Mexico City: Ultramar Films, 1952. Draft script for the 1954 Mexican film. Included is a typed letter signed from the film's producer Edward L. Alperson, on his custom rough-edged stationery, discussing the possibility of distribution within the US. Distribution was eventually taken on by United Artists, and Daniel O'Herlihy received a Best Actor nomination for his performance. Also included are.....

Culver City, CA: RKO Radio Pictures, 1945. Original one sheet poster for the 1945 film noir. An overlooked gem from Dick Powell's second life as a noir icon, an anti-fascist espionage tale with a labyrinthine, Chandler-worthy plot, and an unforgettable standoff at the end. The undisguised, left-leaning overtones throughout contributed significantly to the blacklisting of both producer Adrian Scott and.....

1968. Autograph note signed from noted screenwriter Carl Foreman to producer Daniel Selznick, executed on Foreman's production company stationery (Open Road Films, Limited in London). In the letter, Foreman agrees to meet with Selznick to discuss a project Selznick is working on for Universal. Included are two photostat copies of related letters from Selznick to Foreman, going into some detail.....

Los Angeles: Twentieth Century-Fox, 1950. Revised First Draft Continuity script for the 1951 film. Included is an index to the script breakdown, detailing various scenes and script page numbers with revisions. Copy belonging to Dane Anderson, an uncredited member of the crew, with his name on the front wrapper of the script breakdown, and annotations throughout, in holograph pencil. File.....

Los Angeles: Twentieth Century-Fox, 1957. Draft script for the 1957 film. In Selznick Studio wrappers, with the insignia on the front wrapper. An original production script, with a perforated distribution leaf preceding the title page. The second film version of Ernest Hemingway's 1929 novel, and also the last film produced by David O. Selznick. Frederick Henry (Hudson) is an American.....

N.p. N.p., Circa 1971. Original script for two plays by Academy Award winning screenwriter Howard Koch. Copy belonging to an unknown actor who played the character of Norm in "Dead Letters," with his lines highlighted and holograph annotations regarding dialogue and action throughout. In a preliminary note, Koch describes "Dead Letters" and "The Campers" as "two plays, each approximately an.....

Los Angeles: T.A.T. Communications, Inc., 1977. Final Draft script for "Episode 65," the final episode of Norman Lear's syndicated series, which aired on July 15, 1977. Preceding script is a "Cast of Characters" and "Sets" page.One of Lear's strangest series, a soap opera satire set at the fictitious Globatron corporation, wherein gender roles and stereotypes are reversed, women are the.....

N.p. N.p., 1976. Vintage borderless black-and-white press photograph of director Joseph Losey and Alain Delon on the set of the 1976 film. With a few contemporary ink annotations on the verso. Shot in Paris and Strasbourg, France. 9.5 x 7.25 inches. Near Fine. Grant, p. 434.

Paris: Societe Francaise de Production [SFP], 1978. Vintage borderless photograph of Joseph Losey and Yves Montand from the set of the 1978 film. Mimeo snipe, Agencia EFE stamp and Agence Le Lynx stamp on verso. A sequel to Alain Resnais' 1966 film "The War is Over." It is 1975 and fascist dictator Francisco Franco is dying. Montand plays Jean, an.....

Universal City, CA: Universal Pictures, 1968. Vintage borderless still photograph from the set of the 1968 film. Featuring Mia Farrow on a horse during filming, with Jo Losey and Liz Taylor in the background. A dark, psychologically twisted film in which Liz Taylor plays a boozy prostitute who stubles upon a family drama between young, wealthy Mia Farrow (coming off.....

London: Modesty Blaise, 1966. Vintage black-and-white reference still photograph from the UK release of the 1966 film. The image shown is Monica Vitti in the titular role, in one of her many mod disguises. 8 x 10 inches. Near Fine.

Hollywood: Paul Kohner, Circa 1970. Draft script for an unproduced adaptation of B. Traven's 1929 novel by Hollywood Ten writer Albert Maltz. With xerographically duplicated annotations and typeovers throughout. Agency script, in wrappers from the Paul Kohner agency, although this script appears to bear no relationship to the 1971 adaptation of "The Bridge in the Jungle" written and directed by.....

New York: Centaur Enterprises, 1963. Final Draft script for the 1964 film, an early draft produced over a year before the film's release. A few leaves with annotations in holograph pencil. Based on J.R. Salamanca's 1961 novel. An ex-soldierwith PTSD is living in a mental institution, where he meets a similarly troubled woman. Set in Rockville, Maryland, shot there on.....

Los Angeles: Springfield Productions, circa 1957. Original story treatment script for an unproduced 1957 film by legendary screenwriter Dalton Trumbo, based on an idea by producer Alec March, with screenwriter Ben Perry fronting the script for the blacklisted Trumbo. Written in the prose style of most treatments. Trumbo bought out the rights of March and Perry, and sold the film.....

New York: New Directions Books, 1950. First Edition of Tennessee William's 1950 play, profusely annotated for a 1959 West End production. Copy belonging to actor-director-producer Sam Wanamaker, with his holograph annotations throughout. Red boards, worn overall, with Wanamaker's name inscribed in holograph black ink to the front board. Includes a loose sheet with the actors' addresses laid in. Wanamaker had.....