Culver City, CA: Columbia Pictures, 1966. Vintage black-and-white still photograph from the US release of the 1966 film. An underrated, key film for director Penn, something of an intellectual thriller, made between two better known films, "Mickey One" (1965) and "Bonnie and Clyde" (1967). Also, very much an acting tour de force, with early performances by Robert Duvall, Jane Fonda.....

Burbank, CA: Warner Brothers / Seven Arts, 1967. Vintage oversize, double weight, borderless photograph from the set of the 1967 film, showing actor Faye Dunaway brandishing a pistol while director Arthur Penn describes the scene and co-star Warren Beatty looks on. With the stamp of photographer Lee Johnson on the verso.The beginning of the New Hollywood Cinema. Screenwriters Robert Benton.....

Beverly Hills, CA: United Artists, 1962. Collection of seven vintage studio photographs from the 1962 film. Winner of both Best Actress and Best Supporting Actress Academy awards, for Bancroft and Duke respectively, and nominated for three others, including Best Director for Penn and Best Adapted Screenplay for Gibson, working from his Tony Award winning play. 10 x 8 inches. Very.....

N.p. N.p., Circa 1962. Vintage oversize borderless double weight press photograph of actor Anthony Perkins on the set of the 1962 film, "Five Miles to Midnight," a thriller directed by Anatole Litvak, shot in Paris. Quite candid, with the actor smiling at his dressing table. An exceptional candid shot that reminds of us of how time has honored the deep.....

Italy: Vera Films, circa 1969-1970. Vintage borderless photograph from the 1970 Italian film. With the stamp of photograph Mario Tursi on the verso. An iconic photograph from an iconic film, a study in corruption in which a police inspector investigates a crime that he himself has committed. Winner of the 1971 Academy Award for Best Foreign Film and the Cannes.....

Rome: Zebra Films / Cineriz, 1960. Collection of 64 vintage borderless single weight film still photographs for the 1960 Italian film. Starring actress Signoret is prominently featured, looking pensive or embracing costar Mastroianni, and in stunning group images with her female costars. Numerical annotations in holograph pencil on the versos, five with Contino's rubberstamp, and two are dupes made by.....

Paris: Champs-Élysees Productions, 1968. Original French grande poster for the 1968 film. Based on Catherine Paysan's 1964 novel, "Je M'appelle Jericho." Jericho (Simon) is an old man in the midst of a split with his partner, and whose kids are along for the ride as he rekindles his love with a past girlfriend. 47 x 63 inches, folded as issued.....

N.p. N.p., 1965. Collection of three reference photographs featuring Roman Polanski and Catherine Deneuve on the set of the 1965 film. Shot by still photographer Laurie Turner. Two of the photos in this set reflect one another, one showing Polanski in the foreground and Deneuve in a mirror, and the other in reverse. The third shows Polanski at work on.....

Hollywood: Paramount Pictures, 1968. Two vintage candid photographs from the 1968 film. With holograph annotations on the verso of each. A seminal horror film, one of the finest genre pictures ever made, from the earliest days of the New Hollywood cinema, bringing together Hollywood newcomer Roman Polanski, old-time producer William Castle, young star Mia Farrow, and John Cassavetes. Set and.....

Beverly Hills, CA: Emidela / United Artists, 1969. Collection of vintage black-and-white negatives, contact sheets, and mounted slides and transparencies from the 1969 Italian-French film, "Burn!," here under the original Spanish title "Quemada." From the collection of Sam Gilman, with his name on several of the film processing envelopes in holograph ink. Gilman did not work in this film, but.....

Rome: Cineriz, 1960. Collection of 18 vintage borderless single weight studio still photographs from the 1960 film. Starring actress Strasberg is seen in all photographs, before and after a buzz cut, always in pinstripes, with a candid image of director Pontecorvo discussing aspects of Strasberg's trimmed hair. Numerical annotations in holograph pencil on the versos of all but one, and.....

London: Michael Powell [Theatre], circa 1960. Vintage borderless French press photograph from the 1961 British film. Shown are Austrian actor Carl Boehm, getting to know a prostitute (Pamela Green) who will be dead just as soon as she's been photographed. On the verso is a rubber stamped credit for photographer Nicole, with her Paris address, along with a few holograph.....

London: Michael Powell [Theatre], circa 1960. Vintage borderless photograph from the set of the 1960 film, showing actor Carl Boehm taking in a scene being shot out of frame, with the prop film camera his character is hopelessly devoted to in front of him, and a real film camera just behind him in the foreground. With copyright stamp of international.....

Hollywood: Paramount Pictures, 1968. Vintage black-and-white studio still photograph from the 1968 film. 8 x 10 inches. Near Fine. Complete collation details available on request.

Chicago: Sears, circa 1964. Scripted storyboards with instructions for creating a home movie called "Dr. Psycho and Mr. Hideous," in the spirit of any number of Vincent Price horror films from the 1950s and 1960s. Packaged and marketed by Sears, and branded as a "Vincent Price" item, with a logo for same on the front wrapper and at the top.....

Paris: L'Agence d'Informations Cinematographiques, 1962. Original promotional brochure from French journalist and press agent Rene Quinson to fellow press agent Maryse Martres, inscribed by Quinson in 1962. The brochure presents Quinson as an amateur psychic, predicting the recipient's future, leaning toward money, luck, and success. Quinson's inscription in holograph ink is rather illegible, but there are references to friendship and.....

Culver City, CA: Columbia Pictures, 1967. Collection of twelve vintage color narrow border studio still photographs from the 1968 film.Bob Rafelson, co-creator and executive producer of the 1967/1968 television series "The Monkees," took the concept in a decidedly different direction for his first film; a sardonic view of The Monkees as a commodified concept, and a vehicle for acidic social.....

Rome, Italy: Union Photos, Circa 1958. Vintage borderless black-and-white press photograph of director Nicholas Ray and his wife, Betty Utey, in Rome, during in their first year of marriage. Copyright rubber stamp for Union Photos on the verso, with brief annotations in holograph pencil. Ray (1911-1979) was an American director, known for his film "Rebel Without a Cause" (1955), whose.....

Various cities: Walt Disney Pictures / HanWay Films, 1926-1967. Album of thirty lobby cards and photographs from thirteen animated films, all SIGNED or INSCRIBED by animation directors to fellow animator Les Gibbard. Lotte Reiniger,Norman McLaren, John Hubley, Arthur Babbitt, Grim Natwick, and four of Disney's famed "nine old men," Frank Thomas, Milt Kahl, Ollie Johnston, and Ward Kimball, all have.....

Universal City: Universal Pictures, 1968. Vintage borderless photograph of actress Vanessa Redgrave and director Karel Reisz on the set of the 1968 film. With a mimeo snipe, holograph annotations and a library rubber stamp on the verso. A high spot for Vanessa Redgrave in the 1960s, a story that follows the life of the free spirited modern interpretive dancer Isadora.....

Paris: Cocinor, 1961. Collection of 2 vintage snapshot photographs of Alain Resnais on the set of the 1961 film. With holograph annotations in pencil and a press agency stamp on the verso of each. An enigmatic, dreamlike film, about a man and a woman who meet at a party, where he insists they have met before, and she that they.....

N.p. Europa Film, 1966. Vintage pressbook for the 1966 film. In the wake of the Spanish Civil War, a communist exile continues his anti-Franco activities from his new Paris home. The film follows his disillusionment with the revolution and its questionable tactics. Nominated for an Academy Award for Best Screenplay. Two pages, saddle stitched, 10 x 12 inches. Near Fine.....

Los Angeles: Paramount Pictures, 1963. Second Draft script for the 1965 film, here under the working title "Boeing - Boeing." With holograph ink annotations to the title page and page 107.Based on the 1965 French play. A libidinous American journalist living in Paris has three international stewardesses for girlfriends—each unaware of the others' existence, thanks to their opposing flight schedules.....

Culver City, CA: Columbia Pictures, 1965. Collection of 12 vintage color studio still photographs from the 1965 film. After being labeled a coward, Lord Jim seeks redemption through an exceptionally dangerous mission. In its wake, he finds himself faced again with the choice of self preservation or honor. The Technicolor film was based on Joseph Conrad's novel of the same.....

N.p. Darryl F. Zanuck Productions, 1961. Collection of nine vintage studio still photographs from the 1961 film. Based on William Faulkner's novels, "Sanctuary" and "Requiem for a Nun." A harsh film with frank dialogue throughout regarding rape, female sensuality, and sexual brutality. The final version of the film suffered from the changes made, an attempt to make something "literary" and.....

N.p. Pennebaker Productions, 1961. Vintage photograph with wide bottom margin from the set of the 1961 film showing Louis Armstrong performing in the midst of a listening audience.Two American Jazz musicians, Ram Bowen (Paul Newman) and Eddie Cook (Sidney Poitier), are living in Paris and fall in love with two vacationing young American girls, Lillian (Joanne Woodward) and Connie (Diahann.....

Paris: Theatre Marigny, 1965. Original French program for the "20th Night of Cinema," here under the original French title. A lavish illustrated magazine, with blue cord marker, featuring full-page advertisements for motor car companies, cosmetics (notably the Coty line of perfume, Imprevu), alcoholic beverages and cigarettes, galleries, televisions, salons, and refrigerators, produced to coincide with the gala held at the.....

Paris: Gaumont, 1961. Original program for the 1961 French film, here under the original French title. Illustrated in red, black, and white, and stills from the film, with laid-in synopsis sheets featuring the "Fenouillard" family and oversize umbrella illustration on the rectos. Based on the 19th century French comic by Marie Louis Georges Colomb (Christophe), one of the earliest in.....

N.p. Red Lion, 1968. Presentation script for the 1969 film, copy belonging to producer Harry Mandell, with his name in gilt on the front board. A woman breaks off her engagement with her fiance when he becomes violent after she has an abortion, only to be stalked by him when she later has a child with her new husband. An.....

N.p. Continental, 1968. Collection of eight vintage studio still photographs from the 1968 film. One of the earliest, scariest, and most influential zombie films, shot in black-and-white, featuring an African-American lead actor, and shot on location throughout Pennsylvania (including the basement of the Latent Image company in Pittsburgh). 10 x 8 inches. Near Fine. Complete collation details available on request.Lentz.....

Rome: Lux Film, 1962. Two vintage borderless photographs of director Francesco Rosi on the set of the 1962 film. With holograph annotations and photographer Patrick Morin's rubber stamp on the verso of each. Based on the crimes and confidants of Italian bandit Salvatore Giuliano (played by Cammarata), who rose to prominence within the Mafia after the 1943 Allied invasion of.....

Paris: Cinedis, 1962. Original French press kit for the 1962 Italian film. Includes 36 borderless vintage photographs (two with the stamp of photographer G. Antro on the verso), lavish multi-lingual oversize programs, synopsis and credits. A personal, working copy of someone involved in the film or distribution, as evidenced by the numerous French-language typed and holograph notes and memorandum laid.....

Culver City, CA: Columbia Pictures, 1964. Vintage photograph of actors Peter Fonda, Jean Seberg and Warren Beatty from the 1964 film. With holograph annotations in pencil on the verso. Based on J. R. Salamanca's 1961 novel of the same name. Vincent (Warren Beatty) a recent Korean War veteran is in training at a mental institution as an occupational therapist where.....

Hollywood: Willow Tree / Paramount Pictures, 1969. Original pressbook for the 1969 film. Based on the 1959 novella by Philip Roth. A budding romance between two people of Jewish heritage forces them to reconcile their very different upbringings. Arnold Schulman received an Academy Award nomination for his screenplay. Ali McGraw's film debut. 12.25 x 15 inches. 14 pages with a......

N.p. N.p., Circa 1960s. Draft script for an unproduced film. Laid in with the script are seven copies of a page of reviews for screenwriter William Sach's film "There is No 13" (1974), as well as a small typed list labeled "BILL SACHS / DISTRIBUTORS HE IS CALLING IN NY".Convinced she is turning into a vampire due to her undiagnosed.....

New York: Centaur Enterprises, 1963. Final Draft script for the 1964 film, an early draft produced over a year before the film's release. A few leaves with annotations in holograph pencil. Based on J.R. Salamanca's 1961 novel. An ex-soldierwith PTSD is living in a mental institution, where he meets a similarly troubled woman. Set in Rockville, Maryland, shot there on.....

N.p. Cannon Releasing Corporation, 1968. Two vintage black-and-white still photographs from the 1969 US release of the 1968 Swedish film. Sexploitation pioneer Joe Sarno's lesser known coming-of-age tale about a young girl who is introduced to the ways of lesbian love. One of few sexploitation auteurs to receive critical acclaim, in with the likes of Radley Metzger and the indefatigable.....

Los Angeles: Twentieth Century-Fox, 1962. Revised Final script for the 1963 film. Laid in are 14 pages of replicas, later generation photocopies with photocopied holes. Based on the play "A Loss of Roses" by William Inge, Lila Green (Woodward) dreams of being an actress and joins a band of traveling entertainers until her boyfriend abandons her near her Kansas hometown.....

Beverly Hills, CA: United Artists, 1969. Post-production Combined Continuity script for the 1969 film. A classic of the New Hollywood cinema, based on the 1965 novel of the same name by James Leo Herlihy. A would-be gigolo and an ailing con artist form an unlikely friendship. Cornerstone film of the New Hollywood cinema, nominated for seven Academy Awards, winning Best.....

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1962. Revised Draft script for the 1963 film. Copy belonging to uncredited cast or crew member "Brokaw," with that name in holograph pencil on the front wrapper, and marginal annotations throughout in holograph ink. Shooting schedules bound in. Included is a vintage production photograph of Kirk Douglas from the film. Based on Vahe Katcha's 1957.....

Glendale, CA: Allied Artists, 1963. Vintage borderless photograph from the 1963 film of Nicole Maurey as Christine Durrant in the midst of a terrifying assault from one of the plant-like aliens known as Triffids. With holograph annotations regarding identification and layout in pencil as well two press agency stamps on the verso. Based on the 1951 novel by John Wyndham.....