N.p. Bernie Abramson, 1967. Vintage silver gelatin reference photograph from the brutal 1967 film, based on Truman Capote's nonfiction book. Stamped twice on the verso, once in red (Columbia Pictures) and once in black (ORIGINAL PRINT / Pictorial Press, Ltd., with contact information). This image shows Dick (Scott Wilson) taking a rifle from the back seat of his car, just.....

N.p. N.p., circa 1958. Draft script for a play based on the classic 1957 film directed by Ingmar Bergman. Actress Mary Henry's copy, profusely annotated throughout. Ms. Henry played one of three "phantoms" in the play, who do not speak but who are generally present. Nothing is known about the production of this play, the playwright, or the actors involved.....

N.p. N.p., Circa 1933. Original dialogue notes for the 1933 Tod Browning film, "Fast Workers." Handwritten notes on two pages of legal-size notebook paper in holograph pencil, presumed to belong to one of the screenwriters for the film. The notes are as follows, with several lines marked through in various places:[First page]Spike: What'd you do to her, when you found.....

Moore Park, Australia: Embassy Pictures, 1977. Draft script for the 1977 British film, here under the working title "Holocaust 2000." Laid in are additional 18 pages of production documents on legal size blue, pink, and goldenrod stock.About as good as 1970s exploitation gets. Kirk Douglas is a wealthy industrialist, a fervent believer in the benefit of nuclear power to all.....

Hollywood: Paramount Pictures, 1966. Two vintage black-and-white still photographs from the 1966 film. Both are reference photographs featuring director Frankenheimer on the set: one from a scene at the beach with his shooting crew, the other in a social setting with the film's star Rock Hudson. Middle-aged banker Arthur Hamilton is given the opportunity to start a completely new life.....

London: British Broadcasting Corporation [BBC], 1965. Draft script for the 1965 BBC television movie "Tea Party," adapted by Pinter from his 1963 short story. The film first aired live on March 25, 1965 on the BBC program "The Largest Theatre in the World." INSCRIBED by screenwriter Pinter on that day: "March 25th 1965 / To Peter Colin Holder / Congratulations.....

New York: Cinema 16, 1952. Original pamphlet distributed by Amos and Marcia Vogel's Cinema 16, "How to Solve the Mystery of Rashomon" (1952), an essay by novelist and film critic Parker Tyler. Few foreign language films have made such a lasting impact on American audiences as Akira Kurosawa's "Rashomon" (1950), a revolutionary film in style and substance that challenged and.....

London: British Broadcasting Corporation [BBC], 1935. Collection of seven vintage black-and-white still photographs and two double weight sepia photographs from the UK release of the 1935 British documentary film. Included is the original trasmittal envelope, with the printed label, "On His Majesty's Service." Featured in two of the photographs are Henry Hall and his Orchestra (a.k.a., the BBC Symphony Orchestra).....

Los Angeles: 1963. Promotional broadside, designed to resemble an oversized postcard, for the Los Angeles premiere of Adolfas Mekas' feature film debut, "Hallelujah the Hills," along with the debut of Kenneth Anger's short film, "Scorpio Rising." Mekas was the brother of Jonas Mekas, a film critic, filmmaker, and essentially father figure of the avant-garde New American Cinema of the 1960s.....

Los Angeles: Fox Film Corporation, 1928. Original three-color herald for the 1928 silent film, with overprints in red ink on the verso added to promote the sound version, released shortly after the initial version, reading "The latest talking sensation!" and "Janet Gaynor / Talking for the first time on the screen."All of Murnau's American films are available except "4 Devils,".....

N.p. N.p., 1966. Vintage program from Otis Redding's 1966 tour, where he headlined the "Winter Carnival of Stars," which also included Aaron Neville, James and Bobby Purify, The Marvelettes, The Original Drafters, Lorraine Ellison, Sad Sam, and comedian Irwin C. Watson. With a full page photograph and biography of each artist, and several additional photos of Redding in performance. Saddle.....

London: Faber and Faber, 1938. First Edition. ASSOCIATION COPY, inscribed in 1942 by Michael Powell: "For Roy Plomley / who knows all about desert islands / Michael Powell / 1942." The book was inscribed on the occasion of Powell's appearance on the BBC radio program Desert Island Discs, where he was interviewed by Plomley, the show's founder. Michael Powell re-appeared.....

London: British Nation Films, 1942. Original British program for the 1942 film. A fascinating piece, in that it consists almost entirely of a long transcription by Pressburger of the true-life narrative by Sir George Corbett, which forms the basis for the film. Photo illustrations from the film throughout. Saddle-stapled illustrated self wrappers, 7 x 9 inches, 32 pages. Very Good.....

New York: Filmmakers' Cinematheque, 1965. An archive of two original posters for Don Snyder's multi-media presentation, "Spectro-Mach 1," along with extensive manuscript annotations, diagrams, and charts. Instructions include visual and aural cues for projectionists and musicians, detailed instructions for presentation sequence (numbered 1 to 13 across the versos of the two posters), random project development annotations, and a handwritten note.....

N.p. N.p., 1968. Two-color ink drawing of Charlie Chaplin in silhouette, titled "Chaplin a' la Vigo's 'Zero de conduit'" by noted radical caricaturist Robert Osborn. The title makes reference to French filmmaker Jean Vigo's 1933 film, "Zero de conduite," and the drawing, unpublished, was a gift to Osborn's friend Amos Vogel, inscribed at the bottom left corner, "For Amos /.....

New York: William Morris Agency, Circa 1950. Treatment script for an unproduced film called "Don't Bury Me At All," written by Robert Penn Warren and Max Shulman. An unusual collaboration between screenwriter Max Shulman ("The Affairs of Dobie Gillis," 1953) and Pulitzer Prize-winning novelist Robert Penn Warren. A cursory look at the script leads us to believe the film would.....