London: Carol Reed Productions, Circa 1948. Vintage candid photograph from the UK release of the 1949 film. From the archive of Maurice Bessy, with his stamp on the verso, along with the stamp of photographer Leslie Baker, and another for Carol Reed Productions and The London Films Studios in Shepperton, England. A mimeo snipe, also on the verso, describes the.....

N.p. N.p., 1945-1963. An archive of 18 mimeograph manuscripts for short stories, novels, and screenplays, many never published or produced, by W.R. Burnett. All identified by stamp, label or cover sheet as being from H.N. Swanson, Inc., Burnett's literary agent. Four of the scripts are ribbon copy typescript or carbon typescript, two of the scripts have been briefly annotated by.....

N.p. N.p., Circa 1965. Vintage press photograph of Diana Rigg as Emma Peel, the iconic female character in the classic British television series, "The Avengers." Here Rigg stands on a polar bear skin rug laid out near the shoreline of an unknown British locale. Shot by photographer Terry O'Neill to promote the hiring of John Bates (who worked for noted.....

Rome: Titanus, 1962. Original double weight, borderless photograph of Claudia Cardinale on the set of director Luchino Visconti's 1963 film, "Il Gattopardo," taken in 1962 during shooting. With the blue rubber stamp of an Italian press agency, Publifoto, on the verso. In the photograph, Ms. Cardinale studies an Italian version of the script while having her hair done for a......

Burbank, CA: Warner Brothers, 1971. Vintage oversize double weight candid photograph of Alan J. Pakula, Donald Sutherland, and Jane Fonda on the set of "Klute" in the summer of 1970. Shot, struck, and mounted by the film's still photographer, Bob Willoughby. The photographer has written at the top of the verso, in holograph ink: "Donald Sutherland, Alan Pakula, and Jane.....

N.p. N.p., 1969. Vintage oversize double weight candid photograph of Alan Arkin, Art Garfunkel, and Martin Sheen on the set of Mike Nichols' "Catch-22" in 1969. Shot and struck by the film's still photographer, Bob Willoughby. The photographer has written at the top of the verso, in holograph pencil: "Candid during rehearsal / The boys break up in briefing room.....

Beverly Hills, CA: United Artists, 1955. Vintage oversize double weight photograph of Frank Sinatra and Kim Novak in conference with director Otto Preminger on the set of "The Man with the Golden Arm" in the fall of 1955. Shot and struck by the film's still photographer, Bob Willoughby. SIGNED by Willoughby on the verso, along his ASMP rubber stamp for.....