Wisconsin: Walter Barnsdale, 1901. Vintage US one sheet lithographic poster for the 1901 documentary film short. One of the earliest silent documentary film shorts, created by early Wisconsin film pioneer Walter Barnsdale, who traveled around the state screening some of the first films ever made, including "Prison Bars," a film featuring the Wright Brothers, and a Western starring sharpshooter Buffalo.....
Burbank, CA: Warner Brothers, 1925. Vintage double weight studio still photograph from the 1925 silent film. Bumbling newspaper clerk Henry Baxter is helplessly in love with a coworker in this silent-era comedy. The subject of his longing barely acknowledges his existence. His unrequited love coupled with his manager's devious daily taunts makes work tortuous for the poor clerk. He begins.....
N.p. N.p., 1932. Vintage double-weight photograph of Wallace Beery, his wife at the time, Rita Beery, and their two-year-old daughter, Carol, 1933. Mimeo snipe, holograph annotations and agency stamp on the verso. The couple adopted Carol from Rita Beery's mother's half-sister not long after Wallace Beery's break-out role as Bill in the 1930 comedy, "Bill and Min." 10 x 8 inches (25.5.....
Budapest: Singer es Wolfner Irodalmi Intezet, 1927. First Hungarian Edition. Screenplay for the 1927 silent film, a photoplay edition with a photographic image of the film's star, Pola Negri, on the front wrapper. With the logo of the film's Hungarian distributor, Royal Apollo, on the front wrapper at the bottom right corner. Biro wrote the 1917 play, "Szinmu negy felvonasban,".....
New York: Bonhams Auctions, 2017. Fine and unread in illustrated wrappers. Perfect bound. Illustrated profusely in color throughout. Includes items for early cinema films, including appearances by Charlie Chaplin, Katharine Hepburn, Clara Bow, Mae West, and many more.
![Casey at the Bat [Le Chavlier de la balle] and Rough House Rosie [Un direct au coeur] (Original...](/pictures/thumb/125857-b.jpg?v=1434404438)
Hollywood: Paramount Pictures, 1927. French pressbooks for two 1927 American silent films dealing with American sports: "Rough House Rosie" with Clara Bow (women's boxing) and "Casey at the Bat" (baseball). "Rough House Rosie" was made at the height of Clara Bow's reign as queen at Paramount, and is today a lost film. "Casey at the Bat" is based on the.....
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1927. Shooting script for the 1928 film. Original typescript with descriptive text in black type and intertitles in red type. Holograph ink and pencil annotations on the front wrapper, noting starring performers, draft type, and crediting screenwriter Meehan. With a few annotations in holograph pencil throughout. Based on the 1923 Broadway play by David Belasco.....
Hollywood: Paramount Pictures, 1927. Vintage hand color tinted lobby card for the 1927 silent film. Pictured are a curly haired Louise Brooks, looking past an oblivious Wallace Beery and toward a typically sly Adolphe Menjou. Based on the French play "L'homme en habit" ("The Man in Evening Clothes) by Andre Picard and Yves Mirand. Today considered a lost film. 11.....
Beverly Hills, CA: United Artists, 1925. Vintage black-and-white studio still photograph of Rudolph Valentino from the 1925 film. Typed mimeo snipe on the verso. Based on Pushkin's 1841 novel "Dubrovsky." Dubrovsky (Valentino) is a Cossack in the Russian army who becomes a masked vigilante, and attempts to save his family from an evil carpetbagger. Unfortunately, he falls in love with.....
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1926. Vintage reference photograph from the set of the 1926 film, showing actor John Gilbert applying makeup from a portable makeup case. With a printed snipe on the verso. Based on the 1894 German novel "The Undying Past" by Hermann Sundermann. The first of many pairings of legendary on-screen (and real life) couple Gilbert and.....
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1924. Continuity Draft script for the 1925 film. Studio File Copy, rubber-stamped on the front wrapper. Brief notation on one page in holograph pencil. Based on Tod Robbins' 1917 novel, a classic of horror fiction about a trio of circus freaks who escape captivity in the circus, open a curiosity shop, and use it as.....
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1928. Draft script for the 1929 silent film. Lon Chaney plays a (heavily-scarred) wild animal trapper whose daughter's upcoming marriage is threatened by the return of her femme fatale mother. The mother harbors bitterness to Chaney, and seeks revenge on him by attempting to woo her daughter's fiance, thwarted by a gorilla Chaney releases from.....
![The Blackbird [The Mocking Bird] [The Black Bird] (Original screenplay for the 1926 film). Tod...](/pictures/thumb/140430.jpg?v=1492980533)
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1925. Draft script for the 1926 silent film "The Blackbird," seen here under the working title "The Mocking Bird." Lon Chaney again serves as a versatile "man of a thousand faces," here playing the role of high-profile thief The Blackbird who lives a double-life as a beloved local bishop. He falls in love with a......
![Land Without Bread [Las Hurdes: Tierra Sin Pan] (Collection of three original photographs from...](/pictures/thumb/149348.jpg?v=1598051841)
Paris: Films sans Frontieres, 1934. Collection of three vintage reference photographs from the 1934 French release of the 1933 Spanish short film. With mimeo snipes on the verso, along with holograph ink annotations numbering the photographs. A short pseudo-documentary focusing on the inhabitants of Las Hurdes, a mountainous region near La Alberca, Spain, with an exaggerated depiction of their suffering. Originally.....
![Finger Prints [Fingerprints] (Original advertising flyer for the 1914 film). Francis X. Bushman,...](/pictures/thumb/143447.jpg?v=1529008069)
Chicago: Essanay Studios, 1914. Original advertising flyer for the 1914 silent short film, showing a sample newspaper herald, along with ordering information for theaters, on the recto, and a cast list and plot synopsis on the verso. The third and final adventure of Richard Neal, private investigator, who sets out to recover both stolen jewels and his kidnapped girlfriend from.....
N.p. N.p. Original Treatment script for an unproduced film. Screenwriter Christy Cabanne was one of the most prolific directors in the history of American cinema, beginning in the silent era and eventually directing low-budget movies all throughout the 1930s and 1940s with Universal. A recently paroled man gets out of prison and immediately murders someone else, resulting in a political.....
![Mockery [Terror] [The Harelip] (Original screenplay for the 1927 film). Lon Chaney, Benjamin...](/pictures/thumb/140438.jpg?v=1492980535)
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1927. Draft script for the 1927 silent film "Mockery," seen here under two early draft titles "Terror" and "The Harelip." Lon Chaney is a half-witted Russian peasant who is promised food and a place to live if he escorts a Countess (Bedford) safely home. He does so, despite becoming caught up in the Bolshevik revolution.....
Los Angeles: Republic Pictures, 1916. Vintage lobby card for the 1922 Republic Pictures re-release of the 1916 film short. 11 x 14 inches. Matte finish. Easily Near Fine, with one faint stain at the right margin, no pinholes.
New York: Various Publishers, circa 1916-1935. A collection of five children's books featuring the legendary silent movie star and humorist Charlie Chaplin as his inimitable Tramp character. The collection includes a picture book tie-in for his film "Easy Street," as well as a coloring book, an oversized comic book-style depiction of some of his stunts, and both an original copy.....
Beverly Hills, CA: United Artists, 1959. Original lobby card for the 1959 film "The Chaplin Revue," a re-release of three of Charlie Chaplin's earlier films: "A Dog's Life" and "Shoulder Arms" (both from 1918), and his final short film, "The Pilgrim" (1923). Lobby card No. 7 in the set depicts a scene from "Shoulder Arms," where the Tramp is a......
Various cities: Various Publishers, circa 1957 - 1967. A collection of 10 original lobby cards for the Mexican releases of nine films directed by or featuring Charlie Chaplin. Highlights of this bright, charming collection include lobby cards for the Mexican releases of Chaplin's "Limelight," "King of New York," and "The Circus," as well as two variants for "The Chaplin Revue,".....
New York, London: Various Publishers, 1915-1957. A collection of nine sheet music scores for eight songs written by or about silent film star Charlie Chaplin, and spanning from some of the earliest appearances of his Tramp character through to the 1957 release of "A King in New York." Please note that the Chaplin signatures in the image are all facsimiles.....
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1928. Draft script for the 1928 silent film. Lon Chaney is an undercover police detective who attempts to catch a thief notorious for slipping out of criminal charges by killing any witnesses set to testify against him, though Chaney can't help but simultaneously get wrapped up with an attractive flapper along the way. Chaney hand-picked.....
Los Angeles: Paramount Pictures, 1923. Vintage photograph of Cecil B. Demille, Jeanie Macpherson and Jack Holt on the set of the 1923 film. With holograph annotations and rubber stamp of noted collector Gene Ringgold on the verso. Filmed in two parts, first is the story of Moses leading the Jews out of Egypt to the Promised Land, receiving the tablets and.....
N.p. N.p., 1916. Vintage Swiss one sheet lithograph poster, made to promote the 1916 opening of Speck's Orient-Cinema in Zurich, during the heart of the silent film era. Designed and illustrated by costume and commercial designer Ernst Deutsch-Dryden. The poster's illustration portrays well-dressed clientele watching a Western movie, likely meant to represent a US import. During this period there was.....
![The Passion of Joan of Arc [La passion de Jeanne d'Arc] (Original double weight photograph from...](/pictures/thumb/135601.jpg?v=1492979148)
Paris: Studio Soulat-Boussus, 1928. Vintage double weight photograph from the set of the 1928 film. Shot by Jean Soulat and Mauric Boussus of Studio Soulat-Boussus in Paris, with respective stamps on the verso. An excessively rare photograph from Dreyer's masterpiece, capturing Maria Falconetti in what one could accurately described as "in character." Franconetti became a stage actress in Paris in.....
![The Passion of Joan of Arc [La passion de Jeanne d'Arc] (Original double weight photograph of...](/pictures/thumb/137027.jpg?v=1492979428)
N.p. N.p., 1928. Vintage double weight photograph from the set of the 1928 film. Shown are Dreyer and his crew, including cinematographer Rudolph Mate, setting up a ground shot of one of the film's French clergymen. A rare photograph of the director at work on his masterpiece. The film was shot on one huge concrete set modeled on medieval architecture.....
N.p. N.p., 1944, 1946, 1949. Archive of four letters between Carl Theodore Dreyer and film historian and eventual "Cahiers du Cinema" co-founder Joseph-Marie Lo Duca primarily regarding Lo Duca's proposed sound-added release of Dreyer's 1927 silent masterpiece "The Passion of Joan of Arc," and the French release of Dreyer's 1943 film "Day of Wrath." Included in the archive are carbon.....
Fort Lee, NJ: Fox Film, 1916. Vintage program for four special engagement showings of the 1916 film on November 27-28 and December 5-6, 1916 at Clunes Theatre in Los Angeles, with a striking four color exterior and interior composite of five black and white studio still images. The film, like all of director J. Gordon Edwards’ and nearly all of.....
Neuilly-sur-Seine, France: Gaumont, 1913. Vintage double weight matte finish photograph from the legendary 1913 silent film serial. Printed onto heavy card stock for use as the equivalent of a modern day lobby card. With the Gaumont logo at the lower right corner. The first of Feuillade's three film serial masterpieces, followed by "Les Vampires" (1915) and "Judex" (1916). Feuillade took.....
Neuilly-sur-Seine, France: Gaumont, 1915. Original double weight matte finish still photograph from the legendary 1915 silent film serial. With the Gaumont logo at the lower right corner. Shown here is Musidora as Irma Vep conferring with another member of The Vampires, an anarchist criminal gang at the center of the story. The director's magnum opus, "Les vampires" is one of.....
Neuilly-sur-Seine, France: Gaumont, 1916. Vintage double weight matte finish still photograph from the legendary 1916 silent film serial. With the Gaumont logo at the lower right corner. The last of Feuillade's three film serial masterpieces, preceded by "Fantomas" (1913) and "Les Vampires" (1915), combining elements of both its predecessors. In Judex (Latin for "judge"), Feuillade furthered his vision of the.....
Hollywood: Famous Players-Lasky Corporation / Paramount Pictures, 1926, 1927, 1928. Original French pressbooks for three early silent comedies starring W.C. Fields, two of which ("Running Wild" and "Fools for Luck") are today lost, and one ("It's an Old Army Game") starring a young and vibrant Louise Brooks. Each printed in single-color wrappers, but with creative use of alternate-colored stock and/or.....
N.p. N.p., 1915-1916. Two vintage borderless photographs of actress Pauline Frederick from two of her earliest starring roles, "Bella Donna" (1915) and "The Spider" (1916), both of which are now considered lost. Already an established star of the stage, Frederick was in her thirties when she made her film debut, and her commanding presence and dramatic looks contrasted with the.....
![The Madness of Dr. Tube [La Folie du Docteur Tube] (Two original photographs from the 1915 film)....](/pictures/thumb/144596.jpg?v=1544116790)
France: Le Film d'Art, 1915. Photograph from the 1915 French experimental short film, struck circa 1936. With holograph annotations and agency stamps on the verso. Dr. Tube develops a powder that distorts reality after ingestion. He tests it out on himself, a dog, and a two couples. An early experimental film that uses distorted lenses and mirrors to create special.....
France: Cine France, 1927. Original French program for the 1927 film, with a flyer for the world premiere at the Palais Garnier in Paris laid in. One of the late masterpieces of the silent era, following Napoleon’s early life through his appointment as Commander in Chief of the Army and invasion of Italy, one of six films director Abel Gance.....
N.p. N.p., 1917. Vintage double weight sepia portrait photograph of Lillian Gish, in a stunning profile, by noted photographer Albert Witzel, signed and dated “17” by Witzel in holograph white pencil, on lower left. Witzel was one of the premier photographic portraitists in the 1910s and early 1920s, often employing Rembrandt lighting and moody shadows, which influenced Hollywood’s use of glamorous.....
Russia: Mezhrabpom-Rus, 1927. Vintage German program for the 1926 Russian silent film. Photo-illustrated throughout. The only cinema paper dating from the decade of release we have encountered for the film. Based on the 1906 novel by Maxim Gorky, about a woman's struggle to free her son from a Czarist prison camp during the Russian Revolution of 1905. The first film.....
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1925. Vintage reference photograph from the set of the 1925 film, with a mimeo snipe on the verso, showing a film crew at work constructing a derailed train inside a studio. Adapted for the screen by Rupert Hughes, based on his 1911 stage play, previously filmed in 1915 in a version that is now lost.....
New York: Exhibitor's Trade Review, 1920. First Edition. Magazine-style format featuring biographical essays by Hastings, profusely illustrated with reproduced images from Griffith's films and newspaper articles about the director. One of the best and earliest overviews of the legendary director. 9.5 x 12 inches, printed saddle-stapled wrappers. Good lacking the dust jacket, folded horizontally, several cello tape repairs, tears, foxing.....
![Lady of the Pavements [The Love Song] (Original screenplay for the 1928 film). D. W. Griffith,...](/pictures/thumb/149230.jpg?v=1595632768)
N.p. N.p., Circa 1928. Draft script for the 1928 silent film. An early version of the script written by Gerrit J. Lloyd and Sam Taylor. Copy belonging to screenwriter Sam Taylor, with his name in holograph pencil annotation to the front wrapper and two annotations to the script: one to the verso of page 68 and one to page 133.....
Newark: Newark Theatre, Circa 1915. Original handbill for a theatrical run of D.W. Griffith's "Birth of a Nation" (1915) at the Newark Theatre in Newark, New Jersey. Noted on the bill are cast members Lillian Gish, Mae Marsh, Donald Crisp, and Raoul Walsh (here spelled "Raul Walsh"), who played John Wilkes Booth. Also noted on the bill is that the.....
![Paradise Alley [Stars in the Backyard] (Original screenplay for the 1958 film). Hugo Haas, Marie...](/pictures/thumb/146337.jpg?v=1584393921)
N.p. Hugo Haas Productions, 1957. Draft script for the 1958 film, here under the original release title "Stars in the Backyard." The title would be changed to "Paradise Alley" in 1961, before a limited release in 1962. Includes extensive 10 day shooting schedule over 16 pages, as well as 2 Set Construction Estimates bookending a two page "Rough Set Breakdown.".....
Hollywood: Paramount Pictures, circa 1922. Draft script for the 1922 film. The film is now considered lost. Tess (Wanda Hawley) is a social climber who is neglected by her hardworking husband, David (Edward Hearn). She decides to go on a date with ex-suitor Arthur Sinclair (Casson Ferguson) to a casino, which is robbed while they are there. Her rings are.....
Beverly Hills, CA: United Artists, 1919. Vintage color glass slide advertisement for the 1919 film, the first film released by the newly minted United Artists, co-founded by star Fairbanks with Charlie Chaplin, Mary Pickford, and D.W. Griffith. A wealthy American gets embroiled in the politic turmoil of a fictional European monarchy, only to find he is secretly the heir to.....
Chicago: Essanay Studios, 1914. Original advertising flyer for the 1914 silent short film, showing a sample newspaper herald, along with ordering information for theaters, on the recto, and a cast list and plot synopsis on the verso. In colonial America, a young man seeks to free the woman he loves from an engagement to the lazy drunk her father has.....
Los Angeles: Photoplayer's Club of Los Angeles, 1915. Vintage souvenir program for the Third Annual Photoplayer's Club of Los Angeles Ball, held February 13, 1915. Photo-illustrated throughout with portraits of silent film actors, directors, producers, and others, and containing numerous advertisements for Los Angeles businesses and services, most with some connection to the film industry. Scarce, with only two copies.....
US: Metro Pictures Corporation, 1921. Vintage photograph from the 1921 film. With a mimeo snipe on the verso. Based on the 1916 anti-war novel by Vincent Basco Ibanez, about a French and German family on both sides of World War I. Along with "The Sheik" later the same year, the film the catapulted Rudolph Valentino to stardom and helped create.....
N.p. N.p., Circa 1920s. Vintage photograph of actor Emil Jannings, fishing from his balcony while on vacation in the Austrian town of St. Wolfgang, circa 1920s. With a French language mimeo snipe and photo agency stamp on the verso. In 1929, Jannings became the first person to win an Academy Award for Best Actor, for his roles in both "The.....
London: Wardour Films / Universum Film [UFA], 1927. Original program for the London premiere of the film on March 21st, 1927 at the Marble Arch Pavilion, preceded in English by the US release earlier that month but with different title cards. Director Lang's expressionist masterpiece, based on the novel and written for the screen by then-wife von Harbou, one of.....
Munich: Universum Film [UFA], 1927. Vintage black-and-white still photograph from the original German release of the 1927 film. With the UFA logo at the bottom right corner. Director Lang's expressionist masterpiece, based on the novel and written for the screen by then-wife von Harbou, one of the most enduring and influential films of the silent era. Still photographs from the.....
Hollywood: Universum Film [UFA] / Paramount Pictures, 1927. Original advertising herald for the US release of the 1927 film, a shortened 115 minute version re-cut by American playwright Channing Pollock, who is credited on the herald. Interestingly, the herald credits the film as joint production of Paramount and UFA, apparently just prior to the formation of the larger umbrella production.....
Germany: Decla-Bioscop / UFA, 1924. Original program for the German premiere of the films "Die Nibelungen: Sigfried" and "Die Nibelungen: Kriemhild's Revenge" on February 14, 1924, based on the thirteenth century epic poem "Nibelungenlied." Contains a brief essay by von Harbou, and three additional short essays on the making of the film. Photo illustrated throughout with stills of characters from.....
Berlin: Film-Kurier, 1924. Original German programs for duology "Die Nibelungen," one each for "Die Nibelungen: Siegfried" and "Die Nibelungen: Kriemhild's Revenge." Based on the thirteenth century epic poem "Nibelungenlied." Text in German. Film-Kurier was the first German film journal, published daily beginning in 1919. Film-Kurier's classic era lasted until 1933, when its publisher, Alfred Weiner, had to flee Germany because.....
![Spies [Spione, The Spy] (Original UK Film Program). Fritz Lang, Thea von Harbou, screenwriter...](/pictures/thumb/132454.jpg?v=1436555827)
London: Fritz Lang Film / UFA / W and F, 1928. Original UK program for the 1928 German film, released in the UK as "The Spy." Lang's followup to "Metropolis," and penultimate silent film, an underrated spy versus spy thriller containing some of the most virtuosic set pieces of the director's career, including a spectacular train crash at the film's.....
![Frau im Mond [Woman in the Moon] (First Edition). Fritz Lang, Thea Von Harbou](/pictures/thumb/143446.jpg?v=1522340728)
Berlin: August Scherl, 1928. First Edition, preceding all others, including the movie tie-in edition, published later the same year by Scherl. Rare in dust jacket. Basis for the German silent film classic by Fritz Lang, with a screenplay adapted by von Harbou from her novel. Released in the US as "Woman in the Moon." Like "Metropolis," a novel that was.....
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1927. Vintage reference photograph from the set of the 1927 silent film, showing actress Carmel Myers and vaudevillian-cartoonist Bert Levy (here visiting the set in a cartoonist capacity). With a mimeo snipe on the verso. A light romantic comedy following a young woman who blackmails her prospective beau into marriage. Now considered a lost film.....
Berlin: Druck Gebr. Wolffsohn, 1927. Original pamphlet on early Hollywood cinema, written for German audiences by German film pioneers Ernst Lubitsch and E.A. DuPont. Seemingly an extended primer on early American films and filmmaking, with details on Hollywood's organized production methods, budgets, editing procedures, and actors, including Mary Pickford, Douglas Fairbanks, Clara Bow, Gloria Swanson, Greta Garbo, John Barrymore, Buster.....
N.p. N.p., 1897. Vintage borderless photograph from the 1897 short film, with the number 542 in holograph pencil on the verso, with a still image from the film corresponding to that number on the website Catalogue Lumiere showing a similar scene. While the importance of the Lumiere Brothers to the invention and popularity of the moving image is well known.....
N.p. N.p., 1918. Post-production script for the lost 1918 film. Black and red ribbon carbon typescript on onionskin, including eight pages of intertitles before the script. First page of script includes the name, in cursive, of “Miss Rossen” in holograph pencil on upper right (possibly a secretary in the stenographic department.) Based on Gilbert Parker’s 1919 novel, about a young woman.....
Chicago: Motion Picture Exhibitors League of America, 1912. Vintage program for the Second National Convention of the Motion Pictures Exhibitors League of America, held in Chicago from August 13-17, 1912. Photo-illustrated throughout with portraits of members, as well as numerous period advertisements, including ones for films, projectors, and other material for movie theaters. Rare, with no copies in OCLC. 9 x......
Beverly Hills, CA: UFA / Metro-Goldwyn-Mayer [MGM], 1926. Vintage US reference photograph for the 1926 German film. With a printed snipe on the verso noting both UFA and MGM. Murnau’s final German film before emigrating to America, where he would make four more films before his untimely death, including the late silent masterpiece "Sunrise." 10 x 8 inches. Very Good plus.....
N.p. N.p., Circa 1930. Vintage photograph of F.W. Murnau, cinematographer Floyd Crosby, a sound engineer, and extras on location during shooting of the 1931 film. Considered the first example of "docufiction." The fourth and final film made by Murnau during his time in the US. Murnau and Robert J. Flaherty wrote the unpublished story "Turia," based on a South Sea.....
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1929. Draft script for the 1929 silent film. Holograph pencil annotations throughout by an unknown editor, with an unsigned typescript note of revisions to producer Hunt Stromberg bound in at the front of the script. Lon Chaney's penultimate film appearance, and his last silent film, as he would develop walking pneumonia during the film's production.....
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1926. Draft script for the 1927 Silent film. Based on the 1913 yellow peril play by Henry Maurice Vernon and Harold Owen, and previously adapted for the screen in 1919, directed by Maurice Elvey, and starring Matheson Lang. Lon Chaney, in full yellowface, murders his daughter after discovering she loves the son of a British.....
Jacksonville, FL: Norman Film Studios, 1919. Original US one sheet poster for the 1919 silent film, like all of the Norman Studio films, featuring an all-African American cast, and marketed to African-American movie theaters. Norman Studios produced eight silent films between 1915 and 1928, one of over 30 film studios that operated in Jacksonville, Florida during this era. All but.....
N.p. N.p., circa 1925. Vintage double weight photograph of New Haven's Olympia Theatre, circa 1925 with "Vincent Studio" in print on lower right. The Olympia Theatre, located at 140-144 Temple Street in New Haven, Connecticut, opened on September 13, 1915, seated 2,373 and was equipped with a Wurlitzer theatre pipe organ. It changed its name when purchased by Paramount Studios.....
![Diary of a Lost Girl [Tagebuch Einer Verlorenen] (Original German program for the 1929 film)....](/pictures/thumb/137129.jpg?v=1492979513)
Berlin: Film-Kurier, 1929. Original program for the legendary 1929 silent film. Replete with beautiful gravure-printed production photographs, including a stunning deep focus shot on the rear panel from a party scene in the film, with Louise Brooks at the center of attention. Film-Kurier was the first German film journal, published daily beginning in 1919. Film-Kurier's classic era lasted until 1933.....
![Fools for Luck [Quick Lunch] (Original screenplay for the 1928 film). Charles Reisner, George...](/pictures/thumb/141789.jpg?v=1503674228)
Hollywood: Paramount Pictures / Famous Lasky Corporation, 1928. Final Draft script for the 1928 film, here under the working title "Quick Lunch." Included is a separately bound, 8-page sequence synopsis for the film. W.C. Fields' last silent film, but only the beginning of his fame. Wealthy Sam Hunter (Chester Conklin) is approached by scheming Richard Whitehead (Fields) about investing in.....
![Film: Gegner von Heute - Freunde von Morgen [Enemy of Film Today - Friend of Film Tomorrow]...](/pictures/thumb/125348.jpg?v=1436555825)
Berlin: Verlag Hermann Reckendorf G.M.B.H., 1929. First Edition. Small quarto. A companion volume to Werner Graff's "Es Kommt der Neue Fotograf," an early and highly influential study of experimental film published to coincide with the 1929 Film und Foto exhibition in Stuttgart. Illustrated with numerous photographs, film stills, and film strips, with photographic duplications by many of the important avant-garde.....
![Exquisite Sinner [The Exquisite Sinner] (Original screenplay for the 1926 film). Phil Rosen,...](/pictures/thumb/143899.jpg?v=1560895251)
Culver City, CA: Metro-Goldwyn-Mayer [MGM], 1925. Draft script for the 1926 film. Based on the 1924 novel "Escape" by Alden Brooks. File copy rubber stamp to the front wrapper. Conrad Nagel and Renée Adoree star in this Silent film, today lost, originally directed by Josef von Sternberg. Midway into shooting Von Sternberg was fired by MGM and replaced by Phil Rosen.....
Los Angeles: The Samuel Goldwyn Company, Circa 1929. Final Continuity script for the 1929 film. Copy belonging to assistant director H. Bruce Humberstone, with his holograph pencil annotations to the front wrapper and several pages, mostly regarding sequencing for scenes. The film was released in silent and sound versions, and included with the script are ten sets of dialogue intended.....
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1924. Vintage publicity photograph for the 1924 film showing star John Gilbert relaxing with a book at his home. With a mimeo snipe on the verso. Based on the 1914 Russian play by Leonid Andreyev, first published in English in 1922. The first film put into production under the newly formed Metro-Goldwyn-Mayer, and the first.....
US: Artcraft Pictures / Mary Pickford Company, 1918. Vintage borderless photograph from the 1918 film. With an identifying holograph notation on the verso. Based on the 1917 novel by Eleanor Hoyt Brainerd, about a young socialite and a millionaire, who meet and fall in love while pretending to be a cook and a hired hand, respectively. No known prints of.....
N.p. Famous Players-Lasky Corporation, 1918. Vintage studio still photograph from the 1918 film. Based on Harley Granville-Barker and Laurence Housman's 1906 play, "Prunella, or, Love in a Dutch Garden." A delightful romantic fantasy, now almost entirely lost, in which Margierite Clark plays a young woman living in a garden with her three aunts, completely shielded from the exterior world. One day.....
Beverly Hills, CA: United Artists, 1925. Vintage reference photograph from the set of the 1925 film, with a mimeo snipe and photographer's stamp on the verso. Based on the unfinished 1832 novel "Dubrovsky" by Alexander Pushkin. A posed shot showing director Brown and stars Valentino and Banky with painter Federico Beltran Masses, a well known figure in Hollywood because of.....
![Archive of material on "White Shadows in the South Seas" [Southern Skies] from the estate of...](/pictures/thumb/140906.jpg?v=1501083861)
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1928. Archive of material from the 1928 film. From the estate of actor Monte Blue, who starred in the film. Included in the archive are a carbon typescript draft script, here under the working title “Southern Skies,” four vintage photographs, each with a mimeo snipe on the verso, one with a press stamp as well.....
N.p. N.p. Draft script for an unproduced film. A biopic about the silent film star Roscoe "Fatty" Arbuckle, who died of a heart attack in 1933 at age 46. Considered an important figure in the early development of film studios, he mentored Charlie Chaplin and discovered Buster Keaton and Bob Hope. In 1920 he was one of the highest paid.....
![Zero for Conduct [Zero de conduite] (Collection of four photographs from the 1933 film). Jean...](/pictures/thumb/142664.jpg?v=1510245759)
Paris: Franfilmdis / Argui-Film, 1933. Collection of four vintage oversize double weight studio still photographs for the landmark 1933 silent film by Jean Vigo. Each with the stamp of French weekly "Tele Magazine" on verso, two with holograph annotations regarding layout. Although he only made four films before his death from tuberculosis at the age 29, Jean Vigo would come.....
Paris: Franfilmdis, 1933. Collection of 3 vintage borderless double weight studio still photographs from the landmark 1933 silent film by Jean Vigo. Although he only made four films before his death from tuberculosis at the age 29, Jean Vigo would come to have an outsized influence on cinema, particularly the French New Wave, with Truffaut in particular paying homage to the.....
![Zero for Conduct [Zero de conduite] (Original double weight photograph from the 1933 film). Jean...](/pictures/thumb/139665.jpg?v=1492980312)
Paris: Franfilmdis / Argui-Film, 1933. Vintage double weight borderless reference photograph for the landmark 1933 silent film by Jean Vigo. With the stamp of photographer Mars Marstrich on the verso. Although he only made four films before his death from tuberculosis at the age 29, Jean Vigo would come to have an outsized influence on cinema, particularly the French New.....
Weimer: Verlag der Hofbuchhandlung Alexander Buschke Nachf, 1908. First Edition. A very early work by writer, actress and film maker Thea von Harbou, best known for writing and co-directing "Metropolis" (1927) in collaboration with her then-husband Fritz Lang. The only recorded presentation copy, INSCRIBED by both Thea and her brother Horst (who would go on to be the still photographer.....
Paris: N.p., 1954. Vintage borderless black-and-white French press photograph. With a French mimeo snipe and a stamp for the French press agency Eclair-Mondial. Shown are Erich von Stroheim and actress Corinne Calvet ostensibly dancing on the remnants of a burning fire at what can only have been one of the better book release parties of 1954. The book release in.....
Berlin: Decla-Bioscop AG, 1921 [1920]. Vintage double weight matte finish reference photograph from the seminal 1920 silent film. Samuel Goldwyn discovered "Caligari" on a trip abroad, and released this film in the US in 1921, at which time 11 x 14 inch photos such as this one were printed on matte paper. Reference number "4" noted in holograph pencil at.....
Los Angeles: Times-Mirror Press, 1923. First Edition. Association copy, INSCRIBED by Zanuck in the year of publication to silent film actor Harry Fox: "To Harry Fox / If you enjoyed this effort one-tenth as much as I have often enjoyed you, I'm satisfied / Darryl Francis Zanuck / '23." A collection of lighthearted stories by Zanuck, published at a point.....