New York: Louis de Rochemont Associates, 1963. Third Draft script for an unproduced film about John Knox, the Scottish clergyman and theologian, considered to be the founder of the Presbyterian denomination in Scotland. Screenwriter Sloane (credited as Sloan here) was a screenwriter and wardrobe consultant, whose film credits include "Martin Luther" (1953), "Stalag 17" (1953), "The Monster That Challenged the.....

Los Angeles: Twentieth Century-Fox, 1965. Two vintage studio still photographs of James Stewart and Glynis Johns from the 1965 film. Both with "Silver Screen Archives" stamp on the verso. Based on John Haase's 1963 novel Erasmus with Freckles.The bumbling Robet Leaf (Stewart) is a poet and Arts professor at the local university, who shuns all things scientific. When its revealed.....

Los Angeles: Twentieth Century-Fox, 1969. Collection of 5 vintage single weight reference photographs from the 1968 UK film, released in the US in 1969. The photographs represent ad mockups featuring collages of starring actors Phillips and Page. One image is shown. To see others, please inquire.Based on Waugh's debut novel "Decline and Fall" (1928). Paul Pennyfeather (Phillips) is unjustly dismissed.....

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1962. Vintage, oversize, borderless reference photograph of director Stanley Kubrick and cinematographer Oswald Morris on the set of the 1962 film. With holograph annotations on the verso regarding layout.A stunning photo of both Kubrick and legendary cinematographer Morris, the latter whose achievements apart from "Lolita" include "Oliver Twist (1948), "Moulin Rouge" (1952), "Moby Dick" (1956).....

Tokyo: Kurosawa Production Company, 1960. Shooting script for the legendary 1961 Japanese film. Working copy belonging to Omura Senkichi, who played a small role as a traveling servant in the film, with his name on the front wrapper and his annotations throughout. Though not credited as such, based thematically on Dashiell Hammett's 1929 novel, "Red Harvest," and subsequently the basis for.....

Tokyo: Kurosawa Production Co., 1963. Draft script for the 1965 Japanese film, preceding the release by nearly two years. Text and titles in Japanese. Based on Shugoro Yamamoto's short story collection "Akahige Shinryotan." Toshiro Mifune's final film with director Akira Kurosawa, considered one of the director's masterpieces, following a small-town doctor and his new intern, a highly educated, arrogant young.....

Paris: Films Montsouris, 1960. Original French premiere invitation for two people from the 1960 French film, here under the original French title. Illustration recalling the design of the film's posters, printed on card stock in orange, green and blue, noting the date and location of showing, Wednesday, September 14, 9 pm at the Marignan (theatre in Paris). The film was.....

Strasbourg, France: Jean Jungmann, 1960. Archive of 5 vintage single weight press photographs from a press gala for the 1960 French film, here under the original French title. All rubber-stamped on the verso, crediting photographer Jungmann, and all but one show director Lamorisse on-stage behind a microphone with an official from the gala, with one photo featuring smiling colleagues seated.....

Collection of eight vintage borderless studio still photographs from the 1969 film, six with mimeo snipes on the verso. Based on D.H. Lawrence’s 1920 novel about two sisters who begin relationships with a pair of friends, bringing conflict between the two pairs as their relationships head in different directions. An examination of changes in sexual mores both in the time.....

London: Warner-Pathe, 1963. Collection of 8 vintage full-color still photographs from the 1963 UK film. With distributors wraparound band. Nancy Kwan is featured in each still. Based on the 1957 novel by Thelma Niklaus, about a simple Polynesian girl who is sent to live with her uncle in London. Nominated for a BAFTA award for Best British Cinematography in Colour.....

London: Horizon, 1962. Vintage borderless photograph of David Lean on the set of the 1962 film. An incomparable film. Opening in 1935 with the death of Lawrence (Peter O'Toole) in a motorcycle accident at the age of 46, we then follow, in flashback, Lawrence as a young intelligence officer in 1916 Cairo, assigned to investigate the progress of the Arab.....

Paris: Les Films 13, 1966. Collection of four vintage photographs from the 1966 film. With agency stamps and holograph annotations on the versos. Anne Gauthier (Anouk Aimee) and Jean-Louis Duroc (Jean-Louis Trintignant) meet as they drop their children off at boarding school. She works as a script supervisor and he as a race-car driver. They quickly become friends and as.....

N.p. Peppercorn-Wormser Film Enterprises, Circa 1967. Two vintage studio still photographs from the 1967 film, one showing musician Odetta, the other showing Bernice Johnson Reagon, a member of the Freedom Singers.A black and white documentary filmed over the course of three Newport Folk Festivals, from 1963 to 1965. Featuring performances from folk roots legends Joan Baez, Bob Dylan, Howlin’ Wolf.....

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1946. Third Draft script for the 1949 film. Based on the 1933 film, which in turn was based on the 1868 novel by Louisa May Alcott. An early David O. Selznick production script for the film, which was canceled due to a studio strike, and which would later be purchased by MGM and filmed with.....

Los Angeles: Twentieth Century-Fox, 1959. Draft script for the 1960 film. Due to a clerical error, Gus Brubaker is drafted for a second following his stint in the Korean War. This time he is sent to a tiny Japanese island full of bored natives and airmen, to which Brubacker responds by resolving to build a hotel based around the hot.....

Beverly Hills, CA: Proscenium Films / United Artists, 1964. Vintage black-and-white studio still photograph from the US release of the 1964 British film. A candid shot in which all four Beatles are having their hair done by four uniformly dressed female hairdressers. 8 x 10 inches. Fine.

Universal City, CA: Universal Pictures, 1964. Collection of 11 color negatives for film still photographs from the 1964 film. Four of the negatives have mimeo snipes associated with them. Marlon Brando stars as a love-them-and-leave-them womanizer who meets a man equal in skill for deceiving women, but with an added knack for conning them out of money at the same.....

Universal City: Universal Pictures, 1964. Vintage photograph of director Ralph Levy and actors David Niven, Shirley Jones, and Marlon Brando on the set of the 1964 film. Mimeo snipe on the verso. Marlon Brando stars as a love-them-and-leave-them womanizer who meets a man equal in skill for deceiving women, but with an added knack for conning them out of money.....

Culver City, CA: Columbia Pictures, 1965. Presentation script for the 1965 film, given by Jerry Lewis to producer Howard Pine, with a leather label bearing the gilt inscription "Good Luck. Always, Jerry" on the front pastedown. Pine's working script, with annotations in holograph ink and pencil throughout. Housed in a custom, leather bound spring binder (a first in our experience).....

Hollywood: Jerry Lewis Productions, 1960. Vintage photograph of Jerry Lewis and jazz impresario Count Basie on the set of the 1960 film, in which Basie stars as himself. With holograph annotations in pencil on the verso. Jerry Lewis' answer to the classic Cinderella story. When his father dies, poor Fella is left at the mercy of his snobbish stepmother and.....

Beverly Hills, CA: United Artists, 1961. Vintage borderless black-and-white still photograph from the French release of the 1961 film. Featuring Ingrid Bergman holding up Anthony Perkins as he seems to be falling backwards outside of a large doorway. From the Tele Cine Documentation archive, originally known as the Collection Daniel Bouteiller, with their sticker to the verso. Also on the.....

Burbank, CA: Warner Brothers, 1966. Revised Estimating script for the 1967 film. Winner of three Academy Awards. Based on the 1960 Broadway musical by Lerner and Loewe, winner of four Tony awards, and itself based on "The Once and Future King," T.H. White’s 1958 adaptation of Arthurian legends. Set in England, shot on location in Spain. Tan titled wrappers, noted.....

Burbank, CA: Warner Brothers, 1964. Vintage photograph from set of the 1964 film. Mimeo snipe on the verso. Based on Thomas Heggen's 1946 novel titled "Mister Roberts" that was later adapted for Broadway in 1948, and in 1955 for the screen using the same name by director Joshua Logan. This film is Logan's sequel to the 1955 film. Shot on.....

Culver City, CA: Columbia Pictures / Hammer Films, 1961. Deluxe publicity manual for the 1962 film. Based on H.L. Lawrence's 1960 novel "The Children of Light." An extensive publication, containing cast and crew lists and biographies, a synopsis of the film, stories from the film's production, and captions for still photographs (though the stills are not included with the manual).....

Universal City, CA: Universal Pictures, 1968. Vintage borderless still photograph from the set of the 1968 film. Featuring Mia Farrow on a horse during filming, with Jo Losey and Liz Taylor in the background. A dark, psychologically twisted film in which Liz Taylor plays a boozy prostitute who stubles upon a family drama between young, wealthy Mia Farrow (coming off.....

Los Angeles: Twentieth Century-Fox, 1965. Vintage borderless press photograph of Monica Vitti from the 1966 film. With holograph annotations and agency stamps on the verso. Based on an original comic strip by Peter O'Donnell and Jim Holdaway. O'Donnell wrote an original screenplay for the film, although much of it was never used, and he novelized the film the same year.....

Los Angeles: Twentieth Century-Fox, 1966. Vintage black-and-white studio still photograph from the 1966 film. A split still showing Vitti in two different guises, as a brunette spy and as a seductive blonde who is actually a brunette spy. 8 x 10 inches. Near Fine.

Universal City: World Film Services / Universal, 1968. Vintage studio still photograph from the set of the 1968 film, showing director Joseph Losey working with Elizabeth Taylor while the crew resets between takes. With a mimeo snipe on the verso. Adapted for the screen by Tennessee Williams, based of his 1963 stage play "The Milk Train Don't Stop Here Anymore.".....

Universal City: Universal Pictures, 1968. Vintage studio still photograph of Elizabeth Taylor and director Joseph Losey on the set of the 1968 film. Mimeo snipe affixed to the verso. Adapted for the screen by Tennessee Williams, based of his 1963 stage play "The Milk Train Don't Stop Here Anymore." Taylor (in a part written for a much older woman) plays.....

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1965. Draft script for the 1966 film, here under the working title "There's No Place Like Space," from the collection of cinematographer Paul Vogel, presumably his working copy, with "Camera" written in holograph pencil at the top right corner of the front wrapper.A vehicle to promote the band Herman's Hermits in much the same vein.....

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1969. Vintage oversize borderless reference photograph of Sidney Lumet, Anouk Aimee, and Omar Sharif taking a walk in between takes on the set of the 1969 film, with art director Piero Gherardi looking on in the background. With a mimeo snipe to the verso, along with the stamp of Pierluigi studio in Rome and holograph.....

Paris: Transcontinental Film Productions, 1962. Two vintage photographs of Sidney Lumet directing on the set of the 1962 film. With holograph annotations and a rubber stamp on the versos of each. Based on the 1955 play by Arthur Miller, about an unhappily married man whose obsession with his niece leads to tragedy when she falls for an immigrant who is.....

Beverly Hills, CA: United Artists, 1966. Two vintage borderless black-and-white reference photographs from the 1966 film. Based on the 1963 novel by Mary McCarthy. 8 x 10 inches. Near Fine. Complete collation details available on request.

Beverly Hills, CA: United Artists, 1960. Vintage black-and-white reference photograph of Marlon Brando on the set of the 1960 film. 8 x 10 inches. Near Fine. With a Hollywood bookshop stamp on the verso, along with an inked price notation. Complete collation details available on request. Criterion Collection 515.

Los Angeles: Paramount Pictures, 1964. Collection of 19 vintage studio still photographs from the 1964 film.Released in the U.S. under the title "Revenge of the Gladiators," it was originally released in Italy under the title "La vendetta di Spartacus" or "The Revenge of Spartacus," which it is also known by. "Revenge of the Gladiators" was the first of Michele Lupo's.....

Beverly Hills, CA: MGM, 1960. Original vintage photograph of Janice Rule and Gerry Mulligan from the 1960 film. With a type written description, and holograph annotations in red crayon and graphite on the verso. From one perspective, a fairly one-dimensional representation—perhaps even a caricature—of Beat culture, but culturally fascinating in that it was made at the height of the Beat.....

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1960. Vintage Italian Locandina poster for the 1960 US film. From one perspective, a fairly one-dimensional representation—perhaps even a caricature—of Beat culture, but culturally fascinating in that it was made at the height of the Beat era, with A-list talent by a top studio, and, until Walter Salles' 2012 adaptation of "On the Road," was.....

Paris: Étoile Dismage, 1968. Draft script for an unproduced film. Based on Richard Parker's 1953 crime novel of the same name. Laid in is a typed letter from Mage to the Paul Kohner agency in Los Angeles, dated July 1, 1968, and signed by Mage, requesting that the script be considered for development, and that Mr. Gugo-Salice of Lux Films.....

Belgrade: Avala Film, 1967. Original program for the international release of the 1967 Yugoslav black wave film. Photo-illustrated with stills from the film and reproductions of line illustrations. Wrappers text in French, with French, German, Russian, Spanish, and English text inside. Taking on the trappings of American crime and film noir, about a woman who is murdered by her lover.....

Beverly Hills, CA: United Artists, 1960. Collection of ten vintage studio still photographs from the 1960 film. "The Revolt of the Slaves" is based on the 1854 novel "Fabiola, or the Church of the Catacombs" by English Cardinal Nicholas Wiseman and set in 4th century AD Rome during Christian persecution under Roman Emperor Diocletian. Claudia (Rhonda Flemming), the beautiful daughter.....

Paris: Nouvelles Editions de Films [NEF], 1960. Collection of three vintage black-and-white still photographs from the 1960 French film. An anarchic Louis Malle comedy, one of his finest films, where ten-year-old Zazie, from a provincial town, escapes the custody of her cross-dressing Uncle George and sets out to explore Paris on her own—all while her mother is off spending time.....

Los Angeles: Famous Artists Productions, 1967. Vintage borderless black-and-white double weight press photograph from the set of the 1967 film comedy. With the stamp of photographer Pierluigi Praturlon on the verso. Born in Rome, Praturlon (better known simply as Pierluigi) embarked upon a career in photography in 1947. The young paparazzo got his first big story by snapping candid shots.....

Hollywood: Paramount Pictures, 1962. Vintage black-and-white studio still photograph from the 1962 film. Mimeo snipe once affixed to the verso (detached but present). Featured is Nita Talbot, who played "Saturday Knight" in the film. Based on Alexander Rose's 1960 novel, "Four Horse Players Are Missing." Steve (Martin) is a horse-race better whose habits get the better of him, so his.....

N.p. Trans American Films, 1966. Original pressbook for the 1966 Italian film. An early "mondo" documentary, ("shockumentary"), featuring shockingly real customs throughout the world, predating many similar films that would make the "video nasties" list, a list of films banned in England in the 1980s. Not to be confused with the 1980 Lamberto Bava film of the same name. The.....

N.p. Mercury Film International, 1966. Vintage studio still photograph from the 1966 film. "The Wild, Wild Planet," was the first film in Antonio Margheriti's "Gamma One Quadrilogy," followed by "The War of the Planets" (1966), "War Between the Planets" (1966) and "The Snow Devils" (1967) which uniquely established the Italian space and sci-fi genre of the 1960's. Originally filmed for.....

Bulgaria: Boyana Films, 1965. Three vintage reference photographs of actor Guy Madison from the 1965 Bulgarian film, with dialogue in German, based on the 1892 story by Karl May "Das Vermachtnis des Inka," originally published in the German magazine "Der Gute Kamerad."Following the cancellation of "The Adventures of Wild Bill Hickok" in 1957, Guy Madison moved to Europe, where he.....

Paris: Les Films Corona, 1968. Vintage oversize borderless color reference photograph of actress Ewa Aulin from the set of the 1968 film, showing director Christian Marquand with a hand-held camera, getting a close-up shot of Aulin sitting, fully clothed but soaking wet, on the floor of a shower. With a gold foil title label for the film's French release on.....

Beverly Hills, CA: United Artists, 1968. Vintage studio still photograph from the 1968 film. "Film Buff's Center" stamp on the verso. Based on the 1958 novel "The Bounty Killer" by Marvin H. Albert.Spanish-Italian Spaghetti Western. Mexican fugitive Jose Gomez (Tomas Milian) returns to his village, pursued by the notorious bounty hunter Luke Chilson (Richard Wyler).The debut of Milian in the.....