Burbank, CA: Warner Brothers, 1925. Vintage double weight studio still photograph from the 1925 silent film. Bumbling newspaper clerk Henry Baxter is helplessly in love with a coworker in this silent-era comedy. The subject of his longing barely acknowledges his existence. His unrequited love coupled with his manager's devious daily taunts makes work tortuous for the poor clerk. He begins.....

Budapest: Singer es Wolfner Irodalmi Intezet, 1927. First Hungarian Edition. Screenplay for the 1927 silent film, a photoplay edition with a photographic image of the film's star, Pola Negri, on the front wrapper. With the logo of the film's Hungarian distributor, Royal Apollo, on the front wrapper at the bottom right corner. Biro wrote the 1917 play, "Szinmu negy felvonasban,".....

Hollywood: Paramount Pictures, 1927. French pressbooks for two 1927 American silent films dealing with American sports: "Rough House Rosie" with Clara Bow (women's boxing) and "Casey at the Bat" (baseball). "Rough House Rosie" was made at the height of Clara Bow's reign as queen at Paramount, and is today a lost film. "Casey at the Bat" is based on the.....

Hollywood: Paramount Pictures, 1927. Vintage hand color tinted lobby card for the 1927 silent film. Pictured are a curly haired Louise Brooks, looking past an oblivious Wallace Beery and toward a typically sly Adolphe Menjou. Based on the French play "L'homme en habit" ("The Man in Evening Clothes) by Andre Picard and Yves Mirand. Today considered a lost film. 11.....

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1926. Vintage reference photograph from the set of the 1926 film, showing actor John Gilbert applying makeup from a portable makeup case. With a printed snipe on the verso. Based on the 1894 German novel "The Undying Past" by Hermann Sundermann. The first of many pairings of legendary on-screen (and real life) couple Gilbert and.....

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1928. Draft script for the 1929 silent film. Lon Chaney plays a (heavily-scarred) wild animal trapper whose daughter's upcoming marriage is threatened by the return of her femme fatale mother. The mother harbors bitterness to Chaney, and seeks revenge on him by attempting to woo her daughter's fiance, thwarted by a gorilla Chaney releases from.....

Chicago: Essanay Studios, 1914. Original advertising flyer for the 1914 silent short film, showing a sample newspaper herald, along with ordering information for theatres, on the recto, and a cast list and plot synopsis on the verso. The third and final adventure of Richard Neal, private investigator, who sets out to recover both stolen jewels and his kidnapped girlfriend from.....

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1927. Draft script for the 1927 silent film "Mockery," seen here under two early draft titles "Terror" and "The Harelip." Lon Chaney is a half-witted Russian peasant who is promised food and a place to live if he escorts a Countess (Bedford) safely home. He does so, despite becoming caught up in the Bolshevik revolution.....

Los Angeles: Republic Pictures, 1916. Vintage lobby card for the 1922 Republic Pictures re-release of the 1916 film short. 11 x 14 inches. Matte finish. Easily Near Fine, with one faint stain at the right margin, no pinholes.

Beverly Hills, CA: United Artists, 1959. Original lobby card for the 1959 film "The Chaplin Revue," a re-release of three of Charlie Chaplin's earlier films: "A Dog's Life" and "Shoulder Arms" (both from 1918), and his final short film, "The Pilgrim" (1923). Lobby card No. 7 in the set depicts a scene from "Shoulder Arms," where the Tramp is a......

New York, London: Various Publishers, 1915-1957. A collection of nine sheet music scores for eight songs written by or about silent film star Charlie Chaplin, and spanning from some of the earliest appearances of his Tramp character through to the 1957 release of "A King in New York."Songs included range from ones inspired by Chaplin, like "Charlie Chaplin Walk," and.....

Los Angeles: Paramount Pictures, 1923. Vintage photograph of Cecil B. Demille, Jeanie Macpherson and Jack Holt on the set of the 1923 film. With holograph annotations and rubber stamp of noted collector Gene Ringgold on the verso.Filmed in two parts, first is the story of Moses leading the Jews out of Egypt to the Promised Land, receiving the tablets and.....

Paris: Studio Soulat-Boussus, 1928. Vintage double weight photograph from the set of the 1928 film. Shot by Jean Soulat and Mauric Boussus of Studio Soulat-Boussus in Paris, with respective stamps on the verso. An excessively rare photograph from Dreyer's masterpiece, capturing Maria Falconetti in what one could accurately described as "in character." Franconetti became a stage actress in Paris in.....

N.p. N.p., 1944, 1946, 1949. Archive of four letters between Carl Theodore Dreyer and film historian and eventual "Cahiers du Cinema" co-founder Joseph-Marie Lo Duca primarily regarding Lo Duca's proposed sound-added release of Dreyer's 1927 silent masterpiece "The Passion of Joan of Arc," and the French release of Dreyer's 1943 film "Day of Wrath." Included in the archive are carbon.....

Neuilly-sur-Seine, France: Gaumont, 1913. Vintage double weight matte finish photograph from the legendary 1913 silent film serial. Printed onto heavy card stock for use as the equivalent of a modern day lobby card. With the Gaumont logo at the lower right corner. The first of Feuillade's three film serial masterpieces, followed by "Les Vampires" (1915) and "Judex" (1916). Feuillade took.....

Neuilly-sur-Seine, France: Gaumont, 1916. Vintage double weight matte finish still photograph from the legendary 1916 silent film serial. With the Gaumont logo at the lower right corner. The last of Feuillade's three film serial masterpieces, preceded by "Fantomas" (1913) and "Les Vampires" (1915), combining elements of both its predecessors. In Judex (Latin for "judge"), Feuillade furthered his vision of the.....

N.p. N.p., 1915-1916. Two vintage borderless photographs of actress Pauline Frederick from two of her earliest starring roles, "Bella Donna" (1915) and "The Spider" (1916), both of which are now considered lost. Already an established star of the stage, Frederick was in her thirties when she made her film debut, and her commanding presence and dramatic looks contrasted with the.....

France: Cine France, 1927. Original French program for the 1927 film, with a flyer for the world premiere at the Palais Garnier in Paris laid in. One of the late masterpieces of the silent era, following Napoleon’s early life through his appointment as Commander in Chief of the Army and invasion of Italy, one of six films director Abel Gance.....

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1925. Vintage reference photograph from the set of the 1925 film, with a mimeo snipe on the verso, showing a film crew at work constructing a derailed train inside a studio. Adapted for the screen by Rupert Hughes, based on his 1911 stage play, previously filmed in 1915 in a version that is now lost.....

Newark: Newark Theatre, Circa 1915. Original handbill for a theatrical run of D.W. Griffith's "Birth of a Nation" (1915) at the Newark Theatre in Newark, New Jersey. Noted on the bill are cast members Lillian Gish, Mae Marsh, Donald Crisp, and Raoul Walsh (here spelled "Raul Walsh"), who played John Wilkes Booth. Also noted on the bill is that the.....

Hollywood: Paramount Pictures, circa 1922. Draft script for the 1922 film. The film is now considered lost. Tess (Wanda Hawley) is a social climber who is neglected by her hardworking husband, David (Edward Hearn). She decides to go on a date with ex-suitor Arthur Sinclair (Casson Ferguson) to a casino, which is robbed while they are there. Her rings are.....

Chicago: Essanay Studios, 1914. Original advertising flyer for the 1914 silent short film, showing a sample newspaper herald, along with ordering information for theatres, on the recto, and a cast list and plot synopsis on the verso. In colonial America, a young man seeks to free the woman he loves from an engagement to the lazy drunk her father has.....

US: Metro Pictures Corporation, 1921. Vintage photograph from the 1921 film. With a mimeo snipe on the verso. Based on the 1916 anti-war novel by Vincent Basco Ibanez, about a French and German family on both sides of World War I. Along with "The Sheik" later the same year, the film the catapulted Rudolph Valentino to stardom and helped create.....

London: Wardour Films / Universum Film [UFA], 1927. Original program for the London premiere of the film on March 21st, 1927 at the Marble Arch Pavilion, preceded in English by the US release earlier that month but with different title cards. Director Lang's expressionist masterpiece, based on the novel and written for the screen by then-wife von Harbou, one of.....

Hollywood: Universum Film [UFA] / Paramount Pictures, 1927. Original advertising herald for the US release of the 1927 film, a shortened 115 minute version re-cut by American playwright Channing Pollock, who is credited on the herald. Interestingly, the herald credits the film as joint production of Paramount and UFA, apparently just prior to the formation of the larger umbrella production.....

Berlin: Film-Kurier, 1924. Original German programs for duology "Die Nibelungen," one each for "Die Nibelungen: Siegfried" and "Die Nibelungen: Kriemhild's Revenge." Based on the thirteenth century epic poem "Nibelungenlied." Text in German. Film-Kurier was the first German film journal, published daily beginning in 1919. Film-Kurier's classic era lasted until 1933, when its publisher, Alfred Weiner, had to flee Germany because.....

Berlin: August Scherl, 1928. First Edition, preceding all others, including the movie tie-in edition, published later the same year by Scherl. Rare in dust jacket. Basis for the German silent film classic by Fritz Lang, with a screenplay adapted by von Harbou from her novel. Released in the US as "Woman in the Moon." Like "Metropolis," a novel that was.....

N.p. N.p., 1897. Vintage borderless photograph from the 1897 short film, with the number 542 in holograph pencil on the verso, with a still image from the film corresponding to that number on the website Catalogue Lumiere showing a similar scene. While the importance of the Lumiere Brothers to the invention and popularity of the moving image is well known.....

Chicago: Motion Picture Exhibitors League of America, 1912. Vintage program for the Second National Convention of the Motion Pictures Exhibitors League of America, held in Chicago from August 13-17, 1912. Photo-illustrated throughout with portraits of members, as well as numerous period advertisements, including ones for films, projectors, and other material for movie theatres. Rare, with no copies in OCLC.9 x......

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1929. Draft script for the 1929 silent film. Holograph pencil annotations throughout by an unknown editor, with an unsigned typescript note of revisions to producer Hunt Stromberg bound in at the front of the script. Lon Chaney's penultimate film appearance, and his last silent film, as he would develop walking pneumonia during the film's production.....

Berlin: Film-Kurier, 1929. Original program for the legendary 1929 silent film. Replete with beautiful gravure-printed production photographs, including a stunning deep focus shot on the rear panel from a party scene in the film, with Louise Brooks at the center of attention. Film-Kurier was the first German film journal, published daily beginning in 1919. Film-Kurier's classic era lasted until 1933.....

Berlin: Verlag Hermann Reckendorf G.M.B.H., 1929. First Edition. Small quarto. A companion volume to Werner Graff's "Es Kommt der Neue Fotograf," an early and highly influential study of experimental film published to coincide with the 1929 Film und Foto exhibition in Stuttgart. Illustrated with numerous photographs, film stills, and film strips, with photographic duplications by many of the important avant-garde.....

Los Angeles: Paramount Pictures, Circa 1922. Draft script for the 1922 film. With holograph ink and pencil annotations to the front wrapper, noting the year ("1922"), "446", and "only copy", and the signature of an unknown crew member at the top right corner of the first page. Rare, this being the only copy that we have ever handled.Based on the.....

US: Artcraft Pictures / Mary Pickford Company, 1918. Vintage borderless photograph from the 1918 film. With an identifying holograph notation on the verso. Based on the 1917 novel by Eleanor Hoyt Brainerd, about a young socialite and a millionaire, who meet and fall in love while pretending to be a cook and a hired hand, respectively. No known prints of.....

Beverly Hills, CA: United Artists, 1925. Vintage reference photograph from the set of the 1925 film, with a mimeo snipe and photographer's stamp on the verso. Based on the unfinished 1832 novel "Dubrovsky" by Alexander Pushkin. A posed shot showing director Brown and stars Valentino and Banky with painter Federico Beltran Masses, a well known figure in Hollywood because of.....

N.p. N.p. Draft script for an unproduced film. A biopic about the silent film star Roscoe "Fatty" Arbuckle, who died of a heart attack in 1933 at age 46. Considered an important figure in the early development of film studios, he mentored Charlie Chaplin and discovered Buster Keaton and Bob Hope. In 1920 he was one of the highest paid.....

Paris: Franfilmdis, 1933. Collection of 3 vintage borderless double weight studio still photographs from the landmark 1933 silent film by Jean Vigo.Although he only made four films before his death from tuberculosis at the age 29, Jean Vigo would come to have an outsized influence on cinema, particularly the French New Wave, with Truffaut in particular paying homage to the.....

Weimer: Verlag der Hofbuchhandlung Alexander Buschke Nachf, 1908. First Edition. A very early work by writer, actress and film maker Thea von Harbou, best known for writing and co-directing "Metropolis" (1927) in collaboration with her then-husband Fritz Lang. The only recorded presentation copy, INSCRIBED by both Thea and her brother Horst (who would go on to be the still photographer.....

Berlin: Decla-Bioscop AG, 1921 [1920]. Vintage double weight matte finish reference photograph from the seminal 1920 silent film. Samuel Goldwyn discovered "Caligari" on a trip abroad, and released this film in the US in 1921, at which time 11 x 14 inch photos such as this one were printed on matte paper. Reference number "4" noted in holograph pencil at.....