France: Regina, 1957. Collection of 6 original still photographs for the 1957 French-Italian film, here under the original French title. Actress Feuillere is prominently featured, in glamour poses and answering the phone. All with ditto-style mimeo snipes on the verso, crediting the original title, Feuillere, Servais, Blier, and Allegret. Also included is a business card for starring actor Lefebvre, here.....

Paris: SOPROFILMS, Circa 1986. Draft script for the 1986 film. Based on Umberto Eco's 1980 novel. When two monks are found dead in a medieval abbey in northern Italy, a former inquisitor-turned-Franciscan friar is called upon to find the culprit.Set in northern Italy and shot on location in Rome, Abruzzo, and Apulia, Italy, and Eberbach Abbey in Germany.Blue titled wrappers.....

Rome: Film Duemila, 1964. Vintage oversize photograph of Monica Vitti on the set of the 1964 film. Agency stamps and holograph annotations on the verso, and press demarcation tape and holograph annotations (on the tape) on the recto. Antonioni's first color film, and the last in a quartet of films made between 1959 and 1964 about women in modern culture.....

Italy: Nepi Film, 1960. Vintage oversize double weight borderless photograph from the 1961 film. A candid, on-the-set photograph of director Michelangelo Antonioni, cinematographer Gianni Di Venanzo, Jeanne Moreau, and others working on a balcony shot, part of the long party sequence that makes up the last third of the film. The second film in the trilogy that begins with "L'Avventura".....

Rocca di San Casciano, Italy: Cappelli, 1962. First Edition. Text in Italian.The screenplay and affiliated commentary for the 1962 film, illustrated with black and white film stills.Very Good plus in a Very Good plus dust jacket. Slight spine lean and light soil to the endpapers, with a vintage bookseller's price sticker to the rear pastedown. Jacket spine is lightly faded.....

Rome: Cineriz, 1962. Vintage borderless photograph of Monica Vitti and Alain Delon on the set of the 1962 film. With holograph annotations in blue ink and pencil on the verso. Vittoria (Monica Vitti) leaves her fiance (Francisco Rabal) and enters a new relationship with Piero, a young stock broker (Alain Delon) who is obsessed with material posessions and wealth, his.....

Italy: SpA Cinematografica, 1957. Vintage borderless press photograph from the set of the 1957 film, showing director Michelangelo Antonioni conferring with star Steve Cochran in front of the crew, while child actor Mirna Girardi examines the mud. With an Italian press agency stamp and holograph annotations on the verso. A man discovers his mistress is in love with someone else.....

Rome: Iterfilm, 1982. Agency draft script in English for the 1982 Italian film. Antonioni's rarely discussed final feature, and one of his greatest achievements. Niccolo (Tomas Milian), a recently divorced movie director pursues a new relationship with a younger woman, Mavi (Daniela Silverio), who he imagines could play the leading role in his next film. She quickly vanishes and he.....

Paris: Cinedis, 1960. Vintage borderless photograph of director Jacques Becker and actor Jean Keraudy on the set of the 1960 film. With holograph annotations on the verso. Based on Jose Giovanni's 1957 first novel, "Le Trou" (The Break). True story of the 1947 Le Sante Prison break, with one of the real escapees, Keraudy, playing his own character in the.....

Italy / US: Twentieth Century-Fox, 1979. Vintage borderless photograph showing actor Jill Clayburgh and director Bernardo Bertolucci in a pensive moment during on outdoor shoot from the set of the 1979 film. With the stamp of US co-producer Twentieth Century-Fox and identifying holograph notation on the verso. The son of a famous opera singer falls into heroin addiction, and his.....

Paris: France Cinema, 1962. Archive of 224 vintage borderless single weight keybook contact sheets and film stills, amounting to nearly 2000 numbered images, for the 1962 French-Italian film, here under the original French title. The entire film is represented in minute detail, along with test shots, set design shots, and many candid off-camera shots from the set. Brief cropping and.....

Paris: France Cinema Productions, 1962. Original scenario with dialogue script for the 1962 film, here under the French title. French language. Unbound carbon leaves housed in a turquoise folder with silver prong brad, another French film title on the front, "Venus Imperiale," presumably Jean Delannoy's "Imperial Venus" of the same year. Notations on several pages in holograph ink and pencil.....

Paris: France Cinema, 1962. Collection of 8 vintage borderless single weight film still photographs for the 1962 French-Italian film, here under the original French title. Starring actress Saval is prominently featured, both at the salon and in sickbed scenes with Eddy Mitchell. Notations in holograph pencil on three smaller photos, larger photos rubber-stamped on the verso, crediting photographer William Camus.....

Paris: Cinedis, 1957. Collection of 150 vintage black-and-white keybook contact sheet photographs and 8 loose photographs for the 1957 French-Italian film. The film is represented in test shots, set design shots, and many candid moments from the set, including dramatic high-contrast images of starring actors, Bardot amply represented in the collection and seen in nearly every image, off-camera with the.....

Paris: Cinedis, 1957. Collection of 14 vintage photographs and color transparencies from the 1957 French-Italian film. Nearly all photographs are contact sheets, with 34 color transparencies, 24 are medium-format, and 5 are mounted. Starring actors Fernandel and Gray comprise most of the collection, and the contact sheets consist of candid images of Fernandel, director Boyer, noted director Christian-Jacques, and Fernandel.....

London: British Lion Films, 1956. Collection of 8 vintage full-color still photographs from the 1956 UK release of the 1954 French-Italian film. An Italian Peplum (sword-and-sandal) film, set in 600 BC, about a rebellion against a king, a plot on his life, and the beautiful queen caught in the middle of it all. 8 x 10 inches (20 x 25.....

N.p. N.p., Circa 1968. Treatment script for the 1968 Italian film, here under the working title "Tenderly." With a label for the Paul Kohner casting agency to the first leaf, and a single holograph ink annotation to the title page. Text in English.After 15 years apart, a neurotic doctor reconnects with his childhood sweetheart, a free-spirited young woman. Set in.....

Rome: A.P.E. Roma, 1943. Complete set of three vintage Italian posters for the legendary 1943 Italian film noir. Based on the 1929 novel by James M. Cain, "The Postman Always Rings Twice," and preceding the US film adaptation by three years. Visconti's trenchant first feature, an unauthorized adaptation of Cain's novel, often cited as the earliest neorealist film. Visconti himself.....

Cannes, France: N.p., 1964. Original souvenir programs and film credits material showcasing some of the films from the 1964 Cannes Film Festival. It was this festival, the seventeenth one to be held, that the award name was changed from the Palme d'Or to the Grand Prix du Festival International du Film, the name used until 1974 when it returned to.....

Italy: Lotar Film, 1974. Collection of four vintage photographs from the 1974 film. Each with the stamp of collector A. Marinie on the verso, one photograph with holograph annotations regarding layout. Italian director Cavani's international breakthrough, a deeply controversial film about a Holocaust survivor who renews her sadomasochistic sexual relationship with her Nazi torturer after a chance encounter, which threatens.....

Paris: Various, 1946-1964. Collection of 19 original French programs for French, German, Italian, and Spanish films, with a single US film, here under the original French titles, 1946-1964. All feature color wrappers, some illustrated with color stills from the film, and highlights include "Madame du Barry" (1954, Christian-Jaque), "Madame Butterfly" (1954, Carmine Gallone), "Les Diaboliques" (1955, Henri-Georges Clouzot), US film.....

Milano, Italy: Tempo, N.d. Vintage borderless photograph of director Luigi Comencini, date unknown but presumably the 1950s. With holograph annotations and photographer Federico Patellani's stamp on the verso.Comencini is regarded as one of the masters of Italian comedy, with an oeuvre containing over 50 films featuring notable Italian actors such as Nino Manfredi and Ugo Tognazzi.10 x 8 (25.5 x......

England: ITC Entertainment, 1974. Collection of 7 vintage full color British lobby cards from the 1974 British-italian television mini-series. Six-hour television mini-series that aired in 1973 and 1974, a retelling of the life of Moses (Lancaster), the man who discovered the Ten Commandments and parted the Red Sea. Cult favorite Anthony Burgess contributed to the entire series, and Thomas Keneally.....

Paris: Les Films Ariane, 1964. Collection of 343 vintage black-and-white photographs from the set of the 1964 film, "That Man from Rio," here under the original French title, "L'homme de Rio." Most are rubber-stamped on the versos indicating film studio, Les Films Ariane, still photographer Trigo, Brazilian magazine "O Cruzeiro " and French film title, several with annotations in holograph.....

Paris: Les Films Ariane, 1959. Collection of 322 original black-and-white keybook still photographs from the 1959 French-Italian film. Small photos affixed with cello tape on thick stock in a folio "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper. Each photo is numbered in holograph ink on the page, and in mimeograph on the verso, all credited.....

New South Wales: Embassy Pictures, 1964. Vintage borderless photograph of Sophia Loren, Marcello Mastroianni and Vittorio De Sica on the set of the 1964 film. With holograph annotations on the verso. Based on the 1964 play by Eduardo De Filippo titled "Filumena Marturano". Set during and immediately after World War II in Naples, Italy. Filumena (Sophia Loren) is a prostitute.....

Culver City, CA: Columbia Pictures, 1953. Original Spanish pressbook for the 1953 film12 pages, saddle-stitched, 11 x 14 inches. Criterion Collection 202.

Rome: Cineriz, 1962. Original program for the Italian-French film, undated but issued upon the 1962 premiere. Unfolds to three panels of film synopsis and credits, and full-color film stills of Loren, Ekberg, Schneider and others. A four episode anthology exploring morality and love. Working-class lovers, Renzo and Luciana in a secret marriage (Solinas, Gilioli), a billboard of a blonde woman.....

Paris: France Cinema, 1961. Collection of 9 vintage borderless black-and-white still photographs from the 1961 Italian-French film, here under the original French title, "Les Mongols." Rubber-stamps on the versos, crediting photographer Dorka and street address. Palance and Ekberg are present in a few photos, including two candid images of Ekberg. Housed in brown envelope and fold, both with French film.....

France: Cinedis, Circa 1957. Collection of 61 original black-and-white single weight photographs from the 1957 French-Italian film, released in the US as "On Foot, On Horse and On Wheels" (1958). Starring actors Noel-Noel and Grey are in nearly every image, with a few featuring Sophie Daumier. All with numerical annotations in holograph pencil, housed in an original French Crumiere photo.....

France: N.p., Circa 1967. Two vintage borderless black-and-white reference still photographs from the 1967 Italian-French-German film. From the archives of Maurice Bessy (1910-1993), a French film historian, novelist, and screenwriter ("Deadlier Than the Male," 1956, and a handful of films 1939-1950). Bessy's rubber stamp and name label on the verso of one still, with brief annotations in holograph ink on.....

Paris: Filmsonor / Mondex / Procinex, 1962. Original French program for the 1962 French-Italian film, here under the original French title, "Le diable et les 10 commandements." Illustrated wrappers featuring esoteric cartoons by Vaissier, with original glassine. Contents of the program include film credits, synopsis, actor biographies, and advertisement campaigns; often these programs are illustrated throughout with still photographs from.....

Rome: Produzioni Europee Associati (PEA), 1976. Vintage oversize double weight photograph of Donald Sutherland and Cicely Browne getting it on in high style in the 1976 film. Cattarinich did still photography work for many interesting and prominent directors in the 1970s and 1980s, including Pedro Almodovar, Joe D'Amato, Marco Ferreri, and Pier Paolo Pasolini, among others. Producer Dino De Laurentiis.....

Rome: Riama Film, 1960. Vintage oversize borderless double weight press photograph of Anouk Aimee from the 1960 film. With agency stamps on the verso. Fellini's most pivotal film, if not his finest. Unlike the more sentimental and abstract films that would follow, "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome, with Mastroianni, a jaded journalist at the.....

Paris: Roissy Films, circa 1978. Vintage oversize borderless color photograph of Gerard Depardieu and the star chimpanzee from the 1978 film. With holograph ink annotations on the verso. An Italian-French production about a man who lives in a New York City basement and works as a jack of all trades for the owner of a wax museum and a feminist.....

N.p. Compagnia Cinematografica Champion, 1968. Vintage photographs from the 1968 absurdist comedy "The Man with the Balloons," also known as "Break Up," from the prolific Italian director Marco Ferreri. Marcello Mastroianni plays Mario Fuggetta, a wealthy industrialist, whose obsession with balloons derail his life and his relationship with his beautiful fiancee Giovanna (Catherine Spaak.) He'll drive himself mad trying to.....

Italy: Sancro Film, 1963. Collection of four vintage, oversize, borderless reference photographs from the 1963 Italian film. With the stamps of photographer Velio Cioni, and two press agencies on the verso. Two of the photographs show crew members putting the finishing touches on a mannequin of Jesus while director Ferreri looks on. A satire of masculinity and chauvinism, where a......

France / Italy: Affiches Gaillard / Cineriz, Circa 1961. Archive of 139 vintage borderless single weight still photographs from the 1961 Italian-French film. Seen in the images is starring actor Fernandel and other members of the cast in action, and a few images of the film crew at work. Notations in holograph pencil, and photographer Civirani's rubber stamp, on the.....

Rome, Italy: Produzione Gallone / Filmsonor, 1951. Original souvenir program, printed in Italy, for the 1951 Italian-French-Spanish film. These programs saw popularity beginning in the 1960s and continued to be produced until the early 1980s and the ever-growing VHS market, with a particularly high distribution in Asian countries. This example features several full-color illustrations of Roman warriors and women, and.....

Los Angeles: Embassy Pictures, 1962. Collection of 6 vintage black-and-white still photographs from the 1961 Italian film. Marcello Mastroianni is a bored man, bored with life and his wife. He falls in love with a younger woman, and since divorce is illegal in Italy unless there is just cause (like catching your spouse committing adultery), he decides to find his.....

Paris: Intermondia Films / Pretoria / Cinedis, 1959. Collection of 11 original black-and-white single weight still photographs from the 1959 French-Italian film. Featuring Jean Gabin dancing gaily in a pub with costar Doll, and a photo of costar Cowl smoking a cigarette, with a single photo credited to photographer Dole on the recto, mimeograph number on the verso, showing a......

Paris: Intermondia Films / Pretoria / Cinedis, 1959. Collection of 4 original black-and-white single weight still photographs from the 1959 French-Italian film. Featuring Jean Gabin dancing gaily in a pub with costar Doll, all photos with brief numerical annotations in holograph pencil on the verso. Gabin plays a sophisticated tramp who lives during summer in an abandoned construction site. As.....