Stockholm: Svensk Filmindustri [SF], 1950. Vintage oversize black-and-white double weight studio still photograph from the Swedish release of the 1950 film. With some press annotations on the verso, including a Brussels distributor stamp. Like nearly all Bergman's work, a story that is still stunningly modern in its subtlety and pertinence. A definitive study of the relentlessness of depression, where an.....

Stockholm: Svensk Filmindustri [SF], 1970. Vintage black-and-white borderless double weight Swedish press photograph from the 1971 film, shot in 1970. Stamps on the verso for the Pressens Bild Ab Feature-Service in Sweden, as well as a Swedish mimeo snipe describing the scene, dated October 1970 and crediting still photographer Jorgen Persson, and a subsequent French press stamp.  Pictured left.....

N.p. N.p., Circa 1975. First Edition publicity manual, reminiscent in content to a press kit, but with far more detail. Produced by Dino De Laurentiis to advertise legendary Swedish director Ingmar Bergman and his Oscar-nominated psychological drama "Face to Face" (1976). Profusely photo-illustrated with over 60 black and white images, including film stills and on the set photography of Bergman.....

Stockholm: Cinematograph AB, 1972. Collection of three vintage borderless black-and-white photographs taken on the set of the 1972 film, two showing director Ingmar Bergman, and the other showing Bergman with actresses Harriet Andersson, Kari Sylwan, and Ingrid Thulin. With holograph pencil and ink annotations to the verso.Bergman's self-titled portrait to his mother, with each of the women characters of the.....

Stockholm: Svensk Filmindustri [SF], 1956. Vintage borderless photograph, showing Bergman conversing with Bengt Ekerot, in costume as Death, on the set of the 1957 film. With the copyright stamp of Svensk Filmindustri, as well as some addition Swedish language stamps, and a date stamp of November 24, 1956 on the verso. The only production ephemera from the film we have.....

Sweden: Cinematograph AB, 1973. Vintage double weight reference photograph from the 1974 feature film release of the 1973 Swedish television mini-series written and directed by Ingmar Bergman. With the stamp of photographer Arne Carlsson on the verso. Originally taking place over six episodes totaling almost five hours, the series was recut by Bergman into a 167 minute theatrical version for.....

New York: Janus Films, Circa 1960. Vintage photograph of Ingmar Bergman, circa 1960. Stamp reading "Acquired 1972 from The W. Ward Marsh Archives by Marty Davis" on the verso. Bergman began in theater, quickly navigating to screenwriting, then directing, becoming one of the most prolific and influential filmmakers of the twentieth century. He directed over 60 films and documentaries for.....

New York: Grove Press, 1969. Collection of six vintage studio still photographs from the 1969 US release of the 1967 Swedish film. Vilgot Sjoman's controversial erotic drama, utilizing both dramatic and documentary filmmaking techniques, stars Sjoman's then lover, actress Lena Nyman, as a young theater student examining the social and political mores of 1960s Sweden, and her own sexuality. Parallel.....

Stockholm: Wahlstrom and Widstrand, 1956. First Swedish Edition, preceding all others. Number seven in the "Svenskt filmbibliotek" series. Film critic Weiss tackles notable figures of avant-garde filmmaking, including Luis Bunuel, Cocteau, Jean Vigo, Mario Peixoto, Eisenstein, Carl Dreyer, and more, with brief filmographies for each. Black-and-white photographs throughout. A few short tears and creases, with light foxing, else Near Fine.....

Berlin: Road Movies Filmproduktion, 1980. Vintage black-and-white borderless photograph of director Wim Wenders filming a scene at Vassar College for the 1980 documentary. With a mimeo snipe on the verso.Wim Wenders joins his friend and hero, director Nicholas Ray, in New York City to discuss Ray's dying wish to make a film about a painter with a terminal illness who.....

Sweden: Sandrews, 1966. Vintage borderless photograph of Ingrid Thulin and Mai Zetterling on the set of the 1966 film. Mimeo snipe and press agency stamps on the verso. Jan and his fiance return to his childhood home, a 14th Century castle where he is haunted by vivid flashbacks of a difficult childhood, the neglect of his parents, and a sexual.....