New York: E.P. Dutton, 1939. First Edition. A very nice copy of an important title, probably the premiere monograph of New York images, predicting the series ideas of Ruscha and many others. Near Fine in a Very Good plus dust jacket. Corners lightly bumped, a little soiling to the boards. Jacket has three small internal repairs (not restoration), and a.... (read more)
Boulder, Colorado: The Colorado Associated University Press, 1974. First Edition. 56 black and white plates. A photographic study of mid-century suburban sprawl in the American West, mainly in Colorado, and its effect on a previously uninhabited landscape. Foreword by John Szarkowski. Near Fine in a Very Good plus dust jacket. Very slight lean, with light foxing to the page edges... (read more)
New York: Aperture, 1988. First Edition. A sobering collection of American Western landscapes, reproduced in duotone. Fine and unread in a Near Fine dust jacket. Jacket moderately faded at the spine. (read more)
Denver: Denver Art Museum, 1978. First Edition. Catalog of an exhibition held at the Denver Art Museum, a key early showing of the noted photographer's landscape work. Very Good plus in wrappers. Evidence of erasure to the front endpaper. Wrappers soiled, fading to the spine, with a shallow slice to the same. (read more)
New York: Aperture, 1989. First Edition. REVIEW COPY with publisher's slip laid in and a wraparound band advertising a series exhibitions of Adams' work. Fine and unread in a lightly rubbed Near Fine dust jacket. Wraparound band lightly toned at the folds. (read more)
Tucson, AZ: Nazraeli Press, 2002. First Edition. One of 500 copies, this being No. 55, SIGNED by Robert Adams. Number 12 in the Nazaeli Press One Picture Book series. Containing one tipped in vintage photographic print, four duotone reproductions of photographs by Adams, and three poems by Carolyn Dunn. Scarce. A touch of soil to the boards, About Fine and... (read more)
New York: Arthur Allen Studios, 1915-1925. Photo album portfolio sold to subscribers by Allen from his Arthur Allen Studios circa 1915-1925, containing more than 40 pages of original nude photographic prints pasted onto stiff pages. Each photo is discreetly rubber stamped (1 to 40) at the bottom right corner. Each leaf has between two and four different images, with many... (read more)
New York: Harcourt, Brace, 1963. First Edition. A collection of twelve loose leaf illustrations in Fine condition housed in a Very Good plus cardboard folio. Folio covers lightly bowed, with a few creases and light rubbing. A lovely set of Anglund's illustrations from "Spring is a New Beginning," "A Friend is Someone Who Likes You," "Love is a Special Way... (read more)
New York: Aperture, 1972. First Edition, first issue with "Two Girls in Identical Raincoats." Published in conjunction with a posthumous exhibition of the photographer's work at the Museum of Modern Art which helped establish her deserving reputation. Very Good plus in a Very Good plus dust jacket. Light foxing to the boards, endpapers, and first few leaves. Jacket has a.... (read more)
New York: Simon and Schuster, 1959. First Edition. A collaboration of photographs and essays by acclaimed fashion photographer Richard Avedon and American novelist Truman Capote. Very Good plus with no dust jacket as issued lacking the slipcase. Moderate rubbing at the spine and light dampstaining to the rear board. Roth 101 US. (read more)
New York: Robert M. McBride, 1934. First Edition. Slim quarto. Collects nearly fifty charcoal portraits of notable people. Very Good plus in a Very Good dust jacket. Extremities lightly bumped, spine slightly toned. Jacket extremities with moderate shelfwear, moderate fading to the jacket spine, and heavy soil. (read more)
New York/ Albuquerque: Artspace Press / Castelli Graphics / Aperture, Inc., 1980. First Edition. One of 3,000 copies. 102 black and white plates, all taken in and around the ski resort town of Park City, Utah during the late 1970's. Near Fine in a Very Good plus dust jacket. Some very light fading to the board edges. Jacket lightly edgeworn... (read more)
New York: Aperture, 1986. First Edition. Near Fine in a Near Fine dust jacket and an about Near Fine publisher's printed acetate jacket. Acetate jacket lightly rubbed and toned at the spine. (read more)
New York: Doubleday, 1973. First Edition. Quarto. REVIEW COPY, with slip laid in. Also laid in are two original black-and-white photographs (4.5 x 6.5 inches) taken by Balzer, with his name stamped on the versos. The first is of a young girl standing in a doorway, sucking on her finger, and can be seen on page 61; the second represents... (read more)
London: Phaidon Press, 2004. First Edition. Fine and unread in white wrappers and a Fine dust jacket. An attractive copy of this book of contemporary photography by artist Uta Barth. (read more)
New York: Crescent Books, 1995. First printing of this Crescent edition. Fine and unread in a just about Fine dust jacket. Black and white and color reproductions of Bateman's work throughout. (read more)
Paris: Editions Henry Calba, 1971. First Edition. Fine in white, saddle-stitched wrappers as issued. Fine condition. A rare early monograph by Bauret, featuring his usual array of interesting and sometimes very intense nudes. (read more)
Cambridge: MIT Press, 1993. First American Edition, preceded by the German edition published earlier the same year. REVIEW COPY with publisher's slip laid in. Fine and unread in a Fine dust jacket. (read more)
Rome: N.p., 1993. First Edition. One of 250 numbered copies (this being No. 108). Publisher's cream paper-covered boards quarter bound in maroon cloth. About Fine with no dust jacket as issued. Vintage bookstore label to the rear pastedown. Upper front tip lightly bumped, some very minor soiling to the boards. Scarce. (read more)
Zurich: Kunsthalle Zurich, 1990. First Edition. Near Fine in pictorial wrappers with french flaps. Vintage bookseller label to the rear flap. Extremities lightly bumped. Catalog of an exhibition held at Kunsthalle Zurich from November 3rd to December 30th, 1990. (read more)
Paris: CNAC, 1974. First Edition. One of four photobooks published by photographer and artist Boltanski, whose notion was to demonstrate a person by way of photographing all her worldly possessions. In this case, the person was a single woman living in a flat in Bois-Colombes, a suburb of Paris. Fine in tan perfect-bound wrappers as issued. Parr & Badger, Vol. 2. (read more)
Sao Paolo: Metron, 1989. First Edition. INSCRIBED and dated 14.2.90 by the artist on the front endpaper: "Por caros Nomita e George, Este immenso prazer em recebe-los aqui, assim tao espontaneamente. Meu abraco amigo e os uatos de felicidades, o Carlos Bracher, Ouro Preto, 14.2.90." Fine in a Near Fine dust jacket. Jacket shows light rubbing and a few faint scratches, else Fine. (read more)
New York: Viking Press, 1960. First American Edition. Near Fine in a Very Good dust jacket. In green cloth with bright gilt titles and rule on the spine, jacket is chipped and worn at the extremities and in particular at the corners and spine ends. Neat owner name to the front endpaper. Guide to the city of Paris, profusely illustrated... (read more)
![Paris de nuit [Paris by Night] (First Edition). Brassai, Paul Morand, photography, introduction.](/pictures/thumb/138421.jpg?v=1492979959)
Paris: Arts et M'tiers Graphiques, 1933. First Edition. 60 full-page, black and white plates. Brassai's first and most notable photobook. A nocturnal exploration of Parisian culture, and one of the most celebrated and influential collections of urban photography ever published. Compiled in a somewhat eery sequence of encounters set around the darkest corners of 1930's Paris. Brassai does not shy... (read more)
Rotterdam, Netherlands: Kunsthal Rotterdam, 2001. First Edition. Publisher's photo illustrated boards, silver titles. Published to coincide with an exhibition held at the Kunsthal Rotterdam in the Netherlands: "Manuel Alvarez Bravo: Retrospective," held November 2001 to February 2002. Black-and-white photographs throughout, many taken in Mexico and in the Netherlands. Slight spine lean, else Near Fine. (read more)
Boca Raton, FL: Self published, 2006. First Edition, one of 400 copies. A good natured, gently satirical look at the contemporary art world, framed as the textbook for "Earl Bronsteen's Online School of Art." Profusely illustrated in color throughout, with photographs, collages, prints, and numerous tipped and laid in pieces. After retiring from careers in finance and real estate, Earl... (read more)
New York: powerHouse Books, 2002. First Edition. A series of images detailing photographer Kevin Bubriski's four visits to the World Trade Center immediately following the September 11 terrorist attacks. Afterword by Richard B. Woodward. Near Fine and unread in a Near Fine dust jacket. Front endpaper creased at the bottom corner, else Fine. Jacket very faintly creased at the rear... (read more)
San Francisco: Scrimshaw Press, 1971. First Edition. 62 duotone reproductions of Bullock's work, presented in a beautiful yet eerie sequence of nude portraits and landscapes. Near Fine in the original, Near Fine clear acetate jacket as issued. Some very faint foxing to the page edges, and light toning to the boards. (read more)
Rockford, IL: The Photo Department / Super-Large Photography Inc., 1993. First Edition. One of 1500 copies bound in green cloth boards. A study of large format photography in 45 black and white plates. Fine and unread with no dust jacket as issued in the publisher's original shipping carton. Shipping billed at cost. (read more)
Lyme, CT: Callaway Editions, 1980. First Edition. Small bump to the rear bottom edge, else Fine and unread in a Near Fine dust jacket. Parr and Badger, Vol. II, p. 33. (read more)
Chicago: University of Illinois Press, 1991. First Edition. Fine and unread in a Fine dust jacket. (read more)
New York: Simon and Schuster in collaboration with Editions Verve of Paris, 1952. First Edition. Board and jacket design by Henri Matisse. 126 black and white plates with original "Captions" booklet laid-in as issued. One of the most influential collections of 20th century street photography ever released; popularized by Cartier-Bresson's unique ability to capture the emotive nature of his subjects... (read more)
New York: Thames and Hudson, 2007. First American Edition, preceded by the German edition published by Steidl and the UK edition also published by Thames and Hudson, both in 2006. Issued in conjunction with an exhibition held at the Foundation HCB in Paris from September 21 to December 23, 2006 and at the International Center of Photography in New York... (read more)
New York: The Museum of Modern Art, 2010. First Edition. 462 reproduction plates. A posthumous study of Henri Cartier-Bresson's black and white photography. Jacket very lightly rubbed, else Fine and unread in a Fine dust jacket. (read more)
New York: Perigee Books / Putnam, 1980. First Edition. Small quarto. Near Fine and unread in illustrated wrappers. Light toning and light rubbing overall. Collects some of the best work from the commercial artist. (read more)
Paris: Image France Editions, 2007. First Edition. A deluxe monograph published to coincide with the legendary exhibit of the photographs of Raymond Cauchetier, the photographer who, more than any other one person, documented the beginnings of the French New Wave, shooting on the set with Francois Truffaut, Claude Chabrol, Jean-Luc Godard, Jacques Demy, and many others between 1958 and 1968... (read more)
Washington, DC: Smithsonian Institution Traveling Exhibition Service (SITES), 1984. First Edition. Near Fine in perfect-bound pictorial wrappers, with light creasing and rubbing at the extremities. Internally Fine. Illustrated essay by Gabriel Weisberg, including 25 duotone reproductions of prints and photographs. Catalogue includes 92 plates (etchings, aquatints, drypoints), a select bibliography, and an index of names. 129 pages. Text in English. (read more)
New York: Christie's, 2008. Near Fine. Profusely illustrated throughout, with index. 311 pages. (read more)
New York: Phaidon, 2004. First Edition. Fine and unread in a Fine dust jacket. 247 pages, color illustrations and drawings throughout. Includes an index, a bibliography and a chronology of works. (read more)
New York: Phaidon, 2004. First Edition. Fine and unread in a Fine dust jacket. 247 pages, color illustrations and drawings throughout. Includes an index, a bibliography and a chronology of works. (read more)
New York: Maloney, 1937. First Edition. INSCRIBED by the author on the first leaf: "To Bert Nichols / just for being 'Nick' / Will Connell." Very Good plus in black and white spiral-bound wrappers. Wrappers are slightly rubbed along the spiral binding and at a couple of corners. Illustrated throughout with lovely full-page gravures. Internally, a very clean, sharp copy. A rare signature. (read more)
New York: Main Street, 2005. First printing of this Main Street hardcover edition. Just about Fine and unread in a Fine dust jacket. An attractive copy, with color photographs throughout. (read more)
Zurich: Kunsthaus / Hatje Cantz, 2003. First Edition. Near Fine with a smaller bump to the lower front corner, lacking dust jacket. (read more)
New York: Atide / Crown, 1962. First American Edition, an English language translation of the original Swiss publication by Edita S.A. Lausanne. With over 150 black-and-white and full color illustrations throughout. Near Fine in a Very Good plus, price-clipped dust jacket. Jacket spine and edges lightly toned, with light soil overall, and a touch of laminate lift to the crown. (read more)
New York: Friedman / Fairfax, 2000. First Edition. Fine and unread in a just about Fine, lightly rubbed dust jacket. A lovely copy of this edition, with many full-page color photographs thoughout. (read more)
Brighton, UK: The Rock Music Photographs of Ian Dickson, 2006. First Edition. Number 4 of an unspecified limitation of "DeLuxe" editions produced by photographer Ian Dickson, containing 7 black-and-white photographs, struck from the original negatives, taken on March 5, 1977 at the Rainbow Theatre, London, the final show for the UK leg of Iggy Pop's tour behind his classic 1977... (read more)
Brighton, UK: The Rock Music Photographs of Ian Dickson, 2006. First Edition. Number 5 of an unspecified limitation of "DeLuxe" editions produced by photographer Ian Dickson, containing 7 black-and-white photographs struck from the original negatives, taken on June 13, 1977 for "Sounds" magazine during a performance by The Jam at Reading Top Rank following the release of the band's debut... (read more)
Baton Rogue: Louisiana State University Press, 1998. First Edition. Fine in a Near Fine dust jacket. (read more)
Albuquerque, NM: University of New Mexico Press, 1989. First Edition. The uncommon cloth issue. An important photo monograph on the American farm subculture in the southwest United States. Emmet lived and traveled with a migrant family for nearly ten years, documenting their lives and work in Florida, North Carolina and upstate New York. Accompanied by an text that is a.... (read more)
Albuquerque, NM: University of New Mexico Press, 1989. First Edition. An important monograph on the American farm subculture in the southwest United States. From the collection of abstract expressionist Alfonso Ossorio, with his ownership signature on the half title page. Near Fine in a Near Fine dust jacket. Jacket has just a touch of rubbing, and a minute crimp at... (read more)
Ostfildern, Germany: Hatje Cantz, 2010. First Edition. Issued in conjunction with an exhibition held at Kunstmuseum Bonn from November 11, 2010 to January 23, 2011. Text in English and German. Fine and unread without dust jacket as issued. (read more)
New York: powerHouse Books, 2001. First Edition. SIGNED by the photographer on the half title page. A redesign of Larry Fink's classic first monograph and a famous juxtaposition of American social classes. Fine and unread in a Near Fine dust jacket. Jacket very lightly rubbed, else Fine. (read more)
New York: Lustrum Press, 1972. First Edition. Robert Frank's first retrospective, published as a photographic diary of his travels through Europe, South America, and the United Kingdom. Very Good plus in illustrated wrappers. Some light creasing and soiling to the wrappers. Parr and Badger Vol. 1, p. 261. (read more)
New York: Haywire Press, 1986. First edition. Large oblong folio. Embossed silk cloth in embossed cloth slipcase. Engraved title page. Copy number 28 of 50 copies (there were also six lettered artist's copies). Twenty-five exquisitely printed gravure images, each numbered and signed by Friedlander. Gravure printing by Thomas Palmer. Slight sunning to the delicate pink silk of the spine, still... (read more)
New York: Callaway Editions, Inc., 1982. First Edition. One of 1,000 hardbound copies SIGNED by the photographer on a tipped in page, issued simultaneously in 2,000 signed softcover editions. 62 full-page black and white plates. A visually stunning photographic reportage of the Ohio River Valley, as commissioned by the Akron Art Museum. Fine and unread in a Near Fine dust... (read more)
Lincoln, NE: University of Nebraska Press, 1984. First Edition. 189 duotone plates. In the spirit of Dorothea Lange and Russell Lee before him, Bill Ganzel set out on a quest to photograph the aftermath of the Dust Bowl more than 30 years later. Very Good plus in a Very Good plus dust jacket. Slight lean, with some light fading at... (read more)
Norman, OK: University of Oklahoma Press, 1971. First Edition. INSCRIBED by the author on the front pastedown to photographer, writer and editor Dorothy Norman: "For Dorothy Norman / With appreciation for her letting me use her superb photograph of Demuth in this book / Emily Farnham / July, 1971." Jacket photograph by Alfred Stieglitz. A wonderful association, with Norman’s photograph... (read more)
Paris: Adrien Maeght, 1987. Quarto. First French Edition (and correct first). About Fine and unread in a Near Fine dust jacket. Slight toning and lamination lift at the jacket extremities. Bauquier, who was Leger's friend and closest collaborator, presents an accurate picture of the painter's creativity, output, and influence. With black-and-white photographs and full-page color plates throughout. (read more)
New York: Hyperion, 1982. First edition. Oblong folio. Cloth clamshell portfolio containing a bifolium limitation leaf and fifteen (15) photographs, each numbered and SIGNED by the artist. One of 100 numbered copies (there were also five lettered copies). Plates Fine, portfolio Very Good. The sensitive portfolio cloth is lightly rubbed and scuffed overall, but with no tears or abrasions. (read more)
Chigago, IL: University of Chicago Press, 2007. First Edition. SIGNED and dated in the year of publication by the photographer on the half title page. A gripping photo essay of journalist Ashley Gilbertson's coverage of the Iraq War. Jacket very lightly rubbed, else Fine and unread in a Fine dust jacket. (read more)
Austin, Texas: University of Texas Press, 1968. First Edition. A mid-century photographic portrait of the Navajo people, the largest indigenous population in the United States. Near Fine in a Very Good plus dust jacket. Some light foxing at the page edges. Jacket lightly soiled at the rear panel, with a few short closed tears, and light chipping to the extremities. (read more)
USA: Woodstock Editions, 2000. First Edition. One of 2000 numbered copies (1000 of which were destroyed prior to publication, according to the aritst) SIGNED by Hans Gissinger. Two volumes in a single slipcase, the first a collection of essays, the second a monograph of Gissinger's extraordinary meditations on the creation of food, from the grotesque to the sublime. Fine condition. (read more)
USA: Woodstock Editions, 2000. First Edition. One of 200 numbered suites of 14 three-color prints, each print SIGNED by Hans Gissinger. These prints are from Gissinger's monograph, published simultaneously in 2000 by Woodstock Editions. 25 x 39 inches. Fine condition. An exquisite production. (read more)
USA: Woodstock Editions, 2001. First Edition. One of 500 numbered copies signed by Hans Gissinger. Fine in decoratively-patterned boards and no dust jacket as issued. A fascinating monograph, the middle third of which is devoted to 60 photographs of a wildly divergent array of Italian salamis, all treated separately and very much in a style of portraiture. The first and... (read more)
USA: Woodstock Editions, 2001. First Edition. One of 200 numbered suites of 15 six-color offset prints, each print SIGNED by Hans Gissinger. These are from Gissinger's monograph, published simultaneously by Woodstock Editions in 2001. 25 x 39 inches, 111-lb. paper. Fine condition. An exquisite production. (read more)
Buenos Aires: La Azotea, 1993. First Edition, a paperback original. Glue residue from the binding along the edge of the front endpaper, else about Fine in wrappers with french flaps. (read more)
East Hampton, NY: Harper's Books, 2009. First Edition. One of 50 copies printed, this copy SIGNED by Gossage on the title page. An artist's book, conceived and designed by Gossage, commemorating the photographer's decision to forego a life in rock and roll for a life in photography--a decision that made him one of the world's greatest photographers today. With exceptional... (read more)
Milano: Edizioni Boccioni, 1973. First Edition. INSCRIBED to actor Rod Steiger: "All' amico Rod Steiger, Salvatore Fiume," by the artist Fiume on the front endpaper. A lovely production and a nice association. Text in Italian. Fine in a Near Fine dust jacket. Jacket shows small closed tear to top of rear panel and bottom left of front panel with light... (read more)
Honolulu: University of Hawaii Press, 2001. First Edition. Fine and unread in a Fine dust jacket. (read more)
New York: McDowell, 1957. Large quarto. First American Edition. Fine in just about Fine dust jacket. (read more)
New York: Aperture, 1978. First Edition. Fine and unread in a Very Good plus dust jacket. Jacket spine faded, with light edgewear. Parr and Badger, Vol. II, pg. 23. (read more)
New York: Open Book, 1982. Limited Edition. One of 350 copies, of which only 100 were for sale (and this being No. 56), signed by both Harrison and Guest on the half-title page. Fine and unread without dust jacket as issued. A charming edition of poetry accompanied by black and white images of Guest's sculptural work. (read more)
Hamburg, Germany: Verlag Hans Hoeppner, 1961. First Edition. Folio. Text in German and French. Unbound leaves (10.75 x 14.25 inches): seven pages of text, including title, half-title, and contents, with twenty-four pages of black-and-white photographs by Hartz. Stiff paper dust jacket and supporting board. Contains images of Louis Armstrong, Mahalia Jackson, George Lewis, Anita O'Day, Charly Mingus, Art Blakey, and... (read more)
London: Haskins Press, 1975. Limited Edition, preceded by the original 1965 edition. One of 1500 copies (this being No. 511) SIGNED by the photographer on the tipped in limitation page. Fine in an about Near Fine jacket. Jacket lightly toned and rubbed, with a few short closed tears at the spine ends and a light crease to the bottom of... (read more)
New York: Madison Square Press / Grosset and Dunlap, 1967. First Edition. Near Fine in a Very Good dust jacket. Light toning at the extremities. Jacket has two closed tears and associated creasing at the top edge, repaired at the verso with cello tape, with a half-inch chip at the spine heel and creasing to the flaps. Black and white... (read more)
![122 Colour Photographs [122 Farvefotographie] (Signed First Edition). Keld Helmer-Petersen.](/pictures/thumb/131135.jpg?v=1434404449)
Copenhagen: Schoenberg Publishers, 1948. First Edition. INSCRIBED by the author to photographer and former student John Wood on the front endpaper: "Jan. 1951 / To John Wood, a fine photographer [and] person. / with compliments / Keld Helmer-Petersen." An important, early book of color photography, prefiguring the work of William Eggleston and Stephen Shore by nearly three decades. Scarce in... (read more)
Kyoto, Japan: File, Inc., 1994. First Edition. A monograph of Hopper's photographs from a 1991 visit to Tokyo and a 1994 visit to Kyoto, published in Kyoto in 1994. Only one printing is known and to our knowledge these photographs have never appeared in book form since. Fine saddle stitched two-color photo illustrated wrappers. (read more)
Tokyo: CameraArt, 1961. First Edition, with the requisite pamphlet featuring English translations of the text laid in. The first of Hosoe's many collaborations with choreographer Tatsumi Hijikata, using Butoh dancers to create stylized, abstract portraits of relationships between men and women, and the book which brought the photographer to international acclaim. Fine and unread in a Near Fine dust jacket... (read more)
MS: University Press of Mississippi, 1990. First Edition. Near Fine in a Near Fine dust jacket. SIGNED by Imes on the title page and by author Richard Ford at the end of his introduction. One of the most significant photobooks of the last few decades, as the landscape of Mississippi Delta juke joints so lovingly documented in this monograph is... (read more)
Paris: Librairie d'art Louis Reynaud, 1931. Small folio. Portfolio by Alfred Janniot, INSCRIBED by Janniot on the title page. Additionally, an inscription on the front pastedown to John Amore is signed by six of the architects of Rockefeller Center and two of its most important contributing artists. The architects who have signed include John R. Todd, L. Andrew Reinhardt, Henry... (read more)
Raleigh: North Carolina Museum of Art, 1976. First Edition. Catalog of an exhibition held from October 31 to December 5, 1976 of the letters of Ray Johnson, one of the founders of the mail art movement and member of the New York Correspondence School. The catalog contains 84 reproductions of letters by Johnson, many running multiple leaves. Unbound and housed... (read more)
New York: J.J. Augustin, 1945. First Edition. A presentable copy. Very Good plus in a Very Good plus dust jacket. Slight lean, with light foxing to the page edges. Jacket is lightly soiled, with light chipping to the extremities. Roth 101, p. 114-115. Parr and Badger, Vol. I, p. 200. (read more)
Paris: Centre Georges Pompidou / Herscher, 1983. First Edition. INSCRIBED by Klein to Ira Lowe on the half-title page: "to Ira, / a little catalog not made, heureusement in USA (see page 7) / All my best / Bill." Ira Lowe was a Washington, DC based lawyer who specialized in the arts and, over the course of a lengthy career, represented... (read more)
![S, M, L, XL [Small, Medium, Large, Extra-Large] (First Edition, inscribed by Koolhaas in January 1996). Rem Koolhaas, Bruce Mau.](/pictures/thumb/126184.jpg?v=1418080121)
New York: The Monacelli Press, 1995. First Edition. INSCRIBED by Rem Koolhaas on the title page, in the year after publication: "To Rochelle / Rem Koolhaas / 1-2-96." Koolhaas' magnum opus, a profusely illustrated guide to his process. Conceptual in its design and execution, much like the architect's work. Near Fine, with only the slightest rubbing to the sensitive yellow spine titles. (read more)
New York: Rizzoli, 1990. First Edition. Fine and unread in an about Fine, lightly scuffed, dust jacket. An attractive edition, illustrated profusely in black and white and color throughout. (read more)
Beverly Hills, CA: Morpheus International, 1997. First US Edition. Folio. A collection of the portrait artist's work, combining cultural icons of music, film, literature, and art. Near Fine in a Near Fine dust jacket. (read more)
Paris: Jean-Michel Place, 1999. First printing of this edition, originally published by Reynal and Hitchcock in 1939. Husband and wife team Dorothea Lange and Paul Taylor were hired by the Farm Security Administration to document the 300,000 strong, Depression-era exodus, and the struggles theses migrant workers overcame in search of basic necessities. Near Fine in wrappers (softcover). Sticker shadow on... (read more)
Lausanne, Switzerland: Ami Guichard, 1966. First Edition. Near Fine with no dust jacket as issued. A few bruises to the front board vignette and a few faint stains to the rear board to note. (read more)
Tokyo: New Art Seibu, 1994-1995. First Editions, first printings. Published in Japan with text in Japanese. All 3 volumes Fine in Near Fine dust jackets with light soiling to the white jackets. Several hundred plates in 3 volumes. Two volumes have original publisher's belly bands. (read more)
Boston: Gambit Incorporated, 1970. First Edition. Just about Fine and unread in an about Fine dust jacket. Jacket has a hint of rubbing to the crown and a couple of corners, with a hint of toning to the spine panel, else Fine. A collection of political caricatures. (read more)
![The Man From M. A. L. I. C. E. [Movies, Art, Literature and International Conmen's Establishment] (Uncorrected Proof). David Levine, Malcolm Muggeridge, introduction.](/pictures/thumb/122998.jpg?v=1434404419)
New York: E.P. Dutton, 1966. UNCORRECTED PROOF, preceding the First Edition. Unbound signatures in dust jacket with "Color Proof" on the front flap, lacking the third blurb at the rear flap, with faint pencil notations at the rear flap from the proofer. Signatures are Fine; jacket with light creasing and tiny closed tears at the top edge. (read more)
New York: Powerhouse, 2001. First Edition. Review copy with publisher's slip laid in. SIGNED by the photographer on the title page. Fine and unread without dust jacket as issued. (read more)
New York: powerHouse Books, 2003. First Edition. 105 tritone plates, previously unpublished and hand selected by the photographer. A collection of Helen Levitt's previously unpublished street photography taken in New York City. Fine and unread in a Fine dust jacket. (read more)
New York: W.W. Norton, 1997. First Edition. American photographer Helen Levitt's 1941 journey through the Mexican capital. Fine and unread in a Fine dust jacket. (read more)
New York: powerHouse Books, 2005. First Edition. SIGNED by the photographer on the title page. A collection of Helen Levitt's previously unpublished color street photography taken in New York City. Fine and unread in a Fine dust jacket. (read more)
New York: Guggenheim Museum, 1993. First Edition, published simultaneously in softcover. SIGNED by Lichtenstein on the front endpaper. Laid in is an invitation to a dinner on the occasion of the opening of an exhibition of the artist's work where the book was signed. Catalog of an exhibition held at the Guggenheim Museum from October 8, 1993 to January 1... (read more)
Basel, Switzerland: Galerie Beyeler, 1991. First Edition. Catalog of a joint exhibition of American artists Roy Lichtenstein and Frank Stella held from March to May 1991 at the Galerie Beyeler in Basel, Switzerland. Text in English and German. Near Fine in lightly rubbed wrappers and original publishers acetate dust jacket. (read more)
New York: Hudson Hills, 1994. First Edition. Featuring full color reproductions of prints by Lichtenstein, issued in association with the National Gallery of Art in Washington D.C. Included is a full color, illustrated two pocket folder from the National Gallery exhibition, which ran from October 30, 1994 to January 8, 1995, featuring a press release, check list, and schedule of... (read more)
New York: Hudson Hills, 1999. First Edition. Catalog of an exhibition held at the Museum of Contemporary Art, Chicago from July 24 to October 10, 1999. Near Fine in a Near Fine dust jacket. (read more)
Stuttgart: N.p., 1945. First Edition. Oblong small quarto. Quarter-bound in black with olive paper-covered boards, paper title label on the front board. A collection of charcoal sketches of Russian landscape. No text. Very Good with some light soil to the front and rear board, and an owner name to the front endpaper. Scarce. (read more)