Munich: Grauf Haufen and Frank Trebbin, 1993. First Edition. An utterly obsessive, minutely detailed examination of Spanish exploitation director Jess Franco's illustrious career, divided into two sections: an extensive, photo-illustrated filmography that includes analysis and reproductions of even the most obscure country-of-origin posters and advertisement for each film, and a set of interviews by Franco's contemporaries (and Franco himself), including...

Culver City, CA: Columbia Pictures, 1938. Vintage candid photograph from the 1938 film, shot by Alex Kahle, with his stamp on the verso, along with a mimeo snipe tag describing the shot. Based on the play by Philip Barry, who would reunite with Hepburn in 1940 for the adaptation of his play The Philadelphia Story. A mimeo snipe on the...

New York: Random House, 1975. First Edition. INSCRIBED by the author on the half-title page: "For Tony Bill / With kind regards / Peter Matthiessen."From the collection of Oscar-winning director-producer Tony Bill, whose credits include "The Sting" (1973, producer), "Soldier in the Rain" (1963, actor), "Shampoo" (1975, actor), and "Five Corners" (1987, director-producer). Foxing to the page and board edges...

New York: Crown Publishers, 1996. First Edition. INSCRIBED by the author on the title page: "To Tony Bill / With warm good wishes / Steven Millhauser / June 26, 1997." Laid in is a "With Compliments" card from the publishers. Winner of the 1997 Pulitzer Prize for Literature. From the collection of Oscar-winning director and producer Tony Bill, whose credits...

Hollywood: William Castle Productions / Paramount Pictures, 1968. Collection of 74 vintage black-and-white still photographs from the 1968 film. Included are 12 candid photographs from the set, 6 of which feature Roman Polanski working with various cast and crew. A seminal horror film, one of the finest genre pictures ever made, from the earliest days of the New Hollywood cinema...

Los Angeles: Stephen Friedman / Kings Road Productions, circa 1977. Draft script for an unproduced film. Screenwriter Ron Turbeville's only produced screen credits were for "Buster and Billie" (1974) and a few episodes of television ("Adam-12," "The Name of the Game"). A coming-of-age story with what would appear to be a nearly all-black cast, about a 14-year-old black teenager named...