Neuilly-sur-Seine, France: Argos Films, 1959. Collection of eight vintage, borderless reference photographs from the 1959 film. Four photographs with the stamp of production company Argos Films, seven with a sticker noting they are from the collection of film historian, collector, and founder of the Tele Cine Documentation (TCD) cinema photo library Daniel Bouteiller, one with both a sticker and stamp.....

Culver City, CA: RKO Radio Pictures, 1945. Draft script for the 1945 film, with an additional seven page addendum on pink stock with alternate endings written out in a treatment form. In addition to containing an alternate ending, the date on the script coincides with the takeover of the project by RKO from original producer David O. Selznick in July.....

New York: N.p., 1973. Archive of photographs and negatives, shot by and belonging to photographer Andy Romanoff, of director Nicholas Ray at work on his collaborative, experimental film "We Can't Go Home Again" at the Chateau Marmont in 1973. In addition to the material, sale of the archive includes complete ownership of republication and reproduction rights. In 1971, after nearly.....

N.p. Warner Columbia Film, Circa 1980. Archive of material from the screening of the 1980 British film at the 1980 Cannes Film Festival, including three borderless reference photographs, one pressbook, and one xerographically reproduced competition sheet. All text in French. A young punk singer from London rises to stardom, but discovers that fame comes at the expense of her friends.....

Cannes, France: Cinedis, 1955-1959. Archive of correspondence and film ephemera from representatives at Cinedis and UniFrance Films regarding Christian de la Maziere, briefly the impresario of press relations (and former Waffen-SS soldier) at Cinedis, detailing his participation at the 1959 Cannes Film Festival and at a few Referendum Cinematographique festivals in Vichy. Represented in the archive are 27 leaves, several.....

N.p. N.p., Circa 1966. Vintage reference photograph of director Claude Lelouch (who was also the cinematographer), filming from the hood of Jean-Louis Duroc's (Jean-Louis Tintignant) mustang, from the set of the 1966 film. Anne Gauthier (Anouk Aimee) and Jean-Louis Duroc (Trintignant) meet as they drop their children off at boarding school and quickly become friends. As romance develops, they each.....

Paris: Fida Cinematografica, 1970. Vintage borderless photograph of director Claude Sautet on the set of the 1970 French-Italian film. With holograph annotations on the verso. Based on the 1967 novel "Intersections" by Paul Guimard, who also worked on the screenplay. Nominated for the Palme d'Or at Cannes, and remade in 1994 as "Intersection," directed by Mark Rydell and starring Richard.....

Burbank, CA: Warner Brothers, 1947. Two vintage photographs from the 1947 film noir. Each with the stamps of photographers Eugene Robert Richee or Frank Bjerring, and a mimeo snipe on the verso. From the estate of actor Van Heflin. A woman suffers a psychotic break and is found wandering the streets after murdering the man she had become obsessed with.....

N.p. N.p., 1959. Shooting script for the 1960 film. Title annotated on the right edge of the front wrapper in holograph pencil and copy number "36" annotated on title page above title in holograph ink. Based on the 1913 novel by D.H. Lawrence, about a young man caught between his domineering, manipulative mother, his repressed former girlfriend, and an independent.....

Burbank, CA: Warner Brothers, 1955. Vintage reference photograph of actors James Dean and Julie Harris examining a small scale model of a farm on the set of the 1955 film. With holograph ink and pencil annotations identifying Harris and Dean to the verso. Based on the 1952 novel by John Steinbeck, about two brothers who struggle for the attentions and.....

Los Angeles: Twentieth Century-Fox, 1951. Final script for the 1952 film. Based on the life of Mexican revolutionary leader Emiliano Zapata. Xerographically reproduced Fox file copy, likely produced by the studio for its files in the late 1960s or a bit later. Kazan's romanticized, semi-fictional account of Zapata in his prime, this sweeping early Brando film glorifies the revolutionary's noble.....

Italy: Vera Films, circa 1969-1970. Vintage borderless photograph from the 1970 Italian film. With the stamp of photograph Mario Tursi on the verso. An iconic photograph from an iconic film, a study in corruption in which a police inspector investigates a crime that he himself has committed. Winner of the 1971 Academy Award for Best Foreign Film and the Cannes.....

Rome: Riama Film, 1960. Vintage oversize borderless double weight press photograph of Anouk Aimee from the 1960 film. With agency stamps on the verso. Fellini's most pivotal film, if not his finest. Unlike the more sentimental and abstract films that would follow, "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome, with Mastroianni, a jaded journalist at the.....

N.p. N.p., 1965. Vintage borderless reference photograph of Giulietta Masina, Federico Fellini, and crew, on the set of the 1965 film. "Rizzoli Press" and "Atlantic Press" stamps on verso. Set in and shot on location in Rome. 9.5 x 7.25 inches. Near Fine. Criterion Collection 49. Ebert II. Scorsese, My Voyage to Italy.

Paris: les Films du Carrosse, Circa 1959. Vintage borderless reference photograph, with bottom margin, of Francois Truffaut and Guy Decomble on the set of the 1959 film. "Les Quatre Cents Coups" and "Telerama" stamps on verso. Truffaut's auspicious debut, winner of Best Director at Cannes, nominated for the Palme d'Or, and also nominated for a Best Original Screenplay Oscar the.....

N.p. N.p., 1959. Vintage photograph of Francois Truffaut, Jean Cocteau, Jean-Pierre Leaud, and others at the 1959 Cannes Film Festival. With holograph annotations and agency stamps on the verso.Francois Truffaut won the award at the 1959 festival for best director for his film "400 Blows."5 x 7 inches Near Fine.

N.p. George Stevens Productions, 1959. Vintage studio photograph on the set of the 1959 film revealing the house interior set design. Based on Anne Frank's diary and Frances Goodrich and Albert Hackett's 1955 stage play that was adapted from it. Nominated for the Palme d'Or and for 8 Academy Awards, winner of 3, including Best Supporting Actress for Shelley Winters.8.....

N.p. N.p., 1953. Collection of six vintage borderless double weight reference photographs from the 1953 French film.Based on the 1950 novel by Georges Arnaud. Director Henri-Georges Clouzot's breakthrough masterpiece, a tense, literally volatile thriller which follows a team of four luckless Europeans who have been hired by an American oil company to drive two trucks of nitroglycerine through the South.....

Stockholm: Svensk Filmindustri, 1960. Vintage international program for the English language release of the 1960 Swedish film by Ingmar Bergman, printed by Svensk Filmindustri in Sweden. Adapted from the thirteenth century Swedish ballad, "Tores dottrar i Wange." Photo illustrated throughout. Winner of the Academy Award for Best Foreign Language Film, and nominated for the Palme d'Or, with director Bergman receiving.....

Paris: Lorcaster, Circa 1960. Vintage borderless reference photograph of Jacques Becker and Marc Michel on the set of the 1960 film. "Lorcaster" and "636" stamps on verso. Based on the 1957 novel by Jose Giovanni. True story of the 1947 Le Sante Prison break, with one of the real escapees, Keraudy, playing his own character in the film. Jacques Becker's.....

Paris: Parc Film, Circa 1964. Collection of five vintage borderless photographs, three reference photographs featuring Jacques Demy on the set (two with Catherine Deneuve), one of Demy and composer Michel Legand, and one reference photograph of Catherine Deneuve, from the 1964 film. Three with "Les Parapluies de Cherbourg" stamps, and one with provenance stamp of film scholar and author "Jean-Pierre.....

N.p. Rome Paris Films, 1966. Vintage French Moyenne poster for the 1966 film. Nominated for a Palme d'Or at the 1966 Cannes Film Festival. A flurry of controversy surrounded the production and release of Rivette's film. Upon facing pressure from the French Catholic Church regarding its critical religious and sexual content, the new Minister of Information, Yvon Bourges, banned its.....

Paris: Pierre Grise Productions, 1991. Collection of 5 vintage borderless photographs from the 1991 film including one of Jacques Rivette and Emmanuelle Beart on the set. Inspired by Balzac's novella "Le chef-d'oeuvre inconnu," Jacques Rivette's "La Belle Noiseuse" ("The Beautiful Troublemaker") is a masterful 4 hour study of the creative process and the emotional tolls taken on artist, model and.....

Neuilly-sur-Seine, France: Gaumont, 1958. Vintage borderless photograph from the 1958 film. With holograph annotations and an agency stamp on the verso. The director's second of four films featuring the inimitable Monsieur Hulot. In this chapter, Hulot strays from his rather ordinary Paris neighborhood and into a modern, suburban one, where technological chaos reigns. Nominated for the Palme d'Or at Cannes.....

Los Angeles: Miramax, 2000. Vintage reference photograph of director James Gray and Victor Arnold on the set of the 2000 film.Leo (Mark Wahlberg), out of prison for auto theft, attempts to go straight and gets a job with his uncle Frank (James Caan), one of the largest contractors at the rail yards, which is rife with corruption and graft. Nominated.....

N.p. N.p., 1980. Vintage borderless reference photograph of Jean-Luc Goddard and crew on the set of the 1980 film. "Sauve qui peut / la Vie" stamp on verso, with last three lines of stamp, which include copyright date and photograph credit for Anne-Marie Mieville struck through with holograph marker.A most Godardian examination of sexual relationships, in which three protagonists interact.....

Burbank, CA: Warner Brothers, 1972. Final Draft script for the 1973 film, dated August 16, 1972. With name of uncredited cast or crew member "B. Morgan" in holograph pencil on the front wrapper.Two drifters set out on a journey east from California towards Pittsburgh, hoping to start a business together when they arrive. A key film from the New Hollywood.....

Los Angeles: Twentieth Century-Fox, 1991. Collection of 14 vintage studio still photographs from the 1991 film. Ten photos shown, please inquire to see others.One of the more ambitious films in the Coen brothers' oeuvre, a nuanced comedy about Hollywood, success, and the interaction between intellectuals and the common man. Based largely on the experiences of playwright and erstwhile screenwriter Clifford.....

Los Angeles: Twentieth Century-Fox, 1984. Vintage studio portrait photograph of director John Huston from the 1984 film. Based on the 1947 semi-autobiographical novel by Malcolm Lowry. A brilliant performance by Albert Finney as Geoffrey Firmin, an alcoholic British consul in a small Mexican town on the Day of the Dead.Nominated for two Academy Awards, including Best Actor for Finney, as.....

London: EMI Films, 1971. Vintage borderless double weight photograph of director Joseph Losey filming a scene on location in Norwich with actor Dominic Guard, with cast and crew members looking on. With two printed mimeo snipes affixed to the verso.Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young.....

N.p. N.p., Circa 1966. Collection of eight vintage borderless reference photographs and one vintage studio still photograph from the 1966 film. Based on the British comic strip which originally appeared in 1963. Modesty Blaise, a former criminal mastermind occasionally employed by the Secret Service, must protect a shipment of diamonds en route to a small Middle Eastern kingdom from a......

Kanagawa, Japan: Daiei Studios, 1959. Collection of 6 vintage US publicity photographs from the 1959 Japanese pink film. The first of several films based on the Junichiro Tanizaki. Released in Japan as "Kagi" and with the alternate English language title "The Key."An elderly antique dealer struggles with his aging body and looming impotence. To grapple with his anxiety he introduces.....

Rome: Titanus, 1963. Vintage borderless reference photograph of director Luchino Visconti coaching actor Alain Delon through a salute on the set of the 1963 Italian film. With the stamp of G.B. Poletto on the verso. Visconti's classic, spacious homage to the quiet death of the Sicilian aristocracy of the mid-nineteenth century, one of the great films of Italian midcentury cinema.....

Los Angeles: Twentieth Century-Fox, 1963. Vintage borderless reference photograph of director Luchino Visconti on location with actor Burt Lancaster and others while shooting the 1963 film. Stamp specific to the film's French release, including its "logo," on the verso. Based on Giuseppe Tomasi di Lampedusa's 1958 novel. Visconti's classic, spacious homage to the quiet death of the Sicilian aristocracy of.....

Rome: Titanus, 1963. Vintage oversize borderless double weight photograph of Luchino Visconti, Burt Lancaster, and Serge Regiani on the set of the 1963 film, by photographer G. B. Poletto. Cropping annotations in holograph pencil, annotations in holograph ink and marker, two "Settimo Giorno" stamps, and photographer "G. B. Poletto" stamp, all on verso.Based on the 1958 novel by Giuseppe Tomasi.....

Rome: G.B. Poletto, 1962. Vintage press photograph showing director Luchino Visconti and stars Burt Lancaster and Claudia Cardinale on the beach at Cannes to promote "The Leopard" with the aid of what is actually a cheetah, rather than the titular big cat. With the stamp of United Press International on the verso. Visconti's classic, spacious homage to the quiet death.....

N.p. N.p., Circa 1962. Draft script for the 1962 film. With director Luis Bunuel's holograph pencil and ink annotations throughout noting changes and additions to dialogue, and the name of Russian-American director Victor Stoloff in holograph ink on the front of the folder housing the script. Stoloff was associated with Bunuel during Bunuel's brief sojourn in America, and is interviewed.....

N.p. N.p., 1959. Collection of eight vintage oversize borderless double weight reference photographs from the 1959 French film. A key film that captured the essence of an era, a music, and a place, namely the modern Carnival, bossa nova, and Brazil, as well as an important intersection of European and Brazilian viewpoints, merging the talents of French director Marcel Camus.....

Italy: MMD, 1991. Vintage borderless double weight photograph from the 1991 film. With a stamp on the verso identifying the film and photographer. A black comedy in which a divorced man falls for a beautiful woman, who uses magic to turn him into a sex slave. He doesn't seem to mind, until she gets bored and wants to leave him.....

Italy: Sancro Film, 1963. Collection of four vintage, oversize, borderless reference photographs from the 1963 Italian film. With the stamps of photographer Velio Cioni, and two press agencies on the verso. Two of the photographs show crew members putting the finishing touches on a mannequin of Jesus while director Ferreri looks on. A satire of masculinity and chauvinism, where a......

Los Angeles: Twentieth Century-Fox, 1979. Vintage borderless photograph from the set of the 1979 film, showing director Martin Ritt discussing a scene with star Sally Field. With the stamps of photographer Jacques Moreau and Twentieth Century-Fox on the verso. Inspired by the real life story of Crystal Lee Sutton, about a woman who fights to unionize a textile company. Field.....

Culver City, CA: Columbia Pictures, 1976. Vintage studio still photograph from the 1976 film, showing actor Robert De Niro leaning against a cigarette machine. A film that would prove to be the turning point in the careers of director Martin Scorsese, screenwriter Paul Schrader, and actors Robert De Niro and Jodie Foster, and one that has only gained significance with.....

Paris: Les Films 13, 1969. Collection of 38 original keybook contact print photographs from the 1969 French film. Color and black-and-white contact prints of small and medium format transparencies, several printed in Agfa photo paper, most with 36 images per print, amounting to over 1300 images of starring actors Girardot and Kalfon, child actors, and a few of the film.....

Rome: Iterfilm, 1982. Agency draft script in English for the 1982 Italian film. Antonioni's rarely discussed final feature, and one of his greatest achievements. Niccolo (Tomas Milian), a recently divorced movie director pursues a new relationship with a younger woman, Mavi (Daniela Silverio), who he imagines could play the leading role in his next film. She quickly vanishes and he.....

N.p. N.p., Circa 1966. Vintage borderless double weight photograph of Michelangelo Antonioni on the set of the 1966 film, with provenance stamp of film scholar and author "J. P. Berthome" on verso.Inspired by the 1959 short story "Las Babas del Diablo" by Julio Cortazar.Michelangelo Antonioni's first English-language film, marking the beginning of the final phase of his work, co-produced by.....

N.p. N.p., 1962. Vintage borderless reference photograph of Monica Vitti sitting on a sofa and staring into the existential void, from the 1962 film. "ROMA's Press Photo" stamp on verso, with address in Rome for same. A woman's newfound relationship with a power-hungry stockbroker gradually erodes as she becomes dissatisfied with his shallow interests. The final film in Antonioni's modernity.....

Budapest: Mafilm, 1967. Vintage Hungarian program for the 1967 film. Photo-illustrated with scenes from the film, including one large image on the entirety of the verso. Text in Hungarian. One of the masterpieces of Hungarian cinema. A Russian-Hungarian co-production, "The Red and the White" was originally commissioned to celebrate the 50th anniversary of the October Revolution in Russia in which.....