Los Angeles: Twentieth Century-Fox, 1970. Collection of five vintage, borderless, oversize photographs from the 1970 film. With a small French distribution label from Twentieth Century-Fox on the recto of each photograph. Based on the 1968 novel by Richard Hooker, and, in turn, the basis of acclaimed television show which ran for 11 seasons on CBS. Winner of the Palme d'Or.....

Rome: Cineriz, 1962. Vintage borderless photograph of Monica Vitti and Alain Delon on the set of the 1962 film. With holograph annotations in blue ink and pencil on the verso. Vittoria (Monica Vitti) leaves her fiance (Francisco Rabal) and enters a new relationship with Piero, a young stock broker (Alain Delon) who is obsessed with material posessions and wealth, his.....

Paris: Gaumont, 1947. Vintage photograph of director Jacques Becker and actor Claire Maffei on the set of the 1947 film. With holograph annotations and a rubber stamp on the verso. A working class couple in Paris find their dreams of a life free of financial hardship about to come true when they win the lottery, only to have the dream.....

Stockholm: Svensk Filmindustri, 1960. Original international program for the English language release of the 1960 Swedish film by Ingmar Bergman, printed by Svensk Filmindustri in Sweden. Adapted from the thirteenth century Swedish ballad, "Tores dottrar i Wange." Photo illustrated throughout. Winner of the Academy Award for Best Foreign Language Film, and nominated for the Palme d'Or, with director Bergman receiving.....

Burbank, CA: Warner Brothers, 1947. Two vintage photographs from the 1947 film noir. Each with the stamps of photographers Eugene Robert Richee or Frank Bjerring, and a mimeo snipe on the verso. From the estate of actor Van Heflin. A woman suffers a psychotic break and is found wandering the streets after murdering the man she had become obsessed with.....

Mexico: Producciones Barbachano Ponce, 1958. Draft script for the 1959 film. Presentation copy belonging to director Luis Bunuel, and SIGNED by Bunuel on the front wrapper. Also laid in is a program from the film's American premiere on May 18, 1960, also SIGNED by Bunuel. Blue ink holograph annotations in the same hand to the verso of the last page.....

Cannes, France: N.p., 1964. Original souvenir programs and film credits material showcasing some of the films from the 1964 Cannes Film Festival. It was this festival, the seventeenth one to be held, that the award name was changed from the Palme d'Or to the Grand Prix du Festival International du Film, the name used until 1974 when it returned to.....

Italy: Cinematografica RI.RE, 1961. Collection of 14 vintage borderless single weight studio still photographs from the 1961 Italian-French film. Action sequences, picketers, Delon and his compatriots, and a charming candid of Barbara Lass, are present. Numerical annotations, and a few with actor names, on the versos in holograph pencil, and rubber-stamps on the verso crediting photography agency "PIERLUIGI" and the.....

Paris: Cinedis, 1957. Archive of 1,599 vintage keybook photographs from the 1957 French-Italian film. Small photographs affixed with cello tape on thick stock in five folio sized spiral bound notebooks, with small title labels mounted to the versos of the front wrappers. Each photograph is numbered in holograph ink inside a small white border on the recto, and in mimeograph.....

Paris: Parc Film, 1964. Vintage borderless press photograph of actor Catherine Deneuve and composer Michel Legrand at the awards ceremony for the Louis Delluc Prize, given to the best French film of the year, which "The Umbrellas of Cherbourg" received in 1964. With the stamps of ADP press agency and a French-language mimeo snipe on the verso. In addition to.....

Rome: Riama Film, 1960. Vintage oversize borderless double weight press photograph of Anouk Aimee from the 1960 film. With agency stamps on the verso. Fellini's most pivotal film, if not his finest. Unlike the more sentimental and abstract films that would follow, "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome, with Mastroianni, a jaded journalist at the.....

Italy: MMD, 1991. Vintage borderless double weight photograph from the 1991 film. With a stamp on the verso identifying the film and photographer. A black comedy in which a divorced man falls for a beautiful woman, who uses magic to turn him into a sex slave. He doesn't seem to mind, until she gets bored and wants to leave him.....

Italy: Sancro Film, 1963. Collection of four vintage, oversize, borderless reference photographs from the 1963 Italian film. With the stamps of photographer Velio Cioni, and two press agencies on the verso. Two of the photographs show crew members putting the finishing touches on a mannequin of Jesus while director Ferreri looks on. A satire of masculinity and chauvinism, where a......

N.p. Alfieri, 1969. Vintage oversize double weight color photograph of Dennis Hopper and Jack Nicholson, at an outdoor press conference held in front of the Carlton Hotel at the Cannes Film Festival, where Hopper was awarded the Cannes First Film Prize. Shot by Marc Alfieri, and signed by him in black ink at the lower left margin: "Photo Alfieri /.....

Tokyo: Imamura Productions, 1987. Draft script for the 1987 film. Text in Japanese. The greatest pimp in all of Japanese history, Iheji Muraoka, also known as Zegen or the "Boss of the South Seas" grew in power as Japan grew. Not only were his achievements contributing to his mantle of success, but he believed they advanced the global ambitions of.....

N.p. Filmes Cinematografica, 1976. Collection of 3 vintage borderless photographs from the 1976 film. Grazia Neri stamps on the verso. Jancso's "Private Vices, Public Pleasures" is loosely based on the death of Crown Prince Rudolf of Austria, believed having killed himself after shooting his lover in a suicide pact in 1882. Jancso's film presents Rudolf (Lajos Balazsovits) as a pan-sexual.....

Moscow: Mosfilm, 1957. Vintage oversize, double weight photograph from the 1957 film. From the archives of French weekly "Tele Magazine," with two stamps on the verso, one referencing its inclusion in issue 52, page 5, along with holograph annotations regarding layout and the French title. Based on the 1956 play "Forever Alive" by Viktor Rozov, who also wrote the screenplay.....

Los Angeles: Twentieth Century-Fox, 1951. Final script for the 1952 film. Based on the life of Mexican revolutionary leader Emiliano Zapata. Photographically reproduced Fox file copy, likely produced by the studio for its files in the late 1960s or a bit later. Kazan's romanticized, semi-fictional account of Zapata in his prime, this sweeping early Brando film glorifies the revolutionary's noble.....

Hollywood: Propaganda Films, 1998. Shooting Script for the 2000 film, with rainbow revisions and a set of storyboards. Copy belonging to the costume supervisor, with a sticker noting the title appearing on several pages, and a few holograph annotations in pencil and highlighter throughout. Included with the script are three sets of storyboards for the film, with brief holograph ink.....

London: Woodfall Film Productions, 1965. Vintage borderless photograph from the set of the 1965 film. With holograph annotations in pencil on the verso. Set amidst the cultural shifts of the 1960s. Colin (Michael Crawford), an awkward school teacher is desperately trying to have the kind of sexual experiences as his womanizing friend Tolen (Ray Brooks). When Nancy (Rita Tushingham) arrives.....

Italy: Excelsa Film, 1951. Vintage double weight press photograph of writer Curzio Malaparte sitting in the director's chair during the filming of his sole cinematic effort, "The Forbidden Christ." With holograph pencil annotations regarding layout on both the recto and verso, and the stamp of photographer Osvaldo Civirani and a mimeo snipe on the verso. Nominated for the Palme d'Or.....

Nice: Self published, 1957. Sixteen vintage photographs from the 1957 Cannes Film Festival. On the versos of 11 photos is a rubber-stamp for photographer "L. Mirkine," photographer "Pierre Manciet" on the versos of remaining 5, and names corresponding to the image subjects on the versos in holograph ink. Housed in a manila envelope with "Festival 1957 Cannes" on the recto.....

Los Angeles: Twentieth Century-Fox, 1978. Vintage borderless photograph from the 1978 film, showing director Mazursky and star Clayburgh conferring on the set, while the crew waits behind them. With identifying holograph ink annotations on the verso. A woman attempts to reenter the dating scene and rediscover herself after her husband leaves her for a younger woman. Nominated for three Academy.....

N.p. Sumar Productions, 1956. Vintage studio photograph of Gloria Grahame on location, from the 1956 film. Mimeo snipe and French 20th Century Fox Stamp on verso. Based on Ewen Montagu's 1954 book, based on a true story about a British attempt to trick their German enemies, using the name and credentials of a dead man as bait. The real intelligence.....

Italy: Vera Films, circa 1969-1970. Vintage borderless photograph from the 1970 Italian film. With the stamp of photograph Mario Tursi on the verso. An iconic photograph from an iconic film, a study in corruption in which a police inspector investigates a crime that he himself has committed. Winner of the 1971 Academy Award for Best Foreign Film and the Cannes.....

Neuilly-sur-Seine, France: Argos Films, 1959. Collection of eight vintage, borderless reference photographs from the 1959 film. Four photographs with the stamp of production company Argos Films, seven with a sticker noting they are from the collection of film historian, collector, and founder of the Tele Cine Documentation (TCD) cinema photo library Daniel Bouteiller, one with both a sticker and stamp.....

N.p. Rome Paris Films, 1966. Vintage French Moyenne poster for the 1966 film. Nominated for a Palme d'Or at the 1966 Cannes Film Festival. A flurry of controversy surrounded the production and release of Rivette's film. Upon facing pressure from the French Catholic Church regarding its critical religious and sexual content, the new Minister of Information, Yvon Bourges, banned its.....

New York: N.p., 1973. Archive of photographs and negatives, shot by and belonging to photographer Andy Romanoff, of director Nicholas Ray at work on his collaborative, experimental film "We Can't Go Home Again" at the Chateau Marmont in 1973. In addition to the material, sale of the archive includes complete ownership of republication and reproduction rights. In 1971, after nearly.....

Paris: Fida Cinematografica, 1970. Vintage borderless photograph of director Claude Sautet on the set of the 1970 French-Italian film. With holograph annotations on the verso. Based on the 1967 novel "Intersections" by Paul Guimard, who also worked on the screenplay. Nominated for the Palme d'Or at Cannes, and remade in 1994 as "Intersection," directed by Mark Rydell and starring Richard.....

N.p. N.p., 1975. Original vintage press photograph of Maria Schneider and Bernardo Bertolucci at the 1975 Cannes Film Festival. Schneider was at Cannes to promote Michelango Antonioni's Palme d'Or nominated film, "The Passenger," in which she starred opposite Jack Nicholson. Bertolucci, of course, had directed her to instant stardom three years earlier in "Last Tango in Paris." 8 x 10.....

Paris: Claude Schwartz, 1965. Vintage silver gelatin photograph of Roman Polanski, Jean-luc Godard and actress Catherine Deneuve at Cannes in May 1965, taken by French press and still photographer Claude Schwartz. With Schwartz's French press stamp appearing 5 times on the verso. Arguably the tall man in the background is Barbet Schroeder. Polanski's 1965 film, "Repulsion," a film that had.....

N.p. George Stevens Productions, 1959. Vintage studio photograph on the set of the 1959 film revealing the house interior set design. Based on Anne Frank's diary and Frances Goodrich and Albert Hackett's 1955 stage play that was adapted from it. Nominated for the Palme d'Or and for 8 Academy Awards, winner of 3, including Best Supporting Actress for Shelly Winters.8.....

Stockholm: Svensk Filminstitutet, 1986. Two vintage color photographs of Andrei Tarkovsky and cinematographer Sven Nykvist on the set of the 1986 film. With holograph annotations and an agency stamp on the verso of each. After the outbreak of World War III, a man in a remote cottage receives visions that he has the power to bring about peace, but must.....

Paris: Gaumont, Circa 1958. Vintage oversize photograph of director Jacques Tati humorously overwhelmed by celluloid during the making of the 1958 film. 9 x 12 inches (22.5 x 30 cm). In an archival mat. Near Fine. Criterion Collection 111.

Neuilly-sur-Seine, France: Gaumont, 1958. Vintage borderless photograph from the 1958 film. With holograph annotations and an agency stamp on the verso. The director's second of four films featuring the inimitable Monsieur Hulot. In this chapter, Hulot strays from his rather ordinary Paris neighborhood and into a modern, suburban one, where technological chaos reigns. Nominated for the Palme d'Or at Cannes.....

United Kingdom: Associated British Picture Corporation, 1956. Vintage borderless photograph from the set of the 1956 film, showing director Thompson adjusting a camera as he looks off screen. With the stamp of Associated British Picture and a mimeo snipe on the verso detailing the film's inclusion in the forthcoming Cannes Film Festival. Based on the 1954 novel by Joan Henry.....

Rome: Titanus, 1963. Vintage borderless photograph of Luchino Visconti and Burt Lancaster on the set of the 1963 film. Coat of Arms with Leopard stamp on the verso. Visconti's classic, spacious homage to the quiet death of the Sicilian aristocracy of the mid-nineteenth century, one of the great films of Italian cinema. Perhaps the apex of Ms. Cardinale's career, and.....

Wengen, Switzerland: Alpine Films, 1965. Vintage oversize double weight photograph of Orson Welles and John Gielgud on location in Spain for the shooting of "Chimes at Midnight" in 1965. Shot and struck by noted photographer Nicolas Tikhomoroff, with his rubber stamp and the stamp of his Parisian agency, V.I.P., on the verso. "Chimes at Midnight," Welles' third of three legendary.....

Grunwald, Germany: Bavaria Film, 1977. Vintage photograph from the 1977 film. With holograph annotations on the verso. Based on the 1974 novel "Ripley's Game" by Patricia Highsmith, later adapted in 2002 under the original title, directed by Liliana Cavani and starring John Malkovich, Dougray Scott, and Ray Winstone. Nominated for the Palme d'Or at Cannes. 7 x 5 inches (18.....

Hong Kong: Block 2 Pictures, 1997. Vintage Hong Kong poster, for the 1997 film. Wong Kar-wai won Best Director at the 1997 Cannes Film Festival. A homosexual couple from pre-hand over Hong Kong travels to Argentina to mend their failing relationship. The film explores the mutual destruction that both men inflict upon one another, especially Ho Po-wing, who demonstrates some.....