Paris: Parc Film, 1966. Vintage borderless photograph of director Agnes Varda and actor Catherine Deneuve on the set of the 1966 film. With a mimeo snipe on the verso. A writer and his pregnant wife, mute from a car accident, move to a remote village while he works on a novel. Fantasy and reality, fact and fiction, begin to blend.....

Paris: Cine Tamaris / Rome Paris Films, 1962. Collection of four vintage black-and-white still photographs from the 1962 French film. Agnes Varda is an important and influential French director, writer, and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche.....

N.p. N.p., 1985. Collection of four vintage borderless reference photographs and one vintage reference photograph from the set of the 1985 French film, three showing director Agnes Varda and actress Sandrine Bonnaire, one showing Varda and cinematographer Patrick Blossier, and one showing Varda and a film crew inspecting Bonnaire as she poses as a dead body in a ditch. With.....

Los Angeles: Kyra Productions, 1998. Draft script for the 1998 film. A college student is promised his fathers Porsche if he returns home to New York by Christmas. Through improbable set backs and adventures he finds his way home and reunites with his love interest. Shot on location in British Columbia and California. White titled self wrappers, dated February 12.....

Los Angeles: Twentieth Century-Fox, 1990. Second Draft script for the 1992 film. A recently widowed Jewish woman finds love in her autumn years with a charming Italian playboy, but faces criticism from her two unhappy daughters, who believe she is moving forward too quickly.Set in Queens, New York.Blue titled wrappers, dated MARCH 2, 1990. Title page present, dated 3/2/90, noted.....

Brussels: Centre du Cinema et de l'Audiovisuel de la Federation Wallonie-Bruxelles, 1978. Vintage oversize borderless photograph of director Chantal Akerman and actress Aurore Clement on the set of the 1978 film, with various cast and crew members in the background. With a provenance stamp and holograph ink annotations identifying the photograph subjects on the verso. A Belgian filmmaker travels across.....

N.p. N.p., Circa 1967. Vintage script for the 1967 one-act play, which debuted at the White Barn Theatre in Westport, Connecticut on July 16. A middle-aged divorcee who has accidentally been called to service by the draft butts heads with the no-nonsense career officer. One of prolific, acclaimed playwright Terrence McNally's earliest productions, and the one that brought him his.....

Italy: Lotar Film, 1974. Collection of four vintage photographs from the 1974 film. Each with the stamp of collector A. Marinie on the verso, one photograph with holograph annotations regarding layout. Italian director Cavani's international breakthrough, a deeply controversial film about a Holocaust survivor who renews her sadomasochistic sexual relationship with her Nazi torturer after a chance encounter, which threatens.....

Rome: Solaris Cinematografica, 2000. Eighth Draft script for the 2001 television film, which originally aired on January 22 on Channel 5. Copy belonging to script supervisor Franca Invernizzi, with her extensive holograph annotations on nearly every page (and many page versos) regarding camera shots, takes, timing, and dialogue. Bound in after the script are six pages of Invernizzi's handwritten notes.....

London: Lord Grade, 1978. Draft script for the 1978 film, here under the working title "Titoli di Testa." Copy belonging to script supervisor Franca Invernizzi, with her extensive holograph annotations on nearly every page (and many page versos) regarding camera shots, takes, timing, and dialogue. Bound in after the script is an annotated list of scenes, and several handwritten pages.....

N.p. N.p., Circa 1969. Vintage borderless reference photograph of Marguerite Duras on the set of the 1969 film. Credits printed on verso. Marguerite Duras' directorial debut, based on her radical 1969 novel about two couples exploring the destructive potential of their desires, their identities dissipating and merging, at an isolated seaside resort where no other guests are seen, only heard.....

Los Angeles: Films Inc., 1975. Vintage US one sheet poster for the 1976 autobiographical docudrama. Director Martha Coolidge's debut feature film, after having worked as a documentary filmmaker since the early 1970s. The film follows Coolidge's retelling of the aftermath following her high school date rape, and analyzes the motives and ramifications of the action. An unusual film for its.....

Rome: Compagnia Europea Cinematografica, Circa 1979. Draft script for the 1979 film, here under its Italian title, "Amo Non Amo." Text in English. A young divorcee moves to a resort town on the outskirts of Rome and attempts to start a new life with her son, with a new career and a new boyfriend, but finds that her life has.....

Los Angeles: Paramount Pictures, 1991. Revised Draft script for the classic 1991 film comedy, with rainbow revisions. Two metalhead best friends who run a no-budget public cable television show find their lives turned around when a sleazy producer purchases the rights to their show for his prime time network. Based on a recurring Saturday Night Live sketch originated by Mike.....

N.p. N.p., 1975. Draft script for the 1975 film. Copy belonging to actor Dick Miller, with his name in holograph ink annotation to the title page, and his holograph ink annotations throughout.From the estate of Dick Miller. Directed by noted 1970s filmmaker Barbara Peeters, during her tutelage period with Roger Corman. A well received film both upon its release and.....

N.p. N.p., Circa 1963. Vintage reference photograph from the seminal 1963 film. Partial label on the verso.Based on the 1960 play by Warren Miller and Robert Rossen, which was based on Miller's 1959 novel. The second feature to be directed by independent filmmaker Shirley Clarke, following "The Connection" (1961). Both films were statements on the limitations of cinema verite, and.....