Los Angeles: Twentieth Century-Fox, Circa 1970. Vintage studio still photograph of Robert Altman for the 1970 film. Based on the 1968 novel by Richard Hooker, and, in turn, the basis of acclaimed television show which ran for 11 seasons, from 1972 to 1983, on CBS. Winner of the Academy Award for Best Screenplay, nominated for four more, including Best Picture.....

Grunwald, Germany: Concorde Film, 1982. Collection of three vintage borderless reference photographs from the German release of the 1982 Italian film. With mimeo snipes on the verso.Antonioni's rarely discussed final feature, and one of his greatest achievements. A recently divorced director pursues a new relationship with a younger woman, who he imagines could play the leading role in his next.....

N.p. N.p., Circa 1966. Collection of 20 vintage borderless photographs from the 1966 film, 18 reference photographs and 2 fashion photographs of Rosaleen Murray and Ann Norman. Mimeo snipes on the verso of three of the photographs. Inspired by the 1959 short story "Las Babas del Diablo" by Julio Cortazar.Michelangelo Antonioni's first English-language film, marking the beginning of the final.....

N.p. N.p., 1962. Vintage borderless reference photograph of Monica Vitti sitting on a sofa and staring into the existential void, from the 1962 film. "ROMA's Press Photo" stamp on verso, with address in Rome for same. The third and final chapter of Michelangelo Antonioni's trilogy, preceeded by "L'Avventura" (1960), starring Gabriele Ferzetti and Monica Vitti, and "La Notte" (1961), starring.....

Paris: Gaumont, 1947. Vintage photograph of director Jacques Becker and actor Claire Maffei on the set of the 1947 film. With holograph annotations and a rubber stamp on the verso. A working class couple in Paris find their dreams of a life free of financial hardship about to come true when they win the lottery, only to have the dream.....

Stockholm: Svensk Filmindustri, 1960. Original international program for the English language release of the 1960 Swedish film by Ingmar Bergman, printed by Svensk Filmindustri in Sweden. Adapted from the thirteenth century Swedish ballad, "Tores dottrar i Wange." Photo illustrated throughout. Winner of the Academy Award for Best Foreign Language Film, and nominated for the Palme d'Or, with director Bergman receiving.....

N.p. N.p., Circa 1975. Two vintage borderless reference photographs of Grazyna Dlugolecka from the 1975 Polish film. Beautiful young Ewa (Dlugolecka) falls in love with the handsome lodger Lukasz (Jerzy Zelnik) and travels Europe in search of him, falling prey to the lusts and abuses of various men.Nominated for the Palme d'Or.5 x 7 inches. Near Fine.

Mexico: Producciones Barbachano Ponce, 1958. Draft script for the 1959 film. Presentation copy belonging to director Luis Bunuel, and SIGNED by Bunuel on the front wrapper. Also laid in is a program from the film's American premiere on May 18, 1960, also SIGNED by Bunuel. Blue ink holograph annotations in the same hand to the verso of the last page.....

Los Angeles: Expanding Cinema, 1966. Shooting final for the 1966 film. Copy belonging to actor Peter Haskell, with his holograph annotations throughout and his shooting schedule laid in. Mary Ellen Bute's final film, and one of the only cinematic adaptations of James Joyce's masterfully complex work of fiction, "Finnegans Wake." Shot over a two year period, Bute was tasked with.....

Cannes, France: N.p., 1964. Original souvenir programs and film credits material showcasing some of the films from the 1964 Cannes Film Festival. It was this festival, the seventeenth one to be held, that the award name was changed from the Palme d'Or to the Grand Prix du Festival International du Film, the name used until 1974 when it returned to.....

Italy: Cinematografica RI.RE, 1961. Collection of 14 vintage borderless single weight studio still photographs from the 1961 Italian-French film. Action sequences, picketers, Delon and his compatriots, and a charming candid of Barbara Lass, are present. Numerical annotations, and a few with actor names, on the versos in holograph pencil, and rubber-stamps on the verso crediting photography agency "PIERLUIGI" and the.....

N.p. N.p., Circa 1953. Vintage reference photograph of (L-R) Henri-Georges Clouzot, Charles Vanel, unidentified woman, and Vera Clouzot on the set of the 1953 French film.Based on the 1950 French novel "Le Salaire de la Peur" by Georges Arnaud. Remade in 1958 as "Violent Road," directed by Howard W. Koch starring Brian Keith and Efrem Zimbalist, Jr. and again in.....

Beverly Hills, CA: United Artists, 1979. Vintage reference photograph of Francis Ford Coppola on the set of the 1979 film.Loosely based on the 1899 novella "Heart of Darkness" by Joseph Conrad."Apocalypse Now" remains the ultimate reflection of the American experience in Vietnam, taking Joseph Conrad's dark vision of an expedition up the Congo and transplanting it to Vietnam-era Cambodia. It.....

Paris: Parc Film, 1964. Vintage borderless press photograph of actor Catherine Deneuve and composer Michel Legrand at the awards ceremony for the Louis Delluc Prize, given to the best French film of the year, which "The Umbrellas of Cherbourg" received in 1964. With the stamps of ADP press agency and a French-language mimeo snipe on the verso. In addition to.....

N.p. N.p., Circa 1965. Vintage borderless reference photograph of Pierre Etaix and Claudine Auger from the 1965 film.After losing everything in the stock market crash of 1929, a millionaire (Etaix) finds happiness, his lost love (Auger), and the son he never knew he had by joining the circus. Nominated for the Palme d'Or.Shot on location in Morbihan, Bas-Rhin, and Yvelines.....

New York: Bill Doll and Company, 1961. Two vintage borderless studio still photographs from the US release of the 1961 Italian film. Large Astor Release snipe on verso, one with "R.R. Stuart Collection" stamp on verso. Fellini's most pivotal film, if not his finest. Unlike the more sentimental and abstract films that would follow, "La Dolce Vita" is an unflinching.....

N.p. Lopert Films Inc, 1957. Two vintage photographs from the 1957 film, one promotional photograph of Giulietta Masina and one studio still photograph of Masina and Francois Perier, here under the international release title "Cabiria." Federico Fellini's compassionate and grounded masterpiece, with a stunning and heart-breaking performance from (Fellini's wife) Masina as Cabiria, a naive prostitute with a resilient soul.....

Italy: MMD, 1991. Vintage borderless double weight photograph from the 1991 film. With a stamp on the verso identifying the film and photographer. A black comedy in which a divorced man falls for a beautiful woman, who uses magic to turn him into a sex slave. He doesn't seem to mind, until she gets bored and wants to leave him.....

Italy: Sancro Film, 1963. Collection of four vintage, oversize, borderless reference photographs from the 1963 Italian film. With the stamps of photographer Velio Cioni, and two press agencies on the verso. Two of the photographs show crew members putting the finishing touches on a mannequin of Jesus while director Ferreri looks on. A satire of masculinity and chauvinism, where a......

Los Angeles: Miramax, 2000. Vintage reference photograph of director James Gray and Victor Arnold on the set of the 2000 film.Leo (Mark Wahlberg), out of prison for auto theft, attempts to go straight and gets a job with his uncle Frank (James Caan), one of the largest contractors at the rail yards, which is rife with corruption and graft. Nominated.....

Vienna: Werner Herzog Filmproduktion, 1982. Vintage borderless studio photograph of Werner Herzog, Klaus Kinski and Claudia Cardinale on the set of the 1982 film. Francois Frederic stamp on the verso. Herzog's brilliant, bold and audacious "Fitzcarraldo," the story of the early 20th century rubber baron Brian Sweeney Fitzgerald (the ever manic Kinski) intent on building an opera house in the.....

N.p. N.p., 1963. Vintage borderless press photograph of director Alfred Hitchcock and actor Tippi Hedren attending Cannes in 1963, with Hitchcock making a bird gesture. With a stamp for photographer Luc Fournol on the verso noting the date 14 Mai 1963.Loosely based on a 1952 short story by Daphne du Maurier. Often regarded as Hitchcock's last great film, made all.....

Tokyo: Imamura Productions, 1987. Draft script for the 1987 film. Text in Japanese. The greatest pimp in all of Japanese history, Iheji Muraoka, also known as Zegen or the "Boss of the South Seas" grew in power as Japan grew. Not only were his achievements contributing to his mantle of success, but he believed they advanced the global ambitions of.....

N.p. Filmes Cinematografica, 1976. Collection of 3 vintage borderless photographs from the 1976 film. Grazia Neri stamps on the verso. Jancso's "Private Vices, Public Pleasures" is loosely based on the death of Crown Prince Rudolf of Austria, believed having killed himself after shooting his lover in a suicide pact in 1882. Jancso's film presents Rudolf (Lajos Balazsovits) as a pan-sexual.....

Moscow: Mosfilm, 1957. Vintage oversize, double weight photograph from the 1957 film. From the archives of French weekly "Tele Magazine," with two stamps on the verso, one referencing its inclusion in issue 52, page 5, along with holograph annotations regarding layout and the French title. Based on the 1956 play "Forever Alive" by Viktor Rozov, who also wrote the screenplay.....

Los Angeles: Twentieth Century-Fox, 1951. Final script for the 1952 film. Based on the life of Mexican revolutionary leader Emiliano Zapata. Xerographically reproduced Fox file copy, likely produced by the studio for its files in the late 1960s or a bit later. Kazan's romanticized, semi-fictional account of Zapata in his prime, this sweeping early Brando film glorifies the revolutionary's noble.....

Hollywood: Propaganda Films, 1998. Shooting Script for the 2000 film, with rainbow revisions and a set of storyboards. Copy belonging to the costume supervisor, with a sticker noting the title appearing on several pages, and a few holograph annotations in pencil and highlighter throughout. Included with the script are three sets of storyboards for the film, with brief holograph ink.....

N.p. N.p., Circa 1966. Vintage reference photograph of director Claude Lelouch (who was also the cinematographer), filming from the hood of Jean-Louis Duroc's (Jean-Louis Tintignant) mustang, from the set of the 1966 film. Anne Gauthier (Anouk Aimee) and Jean-Louis Duroc (Trintignant) meet as they drop their children off at boarding school and quickly become friends. As romance develops, they each.....

London: EMI Films, 1971. Vintage borderless double weight photograph of director Joseph Losey filming a scene on location in Norwich with actor Dominic Guard, with cast and crew members looking on. With two printed mimeo snipes affixed to the verso.Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young.....

N.p. N.p., Circa 1966. Two vintage reference photographs of Monica Vitti from the 1966 film. One with cropping annotations in holograph red and graphite pencil and "Modesty Blasie" stamp on verso. Based on the British comic strip which originally appeared in 1963. Modesty Blaise, a former criminal mastermind occasionally employed by the Secret Service, must protect a shipment of diamonds.....

Italy: Excelsa Film, 1951. Vintage double weight press photograph of writer Curzio Malaparte sitting in the director's chair during the filming of his sole cinematic effort, "The Forbidden Christ." With holograph pencil annotations regarding layout on both the recto and verso, and the stamp of photographer Osvaldo Civirani and a mimeo snipe on the verso. Nominated for the Palme d'Or.....

Nice: Self published, 1957. Sixteen vintage photographs from the 1957 Cannes Film Festival. On the versos of 11 photos is a rubber-stamp for photographer "L. Mirkine," photographer "Pierre Manciet" on the versos of remaining 5, and names corresponding to the image subjects on the versos in holograph ink. Housed in a manila envelope with "Festival 1957 Cannes" on the recto.....

Los Angeles: Twentieth Century-Fox, 1978. Vintage borderless photograph from the 1978 film, showing director Mazursky and star Clayburgh conferring on the set, while the crew waits behind them. With identifying holograph ink annotations on the verso. A woman attempts to reenter the dating scene and rediscover herself after her husband leaves her for a younger woman. Nominated for three Academy.....

N.p. Sumar Productions, 1956. Vintage studio photograph of Gloria Grahame on location, from the 1956 film. Mimeo snipe and French 20th Century Fox Stamp on verso. Based on Ewen Montagu's 1954 book, based on a true story about a British attempt to trick their German enemies, using the name and credentials of a dead man as bait. The real intelligence.....

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1981. Two vintage studio still photographs from the 1982 film, one of Dana Hill and one of Dana Hill, Viveka Davis, Tracey Gold, and Tina Yothers . George (Albert Finney) is caught in an affair, by his wife Faith (Diane Keaton), destroying their already fragile marriage and devestating their four children. Nominated for the Palme.....

Neuilly-sur-Seine, France: Argos Films, 1959. Collection of eight vintage, borderless reference photographs from the 1959 film. Four photographs with the stamp of production company Argos Films, seven with a sticker noting they are from the collection of film historian, collector, and founder of the Tele Cine Documentation (TCD) cinema photo library Daniel Bouteiller, one with both a sticker and stamp.....

Universal City: Universal Studios, 1983. Vintage studio still photograph of Dana Hill from the 1983 film. Based on Marjorie Kinnan Rawlings' 1942 memoir.Rawlings (Mary Steenburgen) makes the abrupt decision to leave her husband and move to an isolated orange grove to concentrate on writing her novel "The Yearling." Nominated for four Academy Awards including Best Supporting Actor (Rip Torn) and.....

N.p. Rome Paris Films, 1966. Vintage borderless French reference photograph of actress Anna Karina from the 1966 film. With a stamp specific to the French release for the film on the verso. Based on Denis Diderot's eighteenth century novel, following a young woman whose family forces her into a convent. A flurry of controversy surrounded the film's production and release.....

New York: N.p., 1973. Archive of photographs and negatives, shot by and belonging to photographer Andy Romanoff, of director Nicholas Ray at work on his collaborative, experimental film "We Can't Go Home Again" at the Chateau Marmont in 1973. In addition to the material, sale of the archive includes complete ownership of republication and reproduction rights. In 1971, after nearly.....

Paris: Fida Cinematografica, 1970. Vintage borderless photograph of director Claude Sautet on the set of the 1970 French-Italian film. With holograph annotations on the verso. Based on the 1967 novel "Intersections" by Paul Guimard, who also worked on the screenplay. Nominated for the Palme d'Or at Cannes, and remade in 1994 as "Intersection," directed by Mark Rydell and starring Richard.....

Gadd Productions, 1971. Vintage borderless photograph from the 1971 film.Al Pacino's first starring feature role. Schatzberg's bleak and stark portrayal of heroin addiction on the streets of New York City is told through the love story between Bobby (Pacino), an addict and drug dealer and Helen (Winn), who is drawn into heroin use through her relationship with Bobby. Nominated for.....

N.p. N.p., 1975. Archive of 15 single weight and 20 double weight vintage press photographs of Maria Schneider at the 1975 Cannes Film Festival, there to promote Michelango Antonioni's Palme d'Or nominated "The Passenger," in which she starred opposite Jack Nicholson. Eight photographs with stamps of photographers Leo Mirkine, Prisco de Majo, and Daniel Angeli (four, two, and two photographs.....

Paris: Gaumont, 1958. Original French program for the 1958 film. The director's second of four films featuring the inimitable "Monsieur Hulot." In this chapter, Hulot strays from his rather ordinary Paris neighborhood and into a modern, suburban one, where technological chaos reigns. A delightfully designed program, with four 5.5 x 4.25 inch color stills from the film tipped in amongst.....