Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1927. Shooting script for the 1928 film. Original typescript with descriptive text in black type and intertitles in red type. Holograph ink and pencil annotations on the front wrapper, noting starring performers, draft type, and crediting screenwriter Meehan. With a few annotations in holograph pencil throughout. Based on the 1923 Broadway play by David Belasco.....

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1933. Collection of 70 vintage double weight reference photographs from the 1933 film, including seven of cast and crew at work on the set, three of which feature director Tod Browning. Also included is a later print of a fourth image of Browning on the set. From the estate of Tod Browning, housed in a......

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1928. Draft script for the 1929 silent film. Lon Chaney plays a (heavily-scarred) wild animal trapper whose daughter's upcoming marriage is threatened by the return of her femme fatale mother. The mother harbors bitterness to Chaney, and seeks revenge on him by attempting to woo her daughter's fiance, thwarted by a gorilla Chaney releases from.....

Beverly Hills, CA: United Artists, 1935. Vintage photograph of director Rene Clair on the set of the 1935 film. With the stamp of Pathe-RKO on the verso. Based on the 1935 short story "Sir Tristram Goes West" by Eric Keown, first published in "Punch" magazine, about an American who buys a Scottish castle and has it moved to Florida, unaware.....

New York: Putnam, 1925. First Edition. INSCRIBED by the author: "To: Sidney Williams - who ushered 'Grass' into Philadelphia / and made it grow / and to whom the author of this book owes a very real debt of gratitude / Merian C. Cooper." Based on the silent documentary film, released the same year. Scarce to find in jacket or.....

Vienna: Illustrierter Film-Kurier, 1933. Vintage Austrian film program for the 1933 US film. Cinema paper relating to "King Kong" is rare, this being the only example we have offered. Text in German. Issue No. 637 of "Illustrierter Film-Kurier," one of the oldest European film magazines, which ran weekly from 1929 to 1956. Like its German counterpart, "Film-Kurier," each issue focused.....

N.p. N.p., 1916. Vintage Swiss one sheet lithograph poster, made to promote the 1916 opening of Speck's Orient-Cinema in Zurich, during the heart of the silent film era. Designed and illustrated by costume and commercial designer Ernst Deutsch-Dryden. The poster's illustration portrays well-dressed clientele watching a Western movie, likely meant to represent a US import. During this period there was.....

Hollywood: Paramount Pictures, 1929. Early Treatment script for the 1929 film, the first Sherlock Holmes film to have been produced with sound, and the first to include the Holmes utterance, "Elementary, my dear Watson" (a phrase never used by Doyle), though that statement regrettably does not appear in this draft. The first known treatment was written by Oliver P. Garrett.....

Neuilly-sur-Seine, France: Gaumont, 1916. Vintage double weight matte finish still photograph from the legendary 1916 silent film serial. With the Gaumont logo at the lower right corner. The last of Feuillade's three film serial masterpieces, preceded by "Fantomas" (1913) and "Les Vampires" (1915), combining elements of both its predecessors. In Judex (Latin for "judge"), Feuillade furthered his vision of the.....

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1932. Vintage reference photograph from the set of the 1932 film, with a printed snipe on the verso. Based on the novel by Upton Sinclair. Victor Fleming directs Dorothy Jordan and Lewis Stone in an early scene from his pre-Code epic about Prohibition. 10 x 8 inches. Very Good plus.

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1933. Draft script for the 1934 film. The second Tarzan film to star Johnny Weissmuller, with Jane famously portrayed by Maureen O'Sullivan. One of the best Tarzan films, and a landmark film in the history of film censorship. A big budget followup to MGM's first Tarzan film, "Tarzan and His Mate" featured a lengthy balletic.....

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1933. Collection of five vintage studio still photographs from the 1933 film. Based on William Faulkner's 1932 short story, "Turnabout."The film follows two officers during World War I who compete for the affections of the lovely Diana Boyce-Smith (Joan Crawford). It stands as the only film costarring Hollywood icons Joan Crawford and Gary Cooper. The.....

Beverly Hills, CA: United Artists, 1919. Vintage color glass slide advertisement for the 1919 film, the first film released by the newly minted United Artists, co-founded by star Fairbanks with Charlie Chaplin, Mary Pickford, and D.W. Griffith. A wealthy American gets embroiled in the politic turmoil of a fictional European monarchy, only to find he is secretly the heir to.....

N.p. N.p., Circa 1920s. Vintage photograph of actor Emil Jannings, fishing from his balcony while on vacation in the Austrian town of St. Wolfgang, circa 1920s. With a French language mimeo snipe and photo agency stamp on the verso. In 1929, Jannings became the first person to win an Academy Award for Best Actor, for his roles in both "The.....

Hollywood: Universum Film [UFA] / Paramount Pictures, 1927. Original advertising herald for the US release of the 1927 film, a shortened 115 minute version re-cut by American playwright Channing Pollock, who is credited on the herald. Interestingly, the herald credits the film as joint production of Paramount and UFA, apparently just prior to the formation of the larger umbrella production.....

London: Fritz Lang Film / UFA / W and F, 1928. Original UK program for the 1928 German film, released in the UK as "The Spy." Lang's followup to "Metropolis," and penultimate silent film, an underrated spy versus spy thriller containing some of the most virtuosic set pieces of the director's career, including a spectacular train crash at the film's.....

Berlin: Nero-Film AG, 1931. Vintage oversize double weight photograph from the 1931 film. Based on the true story of psychopathic serial killer Hans Beckert, nicknamed the "Vampire of Dusseldorf," here played by Peter Lorre. A brilliant image from this crime thriller classic in which the search is on for Lorre. Lang's first sound film, Lorre's breakthrough role, and the film.....

London: Jarrolds, Circa 1930s. First UK Edition, and first printing in English. An edition of this title so rare that we had been heretofore unaware of its existence, issued under the publisher's Jay Library series, at a price of 7/6. Basis for the classic 1930 film by Josef von Sternberg, starring Emil Jannings and a very young Marlene Dietrich, filmed.....

Los Angeles: Fox Film Corporation, 1928. Original three-color herald for the 1928 silent film, with overprints in red ink on the verso added to promote the sound version, released shortly after the initial version, reading "The latest talking sensation!" and "Janet Gaynor / Talking for the first time on the screen."All of Murnau's American films are available except "4 Devils,".....

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1929. Draft script for the 1929 silent film. Holograph pencil annotations throughout by an unknown editor, with an unsigned typescript note of revisions to producer Hunt Stromberg bound in at the front of the script. Lon Chaney's penultimate film appearance, and his last silent film, as he would develop walking pneumonia during the film's production.....

Berlin: Film-Kurier, 1929. Original program for the legendary 1929 silent film. Replete with beautiful gravure-printed production photographs, many unique to this publication. Film-Kurier was the first German film journal, published daily beginning in 1919. Film-Kurier's classic era lasted until 1933, when its publisher, Alfred Weiner, had to flee Germany because of his Jewish origins. The issues from this era remain.....

Hollywood: Paramount Pictures / Famous Lasky Corporation, 1928. Final Draft script for the 1928 film, here under the working title "Quick Lunch." Included is a separately bound, 8-page sequence synopsis for the film. W.C. Fields' last silent film, but only the beginning of his fame. Wealthy Sam Hunter (Chester Conklin) is approached by scheming Richard Whitehead (Fields) about investing in.....

Hollywood: Paramount Pictures, 1932. First Draft script for the 1932 pre-Code film (though it is what would later be known as a revised shooting script, as it was a rewrite issued during shooting). AFI Catalog provides some context around the October 20, 1932 date on the script, revealing a somewhat troubled production that resulted in a fine film: "On 23.....

N.p. N.p., 1922-1927. Archive 163 vintage photographs by Ernest B. Schoedsack detailing expeditions taken by him and filmmaking partner Merian C. Cooper between 1922 and 1927, while the pair were also filming their groundbreaking documentary films Grass: A Nation’s Battle for Life (1925) and Chang: A Drama of the Wilderness (1927). With handwritten captions identifying most of the photographs. Also.....

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1928. Archive of material from the 1928 film. From the estate of actor Monte Blue, who starred in the film. Included in the archive are a carbon typescript draft script, here under the working title “Southern Skies,” four vintage photographs, each with a mimeo snipe on the verso, one with a press stamp as well.....

Hollywood: Paramount Pictures, 1934. Vintage sepia reference photograph from the set of the 1934 film. Shown are director Josef von Sternberg and Marlene Dietrich in full regalia, visiting with noted Mexican toreador Pepe Ortiz and a member of the Mexican Counsul in Los Angeles. Typescript snipe on the verso indicating same, along with an ink notation of the photo date.....

N.p. N.p., Circa 1920. Vintage oversize double weight photograph of director Raoul Walsh, shot when he was still working as an actor, notable in that he does not yet have the eyepatch that he would later become known for. Walsh suffered the loss of an eye while in a car accident on location for a film in 1928, after which.....

Edinburgh, Scotland: Cinema Quarterly, 1932-1935. First Edition. Volumes One through Three, including the first issue, of the UK film review magazine, focusing on documentary and international cinema. The highly influential magazine lit a flame as an important European literary and film quarterly, generally considered the first English-language journal devoted to film as art, specifically documentary film. The editors were Norman.....