Munich: Grauf Haufen and Frank Trebbin, 1993. First Edition. An utterly obsessive, minutely detailed examination of Spanish exploitation director Jess Franco's illustrious career, divided into two sections: an extensive, photo-illustrated filmography that includes analysis and reproductions of even the most obscure country-of-origin posters and advertisement for each film, and a set of interviews by Franco's contemporaries (and Franco himself), including.....

Canada: Mount Everest Enterprises, 1975. Final Draft script for the 1976 Canadian film. Uncredited producer Don Carmody's working script, with his ownership name in holograph ink on the first leaf. Notations in holograph pencil and ink throughout by Carmody and (more extensively) by the script supervisor, presumably Lynne Twentyman, on both rectos and versos. Twentyman worked on the film under.....

N.p. N.p., 1981. Typed letter signed from James Michener to noted author and interviewer Richard Davison, dated December 19, 1981, executed on Michener's St. Michaels, MD stationery. With the original mailing envelope, matching the stationery with Michener's name and address on the rear flap. The content in the letter is exceptional, with Michener going into some detail about how Frank.....

New York: The Vanguard Press, 1967. First Edition. INSCRIBED by the author on the front flyleaf in the year of publication: "For Gunter — / With best wishes / Joyce Carol Oates / 9-22-67." Finalist for the National Book Award for Fiction (1968), and winner of the M.L. Rosenthal Award (1968). The author's second novel. First of the "Wonderland Quartet".....

Los Angeles: Stephen Friedman / Kings Road Productions, circa 1977. Draft script for an unproduced film. Screenwriter Ron Turbeville's only produced screen credits were for "Buster and Billie" (1974) and a few episodes of television ("Adam-12," "The Name of the Game"). A coming-of-age story with what would appear to be a nearly all-black cast, about a 14-year-old black teenager named.....