Los Angeles: American International Pictures [AIP], 1969. Collection of 8 vintage black-and-white still photographs from the 1969 US release of the 1967 Italian-Spanish film. Rubber-stamped on the verso (1 still) is an ownership stamp from Consolidated Theatre Services, a Canadian distributor and cinema. A violent Spaghetti Western, about a robber who hijacks a payroll train, murders everyone aboard and hides... (read more) about Blood River [God Forgives--I Don't] (Collection of 8 photographs from the 1967 film)

Mexico City, Mexico: Excelsior, 1975. First Mexican Edition, preceding all others. INSCRIBED by the author on the half title page and signed simply as "Julio," which is typical of how he signed for friends. Text in Spanish. A critique of large corporations' reach into Latin America, designed as a superhero comic book featuring the French serial antihero Fantomas. The title... (read more) about Fantomas contra los vampiros multinacionales (First Mexican Edition, inscribed)

Burbank, CA: Artanis Productions, 1965. Final Draft script for the 1965 film. Presentation copy belonging to actor Tony Bill, bound in full maroon calf with gilt titles and design, Bill's name on the front board, California Bookbinding (Hollywood) label on the front pastedown, housed in a matching maroon cloth-covered slipcase as issued. Dan (Sinatra) and his wife Valerie (Kerr) go... (read more) about Marriage on the Rocks (Original screenplay for the 1965 film, actor Tony Bill's presentation copy)

N.p. N.p., 1951. Vintage borderless still photograph of Cuban songwriter and composer Osvaldo Farres. Featuring Farres at the piano while two men holding sheet music look on. Archivo Bohemia and Herve Derrien collection rubber stamps to the verso. One of Cuba's most significant musicians, Farres is said to have had an innate ability for composition. His works included well-known hits..... (read more) about Photograph of Cuban composer Osvaldo Farres (Original photograph from 1951)

Universal City, CA: Universal Pictures, 1950. Two post-production Continuity and Dialogue scripts for the 1950 film. Included is a script for the feature, dated March 15, 1950, and a script for the film's trailer, dated March 20, 1950. In this key film noir, James Mason reprises in spirit his role from the British film noir, "Odd Man Out," made three... (read more) about One Way Street (Post-production scripts for the 1950 film)

Universal City, CA: Universal Pictures, 1965. Final script for the 1966 film. Based on the 1963 book of the same name by Robert MacLeod, Matt Fletcher (Brando) is a Mexican-American buffalo hunter who has his beloved horse stolen from him by a Mexican bandit Chuy (Saxon) and his girlfriend Trini (Comer) who is later revealed to have been sold to... (read more) about The Appaloosa (Original screenplay for the 1966 film)

New York: Harper and Row, 1984. First Edition. SIGNED and dated in the year of publication by the author on the title page, with an accompanying sketch of a bird. Fine and unread in a Near Fine dust jacket. Jacket has light rubbing at the spine ends and corners. An attractive copy of this collection of 26 short stories.1750. (read more) about Collected Stories (First Edition, signed with a sketch of a bird)

Santafe de Bogota, CO: Arango Editores, 1994. First Colombian Edition. The lightest hint of rubbing at the crown, else Fine in illustrated French wrappers. A lovely copy of his first play, never translated into English. Text in Spanish. (read more) about Diatriba de amor contra un hombre sentado (First Colombian Edition)

London: Jonathan Cape, 1979. UNCORRECTED PROOF, preceding the First Edition. Near Fine in red publisher's wrappers. Light fading to the top of the front panel, with fading and a few mild reading creases at the spine. An attractive copy of this set of short stories. (read more) about Innocent Erendira and Other Stories (Uncorrected Proof, UK)

Mexico: Editorial Diana, 1986. First printing of this edition. Text in Spanish. Very Good plus in an about Fine dust jacket. Slightly cocked, with lightly bowed boards. Jacket has light toning to the spine panel, else Jacket is Fine. One of an edition of 5000. (read more) about La mala hora [In Evil Hour] (Hardcover)

New York: Harper and Row, 1972. First Edition in English. Owner name to the half-title, with a few tiny closed tears and light rubbing at the spine ends and corners of the jacket, else Fine and unread in a Fine dust jacket. A bright, attractive copy. (read more) about Leaf Storm and Other Stories (First Edition)

New York: Alfred A. Knopf, 1997. First American Edition. SIGNED by the author and dated in the year of publication. Fine and unread in a Fine dust jacket. An attractive copy. (read more) about News of a Kidnapping (Signed First Edition)

New York: Alfred A. Knopf, 1986. First American Edition. INSCRIBED by the author on the title page: "Par Ted, / del amigo, / Gabriel '87." Fine in a just about Fine dust jacket. Jacket lightly bumped at the spine ends, with a hint of fading to the spine panel, else Fine. A bright, lovely copy, uncommon signed. (read more) about The Story of a Shipwrecked Sailor (Signed First Edition)

New York: Henry Holt, 1986. UNCORRECTED PROOF, preceding the First American Edition. About Fine in yellow wrappers, with publisher's materials stapled at the fore-edge to the inside of the front wrapper. An attractive copy of a scarce proof. (read more) about Clandestine in Chile (Uncorrected Proof)

New York: Alfred A. Knopf, 1930. First American Edition, and first edition in English. A cornerstone novel about the Mexican Revolution. Very Good plus in a Very Good plus dust jacket. Slight spine lean, long split to the rear pastedown. Jacket spine and folds slightly toned, with only a few tiny chips and tears at the extremities, else fresh and attractive. (read more) about The Eagle and the Serpent (First Edition)

N.p. N.p., 1984. Treatment script for an unproduced film. Laid in is a signed letter from the screenwriter to the Walter Kohner, dated January 31, 1985. An interpretation, memorialization, dedication and history of Jimi Hendrix, told through art and collages made by the screenwriter, which are in this screenplay, as well as a fantasy meeting between della Sala and Hendrix... (read more) about Messengers of Love (Original treatment script for an unproduced film)

N.p. N.p., 1973. Vintage borderless press photograph of Alejandro Jodorowsky directing his third film, "The Holy Mountain." Mimeo snipe on the verso credited to the director's Mexican production company, Procinemex, describing the details of the photo in Spanish. 9.5 x 7.5 inches (24 x 19.5 cm). Near Fine. (read more) about The Holy Mountain (Original Spanish press photograph of Jodorowsky on the set)

Los Angeles: Twentieth Century-Fox, 1952. Complete set of 8 original full color lobby cards for the 1952 film. Card No. 1 depicts advertising art, while the subsequent seven cards portray scenes from the film. Kazan's romanticized, semi-fictional account of Zapata in his prime, this sweeping early Brando film glorifies the revolutionary's noble intentions and largely overlooks the rest. The culmination... (read more) about Viva Zapata (Collection of 8 original lobby cards for the 1952 film)

Los Angeles: Columbia Broadcasting System [CBS], Circa 1980. Draft script for the 1980 film, here under the working title "The Border." With notations in holograph ink throughout. Frank Cooper is a border patrol agent who is friendly with the locals and hostile to the local gangs that terrorize both sides of the border between Mexico and the United States. A.... (read more) about Border Cop [The Border] (Original screenplay for the 1980 film)

Mexico City: Libreria Madero, 1969. First Mexican Edition, preceding all others. Slim quarto, perfect-bound softcover. A cornerstone of Latin American pop photography, and included in "The Latin American Photobook." Designed by Vicente Rojo, with photographs by Hector Garcia, one of the most important Mexican photojournalists. A private edition published by a prominent Mexico City bookstore and distributed gratis to its clients..... (read more) about Principados y potestades [Principles and Powers] (First Mexican Edition)

Spain: Inventarios Provisionales, 1973. First Spanish Edition, preceding all others. An excellent documentary on the military coup in Santiago during 1973, with black-and-white photographs by Fina Torres throughout. The book also explores the funeral of Pablo Neruda, where mourners took advantage of the funeral to protest the new regime. With images of his open casket and of his house where... (read more) about Neruda: entierro y testamento (First Spanish Edition)

Rome: Sancro Film, 1968. Early Draft script for the 1972 Spanish-Italian-French-German film, "A Reason to Live, a Reason to Die," here under the working title, "Best of Enemies." Brief notations throughout in holograph ink. A Union officer surrenders his fort to the Confederates during the Civil War, and attempts to regain his status by helping condemned prisoners on a suicide... (read more) about A Reason to Live, a Reason to Die [Best of Enemies] (Original screenplay for the 1972 film)

Burbank, CA: Batjac Productions / Warner Brothers, 1972. Revised Final script for the 1973 film. Fast-paced John Wayne train heist film, with Ann-Margret starring as a widow who needs to recover gold stolen and stashed by her late husband. She persuades a gunhand named Lane (Wayne) to ride into Mexico with her and recover the loot. Once in Mexico, they're... (read more) about The Train Robbers (Original screenplay for the 1973 film)

Hollywood: RKO Radio Pictures, 1944. Estimating script for the 1945 film, "A Game of Death," here under two working titles, "Dangerous Adventure" and "Most Dangerous Game." Copy belonging to an uncredited member of the crew, with notations in holograph pencil throughout. House in a custom cloth clamshell box. From the Richard Manney collection of film noir. Based on Richard Connell's... (read more) about A Game of Death [The Most Dangerous Game] [Dangerous Adventure] (Original screenplay for the 1945...