France: Regina, 1957. Collection of 6 original still photographs for the 1957 French-Italian film, here under the original French title. Actress Feuillere is prominently featured, in glamour poses and answering the phone. All with ditto-style mimeo snipes on the verso, crediting the original title, Feuillere, Servais, Blier, and Allegret. Also included is a business card for starring actor Lefebvre, here.....

Rome: Cino del Duca, 1960. Vintage oversize double weight borderless glossy press photograph by Enrico Appetito from the 1960 film. Bold notation on the verso noting that the photograph is from the archives of the French cinephile magazine, “Cinema 60.”The first film in Antonioni's famed trilogy, followed by La Notte and L'eclisse. A classic scene from the film, from the.....

Italy: Nepi Film, 1960. Vintage borderless photograph from the set of the 1961 film. A candid aerial photograph of Mastroianni, Moreau, and two other cast members conversing around a table. With a stamp for Telecine and a few annotations on the verso. The second film in the trilogy that begins with "L'Avventura" (1960) and ends with "L'Eclisse" (1962). Shot on.....

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1970. Vintage double weight photograph of director Michelangelo Antonioni and members of the cast and crew on location in the Mojave Desert shooting the 1970 film. Shot by noted photographer Bruce Davidson. With holograph annotations in pencil and blue pen on the verso.Antonioni’s great American experiment, and the only film the director ever made in.....

Rome: Nepi Film, 1962. Vintage borderless reference photograph from the 1961 film. The second film in director Michelangelo Antonioni's trilogy that begins with "L'Avventura" (1960) and ends with "L'Eclisse" (1962).Probably no one has ever said it better than Bosley Crowther, who reviewed the film for the New York Times in 1961: "Too sensitive and subtle for apt description are [Antonioni's].....

Grunwald, Germany: Concorde Film, 1982. Collection of three vintage borderless reference photographs from the German release of the 1982 Italian film. With mimeo snipes on the verso.Antonioni's rarely discussed final feature, and one of his greatest achievements. A recently divorced director pursues a new relationship with a younger woman, who he imagines could play the leading role in his next.....

N.p. N.p., Circa 1966. Collection of 20 vintage borderless photographs from the 1966 film, 18 reference photographs and 2 fashion photographs of Rosaleen Murray and Ann Norman. Mimeo snipes on the verso of three of the photographs. Inspired by the 1959 short story "Las Babas del Diablo" by Julio Cortazar.Michelangelo Antonioni's first English-language film, marking the beginning of the final.....

N.p. N.p., 1962. Vintage borderless reference photograph of Monica Vitti sitting on a sofa and staring into the existential void, from the 1962 film. "ROMA's Press Photo" stamp on verso, with address in Rome for same. The third and final chapter of Michelangelo Antonioni's trilogy, preceeded by "L'Avventura" (1960), starring Gabriele Ferzetti and Monica Vitti, and "La Notte" (1961), starring.....

Rome: Pegaso, 1969. Treatment script for an unproduced film. Text in English.A bleak retelling of the siege of Masada by Roman troops in 74 AD, leading one thousand Jews to commit suicide in order to avoid death at the hands of the Roman soldiers. An early career script by noted Italian screenwriter Nicola Badalucco, who was best known for "The.....

N.p. Avco Embassy Pictures, 1971. Two vintage studio still photographs from the 1971 US release of the 1970 Italian film. Spaghetti Western comedy from Enzo Barboni, under the pseudonym of E.B. Clucher, starring Terence Hill and Bud Spencer as Trinity and Bambino, two motley brothers trying to defend a Mormon settlement from Mexican bandits led by Major Harriman, played by.....

Los Angeles: American International Pictures [AIP], 1963. Collection of four vintage borderless reference photographs from the 1963 Italian anthology horror film, two showing actress Michele Mercier from the episode "The Telephon" and two showing Boris Karloff from the episode "The Wurdalak." One with the stamp of still photographer Gianni Assenza on the verso. A collection of three horror stories, each.....

Paris: Lorcaster, Circa 1960. Vintage borderless reference photograph of Jacques Becker and Marc Michel on the set of the 1960 film. "Lorcaster" and "636" stamps on verso. Based on the 1957 novel by Jose Giovanni. True story of the 1947 Le Sante Prison break, with one of the real escapees, Keraudy, playing his own character in the film. Jacques Becker's.....

Rome: Mars Film, Circa 1970. Vintage borderless reference photograph of Jean-Louis Trintignant and Stefania Sandrelli from the 1970 film. Stamp of photographer Angelo Novi on verso. An intricate and incisive examination of the psychological tribulations of a man who will do anything to be "normal." Marcello Clerici (Trintignant), a young and upper-middle class Italian, joins Mussolini's Organization for Vigilance and.....

Italy / US: Twentieth Century-Fox, 1979. Vintage studio still photograph of actress Jill Clayburgh and director Bernardo Bertolucci on the set of the 1979 film. The son of a famous opera singer falls into heroin addiction, and his mother begins an incestuous relationship with him to help him kick the habit. 10 x 8 inches. Near Fine...

Rome: Fair Film, 1970. Draft script for the 1970 film. An English language script for consideration by US filmmakers, though the film was shot in Italian. Based on Alberto Bevilacqua's 1964 novel of the same name. The widow of a worker killed by police joins the militant strike against the factory owners, one of which falls in love with her.....

Germany: Atlas Films, 1955. Original German A1 poster for the 1955 Italian film, featuring an illustration of Sophia Loren, the film credits in hourglass shape to mimic her figure. From the collection of noted film historian Amos Vogel. Full provenance available. Paolo (Marcello Mastroianni) is a Roman cab driver who gives Lina (Sophia Loren) a lift, but she tries to.....

Paris: Cinedis, 1962. Press material for the 1962 French-Italian film, "Comment reussir en amour," from the French distributor and press and film agency, Cinedis. French language throughout. Resembling the star biography and film credit packets often seen with US press kits, this material details film credits, cast and crew biographies, and the synopsis. Based on Annette Wademant's screnplay, one of.....

Paris: France Cinema, 1962. Collection of 75 original black-and-white film still photographs for the 1962 French-Italian film, here under the original French title. Starring actress Saval is prominently featured, as is costar Poiret, with metal crutches in tow, and actress Maillan. Several images show members of the crew during filming, rainy scenes, cars, and large cameras. All with numerical annotations.....

Paris: Cinedis, 1957. Collection of 130 vintage black-and-white still photographs and 3 medium-format negatives for the 1957 French-Italian film. The collection consists of two unique but complimentary pieces, one being a set housed in the original paper box with "Crumiere / Paris" paper label, and annotations on the box top in holograph ink noting French film title and "B. Bardot,".....

Japan: Towa, 1957. Two original uncut Japanese stamp sheets for the 1957 French-Italian film. Bardot is amply represented in red and green variants, 10 stamps per sheet, also with an image of the Eiffel Tower. Produced by the Towa Corporation (Japan) with "BB" and film titles in Japanese represented. The film was released in Japan in December, about one week.....

Neuilly-sur-Seine: Argos Films, 1973. Vintage grande French poster from the 1973 erotic film. Borowczyk's fourth feature length film, an anthology film of four erotic tales set in different historical eras. Incest, bloodlust, masturbation, and loss of virginity are among the film's themes, featuring characters ranging from a nineteenth-century country girl fantasizing about Jesus to the bloodthirsty exploits of sixteenth-century Hungarian.....

Paris: Cinedis, 1957. Collection of 14 vintage photographs and color transparencies from the 1957 French-Italian film. Nearly all photographs are contact sheets, with 34 color transparencies, 24 are medium-format, and 5 are mounted. Starring actors Fernandel and Gray comprise most of the collection, and the contact sheets consist of candid images of Fernandel, director Boyer, noted director Christian-Jacques, and Fernandel.....

Rome: 23 Giugno, 1981. Vintage French theatrical poster for the 1981 Italian/French film. Based on the 1972 short story collection "Erections, Ejaculation, Exhibitions, and General Tales of Ordinary Madness" by Charles Bukowski. The first film adaptation of the author's work, and one of the most challenging films of the 1980s. Ben Gazzara and Ornelia Muti portray two self-destructive souls that.....

Glendale, CA: Allied Artists, 1968. Collection of eight vintage studio still photographs from the US release of the 1967 French film. Bunuel's first color film, about a bored and directionless young housewife who begins working in a brothel while her husband is at work, with tragic consequences for him and a jealous client involved in organized crime. Winner of the.....

N.p. N.p., Circa 1969. Vintage borderless reference photograph from the 1968 Italian film, showing actress Catherine Spaak indisposed. A recently widowed woman discovers her husband kept a secret apartment for his kinky affairs, and decides to use the apartment to explore her own desires. 7 x 5 inches. Near Fine.

Cannes, France: N.p., 1964. Original souvenir programs and film credits material showcasing some of the films from the 1964 Cannes Film Festival. It was this festival, the seventeenth one to be held, that the award name was changed from the Palme d'Or to the Grand Prix du Festival International du Film, the name used until 1974 when it returned to.....

N.p. N.p., Circa 1971. Vintage borderless reference photograph of Macel Carne and Jacques Brel on the set of the 1971 film by photographer Raymond Voinquel.Based on the 1956 French novel "Les Assasins de l’Ordre" by Jean Laborde.A judge in a small provincial town investigates the death of a man who died after an interrogation while in police custody.9.5 x 7.....

Italy: Lotar Film, 1974. Collection of four vintage photographs from the 1974 film. Each with the stamp of collector A. Marinie on the verso, one photograph with holograph annotations regarding layout. Italian director Cavani's international breakthrough, a deeply controversial film about a Holocaust survivor who renews her sadomasochistic sexual relationship with her Nazi torturer after a chance encounter, which threatens.....

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1972. Complete set of eight vintage color studio still photographs from the 1972 US release of the 1971 Italian film. A police detective investigates a string of murders where the victims are paralyzed and disemboweled.Set and shot on location in Rome. 10 x 8 inches. Near Fine.

New South Wales: Embassy Pictures, 1963. Collection of 16 vintage studio still photographs from the 1963 film.Based on French serial killer Henri Desire Landru.During World War I, Henri Landru (Charles Denner) supplements his income by luring middle-class women through newspaper ads, to a villa outside Paris where he seduces and kills them, burns their bodies, then helps himself to their.....

Nice: Gaumont-Palace, 1961. Vintage French program, and two invitations, for the 1961 film, here under the original French titles. The collection both predates and postdates November 1, 1961, generally considered the original release. A small invitation "for two" doubles as a folding RSVP, for the October 17 showing at the Cyrano theatre in Villeneuve-sur-Lot, a Southwest France commune with the.....

N.p. N.p., 1960. Three vintage borderless reference photographs, variously of Henri-George Clouzot, Brigitte Bardot, Jaques Perrin, Jean Hobe, and Marie-Jose Nat on the set of the 1960 film. Both with "Cinema Verite," "La Verite," and photographer Paul Apoteker stamps on verso.A young woman finds herself standing trial for the murder of her lover, forcing her to reflect on her memories.....

Spain / Italy: Pan Latina Films / Produzioni Europee Associate, 1968. Vintage poster for Mexican release of the 1968 Spainish / Italian co-production, here under the title "Sindicato de drogas." An ex-intelligence agent is tasked with finding a shipment of stolen drugs. 27.5 x 39 inches. Very Good plus, with pinholes to the corners and starting to the folds. Folded.....

Milano, Italy: Tempo, N.d. Vintage borderless photograph of director Luigi Comencini, date unknown but presumably the 1950s. With holograph annotations and photographer Federico Patellani's stamp on the verso.Comencini is regarded as one of the masters of Italian comedy, with an oeuvre containing over 50 films featuring notable Italian actors such as Nino Manfredi and Ugo Tognazzi.10 x 8 Near Fine.....

Munich: Concorde Film, 1974. Vintage borderless candid reference photograph of Warhol superstar Joe D'Allesandro in the 1974 Italian film. With a mimeo snipe to the verso. By the time D'Allesandro appeared in the torrid romantic drama "One Woman's Lover," he was already well established as a gay icon and noted male sex symbol as a result of his breakthrough appearances.....

Rome: Aquila Cinematografica, 1974. Draft script for the first episode of an unproduced television miniseries. Based on the short story "The Virgin Orsola" from Italian writer Gabriele D'Annunzio's 1902 collection "De Novelle Della Pescara." A chaste schoolteacher in a convent survives a life-threatening illness but soon after is violently sexually assaulted, beaten, and left for dead.Set in Italy. Orange untitled.....

Los Angeles: Twentieth Century-Fox, 1975. Complete set of eight vintage color studio still photographs from the 1975 US release of the 1974 Italian film. A convent's vicious, power-hungry Mother Superior bullies and torments those who stand in her way, but the arrival of an agnostic writer looking for new material threatens to challenge the nun's power. Shot on location in.....

England: ITC Entertainment, 1974. Collection of 7 vintage full color British lobby cards from the 1974 British-italian television mini-series. Six-hour television mini-series that aired in 1973 and 1974, a retelling of the life of Moses (Lancaster), the man who discovered the Ten Commandments and parted the Red Sea. Cult favorite Anthony Burgess contributed to the entire series, and Thomas Keneally.....

Paris: Les Films Ariane, 1964. Collection of 343 vintage black-and-white photographs from the set of the 1964 film, "That Man from Rio," here under the original French title, "L'homme de Rio." Most are rubber-stamped on the versos indicating film studio, Les Films Ariane, still photographer Trigo, Brazilian magazine "O Cruzeiro " and French film title, several with annotations in holograph.....

Paris: Les Films Ariane, 1959. Collection of 322 original black-and-white keybook still photographs from the 1959 French-Italian film. Small photos affixed with cello tape on thick stock in a folio "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper. Each photo is numbered in holograph ink on the page, and in mimeograph on the verso, all credited.....

New South Wales: Embassy Pictures, 1964. Vintage borderless photograph of Sophia Loren, Marcello Mastroianni and Vittorio De Sica on the set of the 1964 film. With holograph annotations on the verso. Based on the 1964 play by Eduardo De Filippo titled "Filumena Marturano." Set during and immediately after World War II in Naples, Italy. Filumena (Sophia Loren) is a prostitute.....

Culver City, CA: Columbia Pictures, 1953. Original Spanish pressbook for the 1953 film12 pages, saddle-stapled, 11 x 14 inches. Criterion Collection 202.

Rome: Cineriz, 1962. Original program for the Italian-French film, undated but issued upon the 1962 premiere. Unfolds to three panels of film synopsis and credits, and full-color film stills of Loren, Ekberg, Schneider and others. A four episode anthology exploring morality and love. Working-class lovers, Renzo and Luciana in a secret marriage (Solinas, Gilioli), a billboard of a blonde woman.....

France: Cinedis, 1959. Two original reference contact sheets from the 1959 French-Italian film. Each photo is hole-punched and presumably from a keybook, totaling 24 images of starring actor Gabin smoking a pipe in an overcoat. Film title and Gabin's name in holograph ink on the verso. Late French noir based on Simenon's novel "L'Affaire Saint-Fiacre" (1932). Maigret (Gabin) is called.....

Paris: Cocinor, 1957. Vintage French Moyenne (or Affiche Moyenne) poster for the 1957 French-Italian film, "The Man in the Raincoat," here under the French title, "l'homme a l'impermeable." Printed in brilliant color by the French illustration company, Bobigny, with artwork by the prolific Jean Mascii. Notation in holograph ink on the verso. Based on James Hadley Chase's 1954 novel, "Tiger.....