Culver City, CA: Selznick Studio, 1950. Draft English language script for the 1951 French-Italian film, "Les miracles n'ont lieu qu'une fois," here under the English title, "Miracles Only Happen Once." Based on an original scenario by Jacques Sigurd, adapted to English by Hugh Brooke. Claudia (Valli) and Jerome (Marais) meet in Paris shortly before WWII, fall in love and expect.....

Rome: Cino del Duca, 1960. Vintage oversize double weight borderless glossy press photograph by Enrico Appetito from the 1960 film. Bold notation on the verso noting that the photograph is from the archives of the French cinephile magazine, “Cinema 60.”The first film in Antonioni's famed trilogy, followed by La Notte and L'eclisse. A classic scene from the film, from the.....

Italy: Nepi Film, 1960. Vintage borderless photograph from the set of the 1961 film. A candid aerial photograph of Mastroianni, Moreau, and two other cast members conversing around a table. With a stamp for Telecine and a few annotations on the verso. The second film in the trilogy that begins with "L'Avventura" (1960) and ends with "L'Eclisse" (1962). Shot on.....

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1970. Vintage double weight photograph of director Michelangelo Antonioni and members of the cast and crew on the set of the 1970 film. Shot by noted photographer Bruce Davidson. With holograph annotations in pencil and blue pen on the verso. Antonioni’s great American experiment, and the only film the director ever made in the United.....

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1970. Collection of five vintage reference photographs from the 1970 film. Four of the photographs have been trimmed, three with partially trimmed mimeo snipes on the verso, Antonioni’s great American experiment, and the only film the director ever made in the United States, written for the screen by a young Sam Shepard. Though made from.....

Rome: Mars Film, 1970. Vintage borderless black-and-white photograph from the 1970 Italian film. With the stamp of photographer Angelo Novi on the verso. 7.25 x 9.5 inches. Fine. Arrow Academy 500.

Italy / US: Twentieth Century-Fox, 1979. Vintage studio still photograph of actress Jill Clayburgh and director Bernardo Bertolucci on the set of the 1979 film. The son of a famous opera singer falls into heroin addiction, and his mother begins an incestuous relationship with him to help him kick the habit. 10 x 8 inches (25.5 x 20.5 cm). Near.....

Rome: Fair Film, 1970. Draft script for the 1970 film. An English language script for consideration by US filmmakers, though the film was shot in Italian. Based on Alberto Bevilacqua's 1964 novel of the same name. The widow of a worker killed by police joins the militant strike against the factory owners, one of which falls in love with her.....

Germany: Atlas Films, 1955. Original German A1 poster for the 1955 Italian film, featuring an illustration of Sophia Loren, the film credits in hourglass shape to mimic her figure. From the collection of noted film historian Amos Vogel. Full provenance available. Paolo (Marcello Mastroianni) is a Roman cab driver who gives Lina (Sophia Loren) a lift, but she tries to.....

Paris: Cinedis, 1962. Press material for the 1962 French-Italian film, "Comment reussir en amour," from the French distributor and press and film agency, Cinedis. French language throughout. Resembling the star biography and film credit packets often seen with US press kits, this material details film credits, cast and crew biographies, and the synopsis. Based on Annette Wademant's screnplay, one of.....

Paris: France Cinema, 1962. Collection of 75 original black-and-white film still photographs for the 1962 French-Italian film, here under the original French title. Starring actress Saval is prominently featured, as is costar Poiret, with metal crutches in tow, and actress Maillan. Several images show members of the crew during filming, rainy scenes, cars, and large cameras. All with numerical annotations.....

Paris: Cinedis, 1957. Collection of 130 vintage black-and-white still photographs and 3 medium-format negatives for the 1957 French-Italian film. The collection consists of two unique but complimentary pieces, one being a set housed in the original paper box with "Crumiere / Paris" paper label, and annotations on the box top in holograph ink noting French film title and "B. Bardot,".....

Japan: Towa, 1957. Two original uncut Japanese stamp sheets for the 1957 French-Italian film. Bardot is amply represented in red and green variants, 10 stamps per sheet, also with an image of the Eiffel Tower. Produced by the Towa Corporation (Japan) with "BB" and film titles in Japanese represented. The film was released in Japan in December, about one week.....

Paris: Le Film illustre, 1962. Original French magazine focusing on contemporary international film, actors and actresses, and persons behind the scenes, like set decorators and directors. French text throughout. Italian actress Gina Lollobrigida graces the front wrapper, and Frida Boccara on the rear wrapper. Color centerfolds were also featured, and this issue sports a full-color spread of youthful actors Martine.....

Neuilly-sur-Seine, France: Societe Nouvelle de Cinematographie (SNC), circa 1970. Draft script for the 1970 film. Text in French. A French-Italian collaboration film dealing with World War II in a humorous light. The last film made by French actor Bourvil. A British airman falls into the bedroom of a young woman and is coerced into joining the French resistance. Set in.....

N.p. N.p., Circa 1960. Collection of 30 vintage press photographs and contact sheets from promotional events for the 1960 French-Italian film, here under the original French title, "Terrain vague." Starring child actors Bras and Gaubert are seen elegantly dressed, Gaubert holding a bouquet, Bras nonplussed, and the two onstage before a microphone, joined by the gala host, taken by photographer.....

London: Morningside Worldwide Pictures, Circa 1975. Early Revised Draft script for the 1963 British-American film, dated two years prior to its release. First generation reproduction, likely made for educational purposes circa early-mid 1970s, evidenced by the use of a photocopy process (not employed in the UK until the early 1970s). The script's vintage is also evidenced by the postal code.....

France: N.p., Circa 1961. Vintage borderless still photograph from the 1961 film. Starring actress Annie Frattelini is featured in polka dots at the mirror, adjusting a shiny crucifix around her neck. A businessman (Noiret) wants to buy land around the village of Cabosse, claiming his desire for seclusion but with intentions to sell the water from the village fountain, purportedly.....

Paris: Athos Films / Istituto Luce, 1967. Original French grande poster for the 1967 Italian film. Based on Florence Montgomery's 1869 novel. John (Quayle) is the UK Consul in Florence, Italy, where he becomes a widower with two sons. Andrew (Colagrande) is the oldest, constantly assuming responsibility for his younger brother Miles' (Giannozzi) shenanigans, until one act that proves too.....

Paris: Cinedis, 1957. Archive of 1,599 vintage keybook photographs from the 1957 French-Italian film. Small photographs affixed with cello tape on thick stock in five folio sized spiral bound notebooks, with small title labels mounted to the versos of the front wrappers. Each photograph is numbered in holograph ink inside a small white border on the recto, and in mimeograph.....

Paris: Les Films Ariane, 1964. Collection of 343 vintage black-and-white photographs from the set of the 1964 film, "That Man from Rio," here under the original French title, "L'homme de Rio." Most are rubber-stamped on the versos indicating film studio, Les Films Ariane, still photographer Trigo, Brazilian magazine "O Cruzeiro " and French film title, several with annotations in holograph.....

Paris: Les Films Ariane, 1959. Collection of 322 original black-and-white keybook still photographs from the 1959 French-Italian film. Small photos affixed with cello tape on thick stock in a folio "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper. Each photo is numbered in holograph ink on the page, and in mimeograph on the verso, all credited.....

New South Wales: Embassy Pictures, 1964. Vintage borderless photograph of Sophia Loren, Marcello Mastroianni and Vittorio De Sica on the set of the 1964 film. With holograph annotations on the verso. Based on the 1964 play by Eduardo De Filippo titled "Filumena Marturano". Set during and immediately after World War II in Naples, Italy. Filumena (Sophia Loren) is a prostitute.....

Culver City, CA: Columbia Pictures, 1953. Original Spanish pressbook for the 1953 film12 pages, saddle-stitched, 11 x 14 inches. Criterion Collection 202.

Rome: Cineriz, 1962. Original program for the Italian-French film, undated but issued upon the 1962 premiere. Unfolds to three panels of film synopsis and credits, and full-color film stills of Loren, Ekberg, Schneider and others. A four episode anthology exploring morality and love. Working-class lovers, Renzo and Luciana in a secret marriage (Solinas, Gilioli), a billboard of a blonde woman.....

Paris: France Cinema, 1961. Collection of 9 vintage borderless black-and-white still photographs from the 1961 Italian-French film, here under the original French title, "Les Mongols." Rubber-stamps on the versos, crediting photographer Dorka and street address. Palance and Ekberg are present in a few photos, including two candid images of Ekberg. Housed in brown envelope and fold, both with French film.....

France: Cinedis, Circa 1957. Collection of 61 original black-and-white single weight photographs from the 1957 French-Italian film, released in the US as "On Foot, On Horse and On Wheels" (1958). Starring actors Noel-Noel and Grey are in nearly every image, with a few featuring Sophie Daumier. All with numerical annotations in holograph pencil, housed in an original French Crumiere photo.....

France: N.p., Circa 1967. Two vintage borderless black-and-white reference still photographs from the 1967 Italian-French-German film. From the archives of Maurice Bessy (1910-1993), a French film historian, novelist, and screenwriter ("Deadlier Than the Male," 1956, and a handful of films 1939-1950). Bessy's rubber stamp and name label on the verso of one still, with brief annotations in holograph ink on.....

Paris: Filmsonor / Mondex / Procinex, 1962. Original French program for the 1962 French-Italian film, here under the original French title, "Le diable et les 10 commandements." Illustrated wrappers featuring esoteric cartoons by Vaissier, with original glassine. Contents of the program include film credits, synopsis, actor biographies, and advertisement campaigns; often these programs are illustrated throughout with still photographs from.....

Rome: Produzioni Europee Associati (PEA), 1976. Vintage oversize double weight photograph of Donald Sutherland and Cicely Browne getting it on in high style in the 1976 film. Cattarinich did still photography work for many interesting and prominent directors in the 1970s and 1980s, including Pedro Almodovar, Joe D'Amato, Marco Ferreri, and Pier Paolo Pasolini, among others. Producer Dino De Laurentiis.....

Rome: Riama Film, 1960. Vintage oversize borderless double weight press photograph of Anouk Aimee from the 1960 film. With agency stamps on the verso. Fellini's most pivotal film, if not his finest. Unlike the more sentimental and abstract films that would follow, "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome, with Mastroianni, a jaded journalist at the.....

Paris: Roissy Films, circa 1978. Vintage oversize borderless color photograph of Gerard Depardieu and the star chimpanzee from the 1978 film. With holograph ink annotations on the verso. An Italian-French production about a man who lives in a New York City basement and works as a jack of all trades for the owner of a wax museum and a feminist.....

N.p. Compagnia Cinematografica Champion, 1968. Vintage photographs from the 1968 absurdist comedy "The Man with the Balloons," also known as "Break Up," from the prolific Italian director Marco Ferreri. Marcello Mastroianni plays Mario Fuggetta, a wealthy industrialist, whose obsession with balloons derail his life and his relationship with his beautiful fiancee Giovanna (Catherine Spaak.) He'll drive himself mad trying to.....

Italy: Sancro Film, 1963. Collection of four vintage, oversize, borderless reference photographs from the 1963 Italian film. With the stamps of photographer Velio Cioni, and two press agencies on the verso. Two of the photographs show crew members putting the finishing touches on a mannequin of Jesus while director Ferreri looks on. A satire of masculinity and chauvinism, where a......

France / Italy: Affiches Gaillard / Cineriz, Circa 1961. Archive of 139 vintage borderless single weight still photographs from the 1961 Italian-French film. Seen in the images is starring actor Fernandel and other members of the cast in action, and a few images of the film crew at work. Notations in holograph pencil, and photographer Civirani's rubber stamp, on the.....

Rome, Italy: Produzione Gallone / Filmsonor, 1951. Original souvenir program, printed in Italy, for the 1951 Italian-French-Spanish film. These programs saw popularity beginning in the 1960s and continued to be produced until the early 1980s and the ever-growing VHS market, with a particularly high distribution in Asian countries. This example features several full-color illustrations of Roman warriors and women, and.....

Los Angeles: Embassy Pictures, 1962. Collection of 6 vintage black-and-white still photographs from the 1961 Italian film. Marcello Mastroianni is a bored man, bored with life and his wife. He falls in love with a younger woman, and since divorce is illegal in Italy unless there is just cause (like catching your spouse committing adultery), he decides to find his.....

Paris: Intermondia Films / Pretoria / Cinedis, 1959. Collection of 11 original black-and-white single weight still photographs from the 1959 French-Italian film. Featuring Jean Gabin dancing gaily in a pub with costar Doll, and a photo of costar Cowl smoking a cigarette, with a single photo credited to photographer Dole on the recto, mimeograph number on the verso, showing a......

Paris: Intermondia Films / Pretoria / Cinedis, 1959. Collection of 4 original black-and-white single weight still photographs from the 1959 French-Italian film. Featuring Jean Gabin dancing gaily in a pub with costar Doll, all photos with brief numerical annotations in holograph pencil on the verso. Gabin plays a sophisticated tramp who lives during summer in an abandoned construction site. As.....

France / Italy: Productions Sigma, Circa 1957. Archive of 42 vintage borderless single weight still photographs and 2 color transparencies from the 1958 French-Italian film. Seen in the images is starring actress Dany Robin, both on the set and at a birthday party, and other stars of the film in action. Notations on the verso of several photos in holograph.....

Paris: Cinedis, 1959. Collection of 33 original borderless single weight still photographs from the 1959 French release (as "Resurrection") of the 1958 West German-Italian-French film. Action sequences, images of smoking women in brothels, and head-shots of starring actors throughout. Numerical annotations in holograph pencil, and some in ink, on the versos. Based on Tolstoy's last novel, "Resurrection" (1899), a statement.....

Los Angeles: Capital Films Corporation, Circa 1973. Vintage black-and-white studio still photograph from the 1973 US release of the 1968 Italian-German film. This would have been issued with press material promoting the film. Featured are several "jungle heroines" throughout film history, including Enid Markey as "Jane," Frances Gifford, Maureen O'Sullivan, Lorna Gray, Lois Hall, and Mei Chen as "Luana." "Luana.....

N.p. Filmes Cinematografica, 1976. Collection of 3 vintage borderless photographs from the 1976 film. Grazia Neri stamps on the verso. Jancso's "Private Vices, Public Pleasures" is loosely based on the death of Crown Prince Rudolf of Austria, believed having killed himself after shooting his lover in a suicide pact in 1882. Jancso's film presents Rudolf (Lajos Balazsovits) as a pan-sexual.....