Hollywood: Paramount Pictures, circa 1980. Draft script for the 1982 film. Satirical horror farce, based on Robert Louis Stevenson's 1886 novella "Strange Case of Dr. Jekyll and Mr. Hyde". Jerry Belson's cinematic directorial debut, based on a late-night sketch from ABC's answer to Saturday Night Live, "Fridays," wherein comedian Mark Blankfield played a recurrent cocaine-snorting pharmacist. Belson, most often noted.....
New York: Wayne County Defense Fund, 1976. Original poster advertising “The Fantabulous New York Rock Party,” held at the Manhattan Center in New York on May 30, 1976. An ironic moment in New York punk and art scene history, some of the earliest evidence that the movement created to mock celebrity status was beginning to see itself in terms of.....
New York: Chrysalis Records, 1978. Original pressbook for the tour supporting Blondie's third album, "Parallel Lines," released by Chrysalist Records in 1978. Named after an unfinished song, a record that saw Blondie at the peak of its powers, containing the lion's share of the band's most famous singles, including "Hanging on the Telephone," "One Way or Another," and "Heart of.....
N.p. N.p., 1980. Original flyer for a performance by pioneering post-punk band Bush Tetras at the legendary club Hurrah on March 26, 1980. Although mainstream success alluded the female-fronted band, they were mainstays of the New York and college radio scenes, and charted two singles ("Too Many Creeps," (1981) "Cant' Be Funky" (1982)) on the Billboard charts. 11 x 8.5.....
![The Forbidden Dance [Lambada The Forbidden Dance] (Original screenplay for the 1990 film)....](/pictures/thumb/141602.jpg?v=1492980725)
Culver City, CA: Columbia Pictures, 1989. Two different Draft scripts for the 1990 film. Both are working scripts, one with annotations throughout in holograph pencil. Both here under the original title, "Lambada! The Forbidden Dance". After her home in the Amazon rainforest is threatened, a princess (Harring) from an indigenous tribe heads to Los Angeles to express her complaints and.....
New York: St. Martin's Press, 1983. First US Edition, preceded by the UK edition published the same year by Omnibus Press. Heavily photo-illustrated throughout, in both black and white and color. Scarce. Comprehensive biographical dictionary of late seventies and early eighties rock, punk, punk-post, and new waves acts. Written by two Australian music journalists, centered primarily on the UK scene.....
London: Black Spring Press, 1990. First Edition, a paperback original. The collected lyrics of Howard Devoto, original frontman for the Buzzcocks and founder of the influential British post-punk band Magazine. Complete through the release of "Beast Box" (1990), the then-current record by Devoto's band Luxuria. About Fine in stiff wrappers with French flaps.
New York: Scribner, 1996. First Edition. INSCRIBED by Hell on the title page to fellow author Chris Offutt: "For Chris from his homeboy Richard 2/3/00." The author's first book. Offutt is the author of “Kentucky Straight” and other short story collections, novels, nonfiction, and memoirs, and, in 1996, was named one of the twenty Best Young American Novelists by “Granta”.....
New York: Powerhouse Books, 2001. First Edition. Association copy, INSCRIBED by Richard Hell to fellow author Chris Offutt on the title page: "For Chris Offutt / From his friend / Richard Hell." From the collection of Chris Offutt. Offutt is the author of “Kentucky Straight” and other short story collections, novels, nonfiction, and memoirs, and, in 1996, was named one.....
Vintage Canadian one sheet poster for the 1984 Canadian sexploitation film. A Canadian cult favorite, wherein a group of teenagers set about saving a summer camp from becoming a shopping mall, while having as much sex and wearing as little clothing as possible. Shot on location in Beaverton (!) and Lake Simcoe, Ontario. 27 x 41 inches. Fine, folded as.....
London: Don Letts, 1979. Original handbill for the London premiere of the 1977 film documentary, held at the Institute of Contemporary Arts Cinema Club, preceding the New York premiere of the film by nearly 10 months. The definitive London punk documentary. Shot by Don Letts on 8mm film almost exclusively at The Roxy in Covent Garden, London, during the club's.....
N.p. N.p., ca. 1977. Original manuscript by Joey Ramone for an unrecorded Ramones song, "Let's Go Playmates," executed by the punk legend in holograph pencil on both the recto and verso of a legal size sheet of lined notebook paper. The lyrics appear in every orientation, a beautiful, messy gathering of ideas—some crossed through—rather than a finished song. They read.....
![Sid and Nancy [Love Kills] (Original screenplay for the 1986 film, with lengthy inscription from...](/pictures/thumb/139365.jpg?v=1492980247)
London: Commies From Mars / Initial Pictures, 1985. Third Draft script for the 1986 film, "Sid and Nancy," here under the working title, "Love Kills." INSCRIBED by Kate Simon in holograph ink on the verso of the last page of text. Simon was "a friend of Alex Cox's and [she] helped him vis a vis the fine details of the.....
New York: Sire Records, 1977. Vintage UK tour poster for "Talking Heads 77," promoting Talking Heads' first tour outside US borders in—you guessed it—1977. Any vintage posters from the first year of the band's existence are uncommon; this is one we have never encountered before. 27.5 x 19 inches, rolled. In a custom archival frame. Near Fine, with a few.....
Finland: Tmi Ramoniac, 2004. First Edition. INSCRIBED by the author on the title page: "Jimmy, this book is full of love, and you're one reason for it, J [Joey] and so many other people underline that you're one of the most lovely people in New York with the most honest heart. We're lucky and happy to know you. Thanks. Hugs.....
N.p. N.p., 2014. Photograph of the Velvet Underground and Nico, shot by Billy Name circa 1967 and struck by him in 2014. SIGNED by Billy Name in silver ink on the recto, and with his stamp on the verso. Name, who had gotten his start in theatre, met Andy Warhol in the early 1960s, and appeared in Warhol's 1963 films.....
New York: Island Records, 1980. Vintage black and white die-cut standee promotional poster for U2's 1980 debut album "Boy". Though "Boy" was reviewed at the time as relatively unpolished yet still having potential, U2 has gone on to be one of the most widely-recognized bands in the world. Over the years U2 has sold over 170 million records, won 22 Grammy.....
New York: Island Records, 1980. Vintage black and white double-sided poster for U2's 1980 US tour promoting their debut album "Boy" and hit single "I Will Follow". One side of the poster advertises press responses to U2's debut album "Boy," alongside a list of the band's upcoming US tour dates, while the other side has a close up image of Bono.....
New York: Island Records, 1987. Vintage black, white, and gold US promotional poster blank for U2's 1987 tour in support of their phenomenal smash hit album "The Joshua Tree". Promotional poster blank for the tour supporting their fifth studio album "The Joshua Tree," with boxes reading "VENUE" and "DATE" that would later be replaced by said pertinent information. Critically acclaimed and.....
New York: Island Records, 1987. Vintage black and white US promotional banner poster for U2's 1987 "maxi-single" release of their chart-topping hit "With or Without You". Promotional poster for the "With or Without You" single from the band's fifth studio album "The Joshua Tree". Critically acclaimed and publicly beloved, "The Joshua Tree" won U2 their first two Grammy awards, topped the.....
Various cities: Various Publishers, 1979-82. Collection of three catalogs compiling hundreds of listings of releases by small and independent record labels from 1979 to 1982. A treasure trove of information on the underground music scene of the era. Included in the listing are: "Great bands, small labels," published by "Gorilla Beat" magazine, Mulheim, Germany, 1979. "Small Labels Catalogue 1980," published by.....
Beverly Hills, CA: Orion, 1986. Fourth Draft script for the 1987 film. Copying belonging to actor Stephen Berrier, who played Roosevelt, one of the scientists responsible for transforming police officer Alex Murphy into The Future of Law Enforcement. With Berrier's name, character name, and signature in holograph ink on the title page, and holograph annotations relating to his scenes throughout.....