N.p. N.p., 1959. Hand tinted woodcut by Kurt Seligmann in 1959 as a Christmas card, titled "Moor," SIGNED and dated in pencil by Seligmann just below the image, and further INSCRIBED to Amos Vogel: "We loved your card - with Jean Durand! / Season's greetings / Arlette and Kurt." Kurt Leopold Seligmann (1900-1962) was a Swiss-American surrealist painter and engraver. He.....
London: Universal Pictorial Press and Agency, 1987. Vintage borderless photograph of director David Lynch to advertise his 1987 film "Blue Velvet." With a mimeo snipe on the verso dated 17th February 1987, along with the stamp of Universal Pictorial Press in London. 8 x 10 inches. Near Fine, with brief separation at the bottom left corner.
London: Connoisseur Films, 1971. Vintage reference photograph of director Dusan Makavejev and actress Milena Dravic on the set of the 1971 film. With a printed label specific to the film's UK release affixed to the verso. From the archive of film historian and author Joel Finler. Noted Yugoslav filmmaker Makavejev's fourth film, a surreal political satire banned in his home country upon.....
Paris: France 3 Cinema, Circa 1985. Vintage matte reference photograph of Marie-France Pisier, Francis Huster, and Jean Marais from the 1985 film. Provenance stamp of film scholar and author "Jean-Pierre Berthome" on verso. Jacques Demy's homage to, and an update on, Jean Cocteau's 1950 masterwork "Orpheus." A quintessentially 1980s Rock Opera musical with Orpheus as a French pop star, and Cocteau's.....
![L'Affaire est dans le sac [It's in the Bag] (Collection of six original photographs from the 1932...](/pictures/thumb/149528.jpg?v=1638077421)
Joinville-le-Pont, France: Pathe-Natan, 1932. Collection of six vintage oversize matte-finish double weight reference photographs from the 1932 French comedy film. With the label of Les Grands Films Classiques on the verso. A milliner and his salesman plan to kidnap a millionaire, but accidentally kidnap the millionaire's bored young son, who is thrilled to be part of an adventure. The feature film.....
Mexico: Producciones Barbachano Ponce, Circa 1959. Three vintage photographs from the set of the 1959 film. All likely shot on the same day, and on a set in a rural location. Buñuel appears in each photo wearing a pith helmet, in the first with cinematographer Gabriel Figueroa, the second with lead actor Francisco Rabal, and the third eating lunch alone.....
![Fever Mounts at El Pao [La fievre monte a El Pao] (Original photograph of Bunuel on the set of...](/pictures/thumb/138216.jpg?v=1515088096)
Mexico: N.p., 1959. Vintage oversize borderless black-and-white press photograph of director Luis Bunuel and cinematographer Gabriel Figueroa behind the camera in Mexico during the making of the 1959 film (a French-Mexican co-production released during Bunuel's Mexican period). Mexican stamp of photographer Georges Yves Massart on the verso. Handwritten text on the verso reads (in Spanish): "One of the scenes should.....
![The Phantom of Liberty [Le fantome de la liberte] (Collection of 6 original photographs from the...](/pictures/thumb/136476.jpg?v=1492979313)
Los Angeles: Twentieth Century-Fox, 1974. Collection of 6 vintage black-and-white studio still photographs from the 1974 film. 8 x 10 inches. Near Fine.
Paris: Greenwich Film Productions, 1972. Vintage borderless photograph from the set of the 1977 film. With holograph annotations on the verso. Six bourgeois friends try to sit down to a meal together and are repeatedly interrupted by surreal dream-like happenings. 7 x 9.5 inches. Near Fine. Criterion Collection 102. Schrader 33.
Paris: Greenwich Film Productions, 1971. Original double weight, wide margin photograph of Luis Bunuel and screenwriter Jean-Claude Carriere by Mary Ellen Mark, taken outdoors during the shooting of Bunuel's "The Discreet Charm of the Bourgeoisie." Notated on the verso as having been taken in 1971, with a separate rubber stamp showing a date of 1980, presumably when the photograph was.....
Paris: Robert et Raymond Hakim / Sud-Films Distribution, 1967. Vintage black-and-white borderless press photograph of director Luis Bunuel with cinematographer Christian Matras and the cast on the set of the 1967 film. With a European press agency stamp on the verso ("Photo exclusive / EUROPANEWS"), a date stamp of April 8, 1969, and a few other annotations. 8 x 10.....
Paris: Robert et Raymond Hakim / Sud-Films Distribution, 1967. Vintage black-and-white borderless still photograph of Catherine Deneuve and director Luis Bunuel on the set of the 1967 film. With the French producer's stamp on the verso ("Robert et Raymond Hakim"), and a printed list of credits in French. Buñuel's first color film, about a young housewife who begins working in.....
Madrid: Alenda Distribucion / Jose Esteban, 1978. Collection of 7 vintage black-and-white studio still photographs from the 1978 Spanish release (and first release in Spain) of the 1930 film. 8 x 10 inches. Near Fine.
Los Angeles: Twentieth Century-Fox, 1974. Collection of 5 vintage black-and-white studio still photographs from the 1962 film. 8 x 10 inches. Near Fine.
![The Phantom Of Liberty [Le fantome de la liberte] (Original photograph from the set of the 1974...](/pictures/thumb/144555.jpg?v=1540246253)
Los Angeles: Twentieth Century-Fox, 1974. Vintage borderless photograph of Luis Bunuel, Pierre Lary, Jean Rochefort, and Julien Bertheau on the set of the 1974 film. With holograph annotations on the verso. A non-linear surrealist comedy that challenges bourgeois notions of morality. 9.5 x 17.75 inches. Near Fine. Criterion Collection 290. Rosenbaum 1000.
![The Phantom Of Liberty [Le fantome de la liberte] (Original photograph from the set of the 1974...](/pictures/thumb/144583.jpg?v=1544116786)
Los Angeles: Twentieth Century-Fox, 1974. Vintage borderless photograph of Luis Bunuel, Julien Bertheau, and Michel Piccoli on the set of the 1974 film. With holograph annotations on the verso. A nonlinear surrealist comedy that challenges bourgeois notions of morality. 9.5 x 6.25 inches. Near Fine. Criterion Collection 290. Rosenbaum 1000.
![The Phantom Of Liberty [Le fantome de la liberte] (Original photograph from the set of the 1974...](/pictures/thumb/144707.jpg?v=1571357471)
Los Angeles: Twentieth Century-Fox, 1974. Vintage borderless photograph of Luis Bunuel, Jean-Claude Brialy, and Monica Vitti on the set of the 1974 film. With holograph annotations on the verso. A nonlinear surrealist comedy that challenges bourgeois notions of morality. 9.5 x 7 inches. Near Fine. Criterion Collection 290. Rosenbaum 1000.
Paris: Robert et Raymond Hakim, Circa 1967. Vintage reference photograph of Catherine Deneuve and Genevieve Page from the 1967 film. "Property of The New York Public Library," and "DUPL NYPL" stamps on verso. Bunuel's first color film, about a bored and directionless young housewife who begins working in a brothel while her husband is at work, with tragic consequences for him.....
Paris: Robert et Raymond Hakim / Sud-Films Distribution, 1967. Vintage borderless photograph of Michel Piccoli, Catherine Deneuve, and Luis Bunuel on the set of the 1967 film. With holograph annotations and agency stamp on the verso. Buñuel's first color film, about a young housewife who begins working in a brothel while her husband is at work, with tragic consequences for.....
![That Obscure Object of Desire [Cet Obscur Objet du Desir] (Original photograph of Luis Bunuel,...](/pictures/thumb/150472.jpg?v=1638077774)
N.p. N.p., Circa 1977. Vintage borderless reference photograph of Luis Bunuel discussing a scene with Fernando Rey and Angela Molina on the set of the 1977 film. Based on the 1898 novel "Le femme et le patin" ("The Woman and the Puppet") by Pierre Louys. The tempestuous relationship between a wealthy, middle aged Frenchman and a poor, young Spanish dancer. The.....
![Land Without Bread [Las Hurdes: Tierra Sin Pan] (Collection of three original photographs from...](/pictures/thumb/149348.jpg?v=1638077308)
Paris: Films sans Frontieres, 1934. Collection of three vintage reference photographs from the 1934 French release of the 1933 Spanish short film. With mimeo snipes on the verso, along with holograph ink annotations numbering the photographs. A short pseudo-documentary focusing on the inhabitants of Las Hurdes, a mountainous region near La Alberca, Spain, with an exaggerated depiction of their suffering. Originally.....
N.p. N.p., Circa 1962. Draft script for the 1962 film. With director Luis Bunuel's holograph pencil and ink annotations throughout noting changes and additions to dialogue, and the name of Russian-American director Victor Stoloff in holograph ink on the front of the folder housing the script. Stoloff was associated with Bunuel during Bunuel's brief sojourn in America, and is interviewed.....
Beverly Hills, CA: Copley Galleries, 1948. First Edition. One of 500 copies issued. Inscribed by the author and artist to early electronic music pioneers Bebe and Louis Barron on the front endpaper: “For Charlotte [Bebe] and Louis Barron / Cordially / Man Ray / Hollywood 1949.” An exceptional avant-garde association, and in one of the strangest alphabet books ever published. At.....
N.p. N.p., Circa 1960s. Vintage borderless photograph of French-American conceptual artist Marcel Duchamp, circa 1960s. With the stamp of photographer Philippe Collin on the verso. 9.5 x 7 inches. Very Good plus.
N.p. N.p., 1964. Vintage borderless photograph of German surrealist artist Max Ernst at a surrealist art exhibition at the Gallery Charpentier in Paris, 1964. With two printed mimeo snipes on the verso, along with an agency stamp. From the archive of the PIX Agency, a photo house that acted as an intermediary between emigre photographers (as well as those still.....
New York: George Braziller, 1984. First printing of this edition. Originally published as a limited edition by Gerald Cramer, Geneva, Switzerland in 1958. Two volumes, an introductory booklet with an essay by Anne Hyde Greet and a meticulous facsimile of copy 75/130 of the original 1958 limited edition. Fine and unread with heavy card wrappers in a Fine dustjacket, housed in.....
Winnepeg / Santa Monica: Plug In / Smart Art Press, 1996. First Edition. Fine and unread in a Fine dust jacket.
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1955. Original scenario artwork by Charles K. Hagedon for the 1955 film musical. A bizarre image, showing a sailor with his gall, entering a cave that has bats, skeletons, a raven in the shadows, and in the distance a window outside of which appears a Dali-esque landscape. Signed by Hagedon at the bottom right corner.....
New York: Atide / Crown, 1962. First American Edition, an English language translation of the original Swiss publication by Edita S.A. Lausanne. With over 150 black-and-white and full color illustrations throughout. Near Fine in a Very Good plus, price-clipped dust jacket. Jacket spine and edges lightly toned, with light soil overall, and a touch of laminate lift to the crown.....
London: New Cinema Presentations, 1969. Collection of four vintage reference photographs from the 1969 film. With the label of New Cinema Presentations on the verso. Based on Rochelle Owens' 1967 play, wherein a farmer's sexual relationship with his pet pig sets off an erotic, increasingly unhinged chain of events among the local hicks in his small town. Shot on location in.....
N.p. The Clockworks Company, Circa 1978. First Draft script for an unproduced film, circa 1978, by screenwriter Stephen Geller, who had previously adapted Kurt Vonnegut's 1969 novel "Slaughterhouse-Five" for George Roy Hill's acclaimed 1972 film. From the estate of actress Monique van Vooren. Based on 1976 novel by Tom Robbins. The history behind Geller's ambitious and massive (182 pages) screenplay.....