Garden City, NY: Doubleday, 1968. First Edition. Copy belonging to director Joseph Losey, with his name and home address written in holograph ink on the first leaf: "Joseph Losey / Hanover, NH / '70." Additional underlining and bracketing throughout, in the same fountain pen ink as the inscription, mostly to the opening chapters of the text. The McCarthy / HUAC.....

Rome: Cineriz, 1962. Vintage borderless photograph of Monica Vitti and Alain Delon on the set of the 1962 film. With holograph annotations in blue ink and pencil on the verso. Vittoria (Monica Vitti) leaves her fiance (Francisco Rabal) and enters a new relationship with Piero, a young stock broker (Alain Delon) who is obsessed with material posessions and wealth, his.....

Beverly Hills, CA: EK Corp. / United Artists, Circa 1974. Early Draft British script for the 1974 British heist film. Based on Gerald Browne's 1972 novel, adapted by Charles Grodin. Howard Chesser (Grodin) is a diamond merchant supervising the cutting of a large and rare diamond. When the diamond is stolen, he is blackmailed and pulled into a jewel heist.....

Neuilly-sur-Seine, France: Gaumont, 1956. Vintage borderless photograph from the set of the 1956 film, showing director Robert Bresson demonstrating a small action to the film's lead actor Francois Leterrier. With holograph annotations on the verso. Based on the 1956 memoir "A Man Condemned to Death has Escaped" by Andre Devigny, about a French Resistance member's escape from the Nazi controlled.....

Los Angeles: Clover Productions, 1954. Final Draft script for the 1955 film. Copy belonging to S. John Launer who played Capt. Dave Harris, holograph ink and pencil annotations on his scenes throughout An ex-Nazi mad scientist uses radio-controlled atomic-powered zombies in his quest to help an exiled American gangster return to power. Penned by legendary German American science fiction and.....

London: Hammer Films, 1971. Draft script for the 1972 British horror film. A brooding, dissonant film entry in the great Hammer canon of the 1970s, about a naive young woman who travels from Liverpool to London thinking she is going to meet the man of her dreams, only to wind up with a psychotic killer. Green wrappers, with a die-cut.....

Universal City: Universal Pictures, 1985. Vintage borderless photograph of director Terry Gilliam on the set of the 1985 film. With holograph annotations regarding layout on the verso. Gilliam's masterpiece, about a man trying to escape a bureaucratic, authoritarian government in a dystopian future. Nominated for two Academy Awards, including Best Screenplay. 10 x 8 inches. Near Fine. Criterion Collection 51.....

Universal City, CA: Universal Pictures, 1935. Treatment script for the 1936 film. Seen under the early working title "The Shining Spectre." Boris Karloff plays scientist Janos Rukh, who discovers a radioactive meteor in Africa that in turn causes him to become radioactive as well. His colleague Dr. Felix Benet (Bela Lugosi) develops a serum that holds the toxin at bay.....

N.p. Mafilm, 1977. Dialogue script for the 1979 Hungarian film "Allegro Barbaro." The second of Jancso's two-part dramatized history of Hungary, from the turn of the century to World War II, as told by the conflicted son of a wealthy landowner. Shot on location in Hungary. Gray titled wrappers, dated 1977. Title page not present, presumably as issued. 122 leaves.....

Budapest: Mafilm, 1967. Vintage Hungarian program for the 1967 film. Photo-illustrated with scenes from the film, including one large image on the entirety of the verso. Text in Hungarian. One of the masterpieces of Hungarian cinema. A Russian-Hungarian co-production, "The Red and the White" was originally commissioned to celebrate the 50th anniversary of the October Revolution in Russia in which.....

Burbank, CA: American Broadcasting Company [ABC], 1972. Final Draft script for the 1972 television movie. Copy belonging to prop assistant Paul Marco, with his name in holograph ink on the front wrapper and title page, with other production ephemera laid in. Based on the infamous 1971 novel by Beatrice Sparks. A mostly tasteful, surprisingly non-exploitative look at 1970s teenage drug.....

N.p. N.p., Circa 1960s. Vintage borderless press photograph of composer Michel Legrand, circa early 1960s. The photograph, which shows Legrand exiting a gate with a suitcase in hand, is somewhat prescient, as the first half of the 1960s would see him leap to international renown, both as a popular musician and a composer of the film scores for such French.....

Universal City: Universal Pictures, 1968. Vintage borderless photograph of director Joseph Losey on the set of the 1968 film. With holograph annotations on the verso. Adapted for the screen by Tennessee Williams, based of his 1963 stage play "The Milk Train Don't Stop Here Anymore." Taylor (in a part written for a much older woman) plays a terminally ill woman.....

N.p. Various, Circa 1966-1996. Archive of material from the estate of Michael Dreyfuss, violinist for progressive folk-rock band McKendree Spring, including material spanning over four decades, with the majority of the material dating from the band's heyday in the 1970s. This listing includes 15 posters, 817 pages of material from the creation of at least five McKendree Spring albums, 158.....

Manchester: Factory Records, No. FAC235, 1988. First Edition. Issued privately by The Hacienda club in Manchester to friends of the establishment, a flip-book (or "manual video") illustrated by avant-garde filmmaker and conceptualist Robert Breer and photographer Wiliam Wegman, bound such that the book slants to the left to enable easy flipping. On the front wrapper, in brightly colored titles, are.....

N.p. N.p., 1967. Archive of four double weight, color vernacular photographs taken at the Illumineer Lounge, an African American club or bar in Chicago, 1967. Each photograph with holograph annotations on the verso identifying the location, date ("17 September 1967"), and occasion ("Leslie D. Kinnison Birthday Celebration"), along with the stamp of Blue Bird, Inc, a jukebox rental company. Also.....

Talent Associates Ltd./N.S.I. / ABC Pictures, 1970. Final Draft script for the 1971 film, here under the working title, and title of the source material, "The Siege of Trencher’s Farm." Based on Gordon M. Williams’s 1969 novel. Director Sam Peckinpah and screenwriter David Z. Goodman kept only the central concept of the siege itself, but completely altered the circumstances around.....

Paris: Jean-Louis Seigner, 2001. Vintage oversize photograph of Roman Polanski on location in Warsaw in 2001 during the production of his 2002 film. Based on the 1946 memoir by Wladslaw Szpilman, about his survival in the Nazi-occupied Warsaw Ghetto during World War II. Winner of the Palme d’Or at Cannes and three Academy Awards, including Best Director and Best Screenplay.....

London: Michael Powell (Theatre), circa 1960. Vintage borderless photograph from the set of the 1960 film, showing actor Carl Boehm taking in a scene being shot out of frame, with the prop film camera his character is hopelessly devoted to in front of him, and a real film camera just behind him in the foreground. With copyright stamp of international.....

Culver City, CA: Columbia Pictures, 1964. Vintage photograph of actors Peter Fonda, Jean Seberg and Warren Beatty from the 1964 film. With holograph annotations in pencil on the verso. Based on J. R. Salamanca's 1961 novel of the same name. Vincent (Warren Beatty) a recent Korean War veteran is in training at a mental institution as an occupational therapist where.....

N.p. N.p., 1986. Draft script for an unproduced film. Based on the 1964 novel by Curt Siodmak, with a typed letter SIGNED by Siodmak written to "Sid," discussing the possibility of joint European and American backing for the film. Curt Siodmak is best known for writing the "The Wolf Man" (1941), "I Walked with a Zombie" (1943), and "Donovan's Brain".....

Universal City, CA: Universal Pictures, 1945. Vintage photograph on the set of the 1944 film noir, showing director Robert Siodmak conferring with star Stanley Ridges while some extras relax behind them. With a mimeo snipe and date stamp of "12 Apr 1945" on the verso. Based on the 1939 novel "This Way Out" by James Ronald, about an unhappily married.....

Universal City: Universal Pictures, 1956. Second Revised Final Draft script for the 1957 film. Presentation copy belonging to producer, Ross Hunter, bound in navy full calf with gilt titles on cover and spine, with Hunter's name on the front board. Based on the 1956 autobiography of the same name by Colonel Dean E. Hess, a real-life United States Air Force.....

Burbank, CA: Warner Brothers, 1937. Draft script for the 1938 film. Here under the working title, "Blonde Poison." The fourth of nine films in the very popular B-movie series featuring tenacious female journalist Torchy Blane, which ran from 1937 to 1939. In this installment, Torchy is engaged to be married to a police officer who is suspected of leaking police.....

N.p. UFA, 1941. First Edition. Hungarian film annual for German films released between 1939 and 1941, containing full page advertisements for 31 films, several with stunning illustrated transparency overlays. Bound in printed wooden boards, as issued. The majority of the films were released by UFA, although Terra-Filmkunst and Wien Film are also represented among the smaller studios, reflecting the increasing.....

N.p. N.p., 1966. Draft script for an unproduced film. Copy belonging to crew member James H. Ware. Ware was a major presence in British and American cinema, best known for his work on "Beat the Devil" (1953), "Room at the Top" (1959), "Our Man in Havana" (1959), "Charade" (1963), and "The Spy Who Came in from the Cold" (1965). Based.....