Films du Carrosse, 1968. Vintage borderless black-and-white double weight photograph from the set of the 1968 French film noir. With a rubber stamped date of March 12, 1970 on the verso, along with numerous press annotations and markings. A wonderful candid shot of Truffaut, Jade, and Leaud sitting on a park bench during principal shooting of the film.....

Paris: les Films du Carrosse, Circa 1959. Vintage borderless reference photograph, with bottom margin, of Francois Truffaut and Guy Decomble on the set of the 1959 film. "Les Quatre Cents Coups" and "Telerama" stamps on verso. Truffaut's auspicious debut, winner of Best Director at Cannes, nominated for the Palme d'Or, and also nominated for a Best Original Screenplay Oscar the.....

Paris: Les Films du Carrosse, 1969. Collection of eight vintage lobby cards for the 1969 French neo-noir film. A late and important color noir, made at what was arguably the peak of Truffaut's success as a filmmaker, dedicated to one of his elders, Jean Renoir, and shot during the time he was deeply involved with lead actress Catherine Deneuve. Based.....

Paris: Les Films de la Pleiade, 1960. Vintage oversize borderless double weight photograph of Charles Aznavour and Michele Mercier from the 1960 film. With holograph annotations on the verso. Aznavour spends half his time playing saloon piano and half his time on the run in this early Truffaut masterpiece, one of the great French noirs, based on the 1956 hard-boiled.....

N.p. N.p., Circa 1962. Collection of eight vintage borderless reference studio still photographs, five with bottom margins, from the 1962 film. One with cropping annotation in blue and red holigraph pencil and remainder of label, since removed, on verso. Based on the 1953 novel by Henri-Pierre Roche. One of the founding films of the French New Wave, examining a long.....

N.p. N.p., Circa 1973. Collection of five vintage borderless reference photographs from the set of the 1973 French film, four showing actors Dani, Jacqueline Bisset, and Jean-Pierre Leaud, and one showing director Francois Truffaut speaking into a walkie-talkie. With a stamp noting the film's French title, "Nuit Americain," on the verso, along with the stamp of the Israel Film Archive.....

N.p. N.p., 1962. Collection of four vintage borderless studio still photographs from the 1962 film. Rare."Love at Twenty" is anthology film on the titular theme by five filmmakers, Shintaro Ishihara, Marcel Ophuls, Renzo Rossellini, Francois Truffault, and Andrzej Wajda, united with a score by Georges Delerue and photographs of Henri Cartier-Bresson.Truffaut's short is the second of five films which follow.....

N.p. N.p., Circa 1973. Vintage borderless reference photograph of Francois Truffault and crew at a woodsy shooting location the 1973 film.One of the great films about film, chronicling the ups and downs in the lives of the cast and crew of shooting a fictional film. Winner of an Academy Award for Best Foreign Language Film, and nominated for Best Supporting.....