![Hour of the Wolf [Vargtimmen] (Original still photograph from the set of the 1968 film). Ingmar...](/pictures/thumb/135025.jpg?v=1492979041)
Stockholm: Svensk Filmindustri, 1968. Vintage black-and-white Swedish photograph from the 1968 film. Notation on the verso with the Spanish title for the film, "LA HORA DEL LOBO," indicating that this still was likely used in the Spanish market upon the film's release. Shown in the photograph are an ostensibly pregnant Ullmann, cinematographer Nykvist, and Bergman behind the camera. A film.....
![The Touch [Beroringen] (Original still photograph from the set of the 1971 film). Ingmar Bergman,...](/pictures/thumb/134578.jpg?v=1492978988)
Stockholm: Svensk Filmindustri [SF], 1970. Vintage black-and-white borderless double weight Swedish press photograph from the 1971 film, shot in 1970. Stamps on the verso for the Pressens Bild Ab Feature-Service in Sweden, as well as a Swedish mimeo snipe describing the scene, dated October 1970 and crediting still photographer Jorgen Persson, and a subsequent French press stamp. Pictured left.....
Universal City: Universal International Pictures, 1958. Two original vintage linen backed keybook photographs, one of director Harry Keller, producer Gordon Kay, and cinematographer William Daniels, the other of Harry Keller and actress Julie London on the set of the 1958 film. Mimeo snipe on the verso of each. One photo shown. Please inquire to see the other. Jim Burton (Richard Egan).....
![An Eye for an Eye [Talion] (Original screenplay for the 1966 film). Michael Moore, Lucien...](/pictures/thumb/131698.jpg?v=1515088083)
Los Angeles: Embassy Pictures, circa 1966. Draft script for the 1966 film. Front wrapper notes both the release title ("An Eye for an Eye") and the working title ("Talion"). With two vintage double weight production photographs, showing the cast and crew on location in the Alabama Hills (Lone Pine, California), including director Jack Cardiff and cinematographer Lucien Ballard, laid in.....
Paris: Self published, 1958. Original single weight black-and-white photograph taken by cinematographer Vincent Rossell, featuring Polish Army general Wladyslaw Anders, as he greets the young Stefan Casimir at his baptism ceremony, flanked by Madame and Colonel Czarnecky. Mimeo snipe, Rossell's rubber stamp, and brief notation in holograph ink, on the verso. Rossell had a career that consisted mostly of still.....
Portland, OR: Northern Film Company, 1986. Vintage black-and-white still photograph from the 1986 film. Label affixed to the verso reading: “MALA NOCHE / Gus Van Sant.” Pictured are a young Van Sant and his cinematographer John J. Campbell, shooting a street scene in Portland, Oregon, where the film was made on location, shot in 16mm and mostly in black and white.....
N.p. Warner Brothers, 1969. Vintage borderless photograph on the set of the 1970 film showing director Michael Wadleigh, editor Thelma Schoonmaker, cinematographer Richard Pearce and a young Martin Scorcese working in the editing room. With a French language Warner Brothers stamp on verso. The iconic documentary of the 1969 three day music festival near Bethel, New York which attracted an.....
N.p. N.p., 1976. Vintage borderless photograph of director Wim Wenders and cinematographer Robby Muller on the set of the 1976 film. Bruno Winter (Rudiger Vogler) is a film projection repair man on the Western side of the East German border. He meets Robert Lander (Hanns Zischler), a depressed doctor who has just broken up with his wife. Robert joins Bruno in.....
N.p. N.p., 1969. Vintage reference photograph from the 1969 film. Written and directed by acclaimed cinematographer Haskell Wexler, "Medium Cool" combines fact and fiction, feature film footage, stock footage and cinema verite documentary techniques. We follow Forster, as John Catselas, a television news cameraman, in the center of the riots at the 1968 Chicago Democratic National Convention. Set in and shot.....
Los Angeles: Twentieth Century-Fox, 1975. Vintage borderless photograph from the set of the 1975 film, showing cinematographer Gerry Fisher behind the camera filming a scene between stars Gene Wilder and Madeline Kahn. Wilder's directorial debut from his own original script, a musical comedy about Sigerson Holmes, the younger brother of Sherlock, investigating missing government documents with the aid of a......