Beverly Hills, CA: United Artists, 1968. Vintage borderless photograph from the 1968 film. Mimeo snipe on the verso. Based on the 1964 novel by Ian Fleming, about a down-on-his-luck inventor who transforms an old race car into a magical machine and sets off with his children on an adventure. Set in and shot on location in England and France. 10.....

UK: Warwick Film Productions, 1960. Collection of 35 vintage, double weight, reference photographs from the 1960 film. One photograph showing actors Yvonne Mitchell and Peter Finch relaxing on the set, a second photograph with holograph annotations regarding layout on the verso. A dramatization of the libel and criminal cases involving Oscar Wilde and the Marquess of Queensberry, based on both.....

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM] / Seven Arts, 1964. Collection of 13 studio photographs from the 1964 film. The third of three feature films adapted from W. Somerset Maugham's classic 1915 novel, starring Kim Novak and Laurence Harvey, following the 1934 film starring Leslie Howard and Bette Davis, and the 1946 film starring Paul Henreid and Eleanor Parker. Set in.....

Beverly Hills, CA: United Artists, 1960. Original conceptual artwork the 1960 film. Featuring a drawing of Burt Lancaster with Audrey Hepburn clasped against him. Based on the 1957 novel by Alan Le May. In many ways a reflection on John Ford's 1956 film "The Searchers," which was also based on an Alan Le May novel, "The Unforgiven" tells the story.....

Beverly Hills, CA: United Artists, 1961. Vintage reference photograph from the 1961 film, showing actors Clark Gable and Marilyn Monroe outside a Dayton bar, holding a hatful of collected cash bets to pay Montgomery Clift's rodeo fee. With the stamp of Les Artistes Associes on the verso, along with a stamp of a large capital "S." The final completed film.....

Beverly Hills, CA: United Artists, 1961. Vintage studio still photograph from the set of the 1961 film, showing director John Huston riding a tire while actor Eli Wallach looks on. With a provenance stamp on the verso. The final completed film for actors Clark Gable and Marilyn Monroe before their deaths. Notoriously a trying endeavor for both Monroe, who was.....

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1964. Vintage borderless reference photograph of director John Huston and playwright Tennessee Williams on location for the 1964 film. With the stamp of National Film Archive on the verso. Based on Williams' 1961 play. An alcoholic former priest finds himself caught between the attentions of three women while leading a failing tour of Puerto Vallarta.....

Tokyo: Nikkatsu, 1963. Draft script for the 1963 film. Text in Japanese. A metaphor for the Twentieth Century Japanese experience, particularly through World War II, told through the perspective of a woman named Tome, born into a lower class family. She finds herself in a cycle of self-defeat, repeating the same mistakes that have always plagued her. Yellow titled perfect.....

US: Capital Films, 1973. Archive of vintage promotional material for the US release of the 1968 Italian / West German film. Together with a First Edition, paperback original of the novelization of the film, INSCRIBED by author Alan Dean Foster on the front endpaper: "To —- / from a collector who made it / Your friend / 1-74 / Alan.....

Tokyo: Toei, 1969. Draft script for the 1969 film. Text in Japanese. With annotations throughout in holograph pencil. High demand for tattooed geishas by foreigners leads to a formidable production line of ladies receiving tattoos in order to please European men. White titled perfect bound wrappers. Title page present. 122 leaves, with last page of text numbered 34. Mechanical duplication.....

N.p. N.p., Circa 1963. Vintage reference photograph of director Robert Wise and actress Julie Harris on the set of the 1963 film. With holograph ink annotations on the verso.From the archive of film historian and author Joel Finler.Based on Shirley Jackson's 1959 novel "The Haunting of Hill House." A group of disparate individuals are invited to a purportedly haunted house.....

Beverly Hills, CA: United Artists, 1967. Three vintage borderless black-and-white photographs taken on the set of the 1967 film: (1) director Norman Jewison sitting alone, (2) Jewison directing Rod Stieger, and (3) Jewison directing a key early scene featuring actors Arthur Malet, Sidney Poitier, and Rod Steiger. With holograph ink annotations regarding layout on the verso.From the collection of film.....

Burbank, CA: Warner Brothers / Seven Arts, 1969. Revised Draft script for an unproduced film by screenwriter Nunnally Johnson, titled "The $100,000,000 Snatch," with the working title, "The Fortunes of War," on the front wrapper. Johnson was a screenwriter, director, and producer, and highlights of his forty-year career include "The Grapes of Wrath" (1940), "The Three Faces of Eve" (1957).....

Prague: Filmove studio Barrandov, 1965. Re-release herald for the 1965 Czechoslovakia film "The Shop on Main Street," with four image from the film, and text in both Czech and English. Based on the 1962 short story "The Trap" by screenwriter Ladislav Grosman, and one of the comparatively few films from the Czechoslovak New Wave filmed in the Slovak as opposed.....

Burbank, CA: Warner Brothers, 1961. Vintage borderless double weight reference photograph from the 1961 film, showing Elia Kazan, Natalie Wood, Warren Beatty, and Beatty's then fiancee Joan Collins on the set. Beatty and Collins would break off their engagement during the production, after he began an affair with Wood. With the stamp of photographer Larry Fried for PIX photoagency on.....

N.p. N.p., 1960. Vintage borderless reference photograph of Elia Kazan, by photographer Sam Shaw, on the set of the 1961 film. "Sam Shaw" and "Graphic Arts Photo Service" stamps on verso. Warren Beatty's film debut. Natalie Wood was nominated for Best Actress Academy Award, and William Inge won for Best Screenplay, his first original screenplay after a career as a......

Burbank, CA: Warner Brothers / Seven Arts, 1969. Collection of nine vintage studio still photographs from the 1969 film. Adapted by director Elia Kazan from his own 1967 novel, about an advertising executive on the verge of a nervous breakdown, balancing the demands of his unhappy wife, younger mistress, and dying father. Set and shot on location in Los Angeles.....

Burbank, CA: Warner Brothers / Seven Arts, 1969. Vintage photograph on director Elia Kazan conferring with a lounging Kirk Douglas (holding a prop baby doll) and Faye Dunaway during an outdoor shoot on the set of the 1969 film. With holograph annotations regarding layout on the verso. Adapted by Kazan from his own 1967 novel, about a suicidal advertising executive.....

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1965. Final draft pilot script for the MGM television series which aired on September 6, 1966 on ABC. Laid in, a MGM Work Order and Call Sheet, filled out in holograph ink, dated "WED. 12-8-65" in holograph ink. Bound in is a five page Shooting Schedule dated 11-29-65, struck through on three pages in holograph.....

N.p. N.p., 1967. Collection of four vintage reference photographs from the 1967 Canadian film, three borderless with a matte finish photographs and one bordered with a glossy finish.Allan King's directorial debut, a controversial documentary about a group home for children with developmental disabilities in a small Toronto suburb.Two photographs 9.5 x 7.75 inches, two photographs 10 x 8 inches. Very.....

Los Angeles: Twentieth Century-Fox, 1962. Collection of 12 vintage promotional photographs from the 1962 film. Based on the 1934 novel by F. Scott Fitzgerald. The tables are turned when a psychiatrist (Jason Robards) who marries a patient (Jennifer Jones) becomes more and more dependent on her as she regains her strength. David O. Selznick had originally intended the film as.....

Hollywood: Rayan Productions, 1967. First Corrected Draft script for the 1969 film. With a holograph pencil notation to the title page, and a single holograph ink notation to the first page of text.Dissatisfied with a lack of recognition in their careers, a retired British Secret Service agent and an aspiring author concoct a scheme to hijack a government shipment of.....

N.p. Delpire, 1966. Collection of three vintage borderless reference photographs from the 1966 film. Both with the stamp of Tele-Magazine on the verso. An anarchic satire of the fashion industry directed by a true insider, Vogue magazine's longtime fashion photographer William Klein. Dorothy McGowan (in her first and only film appearance) stars as young model Polly Maggoo, who becomes the.....

Burbank, CA: Warner Brothers Television, 1962. Revised Draft script for the Episode 41 of Season 4 of the television series. Copy belonging to Sammy Davis Jr, who played the cashier and Kid Pepper in this episode, with his signature on the first page, and annotations in holograph ink and pencil throughout. Two private investigators work on the south side of.....

Los Angeles: Twentieth Century-Fox, 1965. Two vintage studio still photographs of James Stewart and Glynis Johns from the 1965 film. Both with "Silver Screen Archives" stamp on the verso. Based on John Haase's 1963 novel Erasmus with Freckles.The bumbling Robet Leaf (Stewart) is a poet and Arts professor at the local university, who shuns all things scientific. When its revealed.....

N.p. N.p., Circa 1969. Vintage borderless double weight reference photograph of Anthony Quinn and Stanley Kramer on the set of the 1969 film. Mimeo snipe and photographer "L. Trumpler" stamps on verso. Based on the 1966 novel by Robert Crichton. A group of poor Italian winemaking villagers attempts to hide their substantial stashes of wine from the newly arrived German.....

Beverly Hills, CA: United Artists, 1963. Vintage studio still photograph of Sterling Holloway from the 1963 film. Stanley Kramer's outrageous comedy about a massive group of strangers fighting over hidden treasure, with one of largest, unrivaled ensemble of players including Spencer Tracy, Milton Berle, Sid Caesar, Buddy Hackett, Ethel Merman, Mickey Rooney, Phil Silvers, Jonathan Winters, and many, many others.Winner.....

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1962. Vintage, oversize, borderless reference photograph of director Stanley Kubrick and cinematographer Oswald Morris on the set of the 1962 film. With holograph annotations on the verso regarding layout.A stunning photo of both Kubrick and legendary cinematographer Morris, the latter whose achievements apart from "Lolita" include "Oliver Twist (1948), "Moulin Rouge" (1952), "Moby Dick" (1956).....

Tokyo: Kurosawa Production Company, 1960. Shooting script for the legendary 1961 Japanese film. Working copy belonging to Omura Senkichi, who played a small role as a traveling servant in the film, with his name on the front wrapper and his annotations throughout. Though not credited as such, based thematically on Dashiell Hammett's 1929 novel, "Red Harvest," and subsequently the basis for.....

Tokyo: Kurosawa Production Co., 1963. Draft script for the 1965 Japanese film, preceding the release by nearly two years. Text and titles in Japanese. Based on Shugoro Yamamoto's short story collection "Akahige Shinryotan." Toshiro Mifune's final film with director Akira Kurosawa, considered one of the director's masterpieces, following a small-town doctor and his new intern, a highly educated, arrogant young.....

Paris: Films Montsouris, 1960. Original French premiere invitation for two people from the 1960 French film, here under the original French title. Illustration recalling the design of the film's posters, printed on card stock in orange, green and blue, noting the date and location of showing, Wednesday, September 14, 9 pm at the Marignan (theatre in Paris). The film was.....

Strasbourg, France: Jean Jungmann, 1960. Archive of 5 vintage single weight press photographs from a press gala for the 1960 French film, here under the original French title. All rubber-stamped on the verso, crediting photographer Jungmann, and all but one show director Lamorisse on-stage behind a microphone with an official from the gala, with one photo featuring smiling colleagues seated.....

Los Angeles: Zenith, 1964. Collection of eight vintage studio still photographs from the 1964 US release of the 1962 Italian film. All with a stamp noting production No. 65-527 on the verso, and seven with the same stamp on the bottom right corner of the recto. After many years living in northern Italy, a factory worker takes his wife and.....

London: Warner-Pathe, 1963. Collection of 8 vintage full-color still photographs from the 1963 UK film. With distributors wraparound band. Nancy Kwan is featured in each still. Based on the 1957 novel by Thelma Niklaus, about a simple Polynesian girl who is sent to live with her uncle in London. Nominated for a BAFTA award for Best British Cinematography in Colour.....

Culver City, CA: Columbia Pictures, 1957. Vintage borderless photograph of David Lean on the set of the 1957 film. Based on Pierre Boulle's 1952 novel "Le Pont de la riviere Kwai," about Allied POWs forced to build a railway over a bridge during WWII. Under the leadership of Colonel Nicholson (Guinness), they are persuaded that the bridge should be constructed.....

N.p. N.p., Circa 1962. Vintage reference photograph of Peter O'Toole, Gamil Ratib, and David Lean on the set of the 1962 film. Based on the 1926 autobiography "Seven Pillars of Wisdom" by T.E. Lawrence.An incomparable film. Opening in 1935 with the death of Lawrence (Peter O'Toole) in a motorcycle accident at the age of 46, we then follow, in flashback.....

London: Hammer Films, 1964. Collection of four vintage borderless reference photographs taken on the set of the 1964 film. One with a printed mimeo snipe specific to the film's German release affixed to the verso, noting the film's German title, "Die brennenden Augen von Schloss Bartimore."A small village in the early twentieth century is terrorized by Megaera the Gorgon, a......

N.p. N.p., Circa 1966. Vintage reference photograph of director Claude Lelouch (who was also the cinematographer), filming from the hood of Jean-Louis Duroc's (Jean-Louis Tintignant) mustang, from the set of the 1966 film. Anne Gauthier (Anouk Aimee) and Jean-Louis Duroc (Trintignant) meet as they drop their children off at boarding school and quickly become friends. As romance develops, they each.....

N.p. Peppercorn-Wormser Film Enterprises, Circa 1967. Two vintage studio still photographs from the 1967 film, one showing musician Odetta, the other showing Bernice Johnson Reagon, a member of the Freedom Singers.A black and white documentary filmed over the course of three Newport Folk Festivals, from 1963 to 1965. Featuring performances from folk roots legends Joan Baez, Bob Dylan, Howlin’ Wolf.....

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1946. Third Draft script for the 1949 film. Based on the 1933 film, which in turn was based on the 1868 novel by Louisa May Alcott. An early David O. Selznick production script for the film, which was canceled due to a studio strike, and which would later be purchased by MGM and filmed with.....

N.p. N.p., Circa 1965. Vintage borderless reference photograph from the set of the 1965 film, showing actresses Lucy Bartlett and Charlotte Rampling in between takes, wearing matching wetsuits. An awkward young man seeks out the help of his womanizing friend in learning how to seduce women, but trouble arises when both men fall for the same woman, a shy young.....

London: Woodfall Film Productions, 1965. Vintage borderless photograph from the set of the 1965 film. With holograph annotations in pencil on the verso. Set amidst the cultural shifts of the 1960s. Colin (Michael Crawford), an awkward school teacher is desperately trying to have the kind of sexual experiences as his womanizing friend Tolen (Ray Brooks). When Nancy (Rita Tushingham) arrives.....

Beverly Hills, CA: Proscenium Films / United Artists, 1964. Vintage black-and-white studio still photograph from the US release of the 1964 British film. A candid shot in which all four Beatles are present along with three lovely ladies, Paul practicing a dance step with one of them. 8 x 10 inches. Fine.

Universal City, CA: Universal Pictures, 1964. Collection of 11 color negatives for film still photographs from the 1964 film. Four of the negatives have mimeo snipes associated with them. Marlon Brando stars as a love-them-and-leave-them womanizer who meets a man equal in skill for deceiving women, but with an added knack for conning them out of money at the same.....

Universal City: Universal Pictures, 1964. Vintage photograph of director Ralph Levy and actors David Niven, Shirley Jones, and Marlon Brando on the set of the 1964 film. Mimeo snipe on the verso. Marlon Brando stars as a love-them-and-leave-them womanizer who meets a man equal in skill for deceiving women, but with an added knack for conning them out of money.....

Culver City, CA: Columbia Pictures, 1965. Presentation script for the 1965 film, given by Jerry Lewis to producer Howard Pine, with a leather label bearing the gilt inscription "Good Luck. Always, Jerry" on the front pastedown. Pine's working script, with annotations in holograph ink and pencil throughout. Housed in a custom, leather bound spring binder (a first in our experience).....

Hollywood: Jerry Lewis Productions, 1960. Vintage photograph of Jerry Lewis and jazz impresario Count Basie on the set of the 1960 film, in which Basie stars as himself. With holograph annotations in pencil on the verso. Jerry Lewis' answer to the classic Cinderella story. When his father dies, poor Fella is left at the mercy of his snobbish stepmother and.....