N.p. N.p., Circa 1977. Vintage borderless reference photograph of Sissy Spacek and Shelley Duvall from Robert Altman's seminal 1977 film. Influenced by Ingmar Bergman's 1966 film "Persona," starring Bibi Andersson and Liv Ullmann.Altman's experimental, dreamlike masterwork about three ethereal, fractured female identities, originally overlooked but later celebrated. Featuring brilliant performances from Duval, as the self-deluded, socially maladroit Millie, Spacek, as.....

Grunwald, Germany: Concorde Film, 1982. Collection of three vintage borderless reference photographs from the German release of the 1982 Italian film. With mimeo snipes on the verso.Antonioni's rarely discussed final feature, and one of his greatest achievements. A recently divorced director pursues a new relationship with a younger woman, who he imagines could play the leading role in his next.....

N.p. N.p., Circa 1966. Collection of 20 vintage borderless photographs from the 1966 film, 18 reference photographs and 2 fashion photographs of Rosaleen Murray and Ann Norman. Mimeo snipes on the verso of three of the photographs. Inspired by the 1959 short story "Las Babas del Diablo" by Julio Cortazar.Michelangelo Antonioni's first English-language film, marking the beginning of the final.....

N.p. N.p., 1962. Vintage borderless reference photograph of Monica Vitti sitting on a sofa and staring into the existential void, from the 1962 film. "ROMA's Press Photo" stamp on verso, with address in Rome for same. The third and final chapter of Michelangelo Antonioni's trilogy, preceeded by "L'Avventura" (1960), starring Gabriele Ferzetti and Monica Vitti, and "La Notte" (1961), starring.....

Stockholm: Sveriges Television [SVT], 1997. Three vintage color still photographs showing Ingmar Bergman on the set of his 1997 Swedish television movie, which also screened at the 1998 Cannes Film Festival as part of the Un Certain Regard section. Two patients at a mental hospital attempt to make and market a film. 8.75 x 5.75 inches. Fine.

Burbank, CA: Warner Brothers, 1947. Two vintage photographs from the 1947 film noir. Each with the stamps of photographers Eugene Robert Richee or Frank Bjerring, and a mimeo snipe on the verso. From the estate of actor Van Heflin. A woman suffers a psychotic break and is found wandering the streets after murdering the man she had become obsessed with.....

Neuilly-sur-Seine, France: Gaumont, 1956. Vintage borderless photograph from the set of the 1956 film, showing director Robert Bresson demonstrating a small action to the film's lead actor Francois Leterrier. With holograph annotations on the verso. Based on the 1956 memoir "A Man Condemned to Death has Escaped" by Andre Devigny, about a French Resistance member's escape from the Nazi controlled.....

N.p. N.p., Circa 1962. Draft script for the 1962 film. With director Luis Bunuel's holograph pencil and ink annotations throughout noting changes and additions to dialogue, and the name of Russian-American director Victor Stoloff in holograph ink to the front of the folder housing the script. Stoloff was associated with Bunuel during Bunuel's brief sojourn in America, and is interviewed.....

N.p. N.p., 1959. Collection of four vintage oversize borderless double weight reference photographs from the 1959 film. A key film that captured the essence of an era, a music, and a place, namely the modern Carnival, bossa nova, and Brazil, as well as an important intersection of European and Brazilian viewpoints, merging the talents of French director Marcel Camus and.....

France: Filmel, 1978. Vintage borderless photograph of Isabelle Huppert and Jean Carmet from the 1978 film. With holograph annotations on the verso. Based on the 1975 novel of the same name by Jean-Marie Fitere which tells the true story of Violette Noziere (Isabelle Huppert), a French teenager who in the 1930s worked as a prostitute while living with her parents.....

N.p. N.p., 1953. Collection of six vintage borderless double weight reference photographs from the 1953 French film.Based on the 1950 novel by Georges Arnaud. Director Henri-Georges Clouzot's breakthrough masterpiece, a tense, literally volatile thriller which follows a team of four luckless Europeans who have been hired by an American oil company to drive two trucks of nitroglycerine through the South.....

Paris: Les Films 13, 1969. Collection of 38 original keybook contact print photographs from the 1969 French film. Color and black-and-white contact prints of small and medium format transparencies, several printed in Agfa photo paper, most with 36 images per print, amounting to over 1300 images of starring actors Girardot and Kalfon, child actors, and a few of the film.....

Paris: Parc Film, 1964. Vintage borderless press photograph of actor Catherine Deneuve and composer Michel Legrand at the awards ceremony for the Louis Delluc Prize, given to the best French film of the year, which "The Umbrellas of Cherbourg" received in 1964. With the stamps of ADP press agency and a French-language mimeo snipe on the verso. In addition to.....

N.p. N.p., Circa 1965. Vintage borderless reference photograph of Pierre Etaix and Claudine Auger from the 1965 film.After losing everything in the stock market crash of 1929, a millionaire (Etaix) finds happiness, his lost love (Auger), and the son he never knew he had by joining the circus. Nominated for the Palme d'Or.Shot on location in Morbihan, Bas-Rhin, and Yvelines.....

New York: Bill Doll and Company, 1961. Two vintage borderless studio still photographs from the US release of the 1961 Italian film. Large Astor Release snipe on verso, one with "R.R. Stuart Collection" stamp on verso. Fellini's most pivotal film, if not his finest. Unlike the more sentimental and abstract films that would follow, "La Dolce Vita" is an unflinching.....

N.p. Lopert Films Inc, 1957. Two vintage photographs from the 1957 film, one promotional photograph of Giulietta Masina and one studio still photograph of Masina and Francois Perier, here under the international release title "Cabiria." Federico Fellini's compassionate and grounded masterpiece, with a stunning and heart-breaking performance from (Fellini's wife) Masina as Cabiria, a naive prostitute with a resilient soul.....

Italy: MMD, 1991. Vintage borderless double weight photograph from the 1991 film. With a stamp on the verso identifying the film and photographer. A black comedy in which a divorced man falls for a beautiful woman, who uses magic to turn him into a sex slave. He doesn't seem to mind, until she gets bored and wants to leave him.....

Italy: Sancro Film, 1963. Collection of four vintage, oversize, borderless reference photographs from the 1963 Italian film. With the stamps of photographer Velio Cioni, and two press agencies on the verso. Two of the photographs show crew members putting the finishing touches on a mannequin of Jesus while director Ferreri looks on. A satire of masculinity and chauvinism, where a......

N.p. N.p., 1963. Vintage borderless press photograph of director Alfred Hitchcock and actor Tippi Hedren attending Cannes in 1963, with Hitchcock making a bird gesture. With a stamp for photographer Luc Fournol on the verso noting the date 14 Mai 1963.Loosely based on a 1952 short story by Daphne du Maurier. Often regarded as Hitchcock's last great film, made all.....

Tokyo: Imamura Productions, 1987. Draft script for the 1987 film. Text in Japanese. The greatest pimp in all of Japanese history, Iheji Muraoka, also known as Zegen or the "Boss of the South Seas" grew in power as Japan grew. Not only were his achievements contributing to his mantle of success, but he believed they advanced the global ambitions of.....

N.p. Filmes Cinematografica, 1976. Collection of 3 vintage borderless photographs from the 1976 film. Grazia Neri stamps on the verso. Jancso's "Private Vices, Public Pleasures" is loosely based on the death of Crown Prince Rudolf of Austria, believed having killed himself after shooting his lover in a suicide pact in 1882. Jancso's film presents Rudolf (Lajos Balazsovits) as a pan-sexual.....

Moscow: Mosfilm, 1957. Vintage oversize, double weight photograph from the 1957 film. From the archives of French weekly "Tele Magazine," with two stamps on the verso, one referencing its inclusion in issue 52, page 5, along with holograph annotations regarding layout and the French title. Based on the 1956 play "Forever Alive" by Viktor Rozov, who also wrote the screenplay.....

Los Angeles: Twentieth Century-Fox, 1951. Final script for the 1952 film. Based on the life of Mexican revolutionary leader Emiliano Zapata. Xerographically reproduced Fox file copy, likely produced by the studio for its files in the late 1960s or a bit later. Kazan's romanticized, semi-fictional account of Zapata in his prime, this sweeping early Brando film glorifies the revolutionary's noble.....

Hollywood: Propaganda Films, 1998. Shooting Script for the 2000 film, with rainbow revisions and a set of storyboards. Copy belonging to the costume supervisor, with a sticker noting the title appearing on several pages, and a few holograph annotations in pencil and highlighter throughout. Included with the script are three sets of storyboards for the film, with brief holograph ink.....

London: Woodfall Film Productions, 1965. Vintage borderless photograph from the set of the 1965 film. With holograph annotations in pencil on the verso. Set amidst the cultural shifts of the 1960s. Colin (Michael Crawford), an awkward school teacher is desperately trying to have the kind of sexual experiences as his womanizing friend Tolen (Ray Brooks). When Nancy (Rita Tushingham) arrives.....

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1969. Vintage reference photograph from the 1969 film. Anouk Aimee walks down a Rome street toward the camera, while director Sydney Lumet and crew look on. With a printed mimeo snipe on the verso. Lumet was nominated for a Palme d'Or at Cannes for the film, about a man who becomes suspicious that his new.....

N.p. N.p., 1968. Vintage press photograph of directors Louis Malle and Roman Rolanski, and actress Monica Vitti strolling down the street during the 1968 Cannes Film Festival. With the stamp of photographer "Paul-Louis / Studio Starlet" in Nice, as well as holograph annotations identifying the subjects and location and regarding layout on the verso. Malle, Polanski, and Vitti were all.....

Cannes, France: Cinedis, 1955-1959. Archive of correspondence and film ephemera from representatives at Cinedis and UniFrance Films regarding Christian de la Maziere, briefly the impresario of press relations (and former Waffen-SS soldier) at Cinedis, detailing his participation at the 1959 Cannes Film Festival and at a few Referendum Cinematographique festivals in Vichy. Represented in the archive are 27 leaves, several.....

London: Columbia British Productions, 1969. Draft script for the 1970 film. Ornamental Art Nouveau, Mucha-esque imprinted front wrapper design. Cinematographer Douglas Slocombe's name written and underlined in holograph ink on the title page, as well as an encircled "71" in red holograph marker. Based on Janice Elliott's 1967 novel about cousins born on the same day to twin sisters. Inseparable.....

Italy: Vera Films, circa 1969-1970. Vintage borderless photograph from the 1970 Italian film. With the stamp of photograph Mario Tursi on the verso. An iconic photograph from an iconic film, a study in corruption in which a police inspector investigates a crime that he himself has committed. Winner of the 1971 Academy Award for Best Foreign Film and the Cannes.....

Los Angeles: Twentieth Century-Fox, 1979. Vintage borderless photograph from the set of the 1979 film, showing director Martin Ritt discussing a scene with star Sally Field. With the stamps of photographer Jacques Moreau and Twentieth Century-Fox on the verso. Inspired by the real life story of Crystal Lee Sutton, about a woman who fights to unionize a textile company. Field.....

N.p. Rome Paris Films, 1966. Vintage French Moyenne poster for the 1966 film. Nominated for a Palme d'Or at the 1966 Cannes Film Festival. A flurry of controversy surrounded the production and release of Rivette's film. Upon facing pressure from the French Catholic Church regarding its critical religious and sexual content, the new Minister of Information, Yvon Bourges, banned its.....

Paris: Pierre Grise Productions, 1991. Collection of 5 vintage borderless photographs from the 1991 film including one of Jacques Rivette and Emmanuelle Beart on the set. Inspired by Balzac's novella "Le chef-d'oeuvre inconnu," Jacques Rivette's "La Belle Noiseuse" ("The Beautiful Troublemaker") is a masterful 4 hour study of the creative process and the emotional tolls taken on artist, model and.....

Paris: Cinedis, 1962. Collection of 15 original borderless single weight film stills for the 1962 French musical film. Featured are several stunning images of acrtress Tcherina as Isa, Duchess of Teruel. Brief numerical annotations on the versos in holograph pencil. Belgian actor-director Rouleau's nearly seen drama was the opening film at the 15th annual Cannes Film Festival, winner of the.....

Paris: Fida Cinematografica / Lira Films, 1970. Vintage borderless reference photograph of Romy Schneider and Michel Piccoli on the set of the 1970 French-Italian film. With the stamp of photographer Michel Ginfray on the verso. Based on the 1967 novel "Intersections" by Paul Guimard, who also worked on the screenplay. Nominated for the Palme d'Or at Cannes, and remade in.....

Burbank, CA: Warner Brothers, 1972. Final Draft script for the 1973 film, dated August 16, 1972. With holograph ink annotations throughout. Two drifters set out on a journey east from California towards Pittsburgh, hoping to start a business together when they arrive. A key film from the New Hollywood era and one of the best proletarian-minded works of the 1970s.....

N.p. N.p., 1975. Original vintage press photograph of Maria Schneider and Bernardo Bertolucci at the 1975 Cannes Film Festival. Schneider was at Cannes to promote Michelango Antonioni's Palme d'Or nominated film, "The Passenger," in which she starred opposite Jack Nicholson. Bertolucci, of course, had directed her to instant stardom three years earlier in "Last Tango in Paris." 8 x 10.....

Paris: Claude Schwartz, 1965. Vintage silver gelatin photograph of Roman Polanski, Jean-Luc Godard and actress Catherine Deneuve at Cannes in May 1965, taken by French press and still photographer Claude Schwartz. With Schwartz's French press stamp appearing 5 times on the verso. Arguably the tall man in the background is Barbet Schroeder. Polanski's 1965 film, "Repulsion," a film that had.....

N.p. George Stevens Productions, 1959. Vintage studio photograph on the set of the 1959 film revealing the house interior set design. Based on Anne Frank's diary and Frances Goodrich and Albert Hackett's 1955 stage play that was adapted from it. Nominated for the Palme d'Or and for 8 Academy Awards, winner of 3, including Best Supporting Actress for Shelly Winters.8.....

Paris: Gaumont, 1958. Vintage photograph of Jacque Tati as Monsieur Hulot from the 1958 film. The director's second of four films featuring the inimitable "Monsieur Hulot." In this chapter, Hulot strays from his rather ordinary Paris neighborhood and into a modern, suburban one, where technological chaos reigns. Nominated for the Palme d'Or at Cannes, and winner of the Jury Special.....

Neuilly-sur-Seine, France: Gaumont, 1958. Three vintage borderless photographs showing director Jacques Tati at work on the set of the 1958 film. With the stamps of the French Film Office's New York address, as well as film information, on the verso. The director's second of four films featuring the inimitable Monsieur Hulot. In this chapter, Hulot strays from his rather ordinary.....

Paris: Les Films du Carrosse, 1959. Original French Grande poster for the 1959 film. Poster design by Boris Grinsson. Truffaut's auspicious debut, winner of Best Director at Cannes, nominated for the Palme d'Or, and also nominated for a Best Original Screenplay Oscar the following year. 47 x 62 inches27 x 41. Linen backed and rolled. Bright and Fine. Capitaine 207.....

Rome: G.B. Poletto, 1962. Vintage press photograph showing director Luchino Visconti and stars Burt Lancaster and Claudia Cardinale on the beach at Cannes to promote "The Leopard" with the aid of what is actually a cheetah, rather than the titular big cat. With the stamp of United Press International on the verso. Visconti's classic, spacious homage to the quiet death.....