Beverly Hills, CA: Crown International Pictures, 1983. Complete set of 8 vintage full color lobby cards from the 1983 exploitation film. Notable as the first appearance of actor-auteur Crispin Glover. A disgruntled father (McCarthy) hires a sexy tutor (Kaye) for his troublesome son (Lattanzi), whose pact with a friend (Glover) to lose their virginity seems imminent. Russ Meyer model Kitten...
N.p. Trans American Films, 1970. Original US one sheet poster for the 1970 British film. Despite the subject matter, a tame release from director Ford, who would move into more explicit pornographic films in the late 1970s. Posters for the film are not often seen at auction. 27 x 41 inches (105 x 89 cm), folded. Studio stamp on the...
Beverly Hills, CA: United Artists, 1970. Original one-sheet US poster for the 1970 X-rated film. Distributor rubber stamp on the verso. Director Funt, notable for his "Candid" series of adult films, explores further the human psyche when confronted with nudity in unusual, candid situations. Richard "Shaft" Roundtree plays one-half of an interracial couple, in his film debut. 27 x 41...
N.p. Bel-Air Productions, 1957. Vintage studio photograph from the 1957 film. Bel-Air Productions stamp on the verso. Based on the story "Wanton Murder" by Peter Godfrey and shot under the working title "Black Stockings," Howard W. Koch's B movie noir "The Girl in Black Stockings," despite it being a low-budget, "second feature" film, is surprisingly enjoyable, mostly due to it's...
Early Draft script (though noted as a "Final Draft screenplay") for the 1971 film dated two years prior to its release. The number "243" is annotated in faded holograph ink at the top right corner of the title page. An important, slightly experimental X-rated comedy that is ground zero in the history early 1970s sexual climate in America, predicting the more...
France: Eve Productions, 1989. Original French grande poster for the 1989 release of the 1970 US film. Scarce. A small-town border sheriff and marijuana smuggler sets out to kill a rival drug dealer, while his girlfriend has a dalliance with another woman. The first Meyer film to feature full frontal male nudity, a rarity even in sexploitation films at the...
![Good Morning... and Goodbye [Good Morning and Good-Bye] (Two original photographs from the 1967...](/pictures/thumb/139324.jpg?v=1492980236)
California: Eve Productions / RM Films International, 1967. Two vintage studio still photographs from the 1967 film. Brief notation in holograph ink on the verso of one still. After taking a detour into heavy-chested black-and-white crime cinema with "Mudhoney," "Faster, Pussycat! Kill! Kill!" and "Motor Psycho" (all in 1965), Meyer returned to glorious Eastmancolor with this racy romp about an...
California: Eve Productions, 1967. Two vintage studio still photographs from the 1967 film. Brief notations in holograph ink on the versos. After taking a detour into heavy-chested black-and-white crime cinema with "Mudhoney," "Faster, Pussycat! Kill! Kill!" and "Motor Psycho" (all in 1965), Meyer returned to glorious Eastmancolor with this racy romp about an ex-detective on the run with some stolen...
Middlesex, England: Eve Productions Cinecenta, Circa 1969. Vintage black-and-white double weight British still photograph from the 1968 US film. Rubber stamp on the verso of COLTMAN DISPLAYS LTD, a distributor in Middlesex, England. "Vixen!" was one of Meyer's best, sleaziest, and most commercially successful films, made at the peak of his independent productions (after "Faster Pussycat! Kill! Kill!" in 1965...
California: Eve Productions, 1968. Two vintage black-and-white still photographs from the 1968 film. Seen in the stills is Erica Gavin (Vixen) and Jon Evans (Judd), and a split image with Erica Gavin and Harrison Page (Niles), the duo responsible for the film's thick racial tensions. "Vixen!" was one of Meyer's best, sleaziest, and most commercially successful films, made at the...
Madrid, Spain: RM Films International, 1986. Original Spanish one-sheet poster for the 1986 release of the 1975 US film. Features buxom Christy Hartburg, who starred as SuperLorna. Hartburg, along with Kitten Natividad and Uschi Digard, has become one of the more recognizable faces of Russ Meyer filmdom, even though this was her only film. Clint (Pitts) operates a small-town gas...
California: RM Films International, 1975. Original black-and-white film still photograph from the 1975 film. Seen in the still is a three-panel vignette of actress and model Ann Marie, who had a bit role in the film. "Supervixens" was one of Meyer's final feature films, produced for a little more than $70,000, and starred voluptuous actresses Shari Eubank ("SuperVixen / SuperAngel")...
California: Eve Productions, 1965. Vintage black-and-white film still photograph from the 1965 film. French writer Stephan Bourgoin's rubber stamp on the verso. Seen in the still is Haji, as a voluptuous Cajun woman named Ruby, and Alex Rocco, as a veterinarian named Cory whose wife was raped by a sex-hungry motorcycle gang, the same Vietnam Vet-led gang that killed Ruby's...
![Motorpsycho [Motorpsicho] (Two original lobby cards from the 1965 film). Russ Meyer, Billy...](/pictures/thumb/139232.jpg?v=1541282487)
Romania: Eve Productions, Circa 1970s. Two vintage oversize borderless black-and-white lobby cards from a 1970s Romanian release of the 1965 US film. Rubber-stamped on the versos MOTQRPSICHO [sic] FAVORIT, indicative of the Cinema Favorit in Romania, once the largest and most popular cinema in the country, and one that operated even under the then-Communist regime. One lobby card also bears...
![Russ Meyer's Lorna [Lorna] (Original program from the 1964 film). Russ Meyer, James Griffith,...](/pictures/thumb/139221.jpg?v=1492980211)
California: Art Theatre Guild / Eve Productions, 1964. Original black-and-white program for the 1964 film, printed for the Art Theatre Guild. The Art Theatre Guild (ATG) began in 1961 as an independent agency distributing films (mostly Japanese) rejected by major studios. The company operated until the 1980s, with theatres in Arizona, California, Colorado, Illinois, Kentucky, Massachusetts, Missouri, New Mexico, Ohio...
California: Eve Productions / Panamint Films, 1969. Collection of 9 vintage black-and-white studio press still photographs from the 1970 film. Included is a manila envelope with the film title in holograph ink on the front, from the Pussycat Theatres in Hollywood, a chain of theaters that operated throughout California from the 1960s to the 1980s, specializing in pornographic and sexploitation...
N.p. Cannon Releasing Corporation, 1968. Two vintage black-and-white still photographs from the 1969 US release of the 1968 Swedish film. Sexploitation pioneer Joe Sarno's lesser known coming-of-age tale about a young girl who is introduced to the ways of lesbian love. One of few sexploitation auteurs to receive critical acclaim, in with the likes of Radley Metzger and the indefatigable...
N.p. Group 1 Films, circa 1970. Original US one sheet poster for the 1970 French film. A film that holds up to its title, with enough bondage, nudity, and torture to satisfy connoisseurs of such things. 27 x 41 inches (105 x 89 cm), folded. Studio stamp on the verso. Very Good plus, with a couple of pinholes, tiny closed...
Various cities: Various Film Studios, 1918-1961. A collection of 153 black and white photographs from 88 films featuring images of women being bound or restrained, dating from 1918 to 1961. An impressive set of mild bondage and domination film stills, amassed by a Southern Californian amateur collector, all featuring images of women (plus the occasional man) who are bound, gagged...
![East End Hustle [Cindy] (Original screenplay for the 1976 film). Frank Vitale, Allan Moyle,...](/pictures/thumb/140618.jpg?v=1492980573)
N.p. President Films, 1976. Draft script for the 1976 film. The second and final film made by the director-screenwriter duo Frank Vitale and Allan Moyle, and a marvelously over-the-top example of gritty Canadian sexploitation film. Adopting a more violent tone than previously used within the genre, "East End Hustle" follows a gang of rogue prostitutes who decide to take revenge...
![Nude on the Moon [Moon Dolls] (Original poster for the 1961 film). Doris Wishman, Raymond Phelan...](/pictures/thumb/136499.jpg?v=1541282473)
Los Angeles: J.E.R. Pictures, 1961. Original one sheet poster for the 1961 film. A rare artifact from the second of eight nudism-related films produced and directed by the prolific sexploitation director Doris Wishman. Working with a large sum of inherited money, two scientists build a rocket to take them to the Moon. Once there, they discover that the Moon's surface...