Beverly Hills, CA: Orion Pictures, 1985. Vintage French mini poster for the 1985 US film. Nominated for an Academy Award for Best Writing. A delightfully crafted depression-era fantasy in which an unhappy wife indulges her knack for escapism through persistently visiting the cinema. Eventually, a handsome character in one of the films she frequents breaks the fourth wall, and what...
Los Angeles: Twentieth Century-Fox, 1970. Collection of five vintage, borderless, oversize photographs from the 1970 film. With a small French distribution label from Twentieth Century-Fox on the recto of each photograph. Based on the 1968 novel by Richard Hooker, and, in turn, the basis of acclaimed television show which ran for 11 seasons on CBS. Winner of the Palme d'Or...
Los Angeles: Goldwyn Films / Green Parrot / Rysher Entertainment / Trinity Films, 1996. Vintage photograph from the set of 1996 film, showing Paul Thomas Anderson giving literal direction to Philip Baker Hall. Anderson's feature debut, a taut crime story, smaller in scale than most of his subsequent career defining work, but with several of Anderson's trademark touches arriving fully...
Rome: Cineriz, 1962. Vintage borderless photograph of Monica Vitti and Alain Delon on the set of the 1962 film. With holograph notations in blue ink and pencil on the verso. Vittoria (Monica Vitti) leaves her fiance (Francisco Rabal) and enters a new relationship with Piero, a young stock broker (Alain Delon) who is obsessed with material posessions and wealth, his...
![Identification Of A Woman [Identificazione Di Una Donna] (Original screenplay for the 1982 film)....](/pictures/thumb/144397.jpg?v=1559338803)
Rome: Iterfilm, 1982. Agency draft script in English for the 1982 Italian film. Antonioni's rarely discussed final feature, and one of his greatest achievements. Niccolo (Tomas Milian), a recently divorced movie director pursues a new relationship with a younger woman, Mavi (Daniela Silverio), who he imagines could play the leading role in his next film. She quickly vanishes and he...
Stockholm: Sveriges Television [SVT], 1997. Three vintage color still photographs showing Ingmar Bergman on the set of his 1997 Swedish television movie, which also screened at the 1998 Cannes Film Festival as part of the Un Certain Regard section. Two patients at a mental hospital attempt to make and market a film. 8.75 x 5.75 inches (22 x 15 cm). Fine.
Stockholm: Svensk Filmindustri, 1960. Original international program for the English language release of the 1960 Swedish film by Ingmar Bergman, printed by Svensk Filmindustri in Sweden. Adapted from the thirteenth century Swedish ballad, "Tores dottrar i Wange." Photo illustrated throughout. Winner of the Academy Award for Best Foreign Language Film, and nominated for the Palme d'Or, with director Bergman receiving...
Stockholm: Svensk Filmindustri (SF), 1956. Vintage borderless photograph, showing Bergman conversing with Bengt Ekerot, in costume as Death, on the set of the 1957 film. With the copyright stamp of Svensk Filmindustri, as well as some addition Swedish language stamps, and a date stamp of November 24, 1956 on the verso. The only production ephemera from the film we have...
Burbank, CA: Warner Brothers, 1947. Two vintage photographs from the 1947 film noir. Each with the stamps of photographers Eugene Robert Richee or Frank Bjerring, and a mimeo snipe on the verso. From the estate of actor Van Heflin. A woman suffers a psychotic break and is found wandering the streets after murdering the man she had become obsessed with...
![A Man Escaped [Un condamne a mort s'est echappe ou Le vent souffle ou il veut] (Original...](/pictures/thumb/143336.jpg?v=1522340718)
Neuilly-sur-Seine, France: Gaumont, 1956. Vintage borderless photograph from the set of the 1956 film, showing director Robert Bresson demonstrating a small action to the film's lead actor Francois Leterrier. With holograph notations on the verso. Based on the 1956 memoir "A Man Condemned to Death has Escaped" by Andre Devigny, about a French Resistance member's escape from the Nazi controlled...
Mexico: Producciones Barbachano Ponce, 1958. Draft script for the 1959 film. Presentation copy belonging to director Luis Bunuel, and SIGNED by Bunuel on the front wrapper. Also laid in is a program from the film's American premiere on May 18, 1960, also SIGNED by Bunuel. Blue ink holograph notations in the same hand to the verso of the last page...
Los Angeles: Expanding Cinema, 1966. Shooting final for the 1966 film. Copy belonging to actor Peter Haskell, with his holograph notations throughout and his shooting schedule laid in. Mary Ellen Bute's final film, and one of the only cinematic adaptations of James Joyce's masterfully complex work of fiction, "Finnegans Wake." Shot over a two year period, Bute was tasked with...
Cannes, France: N.p., 1964. Original souvenir programs and film credits material showcasing some of the films from the 1964 Cannes Film Festival. It was this festival, the seventeenth one to be held, that the award name was changed from the Palme d'Or to the Grand Prix du Festival International du Film, the name used until 1974 when it returned to...
![Violette [Violette Noziere] (Original photograph from the 1978 film). Claude Chabrol, Jean-Marie...](/pictures/thumb/144817.jpg?v=1560892629)
France: Filmel, 1978. Vintage borderless photograph of Isabelle Huppert and Jean Carmet from the 1978 film. With holograph notations on the verso. Based on the 1975 novel of the same name by Jean-Marie Fitere which tells the true story of Violette Noziere (Isabelle Huppert), a French teenager who in the 1930s worked as a prostitute while living with her parents...
Italy: Cinematografica RI.RE, 1961. Collection of 14 vintage borderless single weight studio still photographs from the 1961 Italian-French film. Action sequences, picketers, Delon and his compatriots, and a charming candid of Barbara Lass, are present. Numerical notations, and a few with actor names, on the versos in holograph pencil, and rubber-stamps on the verso crediting photography agency "PIERLUIGI" and the...
Paris: Les Films 13, 1969. Collection of 38 original keybook contact print photographs from the 1969 French film. Color and black-and-white contact prints of small and medium format transparencies, several printed in Agfa photo paper, most with 36 images per print, amounting to over 1300 images of starring actors Girardot and Kalfon, child actors, and a few of the film...
![He Who Must Die [Celui qui doit mourir] (Archive of original keybook photographs for the 1957...](/pictures/thumb/144625.jpg?v=1565816247)
Paris: Cinedis, 1957. Archive of 1,599 vintage keybook photographs from the 1957 French-Italian film. Small photographs affixed with cello tape on thick stock in five folio sized spiral bound notebooks, with small title labels mounted to the versos of the front wrappers. Each photograph is numbered in holograph ink inside a small white border on the recto, and in mimeograph...
Paris: Parc Film, 1964. Vintage borderless photograph of Jacques Demy and Catherine Deneuve on the set of the 1964 French musical. With extensive holograph notations in blue marker and the production company's rubber stamp on the verso. Genevieve (Catherine Deneuve), works at her widowed mother's umbrella boutique and Guy (Nino Castelnuovo), a young mechanic, fall in love in the beautiful...
Paris: Parc Film, 1964. Vintage borderless press photograph of actor Catherine Deneuve and composer Michel Legrand at the awards ceremony for the Louis Delluc Prize, given to the best French film of the year, which "The Umbrellas of Cherbourg" received in 1964. With the stamps of ADP press agency and a French-language mimeo snipe on the verso. In addition to...
![My Night at Maud's [Ma nuit chez maud] (Original Pressbook for the 1969 film). Eric Rohmer,...](/pictures/thumb/138609.jpg?v=1492980031)
Paris: FFD, 1969. Original pressbook for the 1969 French film. Nominated for two Academy Awards and the Palme d'Or. The third film (but fourth released) in Rohmer's "Moral Tales" series, and the one that finally elevated him to the international status of his New Wave peers. 9.5 x 13.25 (24 x 34 cm). Tri-fold, Very Good plus. Starting to the...
Rome: Riama Film, 1960. Vintage oversize borderless double weight press photograph of Anouk Aimee from the 1960 film. With agency stamps on the verso. Fellini's most pivotal film, if not his finest. Unlike the more sentimental and abstract films that would follow, "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome, with Mastroianni, a jaded journalist at the...
![Bye Bye Monkey [Reve de singe] (Original photograph from the 1978 film). Marco Ferreri, Rafael...](/pictures/thumb/144304.jpg?v=1538508772)
Paris: Roissy Films, circa 1978. Vintage oversize borderless color photograph of Gerard Depardieu and the star chimpanzee from the 1978 film. With holograph ink notations on the verso. An Italian-French production about a man who lives in a New York City basement and works as a jack of all trades for the owner of a wax museum and a feminist...
![The Flesh [La Carne] (Original double weight photographs from the 1991 film). Marco Ferreri,...](/pictures/thumb/143062.jpg?v=1515181503)
Italy: MMD, 1991. Vintage borderless double weight photograph from the 1991 film. With a stamp on the verso identifying the film and photographer. A black comedy in which a divorced man falls for a beautiful woman, who uses magic to turn him into a sex slave. He doesn't seem to mind, until she gets bored and wants to leave him...
![The Ape Woman [La donna scimmia] (Original photograph from the 1964 film). Marco Ferreri, Rafael...](/pictures/thumb/143345.jpg?v=1521566552)
Italy: Compagnia Cinematografica Champion, 1964. Vintage borderless press photograph from the set of the 1964 film. Shown is Annie Giarardot (the "ape woman" in the film) in a dressing room with two other semi-clothed, "normal" women, conveying an immediate irony as she looks up at her husband (Ugo Tognazzi) standing in the doorway. With the stamps of both the French...
Italy: Sancro Film, 1963. Collection of four vintage, oversize, borderless reference photographs from the 1963 Italian film. With the stamps of photographer Velio Cioni, and two press agencies on the verso. Two of the photographs show crew members putting the finishing touches on a mannequin of Jesus while director Ferreri looks on. A satire of masculinity and chauvinism, where a....
N.p. N.p., 1959. Vintage photograph of Francois Truffaut, Jean Cocteau, Jean-Pierre Leaud, and others at the 1959 Cannes Film Festival. With holograph notations and agency stamps on the verso. Francois Truffaut won the award at the 1959 festival for best director for his film "400 Blows". 5 x 7 inches (12.7 x 17.7 cm) Near Fine.
Universal City: Universal Pictures, 1998. Collection of three vintage photographs from the set of the 1998 film. Based on the 1971 novel by Hunter S. Thompson. The eccentric journalist Raoul Duke (Johnny Depp) and his crazed lawyer Dr. Gonzo (Benicio del Toro) set out to cover a motorcycle race and quickly fall into a drug fueled series of psychedelic antics...
N.p. JLG Films, 1985. Vintage French mini poster for the 1985 French film. Nominated for a Palme d'Or at the 1985 Cannes Film Festival. The film was conceived during a markedly more conventional phase in director Jean-Luc Godard's career and released the same year as his highly controversial picture, "Je Vous Salue, Marie." Set in a hotel in Paris, the...
Los Angeles: David O. Selznick, 1948. First Draft script for the seminal 1949 film noir. A copy from the Selznick archive, which resided for decades at the University of Texas, originally issued over a year prior to the film's release. "The Third Man" was a co-production between London Film Productions in England and Selznick Studios in Hollywood, this being a....
N.p. Alfieri, 1969. Vintage oversize double weight color photograph of Dennis Hopper and Jack Nicholson, at an outdoor press conference held in front of the Carlton Hotel at the Cannes Film Festival, where Hopper was awarded the Cannes First Film Prize. Shot by Marc Alfieri, and signed by him in black ink at the lower left margin: "Photo Alfieri /...
Taiwan: 3H Productions, 1998. Vintage Taiwanese double crown poster, for the 1998 Taiwanese film. Nominated for a Palme d'Or at the Cannes Film Festival. The film weaves together the tale of five courtesans throughout four elegant brothels in 19th-century Shanghai, proving an insightful glimpse into their time and daily struggles. 20.5 x 28.5 inches (52 x 72 cm). Fine.
Taiwan: International Film Company, 2016. French mini poster, printed in Chinese, French, and English, for the 2016 re-release of the 1971 Taiwanese film. The film received a Criterion Collection release in the same year.Nominated for a Palme d'Or at the Cannes Film Festival. Originally released in two parts and later condensed into a single epic, King Hu's visually striking film...
London: Enigma Productions Ltd., 1979. First Draft script for the 1981 film. Copy belonging to first assistant director Jonathan Benson, with his name in holograph ink on the title page and extensive notations in holograph ink on the verso of several pages toward the end of the script. Based on the true story of two British runners who compete in the...
![Odd Obsession [The Key] [Kagi] (Collection of 6 original photographs from the 1959 film). Kon...](/pictures/thumb/144308.jpg?v=1538508772)
Kanagawa, Japan: Daiei Studios, 1959. Collection of 6 vintage US publicity photographs from the 1959 Japanese pink film. The first of several films based on the Junichiro Tanizaki. Released in Japan as "Kagi" and with the alternate English language title "The Key." An elderly antique dealer struggles with his aging body and looming impotence. To grapple with his anxiety he introduces...
Tokyo: Imamura Productions, 1987. Draft script for the 1987 film. Text in Japanese. The greatest pimp in all of Japanese history, Iheji Muraoka, also known as Zegen or the "Boss of the South Seas" grew in power as Japan grew. Not only were his achievements contributing to his mantle of success, but he believed they advanced the global ambitions of...
![The Red and the White [Csillagosok, katonak] (Original program for the 1967 film). Miklos Jancso,...](/pictures/thumb/141810.jpg?v=1497555106)
Budapest: Mafilm, 1967. Vintage Hungarian program for the 1967 film. Photo-illustrated with scenes from the film, including one large image on the entirety of the verso. Text in Hungarian. One of the masterpieces of Hungarian cinema. A Russian-Hungarian co-production, "The Red and the White" was originally commissioned to celebrate the 50th anniversary of the October Revolution in Russia in which...
N.p. Filmes Cinematografica, 1976. Collection of 3 vintage borderless photographs from the 1976 film. Grazia Neri stamps on the verso. Jancso's "Private Vices, Public Pleasures" is loosely based on the death of Crown Prince Rudolf of Austria, believed having killed himself after shooting his lover in a suicide pact in 1882. Jancso's film presents Rudolf (Lajos Balazsovits) as a pan-sexual...
London: HandMade Films, 1986. Vintage borderless photograph from the 1986 film, showing director Jordan and star Hoskins together on location. With holograph notations on the verso. Hoskins stars as a recently released ex-con hired to drive a high class escort from job to job, slowly falling in love with her as he does, which leads trouble for them both. Hoskins...
![The Cranes are Flying [Letyat zhuravli] (Original double weight photograph from the 1957 film)....](/pictures/thumb/142595.jpg?v=1560892554)
Moscow: Mosfilm, 1957. Vintage oversize, double weight photograph from the 1957 film. From the archives of French weekly "Tele Magazine," with two stamps on the verso, one referencing its inclusion in issue 52, page 5, along with holograph notations regarding layout and the French title. Based on the 1956 play "Forever Alive" by Viktor Rozov, who also wrote the screenplay...
Burbank, CA: Warner Brothers, 1955. Two vintage keybook photographs from the 1955 film, one showing director Elia Kazan behind the camera, the other showing actors James Dean and Nick Dennis goofing around behind the scenes with dialog director Guy Thomajan. Typed notations identifying the subjects on the versos. Based on the 1952 novel by John Steinbeck. Winner of Best Dramatic...
Los Angeles: Twentieth Century-Fox, 1951. Final script for the 1952 film. Based on the life of Mexican revolutionary leader Emiliano Zapata. Photographically reproduced Fox file copy, likely produced by the studio for its files in the late 1960s or a bit later. Kazan's romanticized, semi-fictional account of Zapata in his prime, this sweeping early Brando film glorifies the revolutionary's noble...
Los Angeles: Twentieth Century-Fox, 1952. Vintage studio still photograph from the 1952 film. Snipe printed on the verso. The culmination of screenwriter Steinbeck's long-standing fascination with Zapata, it was said that Steinbeck had begun work on such a screenplay as early as 1948. The subject was a touchy one, as the MPAA's Production Code Administration had been discouraging studios from...
Rome: Lux Film, 1961. Draft script for the 1961 film. Based on the 1949 novel by Frederic Wakeman. Actor Van Heflin's working copy, with his holograph notations throughout. After a drunken boating accident leaves him adrift in the ocean with his young son, a man (Heflin) reflects on his past and the mistakes he made. Nominated for the Palme d'Or...
London: William Heinemann, 1960. First UK Edition. Basis for the 1962 Robert Mulligan film, starring Gregory Peck, and winner of three Academy Awards, as well as a nomination for the Palme d'Or at Cannes the following year. Near Fine with a slight lean, in a bright Near Fine dust jacket. National Film Registry.
London: Woodfall Film Productions, 1965. Vintage borderless photograph from the set of the 1965 film. With holograph notations in pencil on the verso. Set amidst the cultural shifts of the 1960s. Colin (Michael Crawford), an awkward school teacher is desperately trying to have the kind of sexual experiences as his womanizing friend Tolen (Ray Brooks). When Nancy (Rita Tushingham) arrives...
London: National Screen Service Ltd., 1965. Collection of 8 vintage black-and-white still photographs from the 1965 UK film. Based on the play by Ray Rigby, about a British disciplinary camp on the Libyan desert. Winner at the 1965 Cannes festival for Best Screenplay. 8 x 10 inches (20 x 25 cm). Light toning overall, else Near Fine.
London: National Screen Service Ltd., 1965. Vintage black-and-white still photograph from the 1965 UK film. Based on the play by Ray Rigby, about a British disciplinary camp on the Libyan desert. Winner at the 1965 Cannes festival for Best Screenplay. 8 x 10 inches (20 x 25 cm). Very Good plus, with light creases.
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1969. Vintage reference photograph from the 1969 film. Anouk Aimee walks down a Rome street toward the camera, while director Sydney Lumet and crew look on. With a printed mimeo snipe on the verso. Lumet was nominated for a Palme d'Or at Cannes for the film, about a man who becomes suspicious that his new...
Italy: Excelsa Film, 1951. Vintage double weight press photograph of writer Curzio Malaparte sitting in the director's chair during the filming of his sole cinematic effort, "The Forbidden Christ." With holograph pencil notations regarding layout on both the recto and verso, and the stamp of photographer Osvaldo Civirani and a mimeo snipe on the verso. Nominated for the Palme d'Or...
N.p. N.p., 1968. Vintage press photograph of directors Louis Malle and Roman Rolanski, and actress Monica Vitti strolling down the street during the 1968 Cannes Film Festival. With the stamp of photographer "Paul-Louis / Studio Starlet" in Nice, as well as holograph notations identifying the subjects and location and regarding layout on the verso. Malle, Polanski, and Vitti were all...
Nice: Self published, 1957. Sixteen vintage photographs from the 1957 Cannes Film Festival. On the versos of 11 photos is a rubber-stamp for photographer "L. Mirkine," photographer "Pierre Manciet" on the versos of remaining 5, and names corresponding to the image subjects on the versos in holograph ink. Housed in a manila envelope with "Festival 1957 Cannes" on the recto...
Cannes, France: Cinedis, 1955-1959. Archive of correspondence and film ephemera from representatives at Cinedis and UniFrance Films regarding Christian de la Maziere, briefly the impresario of press relations (and former Waffen-SS soldier) at Cinedis, detailing his participation at the 1959 Cannes Film Festival and at a few Referendum Cinematographique festivals in Vichy. Represented in the archive are 27 leaves, several...
Los Angeles: Twentieth Century-Fox, 1978. Vintage borderless photograph from the 1978 film, showing director Mazursky and star Clayburgh conferring on the set, while the crew waits behind them. With identifying holograph ink notations on the verso. A woman attempts to reenter the dating scene and rediscover herself after her husband leaves her for a younger woman. Nominated for three Academy...
N.p. Sumar Productions, 1956. Vintage studio photograph of Gloria Grahame on location, from the 1956 film. Mimeo snipe and French 20th Century Fox Stamp on verso. Based on Ewen Montagu's 1954 book, based on a true story about a British attempt to trick their German enemies, using the name and credentials of a dead man as bait. The real intelligence...
N.p. N.p., 1983. Vintage Japanese B2 poster for the 1983 Japanese-British co-production. Nominated in 1983 for a Palme d'Or at the Cannes Film Festival. Based on the 1963 novel, "The Seed and the Sower" by Laurens van der Post, about his experiences as a British soldier who was held as a prisoner of war by the Japanese. An international co-production...
Italy: Vera Films, circa 1969-1970. Vintage borderless photograph from the 1970 Italian film. With the stamp of photograph Mario Tursi on the verso. An iconic photograph from an iconic film, a study in corruption in which a police inspector investigates a crime that he himself has committed. Winner of the 1971 Academy Award for Best Foreign Film and the Cannes...
Burbank, CA: Warner Brothers / Sanford Productions, 1972. Collection of eight vintage lobby cards for the French release of the 1972 US film. Based on both the 1958 biography "Crow Killer" by Raymond W. Thorp and Robert Bunker, and the 1965 novel "Mountain Man" by Vardis Fisher, about a mountain man seeking vengeance against the Crow Indians who killed his...
Neuilly-sur-Seine, France: Argos Films, 1959. Collection of eight vintage, borderless reference photographs from the 1959 film. Four photographs with the stamp of production company Argos Films, seven with a sticker noting they are from the collection of film historian, collector, and founder of the Tele Cine Documentation (TCD) cinema photo library Daniel Bouteiller, one with both a sticker and stamp...
Los Angeles: Twentieth Century-Fox, 1979. Vintage borderless photograph from the set of the 1979 film, showing director Martin Ritt discussing a scene with star Sally Field. With the stamps of photographer Jacques Moreau and Twentieth Century Fox on the verso. Inspired by the real life story of Crystal Lee Sutton, about a woman who fights to unionize a textile company...
![The Nun [La Religieuse] (Original French poster for the 1966 film). Jacques Rivette, Denis...](/pictures/thumb/139960.jpg?v=1492980408)
N.p. Rome Paris Films, 1966. Vintage French Moyenne poster for the 1966 film. Nominated for a Palme d'Or at the 1966 Cannes Film Festival. A flurry of controversy surrounded the production and release of Rivette's film. Upon facing pressure from the French Catholic Church regarding its critical religious and sexual content, the new Minister of Information, Yvon Bourges, banned its...
Paris: Pierre Grise Productions, 1991. Collection of 5 vintage borderless photographs from the 1991 film including one of Jacques Rivette and Emmanuelle Beart on the set. Inspired by Balzac's novella "Le chef-d'oeuvre inconnu," Jacques Rivette's "La Belle Noiseuse" ("The Beautiful Troublemaker") is a masterful 4 hour study of the creative process and the emotional tolls taken on artist, model and...
New York: N.p., 1973. Archive of photographs and negatives, shot by and belonging to photographer Andy Romanoff, of director Nicholas Ray at work on his collaborative, experimental film "We Can't Go Home Again" at the Chateau Marmont in 1973. In addition to the material, sale of the archive includes complete ownership of republication and reproduction rights. In 1971, after nearly...
Paris: Cinedis, 1962. Collection of 15 original borderless single weight film stills for the 1962 French musical film. Featured are several stunning images of acrtress Tcherina as Isa, Duchess of Teruel. Brief numerical notations on the versos in holograph pencil. Belgian actor-director Rouleau's nearly seen drama was the opening film at the 15th annual Cannes Film Festival, winner of the...
Paris: Cinedis, 1962. Original borderless single weight film still for the 1962 French musical film. Brief numerical notation on the verso in holograph pencil. Belgian actor-director Rouleau's nearly seen drama was the opening film at the 15th annual Cannes Film Festival, winner of the festival's Technical Grand Prize, and nominated for a Palme d'Or. Of note is the film's cinematographer...
![The Things of Life [Les choses de la vie] (Original photograph from the 1970 film). Claude...](/pictures/thumb/139655.jpg?v=1564782470)
Paris: Fida Cinematografica / Lira Films, 1970. Vintage borderless reference photograph of Romy Schneider and Michel Piccoli on the set of the 1970 French-Italian film. With the stamp of photographer Michel Ginfray on the verso. Based on the 1967 novel "Intersections" by Paul Guimard, who also worked on the screenplay. Nominated for the Palme d'Or at Cannes, and remade in...
![The Things of Life [Les Choses de la Vie] (Original photograph from the 1970 film). Claude...](/pictures/thumb/144567.jpg?v=1544116780)
Paris: Fida Cinematografica, 1970. Vintage borderless photograph of director Claude Sautet on the set of the 1970 French-Italian film. With holograph notations on the verso. Based on the 1967 novel "Intersections" by Paul Guimard, who also worked on the screenplay. Nominated for the Palme d'Or at Cannes, and remade in 1994 as "Intersection," directed by Mark Rydell and starring Richard...
Gadd Productions Corp. 1971. Vintage borderless photograph from the 1971 film. Al Pacino's first starring feature role. Schatzberg's bleak and stark portrayal of heroin addiction on the streets of New York City is told through the love story between Bobby (Pacino), an addict and drug dealer and Helen (Winn), who is drawn into heroin use through her relationship with Bobby. Nominated...
N.p. N.p., 1975. Original vintage press photograph of Maria Schneider and Bernardo Bertolucci at the 1975 Cannes Film Festival. Schneider was at Cannes to promote Michelango Antonioni's Palme d'Or nominated film, "The Passenger," in which she starred opposite Jack Nicholson. Bertolucci, of course, had directed her to instant stardom three years earlier in "Last Tango in Paris." 8 x 10...
N.p. N.p., 1975. Archive of 15 single weight and 20 double weight vintage press photographs of Maria Schneider at the 1975 Cannes Film Festival, there to promote Michelango Antonioni's Palme d'Or nominated "The Passenger," in which she starred opposite Jack Nicholson. Eight photographs with stamps of photographers Leo Mirkine, Prisco de Majo, and Daniel Angeli (four, two, and two photographs...
Paris: Claude Schwartz, 1965. Vintage silver gelatin photograph of Roman Polanski, Jean-luc Godard and actress Catherine Deneuve at Cannes in May 1965, taken by French press and still photographer Claude Schwartz. With Schwartz's French press stamp appearing 5 times on the verso. Arguably the tall man in the background is Barbet Schroeder. Polanski's 1965 film, "Repulsion," a film that had...
Culver City, CA: Columbia Pictures, 1976. Vintage borderless photograph of Robert De Niro and Jodi Foster on the set of the 1976 film. Mimeo snipe on the verso. A film that would prove to be the turning point in the careers of director Martin Scorsese, screenwriter Paul Schrader, and actors Robert De Niro and Jodie Foster, and one that has...
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1992. Original one sheet poster for the 1992 film, based on the 1937 novel, an equal to the classic 1939 film starring Lon Chaney, Jr. and Burgess Meredith. Gary Sinise was nominated for the Palme d'Or at the Cannes Film Festival. 27.25 x 41 (69 x 104 cm). Rolled. Fine.
N.p. George Stevens Productions, 1959. Vintage studio photograph on the set of the 1959 film revealing the house interior set design. Based on Anne Frank's diary and Frances Goodrich and Albert Hackett's 1955 stage play that was adapted from it. Nominated for the Palme d'Or and for 8 Academy Awards, winner of 3, including Best Supporting Actress for Shelly Winters. 8...
Paris: Gaumont, 1958. Original French program for the 1958 film. The director's second of four films featuring the inimitable "Monsieur Hulot." In this chapter, Hulot strays from his rather ordinary Paris neighborhood and into a modern, suburban one, where technological chaos reigns. A delightfully designed program, with four 5.5 x 4.25 inch color stills from the film tipped in amongst...
Paris: Gaumont, 1958. Vintage illustrated French pressbook from the French release of the 1958 film. Saddle stitched card self wrappers. 6 pages. 9.5 x 12.25 inches (24 x 31 cm). Near Fine. Criterion Collection 111.
Paris: Gaumont, Circa 1958. Vintage oversize photograph of director Jacques Tati humorously overwhelmed by celluloid during the making of the 1958 film. 9 x 12 inches (22.5 x 30 cm). In an archival mat. Near Fine. Criterion Collection 111.
Paris: Gaumont, 1958. Vintage photograph of Jacque Tati as Monsieur Hulot from the 1958 film. The director's second of four films featuring the inimitable "Monsieur Hulot." In this chapter, Hulot strays from his rather ordinary Paris neighborhood and into a modern, suburban one, where technological chaos reigns. Nominated for the Palme d'Or at Cannes, and winner of the Jury Special...
Neuilly-sur-Seine, France: Gaumont, 1958. Vintage borderless photograph from the 1958 film. With holograph notations and an agency stamp on the verso. The director's second of four films featuring the inimitable Monsieur Hulot. In this chapter, Hulot strays from his rather ordinary Paris neighborhood and into a modern, suburban one, where technological chaos reigns. Nominated for the Palme d'Or at Cannes...
Neuilly-sur-Seine, France: Gaumont, 1958. Three vintage borderless photographs showing director Jacques Tati at work on the set of the 1958 film. With the stamps of the French Film Office's New York address, as well as film information, on the verso. The director's second of four films featuring the inimitable Monsieur Hulot. In this chapter, Hulot strays from his rather ordinary...
![Yield to the Night [Blonde Sinner] (Original photograph from the set of the 1956 film). J. Lee...](/pictures/thumb/142592.jpg?v=1505412589)
United Kingdom: Associated British Picture Corporation, 1956. Vintage borderless photograph from the set of the 1956 film, showing director Thompson adjusting a camera as he looks off screen. With the stamp of Associated British Picture and a mimeo snipe on the verso detailing the film's inclusion in the forthcoming Cannes Film Festival. Based on the 1954 novel by Joan Henry...
New York: Martin Davidson-Eric Till, 1970. Final Draft script for the 1972 film. Based on Frederick Exley's classic 1968 novel about a middle-aged alcoholic writer who suffers a mental breakdown. Nominated for the Palme d'Or at Cannes Film Festival. Shot on location in New York and Toronto. Crimson titled wrappers. Title page present, dated SEPT. 1970, noted as FINAL DRAFT, with credits...
Paris: Les Films du Carrosse, 1959. Original French Grande poster for the 1959 film. Poster design by Boris Grinsson. Truffaut's auspicious debut, winner of Best Director at Cannes, nominated for the Palme d'Or, and also nominated for a Best Original Screenplay Oscar the following year. 47 x 62 inches (119 x 157 cm). Linen backed and rolled. Bright and Fine. Capitaine 207. Warren, Vol. 1, p. 159.
![The Leopard [Il Gattopardo] (Original photograph promoting the 1963 film). Luchino Visconti,...](/pictures/thumb/143082.jpg?v=1515181515)
Rome: G.B. Poletto, 1962. Vintage press photograph showing director Luchino Visconti and stars Burt Lancaster and Claudia Cardinale on the beach at Cannes to promote "The Leopard" with the aid of what is actually a cheetah, rather than the titular big cat. With the stamp of United Press International on the verso. Visconti's classic, spacious homage to the quiet death...
Wengen, Switzerland: Alpine Films, 1965. Vintage oversize double weight photograph of Orson Welles and John Gielgud on location in Spain for the shooting of "Chimes at Midnight" in 1965. Shot and struck by noted photographer Nicolas Tikhomoroff, with his rubber stamp and the stamp of his Parisian agency, V.I.P., on the verso. "Chimes at Midnight," Welles' third of three legendary...
![The American Friend [De amerikanische Freund] (Original photograph from the 1977 film). Wim...](/pictures/thumb/142639.jpg?v=1507736202)
Grunwald, Germany: Bavaria Film, 1977. Vintage photograph from the 1977 film. With holograph notations on the verso. Based on the 1974 novel "Ripley's Game" by Patricia Highsmith, later adapted in 2002 under the original title, directed by Liliana Cavani and starring John Malkovich, Dougray Scott, and Ray Winstone. Nominated for the Palme d'Or at Cannes. 7 x 5 inches (18...
![The Visit [La visite] (Collection of 6 original photographs from the 1964 film). Bernhard Wicki,...](/pictures/thumb/145415.jpg?v=1560892741)
Los Angeles: Twentieth Century-Fox, 1964. Collection of six vintage black-and-white studio still photographs from the 1964 internationally produced film, here under the US title, "The Visit." Included are two film credits sheets from publicity manager Mort Segal, referring to actress Demick as she visits Tunisia, smokes a hookah, and shops locally. One image from the set is shown. Please inquire for...
Hong Kong: Block 2 Pictures, 1997. Vintage Hong Kong poster, for the 1997 film. Wong Kar-wai won Best Director at the 1997 Cannes Film Festival. A homosexual couple from pre-hand over Hong Kong travels to Argentina to mend their failing relationship. The film explores the mutual destruction that both men inflict upon one another, especially Ho Po-wing, who demonstrates some...
Hong Kong: Hu Tong Communications, 1999. Vintage French mini poster for the 1999 Hong Kong film. Nominated for the Palme d'Or in the Cannes Film Festival. A group of people move from mainland China to Hong Kong with high hopes, and are frustrated by the reality that greets them. Set in Hong Kong. 16 x 21 inches (41 x 53 cm). Near Fine.