Los Angeles: Twentieth Century-Fox, 1970. Collection of five vintage, borderless, oversize photographs from the 1970 film. With a small French distribution label from Twentieth Century-Fox on the recto of each photograph. Based on the 1968 novel by Richard Hooker, and, in turn, the basis of acclaimed television show which ran for 11 seasons on CBS. Winner of the Palme d'Or.....
![MASH [M*A*S*H] (Original photograph of Robert Altman for the 1970 film). Robert Altman, Ring...](/pictures/thumb/150325.jpg?v=1608676353)
Los Angeles: Twentieth Century-Fox, Circa 1970. Vintage studio still photograph of Robert Altman for the 1970 film. Based on the 1968 novel by Richard Hooker, and, in turn, the basis of acclaimed television show which ran for 11 seasons, from 1972 to 1983, on CBS. Winner of the Academy Award for Best Screenplay, nominated for four more, including Best Picture.....
Rome: Cineriz, 1962. Vintage borderless photograph of Monica Vitti and Alain Delon on the set of the 1962 film. With holograph annotations in blue ink and pencil on the verso. Vittoria (Monica Vitti) leaves her fiance (Francisco Rabal) and enters a new relationship with Piero, a young stock broker (Alain Delon) who is obsessed with material posessions and wealth, his.....
![Identification of a Woman [Identificazione di una donna] (Collection of three original...](/pictures/thumb/149294.jpg?v=1595996847)
Grunwald, Germany: Concorde Film, 1982. Collection of three vintage borderless reference photographs from the German release of the 1982 Italian film. With mimeo snipes on the verso. Antonioni's rarely discussed final feature, and one of his greatest achievements. A recently divorced director pursues a new relationship with a younger woman, who he imagines could play the leading role in his next.....
![Identification Of A Woman [Identificazione Di Una Donna] (Original screenplay for the 1982 film)....](/pictures/thumb/144397.jpg?v=1559338803)
Rome: Iterfilm, 1982. Agency draft script in English for the 1982 Italian film. Antonioni's rarely discussed final feature, and one of his greatest achievements. Niccolo (Tomas Milian), a recently divorced movie director pursues a new relationship with a younger woman, Mavi (Daniela Silverio), who he imagines could play the leading role in his next film. She quickly vanishes and he.....
N.p. N.p., Circa 1966. Collection of 20 vintage borderless photographs from the 1966 film, 18 reference photographs and 2 fashion photographs of Rosaleen Murray and Ann Norman. Mimeo snipes on the verso of three of the photographs. Inspired by the 1959 short story "Las Babas del Diablo" by Julio Cortazar. Michelangelo Antonioni's first English-language film, marking the beginning of the final.....
N.p. N.p., Circa 1966. Vintage borderless photograph of model Veruschka von Lehndorff in her famous five-minute scene from the 1966 film. Inspired by the 1959 short story "Las Babas del Diablo" by Julio Cortazar. Michelangelo Antonioni's first English-language film, marking the beginning of the final phase of his work, co-produced by companies in Italy, the United States and the United Kingdom and.....
![L'Eclisse [The Eclipse] (Original photograph of Monica Vitti from the 1962 film). Michelangelo...](/pictures/thumb/148877.jpg?v=1591564966)
N.p. N.p., 1962. Vintage borderless reference photograph of Monica Vitti sitting on a sofa and staring into the existential void, from the 1962 film. "ROMA's Press Photo" stamp on verso, with address in Rome for same. The third and final chapter of Michelangelo Antonioni's trilogy, preceeded by "L'Avventura" (1960), starring Gabriele Ferzetti and Monica Vitti, and "La Notte" (1961), starring.....
![Le Trou [The Hole] (Original photograph of Jacques Becker and Marc Michel from the set of the...](/pictures/thumb/149957.jpg?v=1604394405)
Paris: Lorcaster, Circa 1960. Vintage borderless reference photograph of Jacques Becker and Marc Michel on the set of the 1960 film. "Lorcaster" and "636" stamps on verso. Based on the 1957 novel by Jose Giovanni. True story of the 1947 Le Sante Prison break, with one of the real escapees, Keraudy, playing his own character in the film. Jacques Becker's.....
Paris: Gaumont, 1947. Vintage photograph of director Jacques Becker and actor Claire Maffei on the set of the 1947 film. With holograph annotations and a rubber stamp on the verso. A working class couple in Paris find their dreams of a life free of financial hardship about to come true when they win the lottery, only to have the dream.....
Stockholm: Sveriges Television [SVT], 1997. Three vintage color still photographs showing Ingmar Bergman on the set of his 1997 Swedish television movie, which also screened at the 1998 Cannes Film Festival as part of the Un Certain Regard section. Two patients at a mental hospital attempt to make and market a film. 8.75 x 5.75 inches. Fine.
Stockholm: Svensk Filmindustri, 1960. Vintage international program for the English language release of the 1960 Swedish film by Ingmar Bergman, printed by Svensk Filmindustri in Sweden. Adapted from the thirteenth century Swedish ballad, "Tores dottrar i Wange." Photo illustrated throughout. Winner of the Academy Award for Best Foreign Language Film, and nominated for the Palme d'Or, with director Bergman receiving.....
Burbank, CA: Warner Brothers, 1947. Two vintage photographs from the 1947 film noir. Each with the stamps of photographers Eugene Robert Richee or Frank Bjerring, and a mimeo snipe on the verso. From the estate of actor Van Heflin. A woman suffers a psychotic break and is found wandering the streets after murdering the man she had become obsessed with.....
N.p. N.p., Circa 1975. Two vintage borderless reference photographs of Grazyna Dlugolecka from the 1975 Polish film. Beautiful young Ewa (Dlugolecka) falls in love with the handsome lodger Lukasz (Jerzy Zelnik) and travels Europe in search of him, falling prey to the lusts and abuses of various men. Nominated for the Palme d'Or. 5 x 7 inches. Near Fine.
![A Man Escaped [Un condamne a mort s'est echappe ou Le vent souffle ou il veut] (Original...](/pictures/thumb/143336.jpg?v=1566596454)
Neuilly-sur-Seine, France: Gaumont, 1956. Vintage borderless photograph from the set of the 1956 film, showing director Robert Bresson demonstrating a small action to the film's lead actor Francois Leterrier. With holograph annotations on the verso. Based on the 1956 memoir "A Man Condemned to Death has Escaped" by Andre Devigny, about a French Resistance member's escape from the Nazi controlled.....
Mexico: Producciones Barbachano Ponce, 1958. Draft script for the 1959 film. Presentation copy belonging to director Luis Bunuel, and SIGNED by Bunuel on the front wrapper. Also laid in is a program from the film's American premiere on May 18, 1960, also SIGNED by Bunuel. Blue ink holograph annotations in the same hand to the verso of the last page.....
N.p. N.p., Circa 1962. Draft script for the 1962 film. With director Luis Bunuel's holograph pencil and ink annotations throughout noting changes and additions to dialogue, and the name of Russian-American director Victor Stoloff in holograph ink to the front of the folder housing the script. Stoloff was associated with Bunuel during Bunuel's brief sojourn in America, and is interviewed.....
Los Angeles: Expanding Cinema, 1966. Shooting final for the 1966 film. Copy belonging to actor Peter Haskell, with his holograph annotations throughout and his shooting schedule laid in. Mary Ellen Bute's final film, and one of the only cinematic adaptations of James Joyce's masterfully complex work of fiction, "Finnegans Wake." Shot over a two year period, Bute was tasked with.....
![Orfeo Negro [Black Orpheus] (Collection of four original photographs from the 1959 film). Marcel...](/pictures/thumb/149706.jpg?v=1600488430)
N.p. N.p., 1959. Collection of four vintage oversize borderless double weight reference photographs from the 1959 film. A key film that captured the essence of an era, a music, and a place, namely the modern Carnival, bossa nova, and Brazil, as well as an important intersection of European and Brazilian viewpoints, merging the talents of French director Marcel Camus and.....
Cannes, France: N.p., 1964. Original souvenir programs and film credits material showcasing some of the films from the 1964 Cannes Film Festival. It was this festival, the seventeenth one to be held, that the award name was changed from the Palme d'Or to the Grand Prix du Festival International du Film, the name used until 1974 when it returned to.....
![Violette [Violette Noziere] (Original photograph from the 1978 film). Claude Chabrol, Jean-Marie...](/pictures/thumb/144817.jpg?v=1560892629)
France: Filmel, 1978. Vintage borderless photograph of Isabelle Huppert and Jean Carmet from the 1978 film. With holograph annotations on the verso. Based on the 1975 novel of the same name by Jean-Marie Fitere which tells the true story of Violette Noziere (Isabelle Huppert), a French teenager who in the 1930s worked as a prostitute while living with her parents.....
Italy: Cinematografica RI.RE, 1961. Collection of 14 vintage borderless single weight studio still photographs from the 1961 Italian-French film. Action sequences, picketers, Delon and his compatriots, and a charming candid of Barbara Lass, are present. Numerical annotations, and a few with actor names, on the versos in holograph pencil, and rubber-stamps on the verso crediting photography agency "PIERLUIGI" and the.....
![The Wages of Fear [Le salaire de la peur] (Collection of six original photographs from the 1953...](/pictures/thumb/149640.jpg?v=1598762297)
N.p. N.p., 1953. Collection of six vintage borderless double weight reference photographs from the 1953 French film. Based on the 1950 novel by Georges Arnaud. Director Henri-Georges Clouzot's breakthrough masterpiece, a tense, literally volatile thriller which follows a team of four luckless Europeans who have been hired by an American oil company to drive two trucks of nitroglycerine through the South.....
![The Wages of Fear [Le salaire de la peur] (Original photograph from the set of the 1953 film)....](/pictures/thumb/150501.jpg?v=1608675848)
N.p. N.p., Circa 1953. Vintage reference photograph of (L-R) Henri-Georges Clouzot, Charles Vanel, unidentified woman, and Vera Clouzot on the set of the 1953 French film. Based on the 1950 French novel by Georges Arnaud. Remade in 1958 as "Violent Road," directed by Howard W. Koch starring Brian Keith and Efrem Zimbalist, Jr. and again in 1977 as "Sorcerer," directed by.....
Los Angeles: Twentieth Century-Fox, 1991. Vintage reference photograph of director-screenwriters Joel and Ethan Coen and actor John Turturro having a conversation between takes on the set of the 1991 film. One of the more ambitious films in the Coen brothers' oeuvre, a nuanced comedy about Hollywood, success, and the interaction between intellectuals and the common man. Based largely on the.....
Paris: Les Films 13, 1969. Collection of 38 original keybook contact print photographs from the 1969 French film. Color and black-and-white contact prints of small and medium format transparencies, several printed in Agfa photo paper, most with 36 images per print, amounting to over 1300 images of starring actors Girardot and Kalfon, child actors, and a few of the film.....
Paris: Parc Film, 1964. Vintage borderless press photograph of actor Catherine Deneuve and composer Michel Legrand at the awards ceremony for the Louis Delluc Prize, given to the best French film of the year, which "The Umbrellas of Cherbourg" received in 1964. With the stamps of ADP press agency and a French-language mimeo snipe on the verso. In addition to.....
![My Night at Maud's [Ma nuit chez maud] (Original Pressbook for the 1969 film). Eric Rohmer,...](/pictures/thumb/138609.jpg?v=1492980031)
Paris: FFD, 1969. Original pressbook for the 1969 French film. Nominated for two Academy Awards and the Palme d'Or. The third film (but fourth released) in Rohmer's "Moral Tales" series, and the one that finally elevated him to the international status of his New Wave peers. 9.5 x 13.25. Tri-fold, Very Good plus. Starting to the lower rear fold, and.....
![Yoyo [Yo-Yo] (Original photograph from the 1965 film). Pierre Etaix, Roger Forster, Jean-Claude...](/pictures/thumb/149858.jpg?v=1603168274)
N.p. N.p., Circa 1965. Vintage borderless reference photograph of Pierre Etaix and Claudine Auger from the 1965 film. After losing everything in the stock market crash of 1929, a millionaire (Etaix) finds happiness, his lost love (Auger), and the son he never knew he had by joining the circus. Nominated for the Palme d'Or. Shot on location in Morbihan, Bas-Rhin, and Yvelines.....
![Yoyo [Yo-Yo] (Original photograph from the set of the 1965 film). Pierre Etaix, Roger Forster,...](/pictures/thumb/151530.jpg?v=1612306364)
Lausanne: Majestic Films, Circa 1965. Vintage borderless reference photograph of Pierre Etaix on the set of the 1965 film. "Majestic Films S.A." and "Yoyo" stamps on verso. After losing everything in the stock market crash of 1929, a millionaire (Etaix) finds happiness, his lost love (Auger), and the son he never knew he had by joining the circus. Nominated for the.....
N.p. N.p., Circa 1965. Two vintage borderless reference photographs from the 1965 film. Each borderless except for a bottom margin (see image). After losing everything in the stock market crash of 1929, a millionaire (Pierre Etaix) finds happiness, his lost love, and the son he never knew he had by joining the circus. Nominated for the Palme d'Or. Shot on location in.....
N.p. Astor Pictures, 1961. Vintage studio still photograph, featuring Nico (center), from the party scene in the crumbling castle, from the 1960 film. Fellini's most pivotal film, if not his finest. Unlike the more sentimental and abstract films that would follow, "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome, with Mastroianni, a jaded journalist at the center of.....
Rome: Riama Film, 1960. Vintage oversize borderless double weight press photograph of Anouk Aimee from the 1960 film. With agency stamps on the verso. Fellini's most pivotal film, if not his finest. Unlike the more sentimental and abstract films that would follow, "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome, with Mastroianni, a jaded journalist at the.....
New York: Bill Doll and Company, 1961. Two vintage borderless studio still photographs from the US release of the 1961 Italian film. Large Astor Release snipe on verso, one with "R.R. Stuart Collection" stamp on verso. Fellini's most pivotal film, if not his finest. Unlike the more sentimental and abstract films that would follow, "La Dolce Vita" is an unflinching.....
N.p. N.p., 1965. Vintage borderless reference photograph of Giulietta Masina, Federico Fellini, and crew, on the set of the 1965 film. "Rizzoli Press" and "Atlantic Press" stamps on verso. Set in and shot on location in Rome. 9.5 x 7.25 inches. Near Fine. Criterion Collection 49. Ebert II. Scorsese, My Voyage to Italy.
![Nights of Cabiria [Cabiria] (Two original photographs from the 1957 film). Federico Fellini,...](/pictures/thumb/148865.jpg?v=1591409005)
N.p. Lopert Films Inc, 1957. Two vintage photographs from the 1957 film, one promotional photograph of Giulietta Masina and one studio still photograph of Masina and Francois Perier, here under the international release title "Cabiria." Federico Fellini's compassionate and grounded masterpiece, with a stunning and heart-breaking performance from (Fellini's wife) Masina as Cabiria, a naive prostitute with a resilient soul.....
Rome: Vera Films, 1960. Vintage borderless reference photograph of Anita Ekberg from the 1960 film. "Proprieta Archivio Le Ore" provenance stamp and photographer "Pierluigi" stamp on verso. Fellini's most pivotal film, if not his finest. Unlike the more sentimental and abstract films that would follow, "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome, with Mastroianni, a jaded.....
![Bye Bye Monkey [Reve de singe] (Original photograph from the 1978 film). Marco Ferreri, Rafael...](/pictures/thumb/144304.jpg?v=1538508772)
Paris: Roissy Films, circa 1978. Vintage oversize borderless color photograph of Gerard Depardieu and the star chimpanzee from the 1978 film. With holograph ink annotations on the verso. An Italian-French production about a man who lives in a New York City basement and works as a jack of all trades for the owner of a wax museum and a feminist.....
![The Flesh [La Carne] (Original double weight photographs from the 1991 film). Marco Ferreri,...](/pictures/thumb/143062.jpg?v=1515181503)
Italy: MMD, 1991. Vintage borderless double weight photograph from the 1991 film. With a stamp on the verso identifying the film and photographer. A black comedy in which a divorced man falls for a beautiful woman, who uses magic to turn him into a sex slave. He doesn't seem to mind, until she gets bored and wants to leave him.....
![The Ape Woman [La donna scimmia] (Original photograph from the 1964 film). Marco Ferreri, Rafael...](/pictures/thumb/143345.jpg?v=1521566552)
Italy: Compagnia Cinematografica Champion, 1964. Vintage borderless press photograph from the set of the 1964 film. Shown is Annie Giarardot (the "ape woman" in the film) in a dressing room with two other semi-clothed, "normal" women, conveying an immediate irony as she looks up at her husband (Ugo Tognazzi) standing in the doorway. With the stamps of both the French.....
Italy: Sancro Film, 1963. Collection of four vintage, oversize, borderless reference photographs from the 1963 Italian film. With the stamps of photographer Velio Cioni, and two press agencies on the verso. Two of the photographs show crew members putting the finishing touches on a mannequin of Jesus while director Ferreri looks on. A satire of masculinity and chauvinism, where a......
N.p. N.p., 1959. Vintage photograph of Francois Truffaut, Jean Cocteau, Jean-Pierre Leaud, and others at the 1959 Cannes Film Festival. With holograph annotations and agency stamps on the verso. Francois Truffaut won the award at the 1959 festival for best director for his film "400 Blows." 5 x 7 inches Near Fine.
N.p. N.p., 1980. Vintage borderless reference photograph of Jean-Luc Goddard and crew on the set of the 1980 film. "Sauve qui peut / la Vie" stamp on verso, with last three lines of stamp, which include copyright date and photograph credit for Anne-Marie Mieville struck through with holograph marker. A most Godardian examination of sexual relationships, in which three protagonists interact.....
N.p. JLG Films, 1985. Vintage French mini poster for the 1985 French film. Nominated for a Palme d'Or at the 1985 Cannes Film Festival. The film was conceived during a markedly more conventional phase in director Jean-Luc Godard's career and released the same year as his highly controversial picture, "Je Vous Salue, Marie." Set in a hotel in Paris, the.....
Los Angeles: Miramax, 2000. Vintage reference photograph of director James Gray and Victor Arnold on the set of the 2000 film. Leo (Mark Wahlberg), out of prison for auto theft, attempts to go straight and gets a job with his uncle Frank (James Caan), one of the largest contractors at the rail yards, which is rife with corruption and graft. Nominated.....
N.p. The Callender Company, 1987. Vintage studio still photograph of Peter Greenaway and crew on the set of the 1987 film. Paper snipe on verso. American architect, Stourley Kracklite (Brian Dennehy), arrives in Rome to supervise an exhibition for the little known French architect Etienne-Louis Boullee. Over several months working on the exhibition Kracklite's health and marriage deteriorate as he.....
Vienna: Werner Herzog Filmproduktion, 1982. Vintage borderless studio photograph of Werner Herzog, Klaus Kinski and Claudia Cardinale on the set of the 1982 film. Francois Frederic stamp on the verso. Herzog's brilliant, bold and audacious "Fitzcarraldo," the story of the early 20th century rubber baron Brian Sweeney Fitzgerald (the ever manic Kinski) intent on building an opera house in the.....
Culver City, CA: RKO Radio Pictures, 1945. Draft script for the 1945 film, with an additional seven page addendum on pink stock with alternate endings written out in a treatment form. In addition to containing an alternate ending, the date on the script coincides with the takeover of the project by RKO from original producer David O. Selznick in July.....
N.p. N.p., 1963. Vintage borderless press photograph of director Alfred Hitchcock and actor Tippi Hedren attending Cannes in 1963, with Hitchcock making a bird gesture. With a stamp for photographer Luc Fournol on the verso noting the date 14 Mai 1963. Loosely based on a 1952 short story by Daphne du Maurier. Often regarded as Hitchcock's last great film, made all.....
N.p. Alfieri, 1969. Vintage oversize double weight color photograph of Dennis Hopper and Jack Nicholson, at an outdoor press conference held in front of the Carlton Hotel at the Cannes Film Festival, where Hopper was awarded the Cannes First Film Prize. Shot by Marc Alfieri, and signed by him in black ink at the lower left margin: "Photo Alfieri /.....
Taiwan: 3H Productions, 1998. Vintage Taiwanese double crown poster, for the 1998 Taiwanese film. Nominated for a Palme d'Or at the Cannes Film Festival. The film weaves together the tale of five courtesans throughout four elegant brothels in 19th-century Shanghai, proving an insightful glimpse into their time and daily struggles. 20.5 x 28.5 inches. Fine.
Taiwan: International Film Company, 2016. French mini poster, printed in Chinese, French, and English, for the 2016 re-release of the 1971 Taiwanese film. The film received a Criterion Collection release in the same year.Nominated for a Palme d'Or at the Cannes Film Festival. Originally released in two parts and later condensed into a single epic, King Hu's visually striking film.....
Kanagawa, Japan: Daiei Studios, circa 1959. Draft script for the 1959 Japanese film. Based on the 1956 novel by Tanizaki Jun’ichir , "Kagi" (or "The Key"). Winner of the 1960 Jury Prize at the Cannes Film Festival. Shot on location in Japan. All titles and text in Japanese. White titled wrappers, with black and gold titles and various rubber stamps to.....
![Odd Obsession [The Key] [Kagi] (Collection of 6 original photographs from the 1959 film). Kon...](/pictures/thumb/144308.jpg?v=1538508772)
Kanagawa, Japan: Daiei Studios, 1959. Collection of 6 vintage US publicity photographs from the 1959 Japanese pink film. The first of several films based on the Junichiro Tanizaki. Released in Japan as "Kagi" and with the alternate English language title "The Key." An elderly antique dealer struggles with his aging body and looming impotence. To grapple with his anxiety he introduces.....
Tokyo: Imamura Productions, 1987. Draft script for the 1987 film. Text in Japanese. The greatest pimp in all of Japanese history, Iheji Muraoka, also known as Zegen or the "Boss of the South Seas" grew in power as Japan grew. Not only were his achievements contributing to his mantle of success, but he believed they advanced the global ambitions of.....
![The Red and the White [Csillagosok, katonak] (Original program for the 1967 film). Miklos Jancso,...](/pictures/thumb/141810.jpg?v=1497555106)
Budapest: Mafilm, 1967. Vintage Hungarian program for the 1967 film. Photo-illustrated with scenes from the film, including one large image on the entirety of the verso. Text in Hungarian. One of the masterpieces of Hungarian cinema. A Russian-Hungarian co-production, "The Red and the White" was originally commissioned to celebrate the 50th anniversary of the October Revolution in Russia in which.....
N.p. Filmes Cinematografica, 1976. Collection of 3 vintage borderless photographs from the 1976 film. Grazia Neri stamps on the verso. Jancso's "Private Vices, Public Pleasures" is loosely based on the death of Crown Prince Rudolf of Austria, believed having killed himself after shooting his lover in a suicide pact in 1882. Jancso's film presents Rudolf (Lajos Balazsovits) as a pan-sexual.....
London: HandMade Films, 1986. Vintage borderless photograph from the 1986 film, showing director Jordan and star Hoskins together on location. With holograph annotations on the verso. Hoskins stars as a recently released ex-con hired to drive a high class escort from job to job, slowly falling in love with her as he does, which leads trouble for them both. Hoskins.....
![The Cranes are Flying [Letyat zhuravli] (Original double weight photograph from the 1957 film)....](/pictures/thumb/142595.jpg?v=1560892554)
Moscow: Mosfilm, 1957. Vintage oversize, double weight photograph from the 1957 film. From the archives of French weekly "Tele Magazine," with two stamps on the verso, one referencing its inclusion in issue 52, page 5, along with holograph annotations regarding layout and the French title. Based on the 1956 play "Forever Alive" by Viktor Rozov, who also wrote the screenplay.....
Burbank, CA: Warner Brothers, 1955. Two vintage keybook photographs from the 1955 film, one showing director Elia Kazan behind the camera, the other showing actors James Dean and Nick Dennis goofing around behind the scenes with dialogue director Guy Thomajan. Typed annotations identifying the subjects on the versos. Based on the 1952 novel by John Steinbeck. Winner of Best Dramatic.....
Los Angeles: Twentieth Century-Fox, 1951. Final script for the 1952 film. Based on the life of Mexican revolutionary leader Emiliano Zapata. Xerographically reproduced Fox file copy, likely produced by the studio for its files in the late 1960s or a bit later. Kazan's romanticized, semi-fictional account of Zapata in his prime, this sweeping early Brando film glorifies the revolutionary's noble.....
Los Angeles: Twentieth Century-Fox, 1952. Vintage studio still photograph from the 1952 film. Snipe printed on the verso. The culmination of screenwriter Steinbeck's long-standing fascination with Zapata, it was said that Steinbeck had begun work on such a screenplay as early as 1948. The subject was a touchy one, as the MPAA's Production Code Administration had been discouraging studios from.....
Hollywood: Propaganda Films, 1998. Shooting Script for the 2000 film, with rainbow revisions and a set of storyboards. Copy belonging to the costume supervisor, with a sticker noting the title appearing on several pages, and a few holograph annotations in pencil and highlighter throughout. Included with the script are three sets of storyboards for the film, with brief holograph ink.....
N.p. N.p., 1959. Shooting script for the 1960 film. Title annotated on the right edge of the front wrapper in holograph pencil and copy number "36" annotated on title page above title in holograph ink. Based on the 1913 novel by D.H. Lawrence, about a young man caught between his domineering, manipulative mother, his repressed former girlfriend, and an independent.....
![A Man and a Woman [Un Homme et une Femme] (Original photograph of Claude Lelouch from the set of...](/pictures/thumb/150339.jpg?v=1608676354)
N.p. N.p., Circa 1966. Vintage reference photograph of director Claude Lelouch (who was also the cinematographer), filming from the hood of Jean-Louis Duroc's (Jean-Louis Tintignant) mustang, from the set of the 1966 film. Anne Gauthier (Anouk Aimee) and Jean-Louis Duroc (Trintignant) meet as they drop their children off at boarding school and quickly become friends. As romance develops, they each.....
London: Woodfall Film Productions, 1965. Vintage borderless photograph from the set of the 1965 film. With holograph annotations in pencil on the verso. Set amidst the cultural shifts of the 1960s. Colin (Michael Crawford), an awkward school teacher is desperately trying to have the kind of sexual experiences as his womanizing friend Tolen (Ray Brooks). When Nancy (Rita Tushingham) arrives.....
London: EMI Films, 1971. Vintage borderless double weight photograph of director Joseph Losey filming a scene on location in Norwich with actor Dominic Guard, with cast and crew members looking on. With two printed mimeo snipes affixed to the verso. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young.....
N.p. N.p., Circa 1966. Collection of eight vintage borderless reference photographs and one vintage studio still photograph from the 1966 film. Based on the British comic strip which originally appeared in 1963. Modesty Blaise, a former criminal mastermind occasionally employed by the Secret Service, must protect a shipment of diamonds en route to a small Middle Eastern kingdom from a......
N.p. N.p., Circa 1966. Two vintage reference photographs of Monica Vitti from the 1966 film. One with cropping annotations in holograph red and graphite pencil and "Modesty Blasie" stamp on verso. Based on the British comic strip which originally appeared in 1963. Modesty Blaise, a former criminal mastermind occasionally employed by the Secret Service, must protect a shipment of diamonds.....
London: National Screen Service, 1965. Collection of 8 vintage black-and-white still photographs from the 1965 UK film. Based on the play by Ray Rigby, about a British disciplinary camp on the Libyan desert. Winner at the 1965 Cannes festival for Best Screenplay. 8 x 10 inches. Light toning overall, else Near Fine.
London: National Screen Service, 1965. Vintage black-and-white still photograph from the 1965 UK film. Based on the play by Ray Rigby, about a British disciplinary camp on the Libyan desert. Winner at the 1965 Cannes festival for Best Screenplay. 8 x 10 inches. Very Good plus, with light creases.
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1969. Vintage reference photograph from the 1969 film. Anouk Aimee walks down a Rome street toward the camera, while director Sydney Lumet and crew look on. With a printed mimeo snipe on the verso. Lumet was nominated for a Palme d'Or at Cannes for the film, about a man who becomes suspicious that his new.....
Italy: Excelsa Film, 1951. Vintage double weight press photograph of writer Curzio Malaparte sitting in the director's chair during the filming of his sole cinematic effort, "The Forbidden Christ." With holograph pencil annotations regarding layout on both the recto and verso, and the stamp of photographer Osvaldo Civirani and a mimeo snipe on the verso. Nominated for the Palme d'Or.....
N.p. N.p., 1968. Vintage press photograph of directors Louis Malle and Roman Rolanski, and actress Monica Vitti strolling down the street during the 1968 Cannes Film Festival. With the stamp of photographer "Paul-Louis / Studio Starlet" in Nice, as well as holograph annotations identifying the subjects and location and regarding layout on the verso. Malle, Polanski, and Vitti were all.....
Nice: Self published, 1957. Sixteen vintage photographs from the 1957 Cannes Film Festival. On the versos of 11 photos is a rubber-stamp for photographer "L. Mirkine," photographer "Pierre Manciet" on the versos of remaining 5, and names corresponding to the image subjects on the versos in holograph ink. Housed in a manila envelope with "Festival 1957 Cannes" on the recto.....
Cannes, France: Cinedis, 1955-1959. Archive of correspondence and film ephemera from representatives at Cinedis and UniFrance Films regarding Christian de la Maziere, briefly the impresario of press relations (and former Waffen-SS soldier) at Cinedis, detailing his participation at the 1959 Cannes Film Festival and at a few Referendum Cinematographique festivals in Vichy. Represented in the archive are 27 leaves, several.....
Los Angeles: Twentieth Century-Fox, 1978. Vintage borderless photograph from the 1978 film, showing director Mazursky and star Clayburgh conferring on the set, while the crew waits behind them. With identifying holograph ink annotations on the verso. A woman attempts to reenter the dating scene and rediscover herself after her husband leaves her for a younger woman. Nominated for three Academy.....
London: Columbia British Productions, 1969. Draft script for the 1970 film. Ornamental Art Nouveau, Mucha-esque imprinted front wrapper design. Cinematographer Douglas Slocombe's name written and underlined in holograph ink on the title page, as well as an encircled "71" in red holograph marker. Based on Janice Elliott's 1967 novel about cousins born on the same day to twin sisters. Inseparable.....
N.p. Sumar Productions, 1956. Vintage studio photograph of Gloria Grahame on location, from the 1956 film. Mimeo snipe and French 20th Century Fox Stamp on verso. Based on Ewen Montagu's 1954 book, based on a true story about a British attempt to trick their German enemies, using the name and credentials of a dead man as bait. The real intelligence.....
N.p. N.p., 1983. Vintage Japanese B2 poster for the 1983 Japanese-British co-production. Nominated in 1983 for a Palme d'Or at the Cannes Film Festival. Based on the 1963 novel, "The Seed and the Sower" by Laurens van der Post, about his experiences as a British soldier who was held as a prisoner of war by the Japanese. An international co-production.....
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1981. Two vintage studio still photographs from the 1982 film, one of Dana Hill and one of Dana Hill, Viveka Davis, Tracey Gold, and Tina Yothers . George (Albert Finney) is caught in an affair, by his wife Faith (Diane Keaton), destroying their already fragile marriage and devestating their four children. Nominated for the Palme.....
Italy: Vera Films, circa 1969-1970. Vintage borderless photograph from the 1970 Italian film. With the stamp of photograph Mario Tursi on the verso. An iconic photograph from an iconic film, a study in corruption in which a police inspector investigates a crime that he himself has committed. Winner of the 1971 Academy Award for Best Foreign Film and the Cannes.....
Neuilly-sur-Seine, France: Argos Films, 1959. Collection of eight vintage, borderless reference photographs from the 1959 film. Four photographs with the stamp of production company Argos Films, seven with a sticker noting they are from the collection of film historian, collector, and founder of the Tele Cine Documentation (TCD) cinema photo library Daniel Bouteiller, one with both a sticker and stamp.....
Los Angeles: Twentieth Century-Fox, 1979. Vintage borderless photograph from the set of the 1979 film, showing director Martin Ritt discussing a scene with star Sally Field. With the stamps of photographer Jacques Moreau and Twentieth Century-Fox on the verso. Inspired by the real life story of Crystal Lee Sutton, about a woman who fights to unionize a textile company. Field.....
Universal City: Universal Studios, 1983. Vintage studio still photograph of Dana Hill from the 1983 film. Based on Marjorie Kinnan Rawlings' 1942 memoir. Rawlings (Mary Steenburgen) makes the abrupt decision to leave her husband and move to an isolated orange grove to concentrate on writing her novel "The Yearling." Nominated for four Academy Awards including Best Supporting Actor (Rip Torn) and.....
![The Nun [La Religieuse] (Original French poster for the 1966 film). Jacques Rivette, Denis...](/pictures/thumb/139960.jpg?v=1492980408)
N.p. Rome Paris Films, 1966. Vintage French Moyenne poster for the 1966 film. Nominated for a Palme d'Or at the 1966 Cannes Film Festival. A flurry of controversy surrounded the production and release of Rivette's film. Upon facing pressure from the French Catholic Church regarding its critical religious and sexual content, the new Minister of Information, Yvon Bourges, banned its.....
![The Nun [La Religieuse] (Original photograph of Anna Karina from the 1966 film). Jacques Rivette,...](/pictures/thumb/149326.jpg?v=1596425047)
N.p. Rome Paris Films, 1966. Vintage borderless French reference photograph of actress Anna Karina from the 1966 film. With a stamp specific to the French release for the film on the verso. Based on Denis Diderot's eighteenth century novel, following a young woman whose family forces her into a convent. A flurry of controversy surrounded the film's production and release.....
Paris: Pierre Grise Productions, 1991. Collection of 5 vintage borderless photographs from the 1991 film including one of Jacques Rivette and Emmanuelle Beart on the set. Inspired by Balzac's novella "Le chef-d'oeuvre inconnu," Jacques Rivette's "La Belle Noiseuse" ("The Beautiful Troublemaker") is a masterful 4 hour study of the creative process and the emotional tolls taken on artist, model and.....
New York: N.p., 1973. Archive of photographs and negatives, shot by and belonging to photographer Andy Romanoff, of director Nicholas Ray at work on his collaborative, experimental film "We Can't Go Home Again" at the Chateau Marmont in 1973. In addition to the material, sale of the archive includes complete ownership of republication and reproduction rights. In 1971, after nearly.....
Paris: Cinedis, 1962. Collection of 15 original borderless single weight film stills for the 1962 French musical film. Featured are several stunning images of acrtress Tcherina as Isa, Duchess of Teruel. Brief numerical annotations on the versos in holograph pencil. Belgian actor-director Rouleau's nearly seen drama was the opening film at the 15th annual Cannes Film Festival, winner of the.....
Paris: Cinedis, 1962. Original borderless single weight film still for the 1962 French musical film. Brief numerical notation on the verso in holograph pencil. Belgian actor-director Rouleau's nearly seen drama was the opening film at the 15th annual Cannes Film Festival, winner of the festival's Technical Grand Prize, and nominated for a Palme d'Or. Of note is the film's cinematographer.....
![The Things of Life [Les choses de la vie] (Original photograph from the 1970 film). Claude...](/pictures/thumb/139655.jpg?v=1564782470)
Paris: Fida Cinematografica / Lira Films, 1970. Vintage borderless reference photograph of Romy Schneider and Michel Piccoli on the set of the 1970 French-Italian film. With the stamp of photographer Michel Ginfray on the verso. Based on the 1967 novel "Intersections" by Paul Guimard, who also worked on the screenplay. Nominated for the Palme d'Or at Cannes, and remade in.....
![The Things of Life [Les Choses de la Vie] (Original photograph from the 1970 film). Claude...](/pictures/thumb/144567.jpg?v=1544116780)
Paris: Fida Cinematografica, 1970. Vintage borderless photograph of director Claude Sautet on the set of the 1970 French-Italian film. With holograph annotations on the verso. Based on the 1967 novel "Intersections" by Paul Guimard, who also worked on the screenplay. Nominated for the Palme d'Or at Cannes, and remade in 1994 as "Intersection," directed by Mark Rydell and starring Richard.....
Burbank, CA: Warner Brothers, 1972. Final Draft script for the 1973 film, dated August 16, 1972. With name of uncredited cast or crew member "B. Morgan" in holograph pencil on the front wrapper. Two drifters set out on a journey east from California towards Pittsburgh, hoping to start a business together when they arrive. A key film from the New Hollywood.....
Gadd Productions, 1971. Vintage borderless photograph from the 1971 film. Al Pacino's first starring feature role. Schatzberg's bleak and stark portrayal of heroin addiction on the streets of New York City is told through the love story between Bobby (Pacino), an addict and drug dealer and Helen (Winn), who is drawn into heroin use through her relationship with Bobby. Nominated for.....
N.p. N.p., 1975. Original vintage press photograph of Maria Schneider and Bernardo Bertolucci at the 1975 Cannes Film Festival. Schneider was at Cannes to promote Michelango Antonioni's Palme d'Or nominated film, "The Passenger," in which she starred opposite Jack Nicholson. Bertolucci, of course, had directed her to instant stardom three years earlier in "Last Tango in Paris." 8 x 10.....
N.p. N.p., 1975. Archive of 15 single weight and 20 double weight vintage press photographs of Maria Schneider at the 1975 Cannes Film Festival, there to promote Michelango Antonioni's Palme d'Or nominated "The Passenger," in which she starred opposite Jack Nicholson. Eight photographs with stamps of photographers Leo Mirkine, Prisco de Majo, and Daniel Angeli (four, two, and two photographs.....
Paris: Claude Schwartz, 1965. Vintage silver gelatin photograph of Roman Polanski, Jean-Luc Godard and actress Catherine Deneuve at Cannes in May 1965, taken by French press and still photographer Claude Schwartz. With Schwartz's French press stamp appearing 5 times on the verso. Arguably the tall man in the background is Barbet Schroeder. Polanski's 1965 film, "Repulsion," a film that had.....
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1992. Original one sheet poster for the 1992 film, based on the 1937 novel, an equal to the classic 1939 film starring Lon Chaney, Jr. and Burgess Meredith. Gary Sinise was nominated for the Palme d'Or at the Cannes Film Festival. 27.25 x 41. Rolled. Fine.
N.p. George Stevens Productions, 1959. Vintage studio photograph on the set of the 1959 film revealing the house interior set design. Based on Anne Frank's diary and Frances Goodrich and Albert Hackett's 1955 stage play that was adapted from it. Nominated for the Palme d'Or and for 8 Academy Awards, winner of 3, including Best Supporting Actress for Shelly Winters. 8.....