Hollywood: Paramount Pictures, 1933. Original lobby card for the 1933 pre-Code film, based on William Faulkner's 1931 novel, "Sanctuary." An interesting image from the film’s final dramatic courtroom scene. The film has a relatively upbeat ending, in which Temple tells the truth and is disgraced. This in marked contrast to the ending of Faulkner’s novel, in which Temple perjures herself..... (read more) about The Story of Temple Drake (Original lobby card from the 1933 film

Hollywood: RKO Radio Pictures, 1944. Vintage black-and-white studio still photograph from the 1983 US re-release of the 1958 film. Features a sultry Kim Novak close-up. Hitchcock's masterpiece, which recently ended "Citizen Kane's" 50 year run at top of "Sight and Sounds'" decennial critics' poll as the best film of all time. Nominated for two Academy Awards. 8 x 10 inches... (read more) about Vertigo (Original photograph from the 1983 release of the 1958 film

Hollywood: Paramount Pictures, 1933. Draft script for the 1933 film "Song of the Eagle," seen here partially under the early working title "The Beer Story." Presentation copy belonging to uncredited producer Harry Joe Brown, with his name in gilt titles to the front board, presumably gifted to Brown by prop man William Carr, as the script itself has Carr's ownership... (read more) about Song of the Eagle [The Beer Story] (Original screenplay for the 1933 film, producer Harry Joe...

Hollywood: Paramount Pictures, 1933. Collection of five vintage photographs from the 1933 film, including three double weight and two single weight photographs. With stamps or holograph notations to most of the photographs. Based on William Faulkner’s 1931 controversial literary potboiler, "Sanctuary." The story concerns a wealthy and neurotic Southern belle who falls in with a violent bootlegger who rapes her... (read more) about The Story of Temple Drake (Collection of five original photographs from the 1933 film

New York: Library Publishers, 1955. First American Edition, originally published in the UK by Derek Verschoyle the previous year. Photo illustrated throughout, with different images than the UK edition. An early examination of the negative influence of pop culture on the American public, with sections on film, pin ups, pulp novels, television, and, most importantly, comic books, which Wagner referred... (read more) about Parade of Pleasure: A Study of Popular Iconography in the USA (First Edition