London: Anglo-EMI, 1970. Collection of three vintage black-and-white borderless double weight reference photographs Julie Ege, taken as test shots for the 1971 film. Ege is shown sitting in cloth folding chair with her name on it, in various positions designed to hide her breasts as unsuccessfully as possible. Ege, an actress and model, is best known for this film, where...
![That Man from Rio [L'homme de Rio] (Collection of 343 original photographs from the set of the...](/pictures/thumb/143227a.jpg?v=1534366274)
Paris: Les Films Ariane, 1964. Collection of 343 vintage black-and-white photographs from the set of the 1964 film, "That Man from Rio," here under the original French title, "L'homme de Rio." Most are rubber-stamped on the versos indicating film studio, Les Films Ariane, still photographer Trigo, Brazilian magazine "O Cruzeiro " and French film title, several with notations in holograph...
Los Angeles: Twentieth Century-Fox, 1966. Revised Final Draft script for the 1967 film. Copy belonging to uncredited crew member Bert Ford, with his name at the top right corner of the front wrapper in holograph ink. Derek Flint (Coburn) returns in this James Bond-styled spy spoof sequel to "Our Man Flint" (1966). Flint's boss Cramden (Cobb) assigns him to stop...
Beverly Hills, CA: United Artists, 1974. Vintage black-and-white studio still photograph from the release of "The Man with the Golden Gun" (1974), featuring two Bond girls: on top is Daniela Bianchi (Tatiana Romanova, "From Russia with Love"), and below is Claudine Auger (Domino Derval, "Thunderball"). Press kits for James Bond films often featured past Bond girls in still photographs, even...
London and New York: Eon Productions, 1963. Vintage borderless black-and-white candid press photograph taken at an event on March 28, 1963, where Sean Connery met the "new Bond girl" Daniel Bianchi at a media event held at the Connaught Hotel in London. With a press agency stamp and a snipe on the verso, dated 3/28/63, noting that Bianchi was found...
London and New York: Eon Productions, 1967. Two vintage borderless black-and-white press photographs featuring Sean Connery and Mie Hama in a romantic scene on the set of the 1967 film. The second of the two shots (where makeup is being applied) is double weight, the other photo single weight. Several stamps on the verso of the first photo, variously crediting...
London and New York: Eon Productions, 1961-1975. Four vintage black-and-white press photographs featuring Bond girls Claudine Auger ("From Russia With Love"), Honor Blackman ("Goldfinger"), Diana Rigg ("On Her Majesty's Secret Service"), and Jane Seymour ("Live and Let Die"). All are borderless press photographs with associated stamps on the verso excepting "Goldfinger," which is a studio still. All photos 8 x....
London: Movie Publishing Ltd. / Danjaq, 1983. Original souvenir program, printed in the UK, for the 1983 British-America film. These programs saw popularity beginning in the 1960s and continued to be produced until the early 1980s and the ever-growing VHS market, with a particularly high distribution in Asian countries. This example features several full-color pages, on-the-set images, and biographies of...
Beverly Hills, CA: MGM/UA Entertainment Company, 1985. Vintage press photograph of director John Glen on the set of the 1985 film. The last James Bond film to star Roger Moore. Shot on location in California, France, and England. 8 x 10 inches (20.5 x 25.5 cm). Near Fine. Weldon 1996.
Iver Heath, UK: Pinewood Studios, 1964. Vintage studio still photograph from the 1964 film. The third in the series of James Bond movies starring Connery. 007 investigates gold magnate Auric Goldfinger (Frobe), only to uncover his plans to rob Fort Knox and obliterate the world economy. Includes Honor Blackman as Bond girl Pussy Galore and Harold Sakata as Oddjob with his...
Universal City, CA: Universal Pictures, 1964. Vintage film still from the 1964 film, based on the novel by Winston Graham. With a fold over mimeo snipe attached and two identifying stamps on the verso. A publicity still where Connery mugs for a camera being held by Hedren. 10 x 8 inches. Near Fine.
Beverly Hills, CA: United Artists, 1968. Vintage borderless full-color double weight photograph from the US release of the 1968 UK film. Pictured are Dick Van Dyke and Sally Ann Howes in a heated embrace. Based on the 1964 three-part novel by James Bond creator, Ian Fleming (and produced by Albert. R. Broccoli, who produced nearly all of the "Bond" films)...
N.p. N.p., circa 1974. Two original vintage borderless photographs of model and actress Caroline Munro, circa 1974. A successful career as a major model and cover girl quickly led Munro to small film roles in the late 1960's, such as "Casino Royale" and "Where's Jack?." By the early 1970's Munro was on contract to Hammer Films and became a full time.....
Beverly Hills, CA: Eon Productions / United Artists, 1965. Vintage borderless reference photograph from the 1965 film. The fourth "James Bond" film, based on the 1961 Ian Fleming novel, winner of an Academy Award. 10 x 8 inches (25 x 20 cm). Near Fine. Weldon 1983.
Beverly Hills, CA: United Artists, 1965. Three vintage black-and-white still photographs from the 1965 UK film. Based on Ian Fleming's 1961 novel. James Bond (Connery) is on assignment to recover two stolen warheads, held by the evil SPECTRE organization. The world is held hostage and Bond heads to Nassau, where he meets the beautiful Domino (Auger) and is forced into...
London and New York: Eon Productions, 1961. Vintage black-and-white double weight borderless French press photograph from the 1961 film. A candid, humorous photograph in which Bond girl Martine Beswick fends off bad guys in scuba gear. 8 x 10 inches. Slight waviness, and a faint crease, else Near Fine.