Brussels: Centre du Cinema et de l'Audiovisuel de la Federation Wallonie-Bruxelles, 1978. Vintage oversize borderless photograph of director Chantal Akerman and actress Aurore Clement on the set of the 1978 film, with various cast and crew members in the background. With a collector stamp and holograph ink annotations identifying the photograph subjects on the verso. A Belgian filmmaker travels across.....

Paris: William Morris Agency, Circa 1950s. ry Good Plus overall, with faint foxing and slight curling.

N.p. N.p., Circa 1965. Draft script for the 1965 Yugoslavian made-for-television film, first aired on November 15, 1965. With a few holograph ink annotations throughout, mostly noting deletions and grammatical revisions. Text in English. An aging actor recalls his experiences twenty years earlier during World War II, in particular remembering an older artist nicknamed "Maestro" who encouraged him to pursue.....

Rome: Nepi Film, 1962. Vintage borderless reference photograph from the 1961 film. The second film in director Michelangelo Antonioni's trilogy that begins with "L'Avventura" (1960) and ends with "L'Eclisse" (1962).Probably no one has ever said it better than Bosley Crowther, who reviewed the film for the New York Times in 1961: "Too sensitive and subtle for apt description are [Antonioni's].....

N.p. N.p., Circa 1966. Collection of 20 vintage borderless photographs from the 1966 film, 18 reference photographs and 2 fashion photographs of Rosaleen Murray and Ann Norman. Mimeo snipes on the verso of three of the photographs. Inspired by the 1959 short story "Las Babas del Diablo" by Julio Cortazar.Michelangelo Antonioni's first English-language film, marking the beginning of the final.....

N.p. N.p., 1962. Vintage borderless reference photograph of Monica Vitti sitting on a sofa and staring into the existential void, from the 1962 film. "ROMA's Press Photo" stamp on verso, with address in Rome for same. The third and final chapter of Michelangelo Antonioni's trilogy, preceeded by "L'Avventura" (1960), starring Gabriele Ferzetti and Monica Vitti, and "La Notte" (1961), starring.....

London: Gala Film Distributors, Circa 1961. Collection of 7 vintage black-and-white still photographs from the 1961 UK release (as "Femme Fatale") of the 1957 Spanish-Italian film, "La puerta abierta". Distributor (UK) rubber-stamps on the versos. Based on a Hungarian play about the murder of an actress, and the young female eyewitness who can keep a secret. Marta Toren's final film.....

N.p. Films du Jeudi, 1974. Vintage oversize color reference photograph from the 1974 French film, showing actors Jane Birkin (topless) and Feodor Atkine (in drag). A weepy, whiny alcohol salesman manipulates his way into power as the head of a luxury hotel. Set and shot on location in Paris.11.75 x 9.5 inches. Near Fine.

Budapest: Szikra Kiadas, 1948. First Hungarian Edition, preceding all others. Lengthily INSCRIBED by the author in Hungarian in the year preceding publication on the first blank leaf, ending with "Budapest / 47.XII.14." A rare signature. A renaissance man in the world of early cinema, Balazs began writing film criticism, poetry, librettos, and screenplays in 1907, and died after a very.....

Paris: Cinedis, 1959. Collection of 269 vintage black-and-white photographs for the 1959 French film. The collection consists of two unique and complimentary pieces, one being a film still keybook with 68 contact prints of small format negatives, most with 12 images per print, amounting to over 800 images captured. Nearly all images with series number bordering the image, and credits.....

France / Italy: Filmsonor, Circa 1960. Collection of 16 vintage borderless single weight still photographs from the 1960 French film noir. A remarkable collection, including still photographs from the film, candid shots, and shots from the set. On-set images include director Jacques Becker with his camera and with the actors, actors Marc Michel and Michel Constantin, and other members of.....

Stockholm: Svensk Filmindustri, 1960. Original international program for the English language release of the 1960 Swedish film by Ingmar Bergman, printed by Svensk Filmindustri in Sweden. Adapted from the thirteenth century Swedish ballad, "Tores dottrar i Wange". Photo illustrated throughout. Winner of the Academy Award for Best Foreign Language Film, and nominated for the Palme d'Or, with director Bergman receiving.....

Paris: Les Productions Alcinter and Andre Cotton, Circa 1966. Draft script (carbon typescript) and scenario (offset printing) for the 1966 French film, here under the working title, "Convoi pour Dien-Bien-Phu". Released in the US as "The Postman Goes to War" (1968). Numerical notation in holograph pencil on one page. Also included is the original manila folder used to house the.....

Los Angeles: Paramount Pictures, 1976. Vintage photograph on the set of the 1976 film, showing director Bernardo Bertolucci giving instructions to actors Robert De Niro, Gerard Depardieu, and Romolo Valli. Director Bernardo Bertolucci's epic film was a gargantuan undertaking, requiring the resources of three European countries and a trio of American movie studios. Set in the small town of Parma.....

Italy / US: Twentieth Century-Fox, 1979. Vintage borderless photograph showing actor Jill Clayburgh and director Bernardo Bertolucci in a pensive moment during on outdoor shoot from the set of the 1979 film. With the stamp of US co-producer Twentieth Century-Fox and identifying holograph notation on the verso. The son of a famous opera singer falls into heroin addiction, and his.....

Paris: France Cinema, 1962. Archive of 224 vintage borderless single weight keybook contact sheets and film stills, amounting to nearly 2000 numbered images, for the 1962 French-Italian film, here under the original French title. The entire film is represented in minute detail, along with test shots, set design shots, and many candid off-camera shots from the set. Brief cropping and.....

Paris: France Cinema Productions, 1962. Original scenario with dialogue script for the 1962 film, here under the French title. French language. Unbound carbon leaves housed in a turquoise folder with silver prong brad, another French film title on the front, "Venus Imperiale," presumably Jean Delannoy's "Imperial Venus" of the same year. Notations on several pages in holograph ink and pencil.....

Paris: France Cinema, 1962. Collection of 8 vintage borderless single weight film still photographs for the 1962 French-Italian film, here under the original French title. Starring actress Saval is prominently featured, both at the salon and in sickbed scenes with Eddy Mitchell. Notations in holograph pencil on three smaller photos, larger photos rubber-stamped on the verso, crediting photographer William Camus.....

Paris: Cinedis, 1957. Collection of 150 vintage black-and-white keybook contact sheet photographs and 8 loose photographs for the 1957 French-Italian film. The film is represented in test shots, set design shots, and many candid moments from the set, including dramatic high-contrast images of starring actors, Bardot amply represented in the collection and seen in nearly every image, off-camera with the.....

Paris: Sofracima, 1975. Vintage oversize borderless color reference photograph from the 1975 film, showing actress Isabelle Huppert. With the stamp of Cine-Voc Films on the verso.A middle-aged man on his annual family camping vacation rapes and murders the teenage daughter of his old friends, then frames a group of Arab immigrant workers for the crime.12 x 9.5 inches. Very Good.....

France: Self published, Circa 1956. Four original glamour photographs of French-Italian actress Dominique Boschero, circa 1956-1960, in the early years of Sam Levin's career as portrait photographer, and Boschero's first films. Rubber-stamped on the versos, crediting notable Ukrainian photographer Sam Levin, with contact information for Boschero in holograph ink, also on the versos. Boschero was a French actress with sultry.....

Paris: Le Film illustre, 1962. Original French magazine focusing on contemporary international film, actors and actresses, and persons behind the scenes, like set decorators and directors. French text throughout. Italian actress Gina Lollobrigida graces the front wrapper, and Frida Boccara on the rear wrapper. Color centerfolds were also featured, and this issue sports a full-color spread of youthful actors Martine.....

France: Compagnie Cinematographie de France, 1959. Vintage borderless press photograph from the 1959 film, showing director Robert Bresson on a Paris metro set, going over a script while actor Martin LaSalle and crew look on. With the stamp of French photo agency Dalmas and holograph pencil annotations regarding layout and identifying the image on the verso. Bresson's first wholly original.....

France: Filmel, Circa 1964. Revised Draft script for the 1964 French film, here under the original French title. Printed and bound by the Studio de la Copie in Paris, operated by Mme. L. (Lucienne) Sotier, with credits on the first page. Text in French.Based on Daniel-Rops' 1934 eponymous novel. Laure (Audret) is a young woman nearly raped by a member.....

Paris: Twentieth Century-Fox, 1974. Vintage borderless photograph showing director Luis Bunuel (wearing badass sunglasses) and producer Serge Silberman conferring during the shooting of the 1974 film. A non-linear surrealist satire of Bunuel's usual targets, in this case bourgeois morality and class-based societal structures. 9.5 x 6.5 inches. Near Fine. Criterion Collection 290. Rosenbaum 1000.

Paris: Robert et Raymond Hakim, 1968. Vintage borderless photograph of actress Catherine Deneuve from the 1968 film. With holograph annotations regarding layout, and stamps of producers Robert & Raymond Hakim and Cine-Revue magazine.Bunuel's first color film, about a bored and directionless young housewife who begins working in a brothel while her husband is at work, with tragic consequences for him.....

France: Greenwich Film Productions, 1977. Vintage borderless photograph from the set of the 1977 film. Based on the 1898 novel "Le femme et le patin" ("The Woman and the Puppet") by Pierre Louys, about the tempestuous relationship between a wealthy, middle aged Frenchman and a poor, young Spanish dancer. The woman is played by both Carole Bouquet and Angela Molina.....

N.p. N.p., 1959. Collection of four vintage oversize borderless double weight reference photographs from the 1959 film. A key film that captured the essence of an era, a music, and a place, namely the modern Carnival, bossa nova, and Brazil, as well as an important intersection of European and Brazilian viewpoints, merging the talents of French director Marcel Camus and.....

Cannes, France: N.p., 1964. Original souvenir programs and film credits material showcasing some of the films from the 1964 Cannes Film Festival. It was this festival, the seventeenth one to be held, that the award name was changed from the Palme d'Or to the Grand Prix du Festival International du Film, the name used until 1974 when it returned to.....

Italy: Lotar Film, 1974. Collection of four vintage photographs from the 1974 film. Each with the stamp of collector A. Marinie on the verso, one photograph with holograph annotations regarding layout. Italian director Cavani's international breakthrough, a deeply controversial film about a Holocaust survivor who renews her sadomasochistic sexual relationship with her Nazi torturer after a chance encounter, which threatens.....

Paris: Lux Film, Circa 1963. Promotional flyer for the 1963 French film. Text in French.During World War I, a man supplements his income by luring middle-class Parisian women to a countryside villa where he seduces and kills them, burns their bodies, then helps himself to their bank accounts, keeping himself, his wife, his mistress, and his four children in the.....

Paris: Paris Film, 1960. Vintage borderless photograph of director Claude Chabrol goofing about with three of the four bonnes femmes on the set of the 1960 film. With the stamp of photographer Georges Pierre and holograph annotations on the verso. A light, spirited look at the lives of four young women in Paris, perhaps the standout of director Chabrol's early.....

Rome: Panitalia, 1959. Vintage borderless candid photograph of Antonella Lualdi and members of the film crew on the set of the 1959 film. With a stamp for photographer Jacques Six and mimeo snipe to the verso. A wealthy vintner finds it difficult to balance the demands of his wife, his children, his best friend, and his recently murdered mistress. Set.....

Paris: Les Films Ariane, 1956. Two vintage black-and-white still photographs from the set of the 1956 French film, here under the original French title, "Si tous les gars du monde..". Featured are images of the cast and crew on the fishing boat seen in the film, including director Christian-Jaque and cast family members. Photographer "le grand" credited on the recto.....

Paris: Cinedis, 1958-1962. Archive of press material and film reviews for the Parisian distributor and press and film agency, Cinedis, representing a four-year span from the company notable for its associations with French New Wave filmmaking. French language throughout. Included in the archive are two 2-ring binders, noted on the spine of one as "Bulletin Informations Cinedis," and one with.....

Paris: Cinedis, 1959. Archive of press material compiled by Cinedis, a French press and film agency, concerning the formation and founding members of the Ministere de la Culture (Ministry of Culture) of France. The Ministry of Culture was created by Charles de Gaulle in 1959 and the first Minister was writer Andre Malraux, whose responsibilities included the democratizing of access.....

Paris: Gallimard, 1961. First Edition. SIGNED and briefly inscribed by Rene Clair in holograph ink on the front endpaper. Photoplay edition, with stills from the film, and released in a dust jacket featuring a still of Bourvil on the front. Top edges uncut.Basis for the 1961 eponymous film, directed by Clair, starring Bourvil, Alfred Adam, Philippe Noiret, and Claude Rich.....

Paris: Cinedis, 1961. Archive of 749 vintage keybook photographs from the 1961 French-Italian film. Over 200 are loose, the remainder being affixed with cello tape on thick stock in two folio sized spiral bound notebooks with one title label present. Each photograph is numbered in holograph pencil on the versos, 13 photographs credit photographer Water Limot, 18 with his name.....

France: N.p., Circa 1961. Collection of 91 vintage candid photographs featuring director Rene Clair and members of the cast and crew at release parties for the 1961 film. Clair is seen with fans, giving a speech, signing autographs, conducting a recorded interview, and cavorting with stars of the film like Colette Castel, Alfred Adam, and Annie Fratellini. The festivities seem.....

Paris: Cinedis, 1955. Collection of 867 original black-and-white keybook still photographs from the 1955 French film. Small snapshot photos pasted on thick stock in three large quarto "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper and a paper title label affixed to the front wrapper. Nearly all photos numbered in holograph ink inside a small white.....

Italy: Cinematografica RI.RE, 1961. Collection of 14 vintage borderless single weight studio still photographs from the 1961 Italian-French film. Action sequences, picketers, Delon and his compatriots, and a charming candid of Barbara Lass, are present. Numerical annotations, and a few with actor names, on the versos in holograph pencil, and rubber-stamps on the verso crediting photography agency "PIERLUIGI" and the.....

Paris: Various, 1946-1964. Collection of 19 original French programs for French, German, Italian, and Spanish films, with a single US film, here under the original French titles, 1946-1964. All feature color wrappers, some illustrated with color stills from the film, and highlights include "Madame du Barry" (1954, Christian-Jaque), "Madame Butterfly" (1954, Carmine Gallone), "Les Diaboliques" (1955, Henri-Georges Clouzot), US film.....

N.p. N.p., circa 1982. Original Treatment script for an unproduced film. With 17 pages of information about Polish screenwriter Witold Orzechowski laid in, including a background on his film career on the other side of the Iron Curtain and about his affiliation with the Solidarity political party. Orzechowski directed the first Eastern European cinematic adaptation of Joseph Conrad with the.....