Hollywood: Paramount Television, 1976. Third Revised Final Draft script for the pilot of an 1976 unproduced television series. Presentation script belonging to producer Ross Hunter with Hunter's name on the front board. A comedy about the house hold of a 45 year old widowed man with two daughters, ages 12 and 20, who is remarried to a woman just a......
Burbank, CA: Artanis Productions, 1965. Final Draft script for the 1965 film, dated 2/15/65. Presentation copy belonging to actor Tony Bill, with his name in gilt on the front board, bound in full maroon calf with gilt titles and design. Housed in a matching maroon cloth-covered slipcase as issued. A bored husband and wife visit Mexico on their anniversary, where.....
Universal City, CA: Universal Pictures, 1957. Revised Final script for the 1958 film. Based on the 1947 play "For Love or Money" by F. Hugh Herbert. Presentation copy belonging to producer Ross Hunter, bound in full navy calf with gilt titles and design, with Hunter's name on the front board. Veteran actor Curd Jurgens begins to have feelings for a......
Los Angeles: Twentieth Century-Fox, 1981. Final shooting script for the 1981 film "Death Hunt," directed by Peter Hunt and starring Charles Bronson and Lee Marvin. Actor Lee Marvin's leather-bound presentation copy, with Marvin's name in gilt at the bottom right corner of the front board, and is INSCRIBED on the first blank by producer Albert S. Ruddy: "Lee / Thank.....
Culver City, CA: RKO Radio Pictures, 1939. Bound presentation script for the 1939 film, based on the 1933 short story by Gordon Malherbe Hillman originally published in "American Magazine." SIGNED by members of the cast and crew, including stars John Barrymore, Peter Holden, Virginia Weidler, and Donald McBride, director Garson Kanin, screenwriter John Twist, and producers Cliff Reid and Pandro.....
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1965. Draft script for the 1966 film. Presentation copy belonging to actress Juanita Moore, bound in full red leather, with gilt titles and Moore's name in gilt on the front board, bound with twelve reference photographs from the film, and containing two inscriptions from actress Debbie Reynolds. The first inscription by Reynolds, on the verso.....
Los Angeles: Twentieth Century-Fox, 1949. Revised Final script for the 1950 film. Bound presentation belonging to producer Sol C. Siegel with his name in gilt on the front board. With 53 studio still photographs tipped in throughout, four pages of retakes and added scenes tipped in at the rear, as well as a number of holograph annotations, primarily denoting the.....
Burbank, CA: National Broadcasting Company [NBC] / Top Gun Productions, 1959-1961. Archive of 26 scripts from the early revisionist television Western, the working copies of producer Michael Kraike, consisting the second half of the first season (1959-1960) and the first half of the second season (1960-1961). These two halves are in two full red leather presentation bindings, each with Kraike's.....
Burbank, CA: Warner Brothers, 1944. Second Revised Final script for the 1946 film. Presentation copy belonging to actress Alexis Smith, with her initials in decorative gilt on the front board, bound in full calf. Throughout the script are 5 black-and-white film stills on tipped-in leaves, all featuring Smith and costar, Paul Henreid. Based on W. Somerset Maugham's classic 1915 novel.....
![Song of the Eagle [The Beer Story] (Original screenplay for the 1933 film, producer Harry Joe...](/pictures/thumb/131504A.jpg?v=1418080813)
Hollywood: Paramount Pictures, 1933. Draft script for the 1933 film "Song of the Eagle," seen here partially under the early working title "The Beer Story." Presentation copy belonging to uncredited producer Harry Joe Brown, with his name in gilt titles to the front board, presumably gifted to Brown by prop man William Carr, as the script itself has Carr's ownership.....
Santa Ana, CA: RKO Radio Pictures, 1942. Final Draft screenplay for the 1942 film. Copy belonging to legendary screenwriter Dudley Nichols, inscribed by Nichols to L.A. Times film critic Phil Scheuer on the title page: "By Dudley Nichols / Confidential! / For Phil Scheuer from D. Nichols—with admiration." Nichols' ownership name is also in holograph pencil at the top right.....
N.p. N.p., Circa 1960s. Draft script for an unproduced English adaptation of Jean Renoir's 1960 play. Presentation copy, inscribed by Renoir on the title page: "Pour Ruth et Mark / en tout amitie / Jean Renoir" ("For Ruth and Mark / in all friendship / Jean Renoir"). Based on Renoir’s 1960 French play. A beautiful, troubled stage actress in Nazi-occupied.....
Burbank, CA: National Broadcasting Company [NBC], 1976. First Draft script in two volumes for the 1976 television miniseries based on Arthur Hailey's 1975 novel. Presentation script belonging to producer Ross Hunter with Hunter's name on the front board of each volume. Boris Sagal directed this star-studded miniseries based on Arthur Hailey's fastidious novel. The laboriously researched story follows the happenings.....
Universal City, CA: Republic Pictures / Pax Films / Universal Pictures, 1943, 1961. Forrest J. Ackerman's copy of scripts from two key science fiction films, bound together (including original front wrappers) in red buckram, with Ackerman's name in gilt at the bottom right corner of the front board. "The Lady and the Monster": Shooting script for the 1944 film. The.....
N.p. N.p., 1987. Shooting script for the 1988 film. Presentation copy belonging to actress Ricki Lake, with her holograph annotations throughout, and xerographically duplicated inscriptions to Lake (as intended when the script was bound) from director John Waters, actors Divine, Shawn Thompson, Debbie Harry, Pia Zadora, and others bound in before the script. With several production documents bound in after.....
Glendale, CA: Allied Artists, 1955. Revised Shooting script for the 1956 film. Based on the 1945 novel by Jessamyn West, written for the screen by Jessamyn West, Robert Wyler, and Michael Wilson (though only West and Wyler are credited here) and starring Gary Cooper, Dorothy McGuire, and Anthony Perkins. Interestingly, Michael Wilson, who was ultimately granted sole screenwriting credit on.....