Los Angeles: Goldwyn Films / Green Parrot / Rysher Entertainment / Trinity Films, 1996. Vintage photograph from the set of 1996 film, showing Paul Thomas Anderson giving literal direction to Philip Baker Hall. Anderson's feature debut, a taut crime story, smaller in scale than most of his subsequent career defining work, but with several of Anderson's trademark touches arriving fully... (read more) about Hard Eight (Original photograph from the set of the 1996 film)

Rome: Iterfilm, 1982. Agency draft script in English for the 1982 Italian film. Antonioni's rarely discussed final feature, and one of his greatest achievements. Niccolo (Tomas Milian), a recently divorced movie director pursues a new relationship with a younger woman, Mavi (Daniela Silverio), who he imagines could play the leading role in his next film. She quickly vanishes and he... (read more) about Identification Of A Woman [Identificazione Di Una Donna] (Original screenplay for the 1982 film)

Stockholm: Svensk Filmindustri, 1960. Original international program for the English language release of the 1960 Swedish film by Ingmar Bergman, printed by Svensk Filmindustri in Sweden. Adapted from the thirteenth century Swedish ballad, "Tores dottrar i Wange." Photo illustrated throughout. Winner of the Academy Award for Best Foreign Language Film, and nominated for the Palme d'Or, with director Bergman receiving... (read more) about The Virgin Spring (Original program for the 1960 film)

Burbank, CA: Warner Brothers, 1947. Two vintage photographs from the 1947 film noir. Each with the stamps of photographers Eugene Robert Richee or Frank Bjerring, and a mimeo snipe on the verso. From the estate of actor Van Heflin. A woman suffers a psychotic break and is found wandering the streets after murdering the man she had become obsessed with... (read more) about Possessed (Two original photographs from the 1947 film)

Mexico: Producciones Barbachano Ponce, 1958. Draft script for the 1959 film. Presentation copy belonging to director Luis Bunuel, and SIGNED by Bunuel on the front wrapper. Also laid in is a program from the film's American premiere on May 18, 1960, also SIGNED by Bunuel. Blue ink holograph notations in the same hand to the verso of the last page... (read more) about Nazarin (Original screenplay for the 1959 film, signed copy belonging to director Luis Bunuel)

Cannes, France: N.p., 1964. Original souvenir programs and film credits material showcasing some of the films from the 1964 Cannes Film Festival. It was this festival, the seventeenth one to be held, that the award name was changed from the Palme d'Or to the Grand Prix du Festival International du Film, the name used until 1974 when it returned to... (read more) about 1964 Cannes Film Festival promotional folder and program for The World of Henry Orient, including...

Paris: FFD, 1969. Original pressbook for the 1969 French film. Nominated for two Academy Awards and the Palme d'Or. The third film (but fourth released) in Rohmer's "Moral Tales" series, and the one that finally elevated him to the international status of his New Wave peers. 9.5 x 13.25 (24 x 34 cm). Tri-fold, Very Good plus. Starting to the... (read more) about My Night at Maud's [Ma nuit chez maud] (Original Pressbook for the 1969 film)

Paris: Roissy Films, circa 1978. Vintage oversize borderless color photograph of Gerard Depardieu and the star chimpanzee from the 1978 film. With holograph ink notations on the verso. An Italian-French production about a man who lives in a New York City basement and works as a jack of all trades for the owner of a wax museum and a feminist... (read more) about Bye Bye Monkey [Reve de singe] (Original photograph from the 1978 film)

Italy: Compagnia Cinematografica Champion, 1964. Vintage borderless press photograph from the set of the 1964 film. Shown is Annie Giarardot (the "ape woman" in the film) in a dressing room with two other semi-clothed, "normal" women, conveying an immediate irony as she looks up at her husband (Ugo Tognazzi) standing in the doorway. With the stamps of both the French... (read more) about The Ape Woman [La donna scimmia] (Original photograph from the 1964 film)

N.p. N.p., 1959. Vintage photograph of Francois Truffaut, Jean Cocteau, Jean-Pierre Leaud, and others at the 1959 Cannes Film Festival. With holograph notations and agency stamps on the verso.Francois Truffaut won the award at the 1959 festival for best director for his film "400 Blows".5 x 7 inches (12.7 x 17.7 cm) Near Fine. (read more) about Original photograph Francois Truffaut, Jean Cocteau, and others at the Cannes Film Festival, 1959

Kanagawa, Japan: Daiei Studios, 1959. Collection of 6 vintage US publicity photographs from the 1959 Japanese pink film. The first of several films based on the Junichiro Tanizaki. Released in Japan as "Kagi" and with the alternate English language title "The Key."An elderly antique dealer struggles with his aging body and looming impotence. To grapple with his anxiety he introduces... (read more) about Odd Obsession [The Key] [Kagi] (Collection of 6 original photographs from the 1959 film)

Budapest: Mafilm, 1967. Vintage Hungarian program for the 1967 film. Photo-illustrated with scenes from the film, including one large image on the entirety of the verso. Text in Hungarian. One of the masterpieces of Hungarian cinema. A Russian-Hungarian co-production, "The Red and the White" was originally commissioned to celebrate the 50th anniversary of the October Revolution in Russia in which... (read more) about The Red and the White [Csillagosok, katonak] (Original program for the 1967 film)

Moscow: Mosfilm, 1957. Vintage oversize, double weight photograph from the 1957 film. From the archives of French weekly "Tele Magazine," with two stamps on the verso, one referencing its inclusion in issue 52, page 5, along with holograph notations regarding layout and the French title. Based on the 1956 play "Forever Alive" by Viktor Rozov, who also wrote the screenplay... (read more) about The Cranes are Flying [Letyat zhuravli] (Original double weight photograph from the 1957 film)

Los Angeles: Twentieth Century-Fox, 1951. Final script for the 1952 film. Based on the life of Mexican revolutionary leader Emiliano Zapata. Photographically reproduced Fox file copy, likely produced by the studio for its files in the late 1960s or a bit later. Kazan's romanticized, semi-fictional account of Zapata in his prime, this sweeping early Brando film glorifies the revolutionary's noble... (read more) about Viva Zapata (Original screenplay for the 1952 film, later reproduction)

London: William Heinemann, 1960. First UK Edition. Basis for the 1962 Robert Mulligan film, starring Gregory Peck, and winner of three Academy Awards, as well as a nomination for the Palme d'Or at Cannes the following year. Near Fine with a slight lean, in a bright Near Fine dust jacket. National Film Registry. (read more) about To Kill a Mockingbird (First UK Edition)

Culver City, CA: Columbia, 1971. Vintage photograph showing director Joseph Losey and screenwriter Harold Pinter on an outdoor location from the 1971 film. With the stamp of French magazine "Telecine" and a holograph notation with the film's French title on the verso, . Based on the 1953 novel by L.P. Hartley, about a the forbidden love between an engaged aristocrat... (read more) about The Go-Between (Original photograph from set of the 1971 film)

Italy: Excelsa Film, 1951. Vintage double weight press photograph of writer Curzio Malaparte sitting in the director's chair during the filming of his sole cinematic effort, "The Forbidden Christ." With holograph pencil notations regarding layout on both the recto and verso, and the stamp of photographer Osvaldo Civirani and a mimeo snipe on the verso. Nominated for the Palme d'Or... (read more) about The Forbidden Christ (Original double weight photograph from the set of the 1951 film)

Nice: Self published, 1957. Sixteen vintage photographs from the 1957 Cannes Film Festival. On the versos of 11 photos is a rubber-stamp for photographer "L. Mirkine," photographer "Pierre Manciet" on the versos of remaining 5, and names corresponding to the image subjects on the versos in holograph ink. Housed in a manila envelope with "Festival 1957 Cannes" on the recto... (read more) about 1957 Cannes Film Festival (Collection of 16 original photographs)

Los Angeles: Twentieth Century-Fox, 1978. Vintage borderless photograph from the 1978 film, showing director Mazursky and star Clayburgh conferring on the set, while the crew waits behind them. With identifying holograph ink notations on the verso. A woman attempts to reenter the dating scene and rediscover herself after her husband leaves her for a younger woman. Nominated for three Academy... (read more) about An Unmarried Woman (Original photograph from the set of the 1978 film)

Italy: Vera Films, circa 1969-1970. Vintage borderless photograph from the 1970 Italian film. With the stamp of photograph Mario Tursi on the verso. An iconic photograph from an iconic film, a study in corruption in which a police inspector investigates a crime that he himself has committed. Winner of the 1971 Academy Award for Best Foreign Film and the Cannes... (read more) about Investigation of a Citizen Above Suspicion [Indagine su un cittadino al di sopra di ogni...

Neuilly-sur-Seine, France: Argos Films, 1959. Collection of eight vintage, borderless reference photographs from the 1959 film. Four photographs with the stamp of production company Argos Films, seven with a sticker noting they are from the collection of film historian, collector, and founder of the Tele Cine Documentation (TCD) cinema photo library Daniel Bouteiller, one with both a sticker and stamp... (read more) about Hiroshima mon amour (Collection of 8 original photographs from the 1959 film)

N.p. Rome Paris Films, 1966. Vintage French Moyenne poster for the 1966 film. Nominated for a Palme d'Or at the 1966 Cannes Film Festival. A flurry of controversy surrounded the production and release of Rivette's film. Upon facing pressure from the French Catholic Church regarding its critical religious and sexual content, the new Minister of Information, Yvon Bourges, banned its... (read more) about The Nun [La Religieuse] (Original French poster for the 1966 film)

Paris: Fida Cinematografica / Lira Films, 1970. Vintage borderless reference photograph of Romy Schneider and Michel Piccoli on the set of the 1970 French-Italian film. With the stamp of photographer Michel Ginfray on the verso. Based on the 1967 novel "Intersections" by Paul Guimard, who also worked on the screenplay. Nominated for the Palme d'Or at Cannes, and remade in... (read more) about The Things of Life [Les choses de la vie] (Original photograph from the 1970 film)

N.p. N.p., 1975. Original vintage press photograph of Maria Schneider and Bernardo Bertolucci at the 1975 Cannes Film Festival. Schneider was at Cannes to promote Michelango Antonioni's Palme d'Or nominated film, "The Passenger," in which she starred opposite Jack Nicholson. Bertolucci, of course, had directed her to instant stardom three years earlier in "Last Tango in Paris." 8 x 10... (read more) about Maria Schneider at the 1975 Cannes Film Festival (Original photograph)

Paris: Claude Schwartz, 1965. Vintage silver gelatin photograph of Roman Polanski, Jean-luc Godard and actress Catherine Deneuve at Cannes in May 1965, taken by French press and still photographer Claude Schwartz. With Schwartz's French press stamp appearing 5 times on the verso. Arguably the tall man in the background is Barbet Schroeder. Polanski's 1965 film, "Repulsion," a film that had... (read more) about Original candid photograph of Roman Polanski, Jean-luc Godard, and Catherine Deneuve at Cannes, 1965

Santa Monica: Miramax, 1993. Last Draft script for the 1994 film. Likely belonging to a crew member, with pink, blue, and green revision pages, and occasional holograph notations in black ink throughout. Arguably Tarantino's masterpiece, a noirish series of three stories told together in cutup style, not unlike the novels of William S. Burroughs, each with one violent narrative folding... (read more) about Pulp Fiction (Original screenplay for the 1994 film)

Paris: Gaumont, 1958. Vintage illustrated French pressbook from the French release of the 1958 film. Saddle stitched card self wrappers. 6 pages. 9.5 x 12.25 inches (24 x 31 cm). Near Fine. Criterion Collection 111. (read more) about Mon Oncle (Original French pressbook from the 1958 film)

Paris: Gaumont, 1958. Vintage photograph of Jacque Tati as Monsieur Hulot from the 1958 film. The director's second of four films featuring the inimitable "Monsieur Hulot." In this chapter, Hulot strays from his rather ordinary Paris neighborhood and into a modern, suburban one, where technological chaos reigns. Nominated for the Palme d'Or at Cannes, and winner of the Jury Special... (read more) about Mon Oncle (Original photograph from the 1958 film)

Neuilly-sur-Seine, France: Gaumont, 1958. Three vintage borderless photographs showing director Jacques Tati at work on the set of the 1958 film. With the stamps of the French Film Office's New York address, as well as film information, on the verso. The director's second of four films featuring the inimitable Monsieur Hulot. In this chapter, Hulot strays from his rather ordinary... (read more) about Mon Oncle (Three original photographs from the set of the 1958 film)

Paris: Les Films du Carrosse, 1959. Original French Grande poster for the 1959 film. Poster design by Boris Grinsson. Truffaut's auspicious debut, winner of Best Director at Cannes, nominated for the Palme d'Or, and also nominated for a Best Original Screenplay Oscar the following year. 47 x 62 inches (119 x 157 cm). Linen backed and rolled. Bright and Fine. Capitaine 207. Warren, Vol. 1, p. 159. (read more) about The 400 Blows (Original French poster for the 1959 film)

Wengen, Switzerland: Alpine Films, 1965. Vintage oversize double weight photograph of Orson Welles and John Gielgud on location in Spain for the shooting of "Chimes at Midnight" in 1965. Shot and struck by noted photographer Nicolas Tikhomoroff, with his rubber stamp and the stamp of his Parisian agency, V.I.P., on the verso. "Chimes at Midnight," Welles' third of three legendary... (read more) about Orson Welles and John Gielgud on the set of "Chimes at Midnight" (Original still...