Beverly Hills, CA: United Artists, 1965. Vintage borderless photograph of actor-screenwriter Woody Allen and actress Paula Prentiss on the set of the 1965 film. With holograph pencil annotations on the verso. Woody Allen's film debut as both actor and screenwriter, a movie that Allen today describes as "dreadful" but one that was a box office smash at the time. A soon-to-be-married.....
N.p. N.p., Circa 1966. Collection of 20 vintage borderless photographs from the 1966 film, 18 reference photographs and 2 fashion photographs of Rosaleen Murray and Ann Norman. Mimeo snipes on the verso of three of the photographs. Inspired by the 1959 short story "Las Babas del Diablo" by Julio Cortazar. Michelangelo Antonioni's first English-language film, marking the beginning of the final.....
N.p. N.p., Circa 1966. Vintage borderless photograph of model Veruschka von Lehndorff in her famous five-minute scene from the 1966 film. Inspired by the 1959 short story "Las Babas del Diablo" by Julio Cortazar. Michelangelo Antonioni's first English-language film, marking the beginning of the final phase of his work, co-produced by companies in Italy, the United States and the United Kingdom and.....
Hollywood: Paramount Pictures, 1966. Vintage borderless photograph from the set of the 1966 UK film. Featuring a very relaxed Michael Caine, laying across the laps of his four female costars (Vivien Merchant, Jane Asher, Julia Foster, and Shelly Winters) between takes. Tipped-on snipe humorously describing Michael Caine's interest in the opposite sex on the verso. Based on Naughton's 1966 play.....
Hollywood: Paramount Pictures, 1966. Two vintage black-and-white borderless still photographs from the 1966 UK film. Press photos, with cropping annotations in the British style (millimeters) on the verso of one still, and a stamp on the verso of the other still. Based on Naughton's 1966 play, about a young man from the working classes of sexy, swinging 1960s London, Alfie.....
London: Modesty Blaise, 1966. Vintage black-and-white reference still photograph from the UK release of the 1966 film. The image shown is Monica Vitti in the titular role, in one of her many mod disguises. 8 x 10 inches. Near Fine.
Los Angeles: Twentieth Century-Fox, 1966. Vintage black-and-white studio still photograph from the 1966 film. A split still showing Vitti in two different guises, as a brunette spy and as a seductive blonde who is actually a brunette spy. 8 x 10 inches. Near Fine.
London: Columbia British Productions, 1969. Draft script for the 1970 film. Ornamental Art Nouveau, Mucha-esque imprinted front wrapper design. Cinematographer Douglas Slocombe's name written and underlined in holograph ink on the title page, as well as an encircled "71" in red holograph marker. Based on Janice Elliott's 1967 novel about cousins born on the same day to twin sisters. Inseparable.....
Paris: Les Films Marceau, circa 1968. Three Draft scripts for the 1969 film by three different screenwriters. From the estate of film producer Elliott Kastner, whose best known credits include "The Long Goodbye” (Robert Altman, 1973), "The Missouri Breaks" (Arthur Penn, 1976), and “Heat” (Michael Mann, 1996). The first script is an undated draft script by screenwriter George Bluestone, who previously.....
Buckinghamshire: British Lion Film Corporation, 1964. Draft script for the 1964 film. Based on the 1960 novel of the same title by Douglas Hayes. A middle-aged stage actor moves from a conservative life in the provinces to the very center of Swinging London and tries to revitalize his career by performing in commercials. Set in London, shot on location there.....
N.p. Laughlin, 1968. Vintage photograph from the 1968 film. Genevieve Waite in the unedited photo used in the ad campaign for the film. 17 year old art student Joanna (Genevieve Waite), arrives in Swinging London, meeting colorful characters and exploring casual sex. Includes an early performance from Donald Sutherland as the terminally ill Lord Sanderson. Nominated for the 1968 Palme d'Or.....
UK: Jospeh Janni Productions, 1965. Vintage borderless photograph on the set of the 1965 film, showing director John Schlesinger and stars Julie Christie, Laurence Harvey, and Dirk Bogarde relaxing between takes. With the stamp of distributor the Rank Organization on the verso. A cynical look at Swinging London, about a fashion model who sleeps her way into high society, only.....