Hollywood: Paul Kohner, Circa 1970. Draft script for an unproduced adaptation of B. Traven's 1929 novel by Hollywood Ten writer Albert Maltz. With xerographically duplicated annotations and typeovers throughout. Agency script, in wrappers from the Paul Kohner agency, although this script appears to bear no relationship to the 1971 adaptation of "The Bridge in the Jungle" written and directed by.....
1968. Autograph note signed from noted screenwriter Carl Foreman to producer Daniel Selznick, executed on Foreman's production company stationery (Open Road Films, Limited in London). In the letter, Foreman agrees to meet with Selznick to discuss a project Selznick is working on for Universal. Included are two photostat copies of related letters from Selznick to Foreman, going into some detail.....
London: Attica Film Company, 1957. Archive of material from the 1957 British film, including a Draft production script, a post-production Release script, and a reference photograph inscribed by director Charlie Chaplin to production manager Mickey Delamar: "To Mickey / Thanks for a wonderful job / Charlie Chaplin / July 30th." Also included are a presumably complete set of nine soundtrack.....
Los Angeles: Springfield Productions, circa 1957. Original story treatment script for an unproduced 1957 film by legendary screenwriter Dalton Trumbo, based on an idea by producer Alec March, with screenwriter Ben Perry fronting the script for the blacklisted Trumbo. Written in the prose style of most treatments. Trumbo bought out the rights of March and Perry, and sold the film.....
![Convicts 4 [Reprive] (Collection of 104 original photographs from the 1962 film). Dalton Trumbo,...](/pictures/thumb/146754.jpg?v=1638076729)
N.p. Kaufman-Lubin Productions, 1962. Collection of 104 vintage studio still photographs from the 1962 film including some great in-character photographs and head shots from Ben Gazzara, Sammy Davis Jr., Broderick Crawford, Vincent Price, Roland LaStarza, Timothy Carey, Ray Walston and others, also includes 5 photographs of Gazzara with author John Resko and one head shot of Resko. Mimeo snipes on.....
Culver City, CA: Columbia Pictures, 1958. Vintage reference photograph of David Lean on the set of the 1957 film. Mimeo snipe and "Columbia Pictures" stamp on verso. Based on the 1952 novel "Le Pont de la riviere Kwai" by Pierre Boulle. Allied POWs of a Japanese prison camp are forced to build a railway over a bridge during WWII. Under.....
Culver City, CA: Columbia Pictures, 1958. Vintage reference photograph, with wide bottom margin, of David Lean on the set of the 1957 film. Based on the 1952 novel "Le Pont de la riviere Kwai" by Pierre Boulle. Allied POWs of a Japanese prison camp are forced to build a railway over a bridge during WWII. Under the leadership of Colonel Nicholson (Alec.....
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1967. Draft script for the 1968 British film. Based on Bernard Malamud's 1966 Pulitzer Prize and National Book Award-winning novel. Set in Czarist Russia, Frankeheimer's adaptation is a brutal realization of Malamud's novel, wherein a poor Jew named Yakov Bok assumes the identity of a Gentile after moving from the country to Kiev, in order.....
Culver City, CA: RKO Radio Pictures, 1945. Original one sheet poster for the 1945 film noir. An overlooked gem from Dick Powell's second life as a noir icon, an anti-fascist espionage tale with a labyrinthine, Chandler-worthy plot, and an unforgettable standoff at the end. The undisguised, left-leaning overtones throughout contributed significantly to the blacklisting of both producer Adrian Scott and.....
Culver City, CA: Columbia Pictures, 1952. Two vintage reference photographs taken on the set of the 1952 film, one showing actors Arthur Franz and Marie Windsor in conversation between takes, the other showing Franz and Windsor sitting with director Edward Dmytryk, assistant director Billy Reineck, dialogue director Lauren Gage, and script supervisor Frances McDowell. One with a mimeo snipe affixed.....
Los Angeles: Twentieth Century-Fox, 1957. Draft script for the 1957 film. In Selznick Studio wrappers, with the insignia on the front wrapper. An original production script, with a perforated distribution leaf preceding the title page. The second film version of Ernest Hemingway's 1929 novel, and also the last film produced by David O. Selznick. Frederick Henry (Hudson) is an American.....
London: Allied Artists, 1973. Original British full-color program for the 1973 French-American film. Based on Henri Charriere's 1969 book. Papillon (McQueen) is sentenced to life in prison in French Guyana. On the ship, he meets Louis (Hoffman), a forger, and they become friends, together attempting the ultimate escape. Nominated for an Academy Award. Shot on location in Venezuela, Spain, Jamaica.....
![Love is a Four Letter Word: Two Plays on a Single Theme [Dead Letters / The Campers] (Original...](/pictures/thumb/141753.jpg?v=1494453558)
N.p. N.p., Circa 1971. Original script for two plays by Academy Award winning screenwriter Howard Koch. Copy belonging to an unknown actor who played the character of Norm in "Dead Letters," with his lines highlighted and holograph annotations regarding dialogue and action throughout. In a preliminary note, Koch describes "Dead Letters" and "The Campers" as "two plays, each approximately an.....
Burbank, CA: Warner Brothers, 1991. Collection of three vintage black-and-white studio still photographs from the 1991 film. Robert De Niro stars as David Merrill, a left leaning director who returns from a vacation to find Hollywood in the full swing of McCarthyism. He is asked to either implicate colleagues with supposed Communist sympathies or sacrifice his own career. The film.....
New York: Centaur Enterprises, 1963. Final Draft script for the 1964 film, an early draft produced over a year before the film's release. A few leaves with annotations in holograph pencil. Based on J.R. Salamanca's 1961 novel. An ex-soldierwith PTSD is living in a mental institution, where he meets a similarly troubled woman. Set in Rockville, Maryland, shot there on.....
Glendale, CA: Allied Artists, 1955. Revised Shooting script for the 1956 film. Based on the 1945 novel by Jessamyn West, written for the screen by Jessamyn West, Robert Wyler, and Michael Wilson (though only West and Wyler are credited here) and starring Gary Cooper, Dorothy McGuire, and Anthony Perkins. Interestingly, Michael Wilson, who was ultimately granted sole screenwriting credit on.....
![The Concrete Jungle [The Criminal] (Original still photograph from the 1960 film). Joseph Losey,...](/pictures/thumb/135342.jpg?v=1492979080)
London: Fanfare Films, 1960. Vintage black-and-white studio still photographs from the UK release of the 1960 film. Though the film was released in the UK as "The Criminal," it is here under its working title "The Concrete Jungle," with a corresponding negative code. Set in England, and shot on location there. 8 x 10 inches. Near Fine. Grant US. Selby.....
![Mr. Klein [Monsieur Klein] (Original photograph from the set of the 1976 film). Joseph Losey,...](/pictures/thumb/135903.jpg?v=1492979201)
N.p. N.p., 1976. Vintage borderless black-and-white press photograph of director Joseph Losey and Alain Delon on the set of the 1976 film. With a few contemporary ink annotations on the verso. Shot in Paris and Strasbourg, France. 9.5 x 7.25 inches. Near Fine. Grant, p. 434.
London: Maurice Cowan / Rank Productions, 1958. Original program for the 1958 UK film. Illustrated throughout with both black and white and color stills from the film, as well as reproductions of watercolor illustrations showing scenes from the film. 8.25 x 11.75 inches. 10 pages. Very Good plus in saddle stapled wrappers. Lightly soiled overall, with a faint diagonal crease.....
Paris: Societe Francaise de Production [SFP], 1978. Vintage borderless photograph of Joseph Losey and Yves Montand from the set of the 1978 film. Mimeo snipe, Agencia EFE stamp and Agence Le Lynx stamp on verso. A sequel to Alain Resnais' 1966 film "The War is Over." It is 1975 and fascist dictator Francisco Franco is dying. Montand plays Jean, an.....
Universal City, CA: Universal Pictures, 1968. Collection of one color and two black and white vintage double weight studio still photographs from 1968 film. Featuring Mia Farrow and Elizabeth Taylor. 8 x 10 inches. About Fine condition.
Universal City, CA: Universal Pictures, 1968. Vintage borderless still photograph from the set of the 1968 film. Featuring Mia Farrow on a horse during filming, with Jo Losey and Liz Taylor in the background. A dark, psychologically twisted film in which Liz Taylor plays a boozy prostitute who stubles upon a family drama between young, wealthy Mia Farrow (coming off.....
London: Dino De Laurentiis Cinematografica, 1972. Vintage color still photograph from the UK release of the 1972, co-produced by Italy, France, and the UK. 8 x 10 inches, printed on thin paper in the British style for this period. Near Fine.
Los Angeles: Twentieth Century-Fox, 1966. Vintage black-and-white studio still photograph from the 1966 film. A split still showing Vitti in two different guises, as a brunette spy and as a seductive blonde who is actually a brunette spy. 8 x 10 inches. Near Fine.
Hollywood: Paramount Pictures, 1936. Vintage hand-tinted color promotional photographs of Karen Morley in 1936, just before her first feature with Paramount Pictures, "The Last Train from Madrid" (1937). Morley's notable film credits include "Mata Hari" (1931), "Scarface" (1932), "The Mask of Fu Manchu" (1932), "Flesh" (1932), and "Black Fury" (1935). After filming "Framed" (1947), Morley's career came to an abrupt.....
Mexico City: Ultramar Films, 1952. Draft script for the 1954 Mexican film. Included is a typed letter signed from the film's producer Edward L. Alperson, on his custom rough-edged stationery, discussing the possibility of distribution within the US. Distribution was eventually taken on by United Artists, and Daniel O'Herlihy received a Best Actor nomination for his performance. Also included are.....
Hollywood: Paramount Pictures, 1970. Original British quad poster for the 1970 US film. Printed in England by W.E. Berry. Based on the real Molly Maguires, a secret society active in Ireland in the late 1800s. James (Harris) is an Irish immigrant hired to infiltrate Irish immigrant miners, led by Jack (Connery). Jack and his gang intend to revolt against their.....
Los Angeles: Twentieth Century-Fox, 1950. Revised First Draft Continuity script for the 1951 film. Included is an index to the script breakdown, detailing various scenes and script page numbers with revisions. Copy belonging to Dane Anderson, an uncredited member of the crew, with his name on the front wrapper of the script breakdown, and annotations throughout, in holograph pencil. File.....
![It Could Happen to You [It Might Happen to You] (Collection of four original photographs from the...](/pictures/thumb/148047.jpg?v=1637907112)
North Hollywood: Republic Pictures, 1937. Collection of four vintage studio still photographs from the 1937 film, here under the working title "It Might Happen to You," three of Elsa Janssen and Christian Rub. Mimeo snipes on the verso. Max Barrett (), known to everyone as "Pa," owns a candy store in New York East side neighborhood of immigrants and raises.....
Culver City, CA: Columbia Pictures / National Screen Service, 1957. Vintage full-color still photograph from the 1957 UK film. Based on Boulle's 1952 novel "Le Pont de la riviere Kwai," about Allied POWs forced to build a railway over a bridge during WWII. Under the leadership of Colonel Nicholson (Guinness), they are persuaded that the bridge should be constructed as.....
Beverly Hills, CA: United Artists, 1981. Vintage studio still photograph from the 1981 film. Using the famed "Black Dahlia" murder as a platform, this film weaves an intricate plot of corruption and deception across Los Angeles. The script was cowritten by novelist Joan Didion and her husband John Gregory Dunne. Shot on location in California. 8 x 10 inches. Near.....