Mexico City: Ultramar Films, 1952. Draft script for the 1954 Mexican film. Included is a typed letter signed from the film's producer Edward L. Alperson, on his custom rough-edged stationery, discussing the possibility of distribution within the US. Distribution was eventually taken on by United Artists, and Daniel O'Herlihy received a Best Actor nomination for his performance. Also included are... (read more) about Robinson Crusoe (Original screenplay for the 1954 film, with a TLS from the producer and 6 still...

Los Angeles: Twentieth Century-Fox, 1950. Revised First Draft Continuity script for the 1951 film. Included is an index to the script breakdown, detailing various scenes and script page numbers with revisions. Copy belonging to Dane Anderson, an uncredited member of the crew, with his name on the front wrapper of the script breakdown, and notations throughout, in holograph pencil. File... (read more) about I Can Get It for You Wholesale (Original screenplay for the 1951 film with script breakdown lists)

Los Angeles: Twentieth Century-Fox, 1957. Draft script for the 1957 film. In Selznick Studio wrappers, with the insignia on the front wrapper. An original production script, with a perforated distribution leaf preceding the title page. The second film version of Ernest Hemingway's 1929 novel, and also the last film produced by David O. Selznick. Frederick Henry (Hudson) is an American... (read more) about A Farewell to Arms (Original Screenplay for the 1957 film)

New York: Boni and Gaer, 1948. First Edition. Signed by author Gordon Kahn and by each of the ten men indicted by the House Committee on Un-American Activities, known collectively to history as the "Hollywood Ten": Herbert Biberman, John Howard Lawson, Dalton Trumbo, Lester Cole, Samuel Ornitz, Adrian Scott, Edward Dmytryk, Albert Maltz, Ring Lardner Jr. and Alvah Bessie. One... (read more) about Hollywood on Trial (First Edition, signed by every member of the Hollywood Ten)

London: Fanfare Films, 1960. Vintage black-and-white studio still photographs from the UK release of the 1960 film. Though the film was released in the UK as "The Criminal," it is here under its working title "The Concrete Jungle," with a corresponding negative code. Set in England, and shot on location there. 8 x 10 inches (20 x 25 cm). Near... (read more) about The Concrete Jungle [The Criminal] (Original still photograph from the 1960 film)

London: Maurice Cowan / Rank Productions, 1958. Original program for the 1958 UK film. Illustrated throughout with both black and white and color stills from the film, as well as reproductions of watercolor illustrations showing scenes from the film. 8.25 x 11.75 inches (21 x 30 cm). 10 pages. Very Good plus in saddle stitched wrappers. Lightly soiled overall, with... (read more) about The Gypsy and the Gentlemen (Original program for the 1958 film)

Universal City, CA: Universal Pictures, 1968. Vintage borderless still photograph from the set of the 1968 film. Featuring Mia Farrow on a horse during filming, with Jo Losey and Liz Taylor in the background. A dark, psychologically twisted film in which Liz Taylor plays a boozy prostitute who stubles upon a family drama between young, wealthy Mia Farrow (coming off... (read more) about Secret Ceremony (Original photograph from the 1968 film)

Los Angeles: Twentieth Century-Fox, 1966. Vintage black-and-white studio still photograph from the 1966 film. A split still showing Vitti in two different guises, as a brunette spy and as a seductive blonde who is actually a brunette spy. 8 x 10 inches (20 x 25 cm). Near Fine. Weldon 1983. (read more) about Modesty Blaise (Original photograph from the 1966 film)

Hollywood: Paramount Pictures, 1952. Draft script for the 1952 film. Nominated for an Academy Award. Although not indicated on the script, actor Van Heflin's working copy. A mother confronts her college aged son about his girlfriend, who is a communist spy, and turns him into the FBI, but he's killed by enemy agents before he can confess. One of the... (read more) about My Son John (Original screenplay for the 1952 film, Van Heflin's working copy)

New York: New Directions Books, 1950. First Edition of Tennessee William's 1950 play, profusely annotated for a 1959 West End production. Copy belonging to actor-director-producer Sam Wanamaker, with his holograph notations throughout. Red boards, worn overall, with Wanamaker's name inscribed in holograph black ink to the front board. Includes a loose sheet with the actors' addresses laid in. Wanamaker had... (read more) about The Rose Tattoo (First Edition, producer-actor Sam Wanamaker's working copy for the 1959 play)

Universal City, CA: Universal Pictures, 1968. Two vintage black and white borderless still photographs from the set of the 1968 film, based on the Tennessee Williams play, "The Milk Train Doesn't Stop Here Anymore," and written by the playwright for the screen. Photographer's stamp and holograph pencil notations to the verso. One photograph shows Richard Burton and Elizabeth Taylor on... (read more) about Boom! (Two original photographs from the set of the 1968 film)

Hollywood: Paramount Pictures, 1953. American one sheet film poster for the classic 1953 romantic comedy, "Roman Holiday," directed by William Wyler, written for the screen by Dalton Trumbo (writing under the front Ian McLellan Hunter), and starring Gregory Peck, Audrey Hepburn, and Eddie Albert. Near Fine condition, 27 x 41 inches (105 x 89 cm), linen-backed and rolled. (read more) about Roman Holiday (Original poster)