Los Angeles: Twentieth Century-Fox, 1970. Collection of five vintage, borderless, oversize photographs from the 1970 film. With a small French distribution label from Twentieth Century-Fox on the recto of each photograph. Based on the 1968 novel by Richard Hooker, and, in turn, the basis of acclaimed television show which ran for 11 seasons on CBS. Winner of the Palme d'Or.....

Grunwald, Germany: Concorde Film, 1982. Collection of three vintage borderless reference photographs from the German release of the 1982 Italian film. With mimeo snipes on the verso.Antonioni's rarely discussed final feature, and one of his greatest achievements. A recently divorced director pursues a new relationship with a younger woman, who he imagines could play the leading role in his next.....

N.p. N.p., Circa 1966. Collection of 20 vintage borderless photographs from the 1966 film, 18 reference photographs and 2 fashion photographs of Rosaleen Murray and Ann Norman. Mimeo snipes on the verso of three of the photographs. Inspired by the 1959 short story "Las Babas del Diablo" by Julio Cortazar.Michelangelo Antonioni's first English-language film, marking the beginning of the final.....

N.p. N.p., 1962. Vintage borderless reference photograph of Monica Vitti sitting on a sofa and staring into the existential void, from the 1962 film. "ROMA's Press Photo" stamp on verso, with address in Rome for same. The third and final chapter of Michelangelo Antonioni's trilogy, preceeded by "L'Avventura" (1960), starring Gabriele Ferzetti and Monica Vitti, and "La Notte" (1961), starring.....

Stockholm: Sveriges Television [SVT], 1997. Three vintage color still photographs showing Ingmar Bergman on the set of his 1997 Swedish television movie, which also screened at the 1998 Cannes Film Festival as part of the Un Certain Regard section. Two patients at a mental hospital attempt to make and market a film. 8.75 x 5.75 inches. Fine.

Stockholm: Svensk Filmindustri [SF], 1956. Vintage borderless photograph, showing Bergman conversing with Bengt Ekerot, in costume as Death, on the set of the 1957 film. With the copyright stamp of Svensk Filmindustri, as well as some addition Swedish language stamps, and a date stamp of November 24, 1956 on the verso. The only production ephemera from the film we have.....

Neuilly-sur-Seine, France: Gaumont, 1956. Vintage borderless photograph from the set of the 1956 film, showing director Robert Bresson demonstrating a small action to the film's lead actor Francois Leterrier. With holograph annotations on the verso. Based on the 1956 memoir "A Man Condemned to Death has Escaped" by Andre Devigny, about a French Resistance member's escape from the Nazi controlled.....

Mexico: Producciones Barbachano Ponce, 1958. Draft script for the 1959 film. Presentation copy belonging to director Luis Bunuel, and SIGNED by Bunuel on the front wrapper. Also laid in is a program from the film's American premiere on May 18, 1960, also SIGNED by Bunuel. Blue ink holograph annotations in the same hand to the verso of the last page.....

Los Angeles: Expanding Cinema, 1966. Shooting final for the 1966 film. Copy belonging to actor Peter Haskell, with his holograph annotations throughout and his shooting schedule laid in. Mary Ellen Bute's final film, and one of the only cinematic adaptations of James Joyce's masterfully complex work of fiction, "Finnegans Wake". Shot over a two year period, Bute was tasked with.....

France: Filmel, 1978. Vintage borderless photograph of Isabelle Huppert and Jean Carmet from the 1978 film. With holograph annotations on the verso. Based on the 1975 novel of the same name by Jean-Marie Fitere which tells the true story of Violette Noziere (Isabelle Huppert), a French teenager who in the 1930s worked as a prostitute while living with her parents.....

Los Angeles: Twentieth Century-Fox, 1991. Vintage reference photograph of director-screenwriters Joel and Ethan Coen and actor John Turturro having a conversation between takes on the set of the 1991 film. One of the more ambitious films in the Coen brothers' oeuvre, a nuanced comedy about Hollywood, success, and the interaction between intellectuals and the common man. Based largely on the.....

Paris: Parc Film, 1964. Vintage borderless photograph of Jacques Demy and Catherine Deneuve on the set of the 1964 French musical. With extensive holograph annotations in blue marker and the production company's rubber stamp on the verso. Genevieve (Catherine Deneuve), works at her widowed mother's umbrella boutique and Guy (Nino Castelnuovo), a young mechanic, fall in love in the beautiful.....

Paris: FFD, 1969. Original pressbook for the 1969 French film. Nominated for two Academy Awards and the Palme d'Or. The third film (but fourth released) in Rohmer's "Moral Tales" series, and the one that finally elevated him to the international status of his New Wave peers. 9.5 x 13.25. Tri-fold, Very Good plus. Starting to the lower rear fold, and.....

Rome: Riama Film, 1960. Vintage oversize borderless double weight press photograph of Anouk Aimee from the 1960 film. With agency stamps on the verso. Fellini's most pivotal film, if not his finest. Unlike the more sentimental and abstract films that would follow, "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome, with Mastroianni, a jaded journalist at the.....

N.p. Lopert Films Inc, 1957. Two vintage photographs from the 1957 film, one promotional photograph of Giulietta Masina and one studio still photograph of Masina and Francois Perier, here under the international release title "Cabiria". Federico Fellini's compassionate and grounded masterpiece, with a stunning and heart-breaking performance from (Fellini's wife) Masina as Cabiria, a naive prostitute with a resilient soul.....

Italy: MMD, 1991. Vintage borderless double weight photograph from the 1991 film. With a stamp on the verso identifying the film and photographer. A black comedy in which a divorced man falls for a beautiful woman, who uses magic to turn him into a sex slave. He doesn't seem to mind, until she gets bored and wants to leave him.....

Italy: Sancro Film, 1963. Collection of four vintage, oversize, borderless reference photographs from the 1963 Italian film. With the stamps of photographer Velio Cioni, and two press agencies on the verso. Two of the photographs show crew members putting the finishing touches on a mannequin of Jesus while director Ferreri looks on. A satire of masculinity and chauvinism, where a......

Culver City, CA: RKO Radio Pictures, 1945. Draft script for the 1945 film, with an additional seven page addendum on pink stock with alternate endings written out in a treatment form. In addition to containing an alternate ending, the date on the script coincides with the takeover of the project by RKO from original producer David O. Selznick in July.....

N.p. Alfieri, 1969. Vintage oversize double weight color photograph of Dennis Hopper and Jack Nicholson, at an outdoor press conference held in front of the Carlton Hotel at the Cannes Film Festival, where Hopper was awarded the Cannes First Film Prize. Shot by Marc Alfieri, and signed by him in black ink at the lower left margin: "Photo Alfieri /.....

Kanagawa, Japan: Daiei Studios, 1959. Collection of 6 vintage US publicity photographs from the 1959 Japanese pink film. The first of several films based on the Junichiro Tanizaki. Released in Japan as "Kagi" and with the alternate English language title "The Key".An elderly antique dealer struggles with his aging body and looming impotence. To grapple with his anxiety he introduces.....

Budapest: Mafilm, 1967. Vintage Hungarian program for the 1967 film. Photo-illustrated with scenes from the film, including one large image on the entirety of the verso. Text in Hungarian. One of the masterpieces of Hungarian cinema. A Russian-Hungarian co-production, "The Red and the White" was originally commissioned to celebrate the 50th anniversary of the October Revolution in Russia in which.....

London: HandMade Films, 1986. Vintage borderless photograph from the 1986 film, showing director Jordan and star Hoskins together on location. With holograph annotations on the verso. Hoskins stars as a recently released ex-con hired to drive a high class escort from job to job, slowly falling in love with her as he does, which leads trouble for them both. Hoskins.....

Burbank, CA: Warner Brothers, 1955. Two vintage keybook photographs from the 1955 film, one showing director Elia Kazan behind the camera, the other showing actors James Dean and Nick Dennis goofing around behind the scenes with dialogue director Guy Thomajan. Typed annotations identifying the subjects on the versos. Based on the 1952 novel by John Steinbeck. Winner of Best Dramatic.....

N.p. N.p., 1959. Shooting script for the 1960 film. Title annotated on the right edge of the front wrapper in holograph pencil and copy number "36" annotated on title page above title in holograph ink. Based on the 1913 novel by D.H. Lawrence, about a young man caught between his domineering, manipulative mother, his repressed former girlfriend, and an independent.....

London: EMI Films, 1971. Vintage borderless double weight photograph of director Joseph Losey filming a scene on location in Norwich with actor Dominic Guard, with cast and crew members looking on. With two printed mimeo snipes affixed to the verso.Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young.....

Italy: Excelsa Film, 1951. Vintage double weight press photograph of writer Curzio Malaparte sitting in the director's chair during the filming of his sole cinematic effort, "The Forbidden Christ". With holograph pencil annotations regarding layout on both the recto and verso, and the stamp of photographer Osvaldo Civirani and a mimeo snipe on the verso. Nominated for the Palme d'Or.....

Nice: Self published, 1957. Sixteen vintage photographs from the 1957 Cannes Film Festival. On the versos of 11 photos is a rubber-stamp for photographer "L. Mirkine," photographer "Pierre Manciet" on the versos of remaining 5, and names corresponding to the image subjects on the versos in holograph ink. Housed in a manila envelope with "Festival 1957 Cannes" on the recto.....

Los Angeles: Twentieth Century-Fox, 1978. Vintage borderless photograph from the 1978 film, showing director Mazursky and star Clayburgh conferring on the set, while the crew waits behind them. With identifying holograph ink annotations on the verso. A woman attempts to reenter the dating scene and rediscover herself after her husband leaves her for a younger woman. Nominated for three Academy.....

N.p. Sumar Productions, 1956. Vintage studio photograph of Gloria Grahame on location, from the 1956 film. Mimeo snipe and French 20th Century Fox Stamp on verso. Based on Ewen Montagu's 1954 book, based on a true story about a British attempt to trick their German enemies, using the name and credentials of a dead man as bait. The real intelligence.....

Italy: Vera Films, circa 1969-1970. Vintage borderless photograph from the 1970 Italian film. With the stamp of photograph Mario Tursi on the verso. An iconic photograph from an iconic film, a study in corruption in which a police inspector investigates a crime that he himself has committed. Winner of the 1971 Academy Award for Best Foreign Film and the Cannes.....

Los Angeles: Twentieth Century-Fox, 1979. Vintage borderless photograph from the set of the 1979 film, showing director Martin Ritt discussing a scene with star Sally Field. With the stamps of photographer Jacques Moreau and Twentieth Century-Fox on the verso. Inspired by the real life story of Crystal Lee Sutton, about a woman who fights to unionize a textile company. Field.....

N.p. Rome Paris Films, 1966. Vintage borderless French reference photograph of actress Anna Karina from the 1966 film. With a stamp specific to the French release for the film on the verso. Based on Denis Diderot's eighteenth century novel, following a young woman whose family forces her into a convent. A flurry of controversy surrounded the film's production and release.....

New York: N.p., 1973. Archive of photographs and negatives, shot by and belonging to photographer Andy Romanoff, of director Nicholas Ray at work on his collaborative, experimental film "We Can't Go Home Again" at the Chateau Marmont in 1973. In addition to the material, sale of the archive includes complete ownership of republication and reproduction rights. In 1971, after nearly.....

Paris: Fida Cinematografica, 1970. Vintage borderless photograph of director Claude Sautet on the set of the 1970 French-Italian film. With holograph annotations on the verso. Based on the 1967 novel "Intersections" by Paul Guimard, who also worked on the screenplay. Nominated for the Palme d'Or at Cannes, and remade in 1994 as "Intersection," directed by Mark Rydell and starring Richard.....

Gadd Productions, 1971. Vintage borderless photograph from the 1971 film.Al Pacino's first starring feature role. Schatzberg's bleak and stark portrayal of heroin addiction on the streets of New York City is told through the love story between Bobby (Pacino), an addict and drug dealer and Helen (Winn), who is drawn into heroin use through her relationship with Bobby. Nominated for.....

N.p. N.p., 1975. Archive of 15 single weight and 20 double weight vintage press photographs of Maria Schneider at the 1975 Cannes Film Festival, there to promote Michelango Antonioni's Palme d'Or nominated "The Passenger," in which she starred opposite Jack Nicholson. Eight photographs with stamps of photographers Leo Mirkine, Prisco de Majo, and Daniel Angeli (four, two, and two photographs.....

N.p. Continental Distributing, 1958. Vintage reference photograph of Jacques Tati from the 1958 film. The director's second of four films featuring the inimitable Monsieur Hulot. In this chapter, Hulot strays from his rather ordinary Paris neighborhood and into a modern, suburban one, where technological chaos reigns. Nominated for the Palme d'Or at Cannes, and winner of the Jury Special Prize.....

Paris: Gaumont, 1958. Vintage photograph of Jacque Tati as Monsieur Hulot from the 1958 film. The director's second of four films featuring the inimitable "Monsieur Hulot". In this chapter, Hulot strays from his rather ordinary Paris neighborhood and into a modern, suburban one, where technological chaos reigns. Nominated for the Palme d'Or at Cannes, and winner of the Jury Special.....

Neuilly-sur-Seine, France: Gaumont, 1958. Three vintage borderless photographs showing director Jacques Tati at work on the set of the 1958 film. With the stamps of the French Film Office's New York address, as well as film information, on the verso. The director's second of four films featuring the inimitable Monsieur Hulot. In this chapter, Hulot strays from his rather ordinary.....

Paris: Les Films du Carrosse, 1959. Original French Grande poster for the 1959 film. Poster design by Boris Grinsson. Truffaut's auspicious debut, winner of Best Director at Cannes, nominated for the Palme d'Or, and also nominated for a Best Original Screenplay Oscar the following year. 47 x 62 inches27 x 41. Linen backed and rolled. Bright and Fine. Capitaine 207.....

Rome: G.B. Poletto, 1962. Vintage press photograph showing director Luchino Visconti and stars Burt Lancaster and Claudia Cardinale on the beach at Cannes to promote "The Leopard" with the aid of what is actually a cheetah, rather than the titular big cat. With the stamp of United Press International on the verso. Visconti's classic, spacious homage to the quiet death.....

N.p. N.p., Circa 1984. Three vintage borderless color vernacular photographs from the 1984 film.Even more than "Wings of Desire," "Paris, Texas" stands as Wim Wenders' definitive work, and Sam Shepard's original screenplay for the film stands among his finest work as both a novelist and a playwright. Winner of the Palme d'Or at the 1984 Cannes Film Festival. Set in.....

Grunwald, Germany: Bavaria Film, 1977. Vintage photograph from the 1977 film. With holograph annotations on the verso. Based on the 1974 novel "Ripley's Game" by Patricia Highsmith, later adapted in 2002 under the original title, directed by Liliana Cavani and starring John Malkovich, Dougray Scott, and Ray Winstone. Nominated for the Palme d'Or at Cannes. 7 x 5 inches. Near.....

Los Angeles: Twentieth Century-Fox, 1964. Collection of six vintage black-and-white studio still photographs from the 1964 internationally produced film, here under the US title, "The Visit". Included are two film credits sheets from publicity manager Mort Segal, referring to actress Demick as she visits Tunisia, smokes a hookah, and shops locally.One image from the set is shown. Please inquire for.....