London: World Productions, 1997. Shooting script for the 1998 British television miniseries "Ultraviolet," seen here as "Crossing the Line," episode 2: "In Nomine Patris." Accompanied by 114 pages of call sheets, scene breakdowns, shooting schedules, and detailed notes on hair and makeup for each character. A six episode miniseries in which Jack Davenport plays a Detective Sergeant whose best friend... (read more) about Ultraviolet - Episode 2: In Nomine Patris [Crossing the Line] (Original screenplay for the 1998...

Hollywood: Paramount Pictures, 1977. Original Treatment script for the 1977 horror film, here under the alternate title of "Orc." A blatant attempt to cash in on the popularity of "Jaws" two years earlier, the film follows a fishing vessel being stalked by a killer whale bent on avenging the death of its pregnant mate at the hands of the crew... (read more) about Orca: The Killer Whale (Original treatment script for the 1977 film)

Universal City, CA: Universal Pictures, 1955. Vintage still photograph from the set of the 1955 film "Revenge of the Creature." Featuring a comical image of the film being shot in the water at Marineland, Florida while a dolphin show takes place in the background. Half of the gathered crowd watches the dolphin show, while the other half has turned to... (read more) about Revenge of the Creature (Original photograph from the set of the 1955 film)

London: Warner-Pathe, 1966. Collection of 3 vintage black-and-white still photographs from the 1966 UK release of the 1966 US film. Mimeograph snipes and distributor rubber-stamps on the versos. Patrick O'Neal stars as a vengeful killer who escapes death-by-execution, ravaging the city of Baltimore on the hunt for those responsible for his incarceration. 8 x 10 inches (20 x 25 cm)... (read more) about Chamber of Horrors (Collection of 3 photographs from the 1966 film)

Los Angeles: Sol Lesser Productions / Principal Distributing Corporation, 1934. Original pressbook for the 1934 film. This feature was not only composed by editing together the first 4 chapters of the same-titled 12-chapter serial (the last 8 chapters were released as "Chandu on Magic Island" in 1935), but in this case the episodes were specifically written so that, spliced together... (read more) about The Return of Chandu [the Magician] (Original Pressbook)

London: Amicus Productions, Circa 1970. Draft script for the 1971 film. SIGNED by screenwriter Robert Bloch on the title page in 1982. Brief notations throughout in holograph ink and pencil. An anthology horror film, featuring four different stories, including vampires, witchcraft, wax ladies, and eerie stranglers. In one story, a writer is haunted by the psychopathic central character of his... (read more) about The House that Dripped Blood (Original screenplay for the 1971 film, signed by Robert Bloch)

Beverly Hills, CA: N.p., N.p. Treatment script for an unproduced film. A monster comedy in which a life insurance salesman stumbles upon a welcoming subdivision of undead monsters. Set in the suburbs of Los Angeles. Blue titled wrappers. Title page present, with credits for screenwriter Bob Kaufman. 16 leaves, mimeograph. Pages Fine, wrapper Near Fine bound with two gold brads..... (read more) about Dracula's Block Party (Original screenplay for an unproduced film)

Los Angeles: Twentieth Century-Fox, 1942. Revised Final Script for the 1942 horror film, based on the 1936 novel by Jessie Douglas Kerruish. A well-crafted (and in some ways, superior) variation on Universal's "Wolfman" films of the 1930s and 1940s, released as a double-feature with the equally intriguing "Dr. Renault's Secret" in 1942, in the heat of the studio's incredible run... (read more) about The Undying Monster (Original screenplay for the 1942 film)

Los Angeles: Twentieth Century-Fox, 1981. Vintage black-and-white still photograph from the 1981 US film. A troubled tattoo artist (Dern) becomes obsessed with a model (Adams) he meets when he's hired to paint temporary tattoos on a group of women for a photo shoot. His obsession grows increasingly dangerous, and he is determined to leave his mark on the model forever... (read more) about Tattoo (Original photograph from the 1981 film)

N.p. N.p., 1932. Treatment script for tan unproduced film called 'The Revolt of the Dead," with an alternate title, "The Revolt of the Savage," written for screen by Gouverneur Morris and Gerrit Lloyd, from a story suggested by Tod Browning. Holograph notations in pencil on one page, and in blue pencil on two pages. Story set in Africa, where an..... (read more) about The Revolt of the Dead [The Revolt of the Savage] (Original treatment script for an uproduced film)

Los Angeles: Conquest Productions, 1985. Draft script for the 1987 film, preceding its release by 2 years. Production designer's working copy, with production design material highlighted on nearly every page in yellow (and occasionally underlined in ink) throughout. Bound in at the rear are a crew list (humorously titled "Crue List") 2-page cast list, a "suppliers" list, a weather information... (read more) about From a Whisper to a Scream (Original screenplay for the 1987 film)

Los Angeles: Twentieth Century-Fox, 1986. First Draft script for the 1986 film. An early draft, attributed solely to James Cameron as screenwriter (Walter Hill would later provide revisions). Copy belonging to special effects designer Colin Cantwell, who worked prior to this film on "2001: A Space Odyssey" (1968) and "Star Wars" (1975), with his name in black marker on the... (read more) about Aliens (Original screenplay for the 1986 film)

Encino, CA: Laurelwood Productions, 1983. Revised Shooting Script for the 1984 film, released to theaters as "Night Shadows," but retitled on video as "Mutant," retaining that title for all subsequent releases. Copy belonging to special effects personnel Paul Stewart, with his name on the title page, and notations throughout, in holograph ink. Stewart is notable for having also worked on... (read more) about Night Shadows [Mutant] (Original screenplay for the 1984 film)

Moore Park, Australia: Embassy Pictures, 1980. Vintage borderless photograph from the 1980 film, with director John Carpenter and leading ladies Adrienne Barbeau, Jamie Lee Curits, and Janet Leigh posing for the camera during a shoot. With a holograph notation in French on the verso. Carpenter's followup to his breakthrough hit "Halloween," about paranormal events that begin happening when a mysterious... (read more) about The Fog (Original photograph from the set of the 1980 film)

Ealing Green: Ealing Studios, 1944. Draft script for the 1945 British horror anthology film. Original typescript and carbon typescript leaves bound throughout. Studio file copy, rubber-stamped SCENARIO DEPARTMENT on the front wrapper. Brief notations throughout in holograph pencil. An architect named Walter (Johns) hosts a party with guests that he has never met but has seen in dreams. He is... (read more) about Dead of Night (Original UK screenplay for the 1945 film)

london: Vestron Pictures Ltd., Circa 1988. Vintage black-and-white still photograph from the 1988 UK release of the 1988 US film. Steve Buscemi has Jennifer Jason Leigh in a stranglehold!Carol (Leigh) inherits her weird uncle's night club, where she starts to remember the disturbing relationship she had with him that she had repressed. Creepy, and visually stimulating, with taps dripping blood... (read more) about Heart of Midnight (Original photograph from the 1988 film)

Beverly Hills, CA: Culver City Studio / United Artists, 1980. Revised Draft script for the 1980 film. Vincent (Calhoun) is the proprietor of a hotel, where he and his family bring kidnapped victims and bury them alive in a garden. The victims are kept alive and fattened up for the meal they are to become: Farmer Vincent's Fritters. A low-budget... (read more) about Motel Hell (Original screenplay for the 1980 film)

Shooting script for the 1972 film, here under the working title "Night of Vengeance." Director Wes Craven's profusely annotated working copy, which at 153 pages represents about twice the length of the finished film. Annotations present on the recto of every page, and the verso of many pages.Gifted in the 1970s by Craven to fellow filmmaker and screenwriter Roy Frumkes... (read more) about The Last House on the Left (Original screenplay for the 1972 film, director Wes Craven's...

Los Angeles: Embassy Pictures, 1981. Vintage photograph showing director David Cronenberg and crew shooting a scene from actress Jennifer O'Neil's point-of-view on the set of the 1981 film. With a mimeo snipe on the verso. A shadowy security company seeks to use "scanners," people with various psychic abilities, as weapons, but are opposed by an underground movement vying for world... (read more) about Scanners (Original photograph from the set of the 1981 film)

Los Angeles: Columbia Broadcasting System [CBS], 1974. Post-production Export script for the 1974 television movie. Represents the full European version screened in the UK upon release. An edited version later screened in the US on television only. Written by noted novelist and screenwriter Richard Matheson. Pink and blue clip-bound titled wrappers, noting 10 reels and footage of 8,957 feet. Mechanically reproduced. Near Fine. 145 leaves. (read more) about Dracula (Post-production script for the 1974 film)

Los Angeles: Medallion Pictures, circa 1965. Draft script for the 1965 film "House of the Black Death," seen here under the title "The Widderburn Horror." Based on the novel "The Widderburn Horror" by Lora Crozetti. A bizarre Poverty Row second feature (the only script we've ever seen from Medallion Pictures) starring Lon Chaney, Jr. and John Carradine as two warlock... (read more) about House of the Black Death [The Widderburn Horror] (Original screenplay for the 1965 film)

Los Angeles: Comworld Pictures, 1980. Draft script for the 1983 film. Seen here under the title "Bump in the Night." A low-budget slasher in which a group of friends go camping in the woods only to find that someone has begun picking them off (spoiler alert: it's one of the camper's mothers). Originally shot in 1981, the film would be... (read more) about Final Terror (Original screenplay for the 1983 film)

Moore Park, Australia: Embassy Pictures, 1977. Draft script for the 1977 British film. Laid in are additional 18 pages on legal size blue, pink, and goldenrod stock, including call sheets, unit arrivals and agenda, movement order, schedule, revised schedule, Italian personnel accommodation list, and a cast list, About as good as 1970s exploitation gets. Kirk Douglas is a wealthy industrialist... (read more) about Holocaust 2000 [The Chosen] (Original screenplay for the 1977 film)

Universal City, CA: Unviersal International Pictures, 1960. Collection of six vintage black-and-white still photographs from the 1960 film. Mimeo snipes affixed on the versos. Based on a story by Ben Pivar and Francis Rosenwald. Dr. Paul Talbot (Terry) journeys to Africa with his aging wife, June (Gray), hoping to obtain an anti-aging drug promised him by a native woman. With... (read more) about The Leech Woman (Collection of Six original photographs from the 1960 film)

N.p. Gloria Films, 1972. Vintage borderless photograph from the 1972 film, showing Richard Burton and Raquel Welch in an eerie moment before a kiss. With holograph notations in black marker and pencil, and three press agency stamps on the verso. Another addition to the many renditions of the Bluebeard tale in which the wealthy Baron von Sepper (Richard Burton) repeatedly... (read more) about Bluebeard (Original photograph from the 1972 film)

Paris: Film-Production Carl Dreyer, 1932. Vintage double weight matte finish French still photograph from the 1932 film. Shown is Rena Mandel as Gisele. "Vampyr" was a German-French co-production, and Dreyer, who maintained strict creative control over his films, has production companies in both Berlin and Paris. This photo was issued from the Paris office, with a label crediting Film-Production Carl... (read more) about Vampyr (Original French still photograph from the 1932 film)

London: Hammer Films, 1961. Vintage photograph from the 1961 film. With holograph notations on the verso. Based on the 1933 novel "The Werewolf Of Paris" by Guy Endore. Set in Eighteenth Century Spain. A child is adopted by a wealthy man and his maid who learn years later that he is in fact a werewolf whose only chance of breaking... (read more) about The Curse Of The Werewolf (Original photograph from the 1961 film)

Universal City, CA: Universal Pictures, 1945. Post-production Continuity & Dialogue script for the 1945 film. The sixth and final Inner Sanctum installment, featuring spiritualists, a haunted house, and a murder by suffocation, in what was seemingly a last gasp from the studio's film series. Sadly, the film's failure superseded its potential, even with all the right elements of a chilling... (read more) about [Inner Sanctum] Pillow of Death (Post-production script for the 1945 film)

Middlesex: Amicus Productions, Circa 1971. Draft script for the 1972 British film. Based on the comic book series by Al Feldstein amd William M. Gaines, published by EC Comics from 1950 to 1955. In a pun-filled style of ironic horror, told in a series of episodes, the film stars Sir Ralph Richardson as the cheery Crypt Keeper who spins tales... (read more) about Tales from the Crypt (Original screenplay for the 1972 film)

France: Champs-Elysees Productions / Lux Film, 1960. Archive of 19 borderless reference photographs from the 1960 film. Ten of the photographs depicting crew at work on the set, four of which feature director Franju. Three photographs with the stamp of photographer P. Brard on the verso. Based on the novel by Jean Redon, about a doctor who goes to horrific... (read more) about Eyes Without a Face (Archive of 19 original photographs from the set of the 1960 film)

Hollywood: Paramount Pictures, 1966. Two vintage black-and-white still photographs from the 1966 film. Both are reference photographs featuring director Frankenheimer on the set: one from a scene at the beach with his shooting crew, the other in a social setting with the film's star Rock Hudson. Middle-aged banker Arthur Hamilton is given the opportunity to start a completely new life... (read more) about Seconds (Two photographs from the 1966 film, both candid shots with director Frankenheimer on the...

Burbank, CA: Warner Brothers, 1972. Vintage oversize borderless double weight black and white photograph from the 1972 film. An amazing image, showing Max von Sydow looming above--and seemingly beyond--a very possessed young Linda Blair. One of the great genre films of the 1970s that accomplished the uncommon feat of being an over-the-top sensation upon its release and gaining subsequent status... (read more) about The Exorcist (Original oversize double weight still photograph from the 1972 film)

London: FAB Press, 1999. First Edition. One of 693 copies (this being No. 426) SIGNED by Stephen Thrower. A typically exhaustive and definitive production by Thrower, covering every imaginable aspect of the great director's canon. Along with Mario Bava and Dario Argento, Lucio Fulci is considered one of the fathers of the "giallo" style of filmmaking, beginning with Westerns and... (read more) about Beyond Terror: The Films of Lucio Fulci (Signed Limited Edition)

France: Le Film d'Art, 1915. Photograph from the 1915 French experimental short film, struck circa 1936. With holograph notations and agency stamps on the verso. Dr. Tube develops a powder that distorts reality after ingestion. He tests it out on himself, a dog, and a two couples. An early experimental film that uses distorted lenses and mirrors to create special... (read more) about The Madness of Dr. Tube [La Folie du Docteur Tube] (Two original photographs from the 1915 film)

New York: Rinehart, 1949. First Edition. The second of Gresham's two novels, written 3 years after "Nightmare Alley," an examination of the lives of the inhabitants of the ninth floor of a city hospital, where the most seriously diseased patients are gathered. Near Fine in a Near Fine dust jacket. Jacket is very slightly faded at the spine, with a.... (read more) about Limbo Tower (First Edition)

Universal City, CA: Dino De Laurentiis Company, Circa 1976. Vintage borderless black-and-white double single reference still photograph from the 1976 film. Fifth in the "Kong" series of films, and the second to be titled simply "King Kong." Fred Wilson (Grodin), an oil magnate from Petrox Oil, is looking for new petroleum deposits on a recently discovered Pacific island. Jack Prescott... (read more) about King Kong (Original photograph from the 1976 film)