New York: Filmmakers Newsletter / Filmmakers' Cinematheque, 1967-1971. Archive of 41 issues of "Filmmakers Newsletter," dating from the first four years of the magazine, including Vol. I, issue 1. Early issues of the magazine are scarce, and putting together a collection of this size piecemeal would be prohibitively difficult. Founded in 1967 by experimental filmmaker Carl Linder as "New York.....
![Goodbye Again [Aimez-Vous Brahms] (Original photograph from the 1961 film). Anatole Litvak,...](/pictures/thumb/138761.jpg?v=1492980069)
Beverly Hills, CA: United Artists, 1961. Vintage borderless black-and-white still photograph from the French release of the 1961 film. Featuring Ingrid Bergman holding up Anthony Perkins as he seems to be falling backwards outside of a large doorway. From the Tele Cine Documentation archive, originally known as the Collection Daniel Bouteiller, with their sticker to the verso. Also on the.....
Burbank, CA: Warner Brothers / Seven Arts, 1967. Collection of 3 vintage black-and-white glossy still photographs from the US re-release of the 1967 film. The photographs essentially reproduce the film's original poster art in a photographic format. A nice piece for the "Camelot" completist. House in the original brown paper envelope, with the following in holograph type on the upper.....
Burbank, CA: Warner Brothers, 1966. Revised Estimating script for the 1967 film. Winner of three Academy Awards. Based on the 1960 Broadway musical by Lerner and Loewe, winner of four Tony awards, and itself based on "The Once and Future King," T.H. White’s 1958 adaptation of Arthurian legends. Set in England, shot on location in Spain. Tan titled wrappers, noted.....
Burbank, CA: Mansfield Productions / Warner Brothers, 1960. Collection of 3 vintage black-and-white still photographs from the 1960 film. Based on the novel, "The Homecoming Game," by Howard Nemerov and the Broadway play adaptation by Howard Lindsay and Russell Crouse. Jane Fonda's first screen role, a lighthearted comedy and a considerable departure for Joshua Logan, whose previous credits had included.....
Burbank, CA: Warner Brothers, 1964. Vintage photograph from set of the 1964 film. Mimeo snipe on the verso. Based on Thomas Heggen's 1946 novel titled "Mister Roberts" that was later adapted for Broadway in 1948, and in 1955 for the screen using the same name by director Joshua Logan. This film is Logan's sequel to the 1955 film. Shot on.....
Burbank, CA: Warner Brothers / Seven Arts, 1964. Collection of five vintage studio still photographs from the 1964 film, three standard sized stills and two smaller photographs with text at the bottom margin. Based on Thomas Heggen's 1946 novel "Mister Roberts," adapted for Broadway by Joshua Logan and Heggin in 1948, and in 1955 for the screen by Logan. "Ensign Pulver".....
N.p. N.p., Circa 1965. Collection of five vintage reference photographs from the 1965 French mondo film. With a stamp specific to the film's UK release on the verso. A cavalcade of unusual people and practices, including strippers, voodoo priests and priestesses, cross-dressers, bee fetishists, and more. Set and shot on location in Paris. 10 x 8 inches. Very Good plus, lightly creased.....
![The Damned [These Are the Damned] (Publicity manual for the 1962 film). Joseph Losey, Evan Jones,...](/pictures/thumb/144548.jpg?v=1557764124)
Culver City, CA: Columbia Pictures / Hammer Films, 1961. Deluxe publicity manual for the 1962 film. Based on H.L. Lawrence's 1960 novel "The Children of Light." An extensive publication, containing cast and crew lists and biographies, a synopsis of the film, stories from the film's production, and captions for still photographs (though the stills are not included with the manual).....
Universal City, CA: Universal Pictures, 1968. Collection of one color and two black and white vintage double weight studio still photographs from 1968 film. Featuring Mia Farrow and Elizabeth Taylor. 8 x 10 inches. About Fine condition. Complete collation details available on request.
Universal City, CA: Universal Pictures, 1968. Vintage borderless still photograph from the set of the 1968 film. Featuring Mia Farrow on a horse during filming, with Jo Losey and Liz Taylor in the background. A dark, psychologically twisted film in which Liz Taylor plays a boozy prostitute who stubles upon a family drama between young, wealthy Mia Farrow (coming off.....
Los Angeles: Twentieth Century-Fox, 1966. Vintage photograph of a modest Monica Vitti from the 1966 film. With holograph annotations in pencil on the verso. Based on an original comic strip by Peter O'Donnell and Jim Holdaway. O'Donnell wrote an original screenplay for the film, although much of it was never used, and he novelized the film the same year it.....
Los Angeles: Twentieth Century-Fox, 1965. Vintage borderless press photograph of Monica Vitti from the 1966 film. With holograph annotations and agency stamps on the verso. Based on an original comic strip by Peter O'Donnell and Jim Holdaway. O'Donnell wrote an original screenplay for the film, although much of it was never used, and he novelized the film the same year.....
London: Modesty Blaise, 1966. Vintage black-and-white reference still photograph from the UK release of the 1966 film. The image shown is Monica Vitti in the titular role, in one of her many mod disguises. 8 x 10 inches. Near Fine.
Los Angeles: Twentieth Century-Fox, 1966. Vintage black-and-white studio still photograph from the 1966 film. A split still showing Vitti in two different guises, as a brunette spy and as a seductive blonde who is actually a brunette spy. 8 x 10 inches. Near Fine.
N.p. N.p., Circa 1966. Collection of eight vintage borderless reference photographs and one vintage studio still photograph from the 1966 film. Based on the British comic strip which originally appeared in 1963. Modesty Blaise, a former criminal mastermind occasionally employed by the Secret Service, must protect a shipment of diamonds en route to a small Middle Eastern kingdom from a......
N.p. N.p., Circa 1966. Two vintage reference photographs of Monica Vitti from the 1966 film. One with cropping annotations in holograph red and graphite pencil and "Modesty Blasie" stamp on verso. Based on the British comic strip which originally appeared in 1963. Modesty Blaise, a former criminal mastermind occasionally employed by the Secret Service, must protect a shipment of diamonds.....
N.p. Estree Distributors, 1963. Vintage borderless photograph of Sarah Miles and Joseph Losey on the set of the 1963 film. Crop annotations in holograph marker on recto, crop annotations in holograph pencil and "Theo Cowan LTD" and "Paris-Presse" stamps and 1 1/4" mimeo snipe on the verso. The first of Joseph Losey's three legendary collaborations with screenwriter-playwright Harold Pinter, a......
N.p. N.p., Circa 1963. Vintage reference photograph from the 1963 film noir. A wonderful fourth wall version of the film's most classic shot, only this one including cinematographer Douglas Slocombe, director Joseph Losey, actor James Fox (not in the original scene), and a guy adjusting the chandelier, all in the reverse mirror image. From the archive of film historian and author.....
Universal City: World Film Services / Universal, 1968. Vintage borderless photograph from the set of the 1968 film. Richard Burton and a shirtless Joseph Losey stare into the distance on a slope of the island where the movie was shot, surrounded by a camera crew. Adapted for the screen by Tennessee Williams, based of his 1963 stage play "The Milk.....
Universal City: World Film Services / Universal, 1968. Vintage studio still photograph from the set of the 1968 film, showing director Joseph Losey working with Elizabeth Taylor while the crew resets between takes. With a mimeo snipe on the verso. Adapted for the screen by Tennessee Williams, based of his 1963 stage play "The Milk Train Don't Stop Here Anymore.".....
Universal City: Universal Pictures, 1968. Vintage borderless photograph of director Joseph Losey on the set of the 1968 film. With holograph annotations on the verso. Adapted for the screen by Tennessee Williams, based of his 1963 stage play "The Milk Train Don't Stop Here Anymore." Taylor (in a part written for a much older woman) plays a terminally ill woman.....
N.p. King Brothers [Bros.] Productions, 1961. Vintage reference photograph from the 1961 US Poverty Row film, an attempt by the notorious King Brothers to capitalize on the fame Toho Studios "Godzilla" films in Japan. With a mimeo snipe on the verso. Sailors on a salvage ship capture a giant lizard and sell it to a London circus, leading the lizard's.....
![Hold On! [There's No Place Like Space] (Original screenplay for the 1966 film). Arthur Lubin,...](/pictures/thumb/148132.jpg?v=1588818635)
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1965. Draft script for the 1966 film, here under the working title "There's No Place Like Space," from the collection of cinematographer Paul Vogel, presumably his working copy, with "Camera" written in holograph pencil at the top right corner of the front wrapper. A vehicle to promote the band Herman's Hermits in much the same vein.....
N.p. N.p., 1962. Vintage borderless reference photograph from the 1962 film, showing director Luchino Visconti adjusting the hair of actress Romy Schneider. A four-episode anthology exploring different aspects of morality and love, directed by Federico Fellini, Vittorio De Sica, Luchino Visconti, and Mario Monicelli. Schneider features in Visconti's episode "Il Lavoro," which follows a wealthy, well-known couple's dissolving marriage after the.....
N.p. N.p., 1963. Twenty-page Shooting schedule for the 1963 film, dated February 12, 1963, with strikes through in holograph pencil on all but two pages, and several annotations in holograph ink regarding locations and shots. Aging gunman Rory Calhoun attempts to keep his control over a small town populated by outlaws. Shot on location in Bronson Canyon, Los Angeles, California. 8.5.....
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1969. Collection of nine vintage reference photographs from the 1969 film. With a mimeo snipe to the verso, along with a stamp noting production No. 69-148. A man's suspicion that his wife is moonlighting as a high-priced escort leads to the destruction of their relationship. Set and shot on location in Italy. 10 x 8 inches. Near.....
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1969. Vintage oversize borderless reference photograph of Sidney Lumet, Anouk Aimee, and Omar Sharif taking a walk in between takes on the set of the 1969 film, with art director Piero Gherardi looking on in the background. With a mimeo snipe to the verso, along with the stamp of Pierluigi studio in Rome and holograph.....
Paris: Transcontinental Film Productions, 1961. Vintage borderless photograph of director Sidney Lumet, playwright Arthur Miller, and actors Ralf Vallone and Raymond Pellegrin on the set of the 1962 film. With the stamp of photographer Jacques Moreau, a mimeo snipe, and holograph annotations on the verso. Based on the 1955 play by Arthur Miller, about an unhappily married man whose obsession.....
Paris: Transcontinental Film Productions, 1962. Two vintage photographs of Sidney Lumet directing on the set of the 1962 film. With holograph annotations and a rubber stamp on the versos of each. Based on the 1955 play by Arthur Miller, about an unhappily married man whose obsession with his niece leads to tragedy when she falls for an immigrant who is.....
Culver City, CA: Columbia Pictures, 1967. Original US one-sheet poster for the 1966 UK film. Based on le Carre's 1961 novel, "Call for the Dead." Charles Dobbs (Mason) is a secret agent investigating the apparent suicide of a former Communist. The widow, Else (Signoret), a survivor of extermination camps, could be a suspect... and maybe a spy. Nominated for several.....
Beverly Hills, CA: United Artists, 1966. Two vintage borderless black-and-white reference photographs from the 1966 film. Based on the 1963 novel by Mary McCarthy. 8 x 10 inches. Near Fine. Complete collation details available on request.
London: National Screen Service, 1965. Collection of 8 vintage black-and-white still photographs from the 1965 UK film. Based on the play by Ray Rigby, about a British disciplinary camp on the Libyan desert. Winner at the 1965 Cannes festival for Best Screenplay. 8 x 10 inches. Light toning overall, else Near Fine.
London: National Screen Service, 1965. Vintage black-and-white still photograph from the 1965 UK film. Based on the play by Ray Rigby, about a British disciplinary camp on the Libyan desert. Winner at the 1965 Cannes festival for Best Screenplay. 8 x 10 inches. Very Good plus, with light creases.
Beverly Hills, CA: United Artists, 1960. Vintage black-and-white reference photograph from the 1960 film. Shown are Marlon Brando and Anna Magnani. 8 x 10 inches. Near Fine. Complete collation details available on request. Criterion Collection 515.
Beverly Hills, CA: United Artists, 1960. Vintage black-and-white reference photograph of Marlon Brando on the set of the 1960 film. 8 x 10 inches. Near Fine. With a Hollywood bookshop stamp on the verso, along with an inked price notation. Complete collation details available on request. Criterion Collection 515.
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1969. Vintage reference photograph from the 1969 film. Anouk Aimee walks down a Rome street toward the camera, while director Sydney Lumet and crew look on. With a printed mimeo snipe on the verso. Lumet was nominated for a Palme d'Or at Cannes for the film, about a man who becomes suspicious that his new.....
Los Angeles: Paramount Pictures, 1964. Collection of 19 vintage studio still photographs from the 1964 film. Released in the U.S. under the title "Revenge of the Gladiators," it was originally released in Italy under the title "La vendetta di Spartacus" or "The Revenge of Spartacus," which it is also known by. "Revenge of the Gladiators" was the first of Michele Lupo's.....
Burbank, CA: Warner Brothers, 1966. Original pressbook for the 1966 film, based on the Lew Archer novel "The Moving Target," by Ross Macdonald. The name of the main character was changed, purportedly at Newman's insistence following the success of his previous two "H" named films, "Hud" and "The Hustler." He followed this one up with the classic Western "Hombre," so.....
Beverly Hills, CA: MGM, 1960. Original vintage photograph of Janice Rule and Gerry Mulligan from the 1960 film. With a type written description, and holograph annotations in red crayon and graphite on the verso. From one perspective, a fairly one-dimensional representation—perhaps even a caricature—of Beat culture, but culturally fascinating in that it was made at the height of the Beat.....
![Furia De Juventud [The Subterraneans] (Collection of 6 Spanish language lobby cards from the 1960...](/pictures/thumb/140912.jpg?v=1501877870)
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1960. Collection of six full color vintage lobby cards from the 1960 film. From one perspective, a fairly one-dimensional representation—perhaps even a caricature—of Beat culture, but culturally fascinating in that it was made at the height of the Beat era, with A-list talent by a top studio, and, until Walter Salles' 2012 adaptation of "On.....
![La Nostra Vita Comincia di Notte [The Subterraneans] (Original Italian poster for the 1960 film)....](/pictures/thumb/140916.jpg?v=1503515634)
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1960. Vintage Italian Locandina poster for the 1960 US film. From one perspective, a fairly one-dimensional representation—perhaps even a caricature—of Beat culture, but culturally fascinating in that it was made at the height of the Beat era, with A-list talent by a top studio, and, until Walter Salles' 2012 adaptation of "On the Road," was.....
![First Spaceship on Venus [Silent Star][Der Schweigende Stern] (Original photograph from the 1960...](/pictures/thumb/140000.jpg?v=1504626686)
Beverly Hills, CA: VEB DEFA-Studio fur Spielfilme [DDDE] / Crown International Pictures, 1960. Vintage borderless still photograph from the 1960 East German film "First Spaceship on Venus." Based on the 1951 Stanislaw Lem novel "The Astronauts." DEFA production company rubber stamp to the verso. Featuring an image of Yoko Tani patching up an injury on her shipmate Julius Ongewe. An.....
Paris: Étoile Dismage, 1968. Draft script for an unproduced film. Based on Richard Parker's 1953 crime novel of the same name. Laid in is a typed letter from Mage to the Paul Kohner agency in Los Angeles, dated July 1, 1968, and signed by Mage, requesting that the script be considered for development, and that Mr. Gugo-Salice of Lux Films.....
Universal City: Universal International Pictures, 1963. Revised First Draft script for an unproduced film. An early draft of a planned remake of the 1935 film—which was in turn based on the 1925 lost silent film—with the setting moved from World War I to the Korean War. Gerald and Alan are rivals in love for Kitty, their mutual childhood friend, although.....
Belgrade: Avala Film, 1967. Original program for the international release of the 1967 Yugoslav black wave film. Photo-illustrated with stills from the film and reproductions of line illustrations. Wrappers text in French, with French, German, Russian, Spanish, and English text inside. Taking on the trappings of American crime and film noir, about a woman who is murdered by her lover.....
Los Angeles: Twentieth Century-Fox, 1963. Collection of 3 vintage black-and-white still photographs (two studio stills, one reference still) from the 1963 film. This film featured Elizabeth Taylor and Richard Burton in their first pairing, beginning their tumultuous love-hate relationship. Based on the histories written by Plutarch, Suetonius, and Appian, and also based on the Carlo Maria Franzero book, and set.....
Beverly Hills, CA: United Artists, 1960. Collection of ten vintage studio still photographs from the 1960 film. "The Revolt of the Slaves" is based on the 1854 novel "Fabiola, or the Church of the Catacombs" by English Cardinal Nicholas Wiseman and set in 4th century AD Rome during Christian persecution under Roman Emperor Diocletian. Claudia (Rhonda Flemming), the beautiful daughter.....
Beverly Hills, CA: United Artists, 1966. Original British quad poster for the 1965 French-Italian film. Printed in England by Stafford. Set in Central America, 1907, Maria II (Moreau) is the daughter of an Irish terrorist, and she joins a vaudeville act headlined by Maria I (Bardot). Together they invent a new striptease dance and become stars, propelling them to fame.....
London: Compagnia Cinematografica Montoro, 1962. Vintage borderless photograph of Brigitte Bardot on the set from the 1962 film. "Brigitte BARDOT" and "PHOTO UNIFRANCE FILM" stamps on the verso. Bridgette Bardot stars in this semi-biographical film by Louie Malle about a young girl, Jill, who suddenly becomes a movie star and tries to manage the pressures and annoyances of celebrity. She returns.....
Paris: Nouvelles Editions de Films [NEF], 1960. Collection of three vintage black-and-white still photographs from the 1960 French film. An anarchic Louis Malle comedy, one of his finest films, where ten-year-old Zazie, from a provincial town, escapes the custody of her cross-dressing Uncle George and sets out to explore Paris on her own—all while her mother is off spending time.....
![The Thief of Paris [Le Voleur] (Two original double weight photographs of Louis Malle, Paul...](/pictures/thumb/149639.jpg?v=1599279956)
Paris: Nouvelles editions de films, 1967. Two vintage borderless double weight photographs from the set of the 1967 film. The first photograph shows Louis Malle and Jean-Paul Belmondo (who is in costume) conferring on the set. With the stamp of photographer Vincent Rossel and the name of the film, as well as holograph annotations regarding layout, on the verso. The.....
Los Angeles: Famous Artists Productions, 1967. Vintage borderless black-and-white double weight press photograph from the set of the 1967 film comedy. With the stamp of photographer Pierluigi Praturlon on the verso. Born in Rome, Praturlon (better known simply as Pierluigi) embarked upon a career in photography in 1947. The young paparazzo got his first big story by snapping candid shots.....
N.p. N.p., Circa 1963. Collection of two vintage oversize borderless black and white set design reference photographs and one original charcoal pencil storyboard from the 1963 film. Photographs and illustration mounted on heavyweight cardboard, with holograph pencil annotations on the verso. Based on Carlo Maria Franzero's 1957 book "The Life and Times of Cleopatra." Twentieth Century-Fox's ambitious, bank-breaking venture, the most.....
Glendale, CA: Allied Artists, 1961. Vintage press photograph from the set of the 1961 film. Shown on the left of the photograph in sunglasses is producer Samuel Bronston. An epic historical drama chronicling the life of the 11th century Christian Castilian knight, Don Rodrigo Diaz de Vivar, or "El Cid." Nominate for three Academy Awards. Shot on location in Spain and Italy.....
Hollywood: Paramount Pictures, 1962. Vintage black-and-white studio still photograph from the 1962 film. Mimeo snipe once affixed to the verso (detached but present). Featured is Nita Talbot, who played "Saturday Knight" in the film. Based on Alexander Rose's 1960 novel, "Four Horse Players Are Missing." Steve (Martin) is a horse-race better whose habits get the better of him, so his.....
Los Angeles: Twentieth Century-Fox, 1965. Final Draft script for the 1966 film. Secret agent Derek Flint is a smooth-talking Renaissance man—martial arts master, polyglot, ballet dancer—who works for the international intelligence agency Z.O.W.I.E. When several fellow agents are discovered mysteriously murdered, his agency tasks Flint with finding and stopping the killers, leading him on a groovy wild goose chase across the.....
N.p. Afton-Linebrook, 1960. Vintage studio still photograph from the 1960 film. What "Valley of the Dolls" is to drugs, "BUtterfield 8" is to sex. Extremely watchable trash, a big-budget film with lowdown agenda, and the last film in which Elizabeth Taylor, who won an Oscar for her performance, could have been accurately described as young and radiant, bravely taking on.....
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1964. Vintage black-and-white studio still photograph from the 1964 film. A portrait style shot of actress Anjanette Comer. Based on Benjamin's 1964 novel. Oliver (Morse) is a reporter on his way to Antarctica who meets an island native named Tiare (Comer), and romance ignites. Shot on location in international waters in the Bering Sea. 8.....
N.p. Trans American Films, 1966. Original pressbook for the 1966 Italian film. An early "mondo" documentary, ("shockumentary"), featuring shockingly real customs throughout the world, predating many similar films that would make the "video nasties" list, a list of films banned in England in the 1980s. Not to be confused with the 1980 Lamberto Bava film of the same name. The.....
New York: Stuart Millar Productions, Circa 1968. Draft script for the 1968 film. Based on George Plimpton's 1966 book. Alan Alda (in his first starring role) plays Plimpton, who has put himself into the sports arena, writing about his experiences. He's entered the ring with a professional boxer and pitched in an All-Star game. He decides to try his hand.....
N.p. Mercury Film International, 1966. Vintage studio still photograph from the 1966 film. "The Wild, Wild Planet," was the first film in Antonio Margheriti's "Gamma One Quadrilogy," followed by "The War of the Planets" (1966), "War Between the Planets" (1966) and "The Snow Devils" (1967) which uniquely established the Italian space and sci-fi genre of the 1960's. Originally filmed for.....
![Wild, Wild Planet [I Criminali della Galassia] (Original photograph from the 1966 Italian film)....](/pictures/thumb/150591.jpg?v=1604645253)
N.p. N.p., Circa 1966. Vintage black and white reference photograph from the 1966 Italian science fiction film, showing several astronauts repairing their space station. A mad scientist begins kidnapping world leaders and prominent citizens for his bio-engineering eugenics program, forcing a rogue space station commander to come to the rescue. 10 x 8 inches. Near Fine.
Bulgaria: Boyana Films, 1965. Vintage reference photograph of actor Guy Madison from the 1965 Bulgarian film, with dialogue in German, based on the 1892 story by Karl May "Das Vermachtnis des Inka," originally published in the German magazine "Der Gute Kamerad." Following the cancellation of "The Adventures of Wild Bill Hitchcock" in 1957, Guy Madison moved to Europe, where he found.....
Bulgaria: Boyana Films, 1965. Three vintage reference photographs of actor Guy Madison from the 1965 Bulgarian film, with dialogue in German, based on the 1892 story by Karl May "Das Vermachtnis des Inka," originally published in the German magazine "Der Gute Kamerad." Following the cancellation of "The Adventures of Wild Bill Hickok" in 1957, Guy Madison moved to Europe, where he.....
![Many Happy Returns [The John McGiver Show]: Many Happy Returns (Original screenplay for the pilot...](/pictures/thumb/146092.jpg?v=1584393918)
Hollywood: Lindabob Productions, Circa 1964. Draft script for the Season 1, Episode 1 (i.e., pilot) of the television show "Many Happy Returns," here seen under its working title, "The John McGiver Show," which first aired on CBS on September 21, 1964. Copy belonging to actor Cheerio Meredith, with her holograph pencil annotations to the front wrapper and throughout. Included with.....
Paris: Les Films Corona, 1968. Vintage oversize borderless color reference photograph of actress Ewa Aulin from the set of the 1968 film, showing director Christian Marquand with a hand-held camera, getting a close-up shot of Aulin sitting, fully clothed but soaking wet, on the floor of a shower. With a gold foil title label for the film's French release on.....
Universal City, CA: Universal Pictures, 1963. Original pressbook for the 1964 film. Based on a novel by Doris Hume Kilburn. Karen Williams (Jones) is an art historian's assistant, abroad in Italy. There she meets Count Paolo (Brazzi), who immediately attempts to seduce her. Interrupting their courting is a mysterious girl named Cora (Moll), apparently related to the Count, maybe his.....
Beverly Hills, CA: United Artists, 1968. Vintage studio still photograph from the 1968 film. "Film Buff's Center" stamp on the verso. Based on the 1958 novel "The Bounty Killer" by Marvin H. Albert. Spanish-Italian Spaghetti Western. Mexican fugitive Jose Gomez (Tomas Milian) returns to his village, pursued by the notorious bounty hunter Luke Chilson (Richard Wyler). The debut of Milian in the.....
![Batman [Batman: The Movie] (Three original photographs from the 1966 film). Leslie H. Martinson,...](/pictures/thumb/150654.jpg?v=1604645273)
Los Angeles: Twentieth Century-Fox, Circa 1966. Three vintage photographs, one publicity still photograph of Adam West as Batman, and two studio still photographs, one of Frank Gorshin and Lee Meriwether as The Riddler and The Catwoman, respectively and one of Burgess Meredith, Cesar Romero and Frank Gorshin as The Penguin, The Joker, and The Riddler, respectively, from the 1966 film.....
France: Various Publishers, 1957-1959. Collection of thirteen French publisher and distributor catalogs, including a small book-shaped calendar, advertising toys, novelties, and home goods. Most are full-color folding brochures. From the archives of Maryse Martres, in original manila envelope with her name on the front in holograph ink. Martres (Martin) was a prolific French actress who was later involved in press.....
United Kingdom: Alan Clore Films, 1968. Vintage borderless photograph of the bottom half of Jane Birkin (with Jean Harlow and Greta Garbo looking on) from the 1968 film. With holograph annotations on the verso. The absent minded professor Oscar Collins (Jack MacGowran) follows a beam of light coming through his wall to find his next door neighbor, Penny Lane, a......
Los Angeles: Twentieth Century-Fox, 1962. Vintage studio still photograph from the 1962 film. Originally seen as thinly veiled commentary on the Cold War, the 1962 CinemaScope film depicts the infamous Battle of Thermopylae, in which 300 Spartan soldiers fought against the immense Persian army. Shot on location in Greece. 8 x 10 inches. Near Fine, with a stamp and holograph.....
Hollywood: Self published, 1960s. Treatment script for an unproduced film called "20,000 Bikinis Under the Sea." Maurer rose to some popularity after his brief stint as a comic book artist, notably for "Three Stooges" titles and the first 3-D comics, "Three-Dimension Comics," featuring Mighty Mouse. He also married Joan Howard, daughter of Stooge Moe Howard, and this association led him.....
Culver City, CA: Columbia Pictures, 1969. Collection of eight vintage studio still photographs from the 1969 film. With a stamp noting production No. 69-304 on the bottom right corner of the recto. Quintessential New Hollywood comedy-drama about two West Coast couples as they navigate the changing social and sexual climate of the late 1960s. Nominated for four Academy Awards, including.....
Hollywood: M.J. Frankovich Productions, 1968. Final Draft script for the 1969 film. With a single holograph notation on the title page. Quintessential New Hollywood comedy-drama about two West Coast couples as they navigate the changing social and sexual climate of the late 1960s. Nominated for four Academy Awards, including Best Original Screenplay. Set and shot on location in Nevada and California. Yellow titled.....
Los Angeles: Twentieth Century-Fox, 1962. Vintage oversize, double weight, borderless photograph from the set of the 1962 film, showing Leo McCarey directing William Holden from behind the camera (with legendary script supervisor Connie Willis to his right) while actor France Nuyen waits just offstage. With a mimeo snipe tipped on the verso crediting photographer Lawrence Schiller and stamps of the.....
New York: American Broadcasting Company [ABC], 1967. Draft script for Season 1 Episode 8 of the 1967 Western television series starring Chuck Connors. Jim Sinclair and his young friend Sampson witness Commander Hayes and John Henry being kidnapped, and they set off to rescue them. Jim Sinclair is called from America to Africa to introduce modern ranching techniques to Kenyans at.....
N.p. Harold Hecht Productions, 1967. Vintage studio still photograph from the 1967 film. Based on the A.B. Guthrie Jr's Pulitzer Prize winning novel of the same name. Based on the 1949 novel by A.B. Guthrie, Jr., about a former senator who leads a wagon train along the Oregon Trail. William Tadlock (Douglas) leads settles to Oregon, but his leadership gets.....
Beverly Hills, CA: United Artists, 1966. Vintage black-and-white studio still contact sheet from the 1967 film, dated 8/4/66 at the right margin. Featuring twelve on-the-set still negative shots, showing wagons and cattle, and one showing members of the crew during filming. Based on the 1949 novel by A.B. Guthrie, Jr., about a former senator who leads a wagon train along.....
N.p. Wolper Pictures, 1968. Revised Draft script for the 1968 film. Based on the book of the same name by Robert H. Adleman and Col. George Walton. Based on the 1966 book by Robert H. Adleman and Col. George Walton, in turn based on the true story of a specially trained unit of misfit American and Canadian soldiers given the.....
New York: Jonas Mekas, 1969. Vintage large format poster for the 1969 experimental film by shot and edited by Jonas Mekas from his "film diary" footage shot between 1965 and 1969. Either unique or very nearly so, with no examples found in OCLC or institutions worldwide. The poster also doubles as liner notes for the film, briefly describing the scenes.....
Los Angeles: American International Pictures [AIP], 1964. Vintage reference photograph from the 1964 film, showing noted science fiction author Forrest J. Ackerman, who makes a cameo appearance in the film, in costume as a space technician. With the stamps of Israel Film Archive on the verso. A team of scientists create a time traveling device which teleports them to Earth in.....
Spain: N.p., circa 1958-1961. Archive of 44 black and white vintage photographs, 21 photographic duplications of artistic renderings, one invitation, and three programs for the openings of various buildings whose interiors were designed by Valencia-based interior designer Vicente Melio Alfonso during Francisco Franco's fascist Spanish regime. This archive largely illustrates his work on two theaters: the Cine Imperial in Villena.....
N.p. N.p., 1967. Collection of 8 borderless reference photographs from the French release of the 1967 film. Arguably Jean-Pierre Melville's crowning achievement (though we feel there are no low points among his crime films), wherein Delon plays an icy hitman who is utterly anonymous, living alone in a single bedroom apartment with only a small bird in a birdcage for.....
![Leon Morin, pretre [priest] (Original French promotional book 1961 film). Jean-Pierre Melville,...](/pictures/thumb/134750.jpg?v=1492979003)
Paris: Concordia Compagnia Cinematografica, 1961. Original French promotional book for the 1961 French film. Based on the 1952 novel by Beatrix Beck. With a small red rubber stamp from a French movie house at the top center of the front wrapper. A departure for both Melville and Belmondo, both turning from the crime films for which they were best known.....
N.p. Sigma III Corporation, 1968. Vintage black-and-white still photograph from the 1968 US release of the 1966 Czechoslovakian film. Based on Bohumil Hrabal's 1965 novel, about a young man working at a German-occupied train station in Czechoslovakia during WWII. A key entry in Czechoslovak New Wave film, poignantly asserting that the Czech people were part of an oppressive system during.....
Middlesex, England: Eve Productions Cinecenta, Circa 1969. Vintage black-and-white double weight British still photograph from the 1968 US film. Rubber stamp on the verso of COLTMAN DISPLAYS LTD, a distributor in Middlesex, England. "Vixen!" was one of Meyer's best, sleaziest, and most commercially successful films, made at the peak of his independent productions (after "Faster Pussycat! Kill! Kill!" in 1965.....
California: Eve Productions, 1968. Two vintage black-and-white still photographs from the 1968 film. Seen in the stills is Erica Gavin (Vixen) and Jon Evans (Judd), and a split image with Erica Gavin and Harrison Page (Niles), the duo responsible for the film's thick racial tensions. "Vixen!" was one of Meyer's best, sleaziest, and most commercially successful films, made at the.....
N.p. N.p., Circa 1963. Two vintage borderless reference photographs from the 1963 film. Included is a distributor's pamphlet. A mondo documentary following the sexual exploits of buxom women across Europe. Photographs 7 x 9.5 inches. Near Fine. Pamphlet bi-fold, 8.5 x 11 inches. Very Good, moderately chipped and soiled.
California: Eve Productions, 1963. Collection of four vintage studio still photographs from the 1963 film. With stars drawn on the recto, and two with stamps on the bottom right corner of the recto, noting production No. 72-640. With hand-inked black stars over portions of breasts where one would normally expect to see a nipple or a pasty. An early Russ Meyer.....
![Motorpsycho [Motorpsicho] (Two original lobby cards from the 1965 film). Russ Meyer, Billy...](/pictures/thumb/139232.jpg?v=1541282487)
Romania: Eve Productions, Circa 1970s. Two vintage oversize borderless black-and-white lobby cards from a 1970s Romanian release of the 1965 US film. Rubber-stamped on the versos MOTQRPSICHO [sic] FAVORIT, indicative of the Cinema Favorit in Romania, once the largest and most popular cinema in the country, and one that operated even under the then-Communist regime. One lobby card also bears.....
![Russ Meyer's Lorna [Lorna] (Original program from the 1964 film). Russ Meyer, James Griffith,...](/pictures/thumb/139221.jpg?v=1492980211)
California: Art Theatre Guild / Eve Productions, 1964. Original black-and-white program for the 1964 film, printed for the Art Theatre Guild. The Art Theatre Guild (ATG) began in 1961 as an independent agency distributing films (mostly Japanese) rejected by major studios. The company operated until the 1980s, with theaters in Arizona, California, Colorado, Illinois, Kentucky, Massachusetts, Missouri, New Mexico, Ohio.....
France: Cinetel, 1962. Archive of 64 vintage borderless single weight still photographs from the 1962 French film. Seen in the images are starring actor Phillippe Noiret, actor Rene Lefevre, and actresses Berthe Granval and Zouzoue, as well as several shots of the film crew and director Michel in action. Numerical annotations, and some with cropping annotations, on the verso of.....
Beverly Hills, CA: United Artists, 1966. Vintage one sheet poster for the 1966 film. Distributor rubber stamp on the verso. Based on Michener's 1959 novel. Two Calvinist missionaries, Rev. Abner (Sydow) and Jerusha (Andrews), visit the exotic island of Hawaii, bent on converting the natives. The culture clash leads to heartache, and to a renewed passion for preaching faith. Shot.....
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1962. Vintage reference photograph of Carol Reed on the set of the 1962 film. With a mimeo snipe on the verso. Reed served as the film's original director before leaving the production after three months of filming, to be replaced by Lewis Milestone. Based on the 1932 novel. A dramatization of the real-life mutiny which occurred.....
Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1962. Collection of six vintage contact sheets featuring 54 images from the set of the 1962 film. The images show Brando in costume on the set, posing with co-star Tarita Teriipaia, who he would later marry, cast and crew filming a boat landing, and many images of relaxing locals in traditional garb, preparing for their.....
Universal City, CA: Joel Productions, 1962. Vintage press photograph from the set of the 1962 film. Based on Edward Abbey's 1956 novel, "The Brave Cowboy." Drifter cowboy Jack Burns (Kirk Douglas) hears that his old friend Paul Bondi (Michael Kane) is serving time in jail. Burns gets himself arrested with the intention of helping Bondi escape with him. Once inside.....
Universal City, CA: Universal Pictures, 1961. Two vintage black-and-white studio still photographs from the 1961 film. Based on Fannie Hurst's 1931 novel "Back Street." Wealthy heir begins an illicit affair with a shop owner on his way through Nebraska. A far more dramatic film than the 1932 and 1941 versions, and one which deviates considerably from the source material. Set in.....
Universal City, CA: Universal Pictures, 1962. Master revised typescript for the 1963 film. Likely belonging to producer Robert Arthur, with "Mr. Arthur" and "Master Copy" in blue and black holograph ink to the front wrapper respectively, likely unique or one of only a handful made prior to mimeograph issue. In 1944, Capt. Josiah J. Newman is the doctor in charge.....